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Dana (24 KP) rated Annihilation, Book Two in Books
Mar 23, 2018
So in this, the second book of the Annihilation comic series, we get even more characters in the universe!
Many people have been introduced to the Silver Surfer in the second Fantastic Four film by Sony pictures, but we get a lot more information of who he is in this book and I really liked seeing that! We get to see his interactions with the other former heralds of Galactus, the Devourer of Worlds. This also gives us some background of his power and relationships with the rest of the Marvel Comics Universe. He's a pretty cool character, in my opinion.
In this book, we also get a lot more information about Super Skrull. He's great and I love him. That's all.
Finally, we get to meet Ronan for real. I loved getting to see him as more than just the villain he is painted as in the Guardians of the Galaxy movie. He gets a backstory and a reason for why he is the way he is! I am actually kind of sympathetic towards him, to be completely honest. I love it when people who can be seen as villains are portrayed as round characters who are more than just evil. He is The Accuser. He has the power to reduce people to ash at the drop of a few words, yet he only does it when he deems it necessary. That's a pretty cool move! Also, the fact that he is not working for the Annihilation crew is a redeeming quality if I have ever seen one!
I am keeping this review pretty short so I can move onto the next one! I can't wait to see how this ends!
Many people have been introduced to the Silver Surfer in the second Fantastic Four film by Sony pictures, but we get a lot more information of who he is in this book and I really liked seeing that! We get to see his interactions with the other former heralds of Galactus, the Devourer of Worlds. This also gives us some background of his power and relationships with the rest of the Marvel Comics Universe. He's a pretty cool character, in my opinion.
In this book, we also get a lot more information about Super Skrull. He's great and I love him. That's all.
Finally, we get to meet Ronan for real. I loved getting to see him as more than just the villain he is painted as in the Guardians of the Galaxy movie. He gets a backstory and a reason for why he is the way he is! I am actually kind of sympathetic towards him, to be completely honest. I love it when people who can be seen as villains are portrayed as round characters who are more than just evil. He is The Accuser. He has the power to reduce people to ash at the drop of a few words, yet he only does it when he deems it necessary. That's a pretty cool move! Also, the fact that he is not working for the Annihilation crew is a redeeming quality if I have ever seen one!
I am keeping this review pretty short so I can move onto the next one! I can't wait to see how this ends!
Daniel Boyd (1066 KP) rated Captain Marvel (2019) in Movies
Apr 2, 2019 (Updated Apr 2, 2019)
Blockbuster Fun (1 more)
SFX
Marvellous
I am usually there to see a Marvel movie on day 1, unfortunately though with this film there was a load of bias and negative mentality surrounding it's release. To be honest discussing this movie seemed like a volatile minefield immediately after it's release and it put me off going to see it for a while. Instead I decided to wait a couple of weeks for the dust to settle before going into it. The main reason for this was that I didn't want my experience of the movie to be tarnished by some bitter neckbeard's opinion on the other side of the planet. It is unfortunate that I felt repelled from the movie because of a loud angry minority, but in hindsight I am glad that I waited to see Captain Marvel, because I got to see it in with an untainted mind-set as the filmmakers most likely intended.
I had a lot of fun with this movie, far more than I expected to based on the trailers. Captain Marvel is a great space hopping romp that will put a smile on your face in spite of a few minor shortcomings. The action is great throughout and every fight sequence is exciting and impressive to watch unfold. The CGI is also incredible too, from the vast space shots to the impeccable de-aging on Sam Jackson throughout the movie, to allow him to portray a younger Nick Fury.
The characters are all great as well, I loved that Sam Jackson put a different more playful tone behind his younger, fresher Nick Fury performance as opposed to his stern colder portrayal as the older more battle hardened Fury in the Avengers movies. In the trailers it seemed out of place, but in the context of the movie, it worked really well. I also enjoyed seeing a younger, rookie Coulson and Ben Mendelsohn was great as the movies villain (?)
