Search
Search results
Matthew Krueger (10051 KP) rated Unlawful Entry (1992) in Movies
Feb 17, 2021
Kurt Russell (1 more)
Ray Liotta
One Man's Obsession
Unlawful Entry- is a really good suspense thriller. The suspense, the thrills, the drama, the mystery are all excellent.
The plot: Happily married Michael (Kurt Russell) and Karen Carr (Madeleine Stowe) call the police after a failed robbery. Officer Pete Davis (Ray Liotta) arrives and helps arrange the installation of a new security system. The grateful Carrs have Pete to dinner and strike up a friendship. Pete invites Michael to ride with him during a night's patrol and gives him the chance to beat up the burglar. Michael refuses and tells the disturbed cop to stay away, but Pete begins stalking the terrified couple.
Its a excellent film. Highly recordmend.
The plot: Happily married Michael (Kurt Russell) and Karen Carr (Madeleine Stowe) call the police after a failed robbery. Officer Pete Davis (Ray Liotta) arrives and helps arrange the installation of a new security system. The grateful Carrs have Pete to dinner and strike up a friendship. Pete invites Michael to ride with him during a night's patrol and gives him the chance to beat up the burglar. Michael refuses and tells the disturbed cop to stay away, but Pete begins stalking the terrified couple.
Its a excellent film. Highly recordmend.
Lee KM Pallatina (951 KP) rated The Crow (1994) in Movies
Jun 14, 2019
"It can't rain all the time"
On the night before their wedding, Eric Draven and his fiancee are brutally murdered by members of a very dangerous gang. On the anniversary of their death Eric is risen from the grave ultimately become a gothic style supernatural Angel of death known as The Crow. Hunting down the one's responsible for his and his finances death's, he will stop at nothing until the gang and it's leader Top Dollar are dead so his soul may rest.
Starring the late Brandon Lee, Rochelle Davis, Michael Wincott and Ernie Hudson.
Starring the late Brandon Lee, Rochelle Davis, Michael Wincott and Ernie Hudson.
Barry Newman (204 KP) rated Beetlejuice (1988) in Movies
Feb 1, 2020
A creative and fun slice of early Tim Burton with the director beginning to establish his signature blend of dark humour and gothic landscapes populated by weird creatures. The quirky story and (due to their fantastical nature) the special effects still hold up well today , Alec Baldwin and Geena Davis also make for likeable leads but Michael Keaton of course steals the show in the title role ( even if I was surprised by how little screen time he actually has). This isn’t Tim Burton’s best film but you can certainly see his talent starting to develop and this is a fun little romp.
Matthew Krueger (10051 KP) rated BloodRayne (2006) in Movies
Jul 23, 2019
Rayne of blood
So this movie excist, bloodrayne came out the same month as uwe bolls other terrible movie- alone in the dark. So in 2006, you didnt get one but two terrible uwe boll movies that came out the same month, both based off of video games.
Bloodrayne is about- In 18th-century Romania, after spending much of her life in a traveling circus, human-vampire hybrid Rayne (Kristanna Loken) escapes and plots to take down her evil vampire father, Kagan (Ben Kingsley). When she's discovered by three vampire hunters, Vladimir (Michael Madsen), Katarin (Michelle Rodriguez) and Sebastian (Matt Davis), she manages to convince them to spare her life and join her cause. But slaying a vampire as powerful as Kagan will be no easy task.
The cast is wasted on this film. Im not sure why they signed up for this movie in the first place, but their did.
Its a god awful movie that no one, i mean no one should suffer through.
Bloodrayne is about- In 18th-century Romania, after spending much of her life in a traveling circus, human-vampire hybrid Rayne (Kristanna Loken) escapes and plots to take down her evil vampire father, Kagan (Ben Kingsley). When she's discovered by three vampire hunters, Vladimir (Michael Madsen), Katarin (Michelle Rodriguez) and Sebastian (Matt Davis), she manages to convince them to spare her life and join her cause. But slaying a vampire as powerful as Kagan will be no easy task.
The cast is wasted on this film. Im not sure why they signed up for this movie in the first place, but their did.
Its a god awful movie that no one, i mean no one should suffer through.
Matthew Krueger (10051 KP) rated Basic Instinct (1992) in Movies
Apr 17, 2021
Love The Way You Lie
Basic Instinct- is a excellent erotic thriller. Both Micheal Douglas and Sharon Stone are excellent in it.
The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.
Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.
