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Nicole Hadley (380 KP) rated Chocolate Cake in Books
Jun 18, 2018
Chocolate Cake by Michael Rosen is a short picture book about a boy’s love of chocolate cake. The boy ends up not being able to wait for his chocolate cake and this is the storm of his midnight chocolate cake feast. The boys mistake is that is does not clean up his trail of it. His mom figures out what happened in the end, which allows for a lesson on teaching children of being truthful.
The illustrations is great. The illustrations are unique. They appear to be hand drawn which helps the book to authentic.
I have this book 4/5 stars.
Thank you Penguin Random House UK Children’s and Puffin via NetGalley for the advanced copy in exchange for an honest review.
The illustrations is great. The illustrations are unique. They appear to be hand drawn which helps the book to authentic.
I have this book 4/5 stars.
Thank you Penguin Random House UK Children’s and Puffin via NetGalley for the advanced copy in exchange for an honest review.
Rachel King (13 KP) rated Midnight Alley (The Morganville Vampires #3) in Books
Feb 11, 2019
This is my favorite book in the series so far because the plot FINALLY focuses on Claire's schooling. When her schedule got replaced with harder classes, I went just a bit green with envy - I'm a nerd at heart, even though I haven't been to school in years. I also love that we get more background information about the town of Morganville, such as its purpose and an explanation of the more mystical aspects of the town. Myrnin was quite a fascinating character, and I would not have minded if the text spent more time on Claire's studies with him, as well as her advanced class studies. (And yes, my favorite parts of the Harry Potter series was the classroom stuff.)
I didn't like that this book did not have Eve's journal entries at the end like previous books have done. Those previously gave me clues into her mind and her relationship with Michael, as well as a taste of what happens in the next book, so I was rather disappointed when I realized it was missing.
I'm hoping that future books go into more detail about what the journals cover as well as what exactly the red crystals are and how they affected Claire. I'm hoping that the drama with Eve's brother Jason gets resolved quickly as I find him just plain annoying and obnoxious. The ending had me exclaiming out loud, and I can't wait to get my hands on the next book in the series, Feast of Fools (Morganville Vampires, Book 4).
I didn't like that this book did not have Eve's journal entries at the end like previous books have done. Those previously gave me clues into her mind and her relationship with Michael, as well as a taste of what happens in the next book, so I was rather disappointed when I realized it was missing.
I'm hoping that future books go into more detail about what the journals cover as well as what exactly the red crystals are and how they affected Claire. I'm hoping that the drama with Eve's brother Jason gets resolved quickly as I find him just plain annoying and obnoxious. The ending had me exclaiming out loud, and I can't wait to get my hands on the next book in the series, Feast of Fools (Morganville Vampires, Book 4).
LeftSideCut (3778 KP) rated The Batman (2022) in Movies
Mar 7, 2022
Like many others, I've been pretty much sold on The Batman since the first trailer dropped, to the point where I was worried that my own hype would leave me disappointed. Luckily that's not the case. Matt Reeves has crafted the definitive live action Batman experience.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.
The character himself has gone through many iterations over the years, and most of them come with their own merits, but he works aesthetically and thematically better at the darker end of the spectrum. This Batman is certainly that. The narrative takes place wholeheartedly in the criminal underbelly of Gotham, bathing in it's corruption. It's noir-thriller construction compliments the setting perfectly, presenting a slow burning crime piece, with occasional bursts of action, that never feels boring over its near 3 hour runtime.
Pattinsons take on the character could be the very best yet. Through projects such as The Lighthouse and Tenet, he's proven that he has the chops for this kind of thing, and he nails it without a doubt. I was pleasantly surprised by how much on screen Batman we got. He's under the cowl more often than not, and it's an understandable direction to take considering how great the suit looks alongside the general aesthetic of the film. Paul Dano's Riddler is a worthy foe as well. This villain is portrayed as unhinged and dangerous from the get go, a person who is angry and upset with the world, and who has the capacity to bring Gotham to its knees. His master plan is wonderful to watch unfold. Dano is golden in anything he appears in, and my only real complaint about The Batman is that we didn't get more of him.
Colin Farrell, Zoe Kravitz, Jeffrey Wright, and John Turturro are all fantastic supports. It's a well rounded cast, playing well written characters.
The direction and cinematography on display is some of the best I've ever seen in a comic book movie. Reeves has a great eye, from Cloverfield to his Planet of the Apes entries, he has a certain brand of cinema magic that suits Gotham down to the ground. Throw Greig Fraser into the mix, fresh from his outstanding work with Dune, and you have a pretty solid pairing that results in a breathtaking, visual feast, all backed up by a phenomenal music score, from the ever reliable Michael Giacchino.
I can't heap enough praise onto The Batman, a patient, unforgiving, enthralling, and bleak comic adaption that sits at the top of the pile that is deserving of its glowing reviews.