I was looking forward to seeing what Jude Law would bring to the MCU, but unfortunately he just played Jude Law, as in the same character type that we have already seen him play in a ton of other movies. His performance was perfectly serviceable, but nothing to write home about. Then there is arguably the most important performance of all, Brie Larson as the lead character, Captain Marvel. I thought for the most part she did a pretty great job. I will admit that there were a few lines, (mostly from flashback scenes before she left Earth for the first time,) that felt a bit forced and took me out of the movie slightly. As much as I wanted to buy everything in her performance, there was maybe 10% of the lines that she delivered that were just a bit too cheesy and somewhat wooden. However the other 90% was great and I am very much looking forward to her joining the larger Marvel universe.
The plot was given to us in drips and drabs due to the flashback filled nature of the way that the filmmakers chose to tell this story, but overall I enjoyed the ride. There were a few twists and turns along the way, - some painfully obvious and some not so much, - but most of them were enjoyable and some even felt refreshing, which isn't often said about the 21st movie in a franchise.
The last major thing to address is the female empowerment element that lies under the film's plot and is the thing that a bunch of bigots on Reddit seemed to assume would become the focus of the movie and take away from their beloved superhero fantasy. I am glad to report that no, although it is present, it in no way takes away from the scale or plot of the film. Some moments, (again moments predominately from the flashbacks before Carol leaves Earth for the first time,) were a bit on the nose and felt somewhat forced, such as the 'cockpit,' comment. However, later on in the movie there is an incredibly powerful, more subtle scene that shows different stages of Carol's life where she has been pushed to the ground and has had to get back on her own two feet and carry on. This sequence which showed a bunch of different young girls, ending with Brie Larson herself, standing up to face adversity with bravery and it was it moving and empowering and very well done.
Overall, I had way more fun with this film than I expected to. Try and ignore the negative comments coming from a loud minority of angry people when you see this one and enjoy what is actually happening onscreen.
I had a lot of fun with this movie, far more than I expected to based on the trailers. Captain Marvel is a great space hopping romp that will put a smile on your face in spite of a few minor shortcomings. The action is great throughout and every fight sequence is exciting and impressive to watch unfold. The CGI is also incredible too, from the vast space shots to the impeccable de-aging on Sam Jackson throughout the movie, to allow him to portray a younger Nick Fury.
The characters are all great as well, I loved that Sam Jackson put a different more playful tone behind his younger, fresher Nick Fury performance as opposed to his stern colder portrayal as the older more battle hardened Fury in the Avengers movies. In the trailers it seemed out of place, but in the context of the movie, it worked really well. I also enjoyed seeing a younger, rookie Coulson and Ben Mendelsohn was great as the movies villain (?)
I was looking forward to seeing what Jude Law would bring to the MCU, but unfortunately he just played Jude Law, as in the same character type that we have already seen him play in a ton of other movies. His performance was perfectly serviceable, but nothing to write home about. Then there is arguably the most important performance of all, Brie Larson as the lead character, Captain Marvel. I thought for the most part she did a pretty great job. I will admit that there were a few lines, (mostly from flashback scenes before she left Earth for the first time,) that felt a bit forced and took me out of the movie slightly. As much as I wanted to buy everything in her performance, there was maybe 10% of the lines that she delivered that were just a bit too cheesy and somewhat wooden. However the other 90% was great and I am very much looking forward to her joining the larger Marvel universe.
The plot was given to us in drips and drabs due to the flashback filled nature of the way that the filmmakers chose to tell this story, but overall I enjoyed the ride. There were a few twists and turns along the way, - some painfully obvious and some not so much, - but most of them were enjoyable and some even felt refreshing, which isn't often said about the 21st movie in a franchise.
The last major thing to address is the female empowerment element that lies under the film's plot and is the thing that a bunch of bigots on Reddit seemed to assume would become the focus of the movie and take away from their beloved superhero fantasy. I am glad to report that no, although it is present, it in no way takes away from the scale or plot of the film. Some moments, (again moments predominately from the flashbacks before Carol leaves Earth for the first time,) were a bit on the nose and felt somewhat forced, such as the 'cockpit,' comment. However, later on in the movie there is an incredibly powerful, more subtle scene that shows different stages of Carol's life where she has been pushed to the ground and has had to get back on her own two feet and carry on. This sequence which showed a bunch of different young girls, ending with Brie Larson herself, standing up to face adversity with bravery and it was it moving and empowering and very well done.