She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for “graphic depictions of extremely explicit violence, sexual content, and strong language”, but under pressure from TriStar and Carolco, Verhoeven cut 35–40 seconds to gain an R rating.
Its a excellent thriller and a must watch.
The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.
Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.
She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.
Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for “graphic depictions of extremely explicit violence, sexual content, and strong language”, but under pressure from TriStar and Carolco, Verhoeven cut 35–40 seconds to gain an R rating.
Its a excellent thriller and a must watch.
Sarah (7798 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Jan 30, 2021
Boseman is amazing
Ma Rainey’s Black Bottom is the latest adaptation of the works of August Wilson brought to us by producer Denzel Washington, following on from the 2016 adaptation of Fences that earned Viola Davis a Best Supporting Actress Oscar. Here Washington hands over the directing reins to Tony award winner George C. Wolfe, while Viola Davis returns as the titular Ma Rainey.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Sarah (7798 KP) rated Blackhat (2015) in Movies
Feb 10, 2019
Terribly dull
I’ve had this film on my Sky box now for well over 2 years and I’ve never felt in the right mood to watch it. Due to changing over my Sky box, I’m now having to watch everything I’ve got recorded and I’ve now found out first hand why I’ve been avoiding watching this film for the past few years.
It is so terribly dull and stupid that it could barely hold my attention. Whilst I find the general subject of hacking quite interesting, this film has made it look so terribly boring. I’m also not the biggest fan of Michael Mann’s style and this is definitely not his best work. The few fight scenes could have been good but were spoilt by dodgy camera work, and the music is oddly overly dramatic and misjudged, and doesn’t fit in with the story at all. The plot itself is just convoluted and silly, and jumps all over the place. It also has the most pointless and unbelievable romantic subplot I’ve seen in quite a while. The entire film is just completely disinteresting and badly underused a very talented cast - I really don’t know what Viola Davis was doing in this. Unless you want to be bored for over 2 hours, I’d highly recommend avoiding this one.
It is so terribly dull and stupid that it could barely hold my attention. Whilst I find the general subject of hacking quite interesting, this film has made it look so terribly boring. I’m also not the biggest fan of Michael Mann’s style and this is definitely not his best work. The few fight scenes could have been good but were spoilt by dodgy camera work, and the music is oddly overly dramatic and misjudged, and doesn’t fit in with the story at all. The plot itself is just convoluted and silly, and jumps all over the place. It also has the most pointless and unbelievable romantic subplot I’ve seen in quite a while. The entire film is just completely disinteresting and badly underused a very talented cast - I really don’t know what Viola Davis was doing in this. Unless you want to be bored for over 2 hours, I’d highly recommend avoiding this one.
LeftSideCut (3778 KP) rated 21 Bridges (2019) in Movies
Sep 10, 2020
I found 21 Bridges to be a pretty entertaining action flick, even if it is a relatively predictable straight shooter.
The narrative revolves around two small time criminals gunning down 8 police officers during an escalated robbery, causing the whole of Manhattan to shut down as the NYPD hunt them before they can flee the city.
Like any cop thriller worth it's salt, it's of course not that simple, and has some twists and turns along the way. This is probably the main issue I had with 21 Bridges - the twist is easy to see from a mile off, and the pretty standard action sequences means that it doesn't particularly elevate itself above the competition.
The strengths here lie in the cast. Chadwick Boseman is a brilliant lead as detective Andre Davis, who is heading up the entire investigation. Stephan James is also great as Michael, one of the robbers. He's a man completely out of his depth, and is a sympathetic "antagonist". There are also some decent turns from J.K. Simmons, Sienna Miller, Taylor Kitsch, and Keith David.
All of the performances keep 21 Bridges pretty grounded for an action film, it's more of a thriller in that respect.
I'd say it's worth a watch, you could certainly do a lot worse when it comes to New York cop dramas.
The narrative revolves around two small time criminals gunning down 8 police officers during an escalated robbery, causing the whole of Manhattan to shut down as the NYPD hunt them before they can flee the city.
Like any cop thriller worth it's salt, it's of course not that simple, and has some twists and turns along the way. This is probably the main issue I had with 21 Bridges - the twist is easy to see from a mile off, and the pretty standard action sequences means that it doesn't particularly elevate itself above the competition.
The strengths here lie in the cast. Chadwick Boseman is a brilliant lead as detective Andre Davis, who is heading up the entire investigation. Stephan James is also great as Michael, one of the robbers. He's a man completely out of his depth, and is a sympathetic "antagonist". There are also some decent turns from J.K. Simmons, Sienna Miller, Taylor Kitsch, and Keith David.
