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Captain Marvel (2019)
Captain Marvel (2019)
2019 | Action, Adventure
Following the traumatic and devastating events of last years Avengers: Infinity War, Captain Marvel finally arrives on our screens with huge expectation, anticipation and excitement. As Nick Fury was reduced to dust in the final moments of Infinity War, along with half of all living things in the universe, we saw that he'd just managed to send out an SOS message. The recipient of that message was revealed to be Captain Marvel, so far absent from the cinematic universe but labelled outside of it as "Marvel's biggest female hero", and "quite possibly Marvel's mightiest Avenger". With mad Titan Thanos still on the loose, and half of all life to restore, there's clearly a great deal resting on her shoulders. Thankfully we'll get to see how that all plays out in just over a month when Endgame hits our cinemas, but in the meantime we need to get up to speed on the origins of Captain Marvel.

But this isn't your standard origin story. When we first join Captain Marvel, or Vers as she is currently known, she is already part of the Kree Starforce, fighting alongside her mentor Yon-Rogg (Jude Law) as they take on shape-shifting enemies, the Skrulls. She already has a considerable amount of power, although she has no memory of how exactly she came about it, or of any kind of life preceding it. Following an early morning bit of fight training, with Yon-Rogg urging her to try and control her emotions and her power, it's straight into the action as the Starforce team are sent out on an important field mission. Things don't quite go according to plan though, and when they're ambushed by a group of Skrulls, Vers is kidnapped by Skrull commander Talos (Ben Mendelsohn) and taken to their ship for interrogation.

The interrogation has a kind of Total Recall effect on Vers - unlocking memories of her life as a child, growing up with friends, military training and more. She manages to mount an escape, fleeing the ship and crash landing on planet C-53 (or as we know it, Earth), along with a bunch of Skrulls. She lands in the middle of a Blockbuster video store, with the Skrulls landing on a nearby beach and assuming the shape of some surfing humans in order to blend in with the locals. It's not long before the dramatic arrival has drawn the attention of a couple of SHIELD agents by the name of Fury and Coulson, both looking a lot younger than we're used to, due to the fact that we're in 1995. The de-aging effect, used sparingly but impressively in previous Marvel movies is simply incredible here, given that it is being relied upon for the entire movie in order to make the young Nick Fury believable. And it totally works too.

Up until this point in the movie, I felt that it was all just a little bit bland. We don't really get much time to get acquainted with our hero, or the alien world she inhabits, and the space-team-field-mission elements have all been done previously, and much better, in the Guardians of the Galaxy movies. Coincidentally, Ronan and Korath who star in those movies both appear early on in Captain Marvel, providing some nice backstory for them and a link to the rest of the cinematic universe. It's only when Vers arrives on Earth, and teams up with Nick Fury in order to stop the Skrull invasion, that the movie really finds its footing, becoming a great deal more interesting and enjoyable. Things really lighten up too, accompanied by a great 90s soundtrack and giving off a cool 90s buddy cop movie vibe. It's also great to see Nick Fury acting much less serious and having a lot more to do than in previous Marvel movies. As for Vers, we finally begin to learn a lot more about her too as she begins to piece together her forgotten history and learn more about her life on Earth as Carol Danvers.

The movie is made all the more fun by a couple of very good additional characters. Ben Mendelsohn is outstanding as Talos, providing just the right combination of menace and humour. Special mention also for Goose the cat, who joins Danvers and Fury on their journey. Although, if you're familiar with the comics (where he is known as Chewie), you'll know that there's more to him that meets the eye and he literally manages to steal every single scene he's in, providing some of the movies laugh out loud and surprising moments.

The final third of the movie is where things really kick in though with Carol Danvers unlocking her full potential, despite being repeatedly told throughout life that she's too emotional and too weak. Unleashing hell in an epic, breathtaking and extremely satisfying space battle. With just over a month to go until the release of Endgame, Thanos better be scared. He's not going to know what hit him!
  