Overall, I had way more fun with this film than I expected to. Try and ignore the negative comments coming from a loud minority of angry people when you see this one and enjoy what is actually happening onscreen.
Charlie Cobra Reviews (1840 KP) rated Captain Marvel (2019) in Movies
Jul 3, 2020
Hate It or Love It: Captain Marvel Has Arrived - 8/10
Captain Marvel is a 2019 superhero action/sci-fi movie based on the Marvel Comics character Carol Danvers/Captain Marvel. It was produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The movie was written and directed by Anna Boden and Ryan Fleck, with the screenplay also being contributed on by Geneva Robertson-Dworet. Starring Brie Larson, Samuel L. Jackson, and Jude Law.
On planet Hala, the capital of the Kree Empire, a female warrior named Vers/Captain Marvel (Brie Larson) suffers from nightmares involving a woman she doesn't recognize. She doesn't remember much from before her time on Hala. With assistance from her commander and mentor, Yon-Rogg (Jude Law), she's learning to control her powers and emotions during battle as is the Kree way. Her unit, Starforce, are given a mission to rescue an undercover Kree operative who might be compromised by enemies called the Skrull, a race of shape-shifting aliens. They must act quickly or the information the operative has will fall into the wrong hands. During the mission things don't go well and Vers/Captain Marvel is captured by the Skrulls who use a device to scour her memories which include the lady from her nightmares. She learns the woman's name is Dr. Wendy Lawson (Annette Bening), and that her memories from her past suggest that she has spent some time on Earth. She is escapes to Earth 1995, where she must find the woman and the secrets to her past.
This movie was pretty awesome. I really liked it and enjoyed it very much. I thought it went by smoothly and the writers had a clear plot, but might not be the most engaging for some people. I know this movie got a lot of hate before it even came out but honestly I didn't see a lot to complain about. Yes it is empowering for females but I didn't feel like it was forced; save for maybe a couple of scenes. It was rated PG-13 so some of the themes might be beyond what children can fully understand but definitely a good fit for the Marvel Cinematic Universe. I really like the chemistry between Captain Marvel and Nick Fury (Samuel L. Jackson). To me there was an exclusively entertaining character in the Skrull Talos (Ben Mendelsohn). He was a pleasant surprise and pretty funny. I thought the casting was very well too, even for the supporting characters like other Kree, Skrulls, and even Captain Marvel/Carol Danvers b.f.f. Movie was generally fun and pretty action-packed. I give it an 8/10.
On planet Hala, the capital of the Kree Empire, a female warrior named Vers/Captain Marvel (Brie Larson) suffers from nightmares involving a woman she doesn't recognize. She doesn't remember much from before her time on Hala. With assistance from her commander and mentor, Yon-Rogg (Jude Law), she's learning to control her powers and emotions during battle as is the Kree way. Her unit, Starforce, are given a mission to rescue an undercover Kree operative who might be compromised by enemies called the Skrull, a race of shape-shifting aliens. They must act quickly or the information the operative has will fall into the wrong hands. During the mission things don't go well and Vers/Captain Marvel is captured by the Skrulls who use a device to scour her memories which include the lady from her nightmares. She learns the woman's name is Dr. Wendy Lawson (Annette Bening), and that her memories from her past suggest that she has spent some time on Earth. She is escapes to Earth 1995, where she must find the woman and the secrets to her past.