All of the performances keep 21 Bridges pretty grounded for an action film, it's more of a thriller in that respect.
I'd say it's worth a watch, you could certainly do a lot worse when it comes to New York cop dramas.
LeftSideCut (3778 KP) rated Leprechaun 2 (1994) in Movies
Oct 28, 2020
Right, so Leprechaun 2 is basically just a whole set of questions... Is it a sequel? I honestly don't know. It doesn't explain how Lep himself is back after the ending of the first movie, and zero characters return (other than the titular bastard of course)
Is his weakness four leaf clovers as established in the previous film? Nah, it's iron now apparently. Is he still 600 years old as claimed in the first film? Sit down, he's 2000 years old now.
What I'm saying is, Leprechaun 2 just flat out does what the fuck it wants, continuaty be damned, which is kind of annoying, but then again, I hardly care.
It feels like a more ambitious project though, expanding on the origins of the Leprechaun lore, and it feels like it has a bigger budget (honestly not sure if that's true or not). Warwick Davis is once again doing what he does, which is no bad thing, but all of the other characters are just kind of there, although I appreciate the cameos from Clint Howard, Kimmy Robertson, and Michael McDonald.
Leprechaun 2 is alright I guess. It's still run-of-the-mill slasher trash, but I actually had more fun with it than the first one, and am just trying to enjoy the little quality that is there whilst it lasts...
Is his weakness four leaf clovers as established in the previous film? Nah, it's iron now apparently. Is he still 600 years old as claimed in the first film? Sit down, he's 2000 years old now.
What I'm saying is, Leprechaun 2 just flat out does what the fuck it wants, continuaty be damned, which is kind of annoying, but then again, I hardly care.
It feels like a more ambitious project though, expanding on the origins of the Leprechaun lore, and it feels like it has a bigger budget (honestly not sure if that's true or not). Warwick Davis is once again doing what he does, which is no bad thing, but all of the other characters are just kind of there, although I appreciate the cameos from Clint Howard, Kimmy Robertson, and Michael McDonald.
Leprechaun 2 is alright I guess. It's still run-of-the-mill slasher trash, but I actually had more fun with it than the first one, and am just trying to enjoy the little quality that is there whilst it lasts...
Matthew Krueger (10051 KP) rated Beetlejuice (1988) in Movies
Nov 7, 2020
Micheal Keaton (1 more)
Tim Burton
Say His Name
Beetlejuice- is a halloween classic. Its also a tim burton classic. The cast is really good, the fantasy gothic horror element is really good. Its also a dark film, and its PG and it does have some not PG moments. Its a excellent movie.
The plot: After Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves stuck haunting their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O'Hara, Jeffrey Jones) and teen daughter Lydia (Winona Ryder) buy the home, the Maitlands attempt to scare them away without success. Their efforts attract Beetlejuice (Michael Keaton), a rambunctious spirit whose "help" quickly becomes dangerous for the Maitlands and innocent Lydia.
Burton cast Ryder upon seeing her in Lucas. O'Hara quickly signed on, while Burton claimed it took a lot of time to convince other cast members to sign, as "they didn't know what to think of the weird script.
Warner Bros. disliked the title Beetlejuice and wanted to call the film House Ghosts. As a joke, Burton suggested the name Scared Sheetless and was horrified when the studio actually considered using it.
Beetlejuice Goes Hawaiian is in development hell and now its shelved. So the likely chance of it coming out is unlikely, but who knows.
Like i said before Beetlejuice is a excellent Halloween Classic.
The plot: After Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves stuck haunting their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O'Hara, Jeffrey Jones) and teen daughter Lydia (Winona Ryder) buy the home, the Maitlands attempt to scare them away without success. Their efforts attract Beetlejuice (Michael Keaton), a rambunctious spirit whose "help" quickly becomes dangerous for the Maitlands and innocent Lydia.
Burton cast Ryder upon seeing her in Lucas. O'Hara quickly signed on, while Burton claimed it took a lot of time to convince other cast members to sign, as "they didn't know what to think of the weird script.
Warner Bros. disliked the title Beetlejuice and wanted to call the film House Ghosts. As a joke, Burton suggested the name Scared Sheetless and was horrified when the studio actually considered using it.
Beetlejuice Goes Hawaiian is in development hell and now its shelved. So the likely chance of it coming out is unlikely, but who knows.
Like i said before Beetlejuice is a excellent Halloween Classic.