American Made (2017)
American Made (2017)
2017 | Mystery
Tom Cruise! (0 more)
A fun, entertaining movie
Anytime I mention to my family that I'm going to see a Tom Cruise movie, they roll their eyes and take the piss. The words 'man crush' are used, and I just take it on the chin (sometimes). The truth is though, many of my favourite movies are Tom Cruise movies. I'm not a fan of his earlier stuff (my wife is the complete opposite), but I pretty much love anything after his Vanilla Sky/Magnolia days. And he's clearly a hell of a nice guy outside of the movies too, despite what anything thinks about his religious beliefs. But then he went and made The Mummy earlier this year - a serious dip in Cruise quality. Can American Made be the movie to get him back on track?

It certainly is an idea role for Cruise. Based on a true story, Cruise plays Barry Seal. Top pilot for TWA and bored of the same old routine day in, day out. When his co-pilot and passengers are all asleep during a flight, he relieves the monotony by faking some heavy turbulence in order to wake them all up, but it's not enough. So, when he's approached by CIA agent Schafer (Domhnall Gleeson) to work for them, flying exciting reconnaissance missions over South America, he jumps at the chance. And then during a refueling stop in Colombia, Seal is recruited by Pablo Escobar's drug cartel, who offer to pay him $2000 for each kilo of cocaine he can carry from Columbia to Louisiana. Then he begins flying guns from Arkansas to Nicaragua while still continuing the drugs runs. Seal finds himself with more money than he can spend, burying bags of it in his backyard and piling it up in wardrobes. He can't turn around without bumping into money, and all the while the stakes are getting higher, the potential consequences of his actions increasing.

Caught up in among all of this are Seals wife and kids. Finding themselves woken by him at 4am and being told they need to move home before their house is raided at 6am, before gradually adjusting to their new, increasingly expensive lifestyle. We never quite get to spend enough time with that part of Barry's life, taking a backseat instead to the roller coaster thrill seeking that he's got himself wrapped up in outside of home.

Cruise charms and grins his way through all of this perfectly. Obviously he did all of the flying scenes himself and he must have had a real blast making this movie. There's a good deal of humour throughout and the use of film grain, handheld cameras and Kodak style lighting help to give it a real 70s-80s feel to match the era it's set in. A fun, entertaining movie and a return to form for Mr Cruise!
  
Live By Night (2017)
Live By Night (2017)
2017 | Drama
Cast (2 more)
Gun play
Costumes and Sets
Narration (0 more)
Gangsters, Guns and Money. What more is there?
To me Ben Affleck has always been a good actor. It doesn't matter if it is a good movie or a bad one, he seems to make his acting ability known. Live by Night was no different, he played gangster very well. It might be because he was also directing himself. Some movies you can tell that the movie is being directed by the actor in the movie, but in this one you could not see that line. The senses he was in you could tell they were done with the same quality as a director sitting in a chair.

Ben Affleck really does love Boston, because once again that where this whole thing begins. I didn't live in the 20's but the Boston accent must not have been established yet. It was quite refreshing not to hear it in a movie. I really didn't know Boston's backstory but I guess like everywhere on the East Coast there was a mob presence. They did a really good job showing the life of someone in the mob. It wasn't just the killing and booze. It really went deep with the love story of both women and what he had to go though to keep the love and them alive. Even though one of them turned out to be a backstabbing bitch.


When the story progressed to Tampa it was interesting to see something that I don't think has been portrayed in movies. Or I have never seen it. The mob in Florida. The interactions between the Irish and Italian mob in a world of Mexicans and Cubans was done very well. There was a lot going on and it never got boring. The only part of the story that got a little off was rivalry of the mob in Tampa and Miami. You never saw the fights between them until the end. I just thought it was over and done with after the Italians were run out of town. Or maybe I just missed it.


I won't tell you what happened to anyone at the end but the gun fight was amazing. So may parts put in and the chirography was done very well. I think the very end could have been done differently. To me it was very off putting and didn't understand why they choose to go that direction. Granted it was based off a book that I never read and maybe that's the way it had to be. But it could have been written better in the book too. Books seem to get the point across better anyway.


If you like gangster movies, see it. If you like Ben Affleck, see it. If you just want to watch a movie not to be bored, see it.
  
John Wick: Chapter 3 - Parabellum (2019)
John Wick: Chapter 3 - Parabellum (2019)
2019 | Action, Crime, Thriller
Hoping it Doesn't Become a Victim of its Own Success
The world is trying to kill John Wick (Keanu Reeves)…but not before he kills them first.

Acting: 9

Beginning: 10

Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.

The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?