This movie was pretty awesome. I really liked it and enjoyed it very much. I thought it went by smoothly and the writers had a clear plot, but might not be the most engaging for some people. I know this movie got a lot of hate before it even came out but honestly I didn't see a lot to complain about. Yes it is empowering for females but I didn't feel like it was forced; save for maybe a couple of scenes. It was rated PG-13 so some of the themes might be beyond what children can fully understand but definitely a good fit for the Marvel Cinematic Universe. I really like the chemistry between Captain Marvel and Nick Fury (Samuel L. Jackson). To me there was an exclusively entertaining character in the Skrull Talos (Ben Mendelsohn). He was a pleasant surprise and pretty funny. I thought the casting was very well too, even for the supporting characters like other Kree, Skrulls, and even Captain Marvel/Carol Danvers b.f.f. Movie was generally fun and pretty action-packed. I give it an 8/10.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
David McK (3425 KP) rated Labyrinth of Evil (Star Wars: The Dark Lord Trilogy, #1) in Books
Jan 30, 2019
Following the now-infamous Disney acquisition of Star Wars (which saw the abolition of the old Expanded Universe), I'm actually no-longer sure where this sits in the hierarchy of canon: is this 'Legends' (i.e pre acquisition) material, or is it stil canon?
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
This is set between the events of 'Attack of the Clones' and 'Revenge of the Sith' - actually leading directly into that movie, with Anakin and Obi-Wan jetting off back to Coruscant - and, in many ways, seeks to bolster the reputation of one of the missed opportunities from that movie: that of General Grievious (not his face on the cover ...).
I'm also not sure where it sits alongside the Genndy Tartakovsy animation which also seeked to do exactly that, though the latter portion of the novel does seem to describesome of the actions shown in that animation (the surprise attack on Coruscant, and the capturing of Senator Palpatine) in prose form.
This is also the first of the so-called 'Dark Lord' trilogy (comprising of this, [b:Star Wars: Episode III - Revenge of the Sith|35458|Star Wars Episode III - Revenge of the Sith|Matthew Woodring Stover|https://images.gr-assets.com/books/1388228249s/35458.jpg|476816] and [b:The Rise of Darth Vader|359848|The Rise of Darth Vader (Star Wars The Dark Lord Trilogy, #3)|James Luceno|https://images.gr-assets.com/books/1388209667s/359848.jpg|574260]); while I have previously read - and enjoyed - the middle of those three, I now feel like reading the series in its entirity, from start to finish.
A Darkness More Than Night (Harry Bosch, #7; Terry McCaleb, #2; Harry Bosch Universe, #9)
8.2
Rate It
Book
Harry Bosch is up to his neck in a case that has transfixed all of celebrity-mad Los Angeles: a...
Mike Wilder (20 KP) rated Starship Troopers (1997) in Movies
May 30, 2018
It is a great film and in the category of action Sci-Fi one of the best.
Contains spoilers, click to show
Starship Troopers is a great Science Fiction movie. It is based on a book by Robert A. Heinlein. In the future, mankind is exploring the universe and encroach upon the territory of alien bugs and war begins. The insects are only responding to a threat of their territory and are trying to fight off the invaders. The clever use of insects as the aliens makes this film stand apart from other space movies.
The cast is great. It is made up of great actors, many of who at the time were relatively unknown including Casper Van Dien, Dina Meyer, Jake Busey and Denise Richards, mixed with established stars like Clancy Brown, Neil Patrick Harris and Michael Ironside, taking minor roles. The star of the movie is hard to choose between Dina Meyer, Casper Van Dien (both of who suffered injuries while making this, Casper broke a rib and Dina suffered a concussion) and the bugs! However I am going to have to say the bugs are the stars. The use of real and CGI in this film is great. The bugs are a formidable foe and a very creative one. They are numerous and relentless. Cleverly the use of different species of bugs makes for some great surprises.
The battles are epic and bloody. This is not a film for the squeamish, every battle is like a futuristic opening scene to Saving Private Ryan. People die in horrific ways, bodies and limbs are ripped apart and even main characters don't always survive, something I always appreciate in a film as it keeps the viewer guessing.
But it is not all about war, there is a good amount of comedy and even romance in this movie. It is a great film and in the category of action Sci-Fi one of the best.
The cast is great. It is made up of great actors, many of who at the time were relatively unknown including Casper Van Dien, Dina Meyer, Jake Busey and Denise Richards, mixed with established stars like Clancy Brown, Neil Patrick Harris and Michael Ironside, taking minor roles. The star of the movie is hard to choose between Dina Meyer, Casper Van Dien (both of who suffered injuries while making this, Casper broke a rib and Dina suffered a concussion) and the bugs! However I am going to have to say the bugs are the stars. The use of real and CGI in this film is great. The bugs are a formidable foe and a very creative one. They are numerous and relentless. Cleverly the use of different species of bugs makes for some great surprises.
The battles are epic and bloody. This is not a film for the squeamish, every battle is like a futuristic opening scene to Saving Private Ryan. People die in horrific ways, bodies and limbs are ripped apart and even main characters don't always survive, something I always appreciate in a film as it keeps the viewer guessing.
But it is not all about war, there is a good amount of comedy and even romance in this movie. It is a great film and in the category of action Sci-Fi one of the best.
LoganCrews (2861 KP) rated Annabelle: Creation (2017) in Movies
Oct 25, 2020
This damn doll just isn't scary, people - and neither is this movie, not a single time. However, for about half the time it does succeed at being effectively creepy and sometimes even sort of fun. I mean this is still just the same two or three rusty clichés and dated, predictable jumpscares on repeat but it has a lot of half-okay vignettes... which all get soured by the surfeit of nonsensical connections to other movies in the series and the insufferable "Hey, remember when THIS happened??" bullcrap. For one I wish they'd let David F. Sandberg be David F. Sandberg here instead of yet another inferior Wan clone like they do with the rest of these. And for two I'm not the first to suggest that this movie being more concerned with milking the Conjuring mythos dry of any miniscule amount of nuance it once had through attempting to spin it thin into some sort of pointless, scuffed 'cinematic universe' kills the standalone decent horror flick this could have been (as well as devalues the originals in the process) - and I hopefully won't be the last - but Jesus Christ did it have to be so fucking long too? When this script was written, did every sentence have to include at least three sets of ellipses between words? Also the non-horror stuff is worlds better than the horror stuff - personally I would have loved to have seen the movie that was pushed to the side in here about this group of orphans finding out something isn't right with Anthony LaPaglia and Miranda Otto or the secretive demonic stuff they've been cooking up in the background after their daughter gets killed. But no, it rushes past all the intriguing stuff in favor of a competent but saccharine and generic cash grab. Far from awful but also not all that much better than the original 𝘈𝘯𝘯𝘢𝘣𝘦𝘭𝘭𝘦. Did we really need a prequel... to a prequel (which in and of itself we didn't need)?
Jesters_folly (230 KP) rated The New Mutants (2020) in Movies
Aug 29, 2020
Contains spoilers, click to show
At the time of writing this, The New Mutants has been out in the UK for about 3 days, on preview, and I have already seen a review headed 'The worst X-Men movie yet', I didn't read the review so maybe the reviewer makes some insightful points but, with a lead like that i doubt it.
You see The New Mutants isn't an X-men film, it's set in the (fox? maybe) X-men universe but it's not superheros'/mutants vs other mutants/robots/government, even thought there is a bit of mutants vs baddies.
It is a 'genesis' story, unlike the X-men films, we are seeing the creation of a new team. Like the X-Men films it starts with a new mutant meeting other Mutants.
The 'new mutant' to the New Mutants is Danielle Moonstar, a native American who's reserve and family are destroyed by a tornado leaving her as the only survivor. Danielle wakes up in a hospital to be told of her lose and that the only reason she survived was because she was mutant and she is now in a hospital where she can learn how to use her powers and then she is introduced to the patients/mutants who are at the hospital.
The mutant roster is the New Mutants of the 80's & 90's comics (minus one or two) and the film has a very 80's feel to it.
The New Mutants has a slow start and almost has a 'Breakfast club with powers' feel to it, you have a group of teens who have been placed together and are unable to leave. They sit around and talk about their past and fight and make friends and kiss and fight their worst nightmares and, suddenly your no longer watching 'The Breakfast Club with powers' but 'Nightmare on Elm street 3: the dream warriors, with powers' (Yes I know the kids in Elm Street 3 get powers for a bit but this is different). The Mutants have to team up to fight all sorts of nasties from their pasts, become one cohesive team and find out who is creating the nightmares.