Cinematography/Visuals: 10

Conflict: 10

Genre: 10

Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.

Pace: 10

Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.

Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.

Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
  
Lost Cat Corona (2017)
Lost Cat Corona (2017)
2017 |
8
8.0 (1 Ratings)
Movie Rating
Holy shit people… Its Ralph freaking Macchio… I have got to admit its been some time since I saw Daniel Larusso in a movie so of course I was gonna sit down and watch this flick, what I did not expect was to find a whole cast of actors that maybe never set the world on fire but I have a certain affinity for.

Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.

We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.

 

This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.

Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).

Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.

Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
  
Sinister (2012)
Sinister (2012)
2012 | Horror
9
7.1 (24 Ratings)
Movie Rating
Sinister is a movie that surprised me. I love scary movies, but most of the time it is the pure humor that I find in what people think is scary these days that makes me love them. I figured I would walk into this movie and leave in the same mood I always do. Laughing about how many people jumped in the theater because of what happened on screen. But, this time, I was one of those people. For the first time in over a decade I found a scary movie that downright creeped me out and made me jump. Not just once, more several times.

Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.

Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.

I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.
  
Friday the 13th
Friday the 13th
Action/Adventure
Why?????
Friday The 13th: The Video Game- is based off of the movie franchise. Most to all people know that this game is awful and hard as hell and well that is true. This game is both. So lets talk more about the game..

The plot:

"The game manual contains the following synopsis...

 It's a pretty typical summer at Crystal Lake. There's a group of happy children staying in the Camp. You and your six Camp Counselor friends are watching over the kids while enjoying the lake and the wilderness. The days are bright and sunny.

The nights are cool and clear. And Jason is on a rampage. It's up to you to stop him, but it's not going to be easy. You must first fight your way through forests filled with man-eating wolves, caves covered with blood sucking bats and hordes of mindless zombies everywhere you turn. You must also help any friend who is in danger, or else you can just kiss them goodbye. And hiding in a cabin or staying adrift in a canoe won't keep you safe – Jason will find you anywhere. The only way to survive this summer is to challenge Jason face to face, and destroy him.".

Gameplay:

Players control one of six camp counselors (each with varying levels of speed, rowing and jumping ability) in a side-scrolling perspective. The counselors start with an arcing rock attack. The goal is to find and defeat Jason Voorhees three times. Along the paths, players will find cabins, a lake, caves and wooded areas with all but the cabins having enemies such as zombies, crows, and wolves attacking the player.

timed alarm appears at certain intervals, requiring players to find Jason before he kills one or more children or another counselor. Using the map, players must navigate their way to Jason's location or switch to the counselor being attacked and defeat him. If they do not make it there in time, Jason will kill the counselors or some of the children.

Upon nearing Jason's location, Jason may appear on the path or in the lake and attack the player. When inside a cabin Jason will attack the player in a way reminiscent of the video game Punch-Out!!

The objective of the game is to survive for three days and three nights while attempting to find and kill Jason. Players may battle Jason's mother who is in a hidden locked room in the cave. She is represented as a Medusa-like floating head that swoops down to attack the player. Navigating in the woods or cave can be confusing as they are set up to purposely disorient the player. They hide several locked rooms/cabins. If all counselors or children die, the game is over.

Time and time again, i play this game and overall i would rather watch the movies than play this game. The movies are 10x better than this game. Go watch the movies instead, you will have a better time.
  
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Dean (6921 KP) Feb 26, 2020

Sounds like you need to play the next gen console version of Friday the 13th @Friday the 13th : The Game

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Matthew Krueger (10051 KP) Feb 26, 2020

I have and i will do a review of it soon. Its much better than this trash.

Wind River (2017)
Wind River (2017)
2017 | Action, Crime, Mystery
Brilliant performances (1 more)
Very well written and directed
A Satisfying Thriller
Taylor Sheridan has written two of my favourite movies over the last few years, Sicario and Hell or Highwater. This is only Sheridan's second time in the directors chair though and he proves that he is more than capable when put in charge of an entire film's production.

This is a fairly slow burn that focuses mostly on building character arcs and relationships rather than fast paced action. The structure that the movie follows to give the audience context and the backstory of the movie's respective characters though, is extremely effective and well crafted. The movie doesn't treat it's audience like idiots, nor does it act too smart for it's own good.