The New Mutants pulls off the 80's teen movie style well but some of the CGI seems a bit off.
Even with the 80's feel we don't actually know when the film is set, the T.V's in the hospital are often showing 'Buffy the Vampire Slayer' (the series) so that would imply that it's at least late 90's and the X-Men are mentioned although they are referred to as heroes which doesn't seem to fit elsewhere in the fox universe.
And this, of course is the biggest problem with the film (and it's not the
films fault), New Mutants was started as a Fox film, as part of their X-Men universe but then it got delayed and then fox got brought out by Disney and the film got delayed again (and many thought it would never to see light day.) Then it got released but, the Disney Marvel cinematic Universe doesn't (yet) have mutants (because they were owned by fox ) so it doesn't fit in with any of the Disney films or, as it was finished by Disney it doesn't fit with any X-Men film and so is floating in the strange limbo shared with Legion and the Gifted.
As a stand alone film it is ok however, as Disney had time to re edit it, it makes you wonder why it has been left open, The New Mutants are formed and ready to see what else life can throw at them, is this how mutants are going to be introduce to the Disney-verse or are we just going to be left hanging.
You see The New Mutants isn't an X-men film, it's set in the (fox? maybe) X-men universe but it's not superheros'/mutants vs other mutants/robots/government, even thought there is a bit of mutants vs baddies.
It is a 'genesis' story, unlike the X-men films, we are seeing the creation of a new team. Like the X-Men films it starts with a new mutant meeting other Mutants.
The 'new mutant' to the New Mutants is Danielle Moonstar, a native American who's reserve and family are destroyed by a tornado leaving her as the only survivor. Danielle wakes up in a hospital to be told of her lose and that the only reason she survived was because she was mutant and she is now in a hospital where she can learn how to use her powers and then she is introduced to the patients/mutants who are at the hospital.
The mutant roster is the New Mutants of the 80's & 90's comics (minus one or two) and the film has a very 80's feel to it.
The New Mutants has a slow start and almost has a 'Breakfast club with powers' feel to it, you have a group of teens who have been placed together and are unable to leave. They sit around and talk about their past and fight and make friends and kiss and fight their worst nightmares and, suddenly your no longer watching 'The Breakfast Club with powers' but 'Nightmare on Elm street 3: the dream warriors, with powers' (Yes I know the kids in Elm Street 3 get powers for a bit but this is different). The Mutants have to team up to fight all sorts of nasties from their pasts, become one cohesive team and find out who is creating the nightmares.
The New Mutants pulls off the 80's teen movie style well but some of the CGI seems a bit off.
Even with the 80's feel we don't actually know when the film is set, the T.V's in the hospital are often showing 'Buffy the Vampire Slayer' (the series) so that would imply that it's at least late 90's and the X-Men are mentioned although they are referred to as heroes which doesn't seem to fit elsewhere in the fox universe.
And this, of course is the biggest problem with the film (and it's not the
films fault), New Mutants was started as a Fox film, as part of their X-Men universe but then it got delayed and then fox got brought out by Disney and the film got delayed again (and many thought it would never to see light day.) Then it got released but, the Disney Marvel cinematic Universe doesn't (yet) have mutants (because they were owned by fox ) so it doesn't fit in with any of the Disney films or, as it was finished by Disney it doesn't fit with any X-Men film and so is floating in the strange limbo shared with Legion and the Gifted.
As a stand alone film it is ok however, as Disney had time to re edit it, it makes you wonder why it has been left open, The New Mutants are formed and ready to see what else life can throw at them, is this how mutants are going to be introduce to the Disney-verse or are we just going to be left hanging.
Gareth von Kallenbach (980 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jul 11, 2019
Alpha, the inter-universal coalition of a thousand planets that has evolved to support millions of life forms, is under attack. Valerian and his partner, Laureline are assigned to find the culprits and destroy them. Based on the main characters in the 1967 French comic book series Valerian and Laureline. Luc Besson sends us out into the vastness of the universe and shows us how wondrous it can be.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.