Renner and Olsen are both fantastic in the two lead roles and are able to make scenes that are purely dialogue focused, engaging and entertaining. I like Jeremy Renner, but when he stars in blockbuster movies like Bourne or Avengers or Mission Impossible, it is easy to forget how good of an actor he really is, in this performance, he does a good job of reminding you of his ability as a performer.

Slight spoilers follow, nothing major, but some might rather not know anything going in, so if that's you stop reading now. Jon Bernthal's cameo towards the end of the movie was such a delight, he is only in the movie for a just shy of ten minutes, but he was fantastic as he always is. That guy is quickly turning into one of my favourite character actors working in Hollywood.

I won't spoil the end of the movie, but I will say that it is extremely satisfying and makes the slow burn leading up to that point totally worth it.

If you are a fan of mystery thrillers and gripping dramatic performances, then go and see this film.
  
Daddy's Home 2 (2017)
Daddy's Home 2 (2017)
2017 | Comedy
Starts off great but soon veers off into not so great territory.
This year hasn't been good for the comedy movie genre. Will Ferrell in particular managed to star in one of the worst 'comedy' movies I've seen in a long time with 'The House' and even the anticipated sequel to one of the better comedies in recent years, Bad Moms, turned out to be a complete dud. So when a similar, Christmas themed sequel to what was essentially one of the more average movies in recent years came along, my hopes weren't exactly high. The original Daddys Home coasted along on the likeable pairing of Will Ferrell and Mark Wahlberg but did feature a handful of funny elements, obviously enough to greenlight a sequel.

As mentioned previously, Daddys Home 2 is set at Christmas time. Brad and Dusty (Ferrell and Wahlberg) have worked out their differences from the first movie and are getting along just fine as 'co-dads' to the kids. When their own dads (Mel Gibson and John Lithgow) pay a visit, they decide to have a 'together' family Christmas, and Kurt (Gibson) even manages to book a luxury cabin in the snow for them to enjoy it all in. It's a bit of a whirlwind setup, but for a while it all works surprisingly well. I found myself really laughing at some scenes, it was like watching a classic Christmas family disaster along the lines of National Lampoons Christmas Vacation.

But sadly, the momentum soon drops. Scene after scene fails to hit home, and some scenes even leave you wondering what the hell they were thinking by including them in the movie in the first place. Mel Gibsons character becomes increasingly annoying and it's all just a bit of a shame really. Things manage to get back on track towards the end of the movie but it's disappointing that it doesn't retain the high level of laughs and entertainment that kicked off the first third or so.
  
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Andy K (10821 KP) created a poll

Mar 4, 2019  
Poll
THE NETFLIX DEBATE: WHAT IS YOUR OPINION?

Haven't heard of the debate? Basically there are two sides to what is being called the "Netflix Wars" whereas certain filmmakers and studios are attempting to change, or make harder, the ability for "Netflix" type, day-and-date, films (like this year's Roma) to receive Academy Award nominations since they are basically "made for TV" movies.

You could even argue this could be one of the reasons Roma did not win Best Picture this years as enough people agreed it should not have been nominated (even though it won several other awards.)

I even got into an argument on Twitter with someone after I expressed my opinion (which was the opposite of hers). She was immediately insulting me for not agreeing with her, so I thought I would ask here before giving my own opinion.

This issue will continue to get more profound considering streaming services are here to stay, and theatrical movie runs are not nearly as important as they used to be. I read over 75% of movies nowadays are not seen in theatres, but on some other format.

In 2019, this will become an even bigger issue with the holiday 2019 release of the Martin Scorsese mob epic "The Irishman" starring Al Pacino, Robert De Niro, Joe Pesci, Harvey Keitel and many others. As this time, the movie, owned and released by Netflix, is supposed to have more of a theatrical run than "Roma", but would still be a Netflix film.

So what is your opinion, Smashbombers? I'm very interested in your opinions as well.

Please feel free to comment below.


"Netflix" type films like Roma and The Irishman should be allowed to compete for the Academy Awards even with a smaller theatrical release and available almost immediately to watch via streaming?
"Netflix" type films like Roma and The Irishman should not be allowed to compete for the Academy Awards since they have smaller theatrical releases and can be watched via streaming almost immediately.
Vote