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Lilyn G - Sci-Fi & Scary (91 KP) rated Avengers: Infinity War (2018) in Movies
May 9, 2018
More entertaining than I expected.
Avengers: Infinity War was surprisingly entertaining. I’m not a huge fan of the Avengers series, especially the big multi-cast productions. I fully expected to go into this one and be bored to tears. However, when it came to movies available in the cinema that we could also take the nine-year-old to… Pickings were slim. So, superheroes it was. And yeah, even though there were a few scenes that weren’t nearly as funny as they were intended to be, it was an enjoyable watch.
I will say this: I did not understand what all the fuss was about the end. I saw people tweeting about crying and whatnot. I felt absolutely nothing. It’s a Marvel movie. The sequel is due out in a year. We all know they’re going to find a way to undo at least half of what happened in Avengers: Infinity War. Dramatic scenes lose much of their power when you know the chance of most of it not being negated in the next movie is practically nil. This Marvel money train is going to chug on until something happens to derail it completely.
I liked the interaction between most of the characters. I felt like they did a better job of making it seem a bit more realistic. I also like how some of the decisions and actions from the previous movies are coming back to bite the Avengers in the butt. Iron Man and Dr. Strange have a bit of a fun relationship. As for Spiderman… Well, he’s slowly winning me over. I still have absolutely zero desire to watch a movie just starring him, but he plays the impulsive teen angle well. Hulk, though, Sweet Baby Cthulhu, I’m getting tired of that character. I didn’t like the direction they took him in the Thor movie, and then for Banner to be the way he was in this one… ugh.
There were several scenes that made me gasp. A few where I was like “NO NO NO NO!” at the screen. Non-stop action and dialogue that wasn’t too groan-worthy do a lot. A lot happier with this movie than I ever expected to be. It’s not nearly as good as Black Panther was, but a solid offering nonetheless.
I will say this: I did not understand what all the fuss was about the end. I saw people tweeting about crying and whatnot. I felt absolutely nothing. It’s a Marvel movie. The sequel is due out in a year. We all know they’re going to find a way to undo at least half of what happened in Avengers: Infinity War. Dramatic scenes lose much of their power when you know the chance of most of it not being negated in the next movie is practically nil. This Marvel money train is going to chug on until something happens to derail it completely.
I liked the interaction between most of the characters. I felt like they did a better job of making it seem a bit more realistic. I also like how some of the decisions and actions from the previous movies are coming back to bite the Avengers in the butt. Iron Man and Dr. Strange have a bit of a fun relationship. As for Spiderman… Well, he’s slowly winning me over. I still have absolutely zero desire to watch a movie just starring him, but he plays the impulsive teen angle well. Hulk, though, Sweet Baby Cthulhu, I’m getting tired of that character. I didn’t like the direction they took him in the Thor movie, and then for Banner to be the way he was in this one… ugh.
There were several scenes that made me gasp. A few where I was like “NO NO NO NO!” at the screen. Non-stop action and dialogue that wasn’t too groan-worthy do a lot. A lot happier with this movie than I ever expected to be. It’s not nearly as good as Black Panther was, but a solid offering nonetheless.
Rachel King (13 KP) rated Carpe Corpus (The Morganville Vampires, #6) in Books
Feb 11, 2019
These book just keep getting better and better. With book six, the series ventures into the world of steampunk with a special Morganville twist. With the very little I have actually read in the genre of Steampunk, I had a hard time visualizing what Ada looks like, but I am hoping these eventually become movies and someone creates this fascinating machine for the movies! Ada's quirkiness and creepiness fit right in with the rest of the Morganville residents, though, so I know that she/it will grow on me, too.
With this book, it is also a relief that Claire has finally turned seventeen. The build-up between her and Shane was driving me crazy. I also like how the author was much more realistic about her first time with Shane than many romance novelists, with much awkwardness and naivety. Her parents' response to the knowledge of this was quite humorous and charming and lent some much-needed humor to the extent of fear with which Morganville is saturated.
Even though these books have much fantasy, they still move along with a certain believability. The one major exception that I found in this book - that I simply had a hard time believing possible - was when Claire almost dies at the end. With the amount of blood loss she suffered from, there is simply no way she could stay conscious for the amount of that she did or stay alive as she did. When books are as entertaining as these are though, I don't mind a little "writer's license" to keep the main character alive and resolve the loose thread of who is responsible for the random murders of girls in the previous books. I am surprised, though, that Claire never made the connection to who Dean is, since I saw it coming quite easily.
Mynin gets more and more entertaining and fascinating from book to book - he is probably one of my favorite characters for his unpredictability. I am thrilled that the disease can no longer get the best of him - it means he could play a more central role in future books. Many of the characters are easy to like, even if their morals often verge into gray area, such as Amelie.
Even though the "book" has suffered its final demise, the bookworm in me still wonders what else was in that book, so I hope future books can tell me more about it.
With this book, it is also a relief that Claire has finally turned seventeen. The build-up between her and Shane was driving me crazy. I also like how the author was much more realistic about her first time with Shane than many romance novelists, with much awkwardness and naivety. Her parents' response to the knowledge of this was quite humorous and charming and lent some much-needed humor to the extent of fear with which Morganville is saturated.
Even though these books have much fantasy, they still move along with a certain believability. The one major exception that I found in this book - that I simply had a hard time believing possible - was when Claire almost dies at the end. With the amount of blood loss she suffered from, there is simply no way she could stay conscious for the amount of that she did or stay alive as she did. When books are as entertaining as these are though, I don't mind a little "writer's license" to keep the main character alive and resolve the loose thread of who is responsible for the random murders of girls in the previous books. I am surprised, though, that Claire never made the connection to who Dean is, since I saw it coming quite easily.
Mynin gets more and more entertaining and fascinating from book to book - he is probably one of my favorite characters for his unpredictability. I am thrilled that the disease can no longer get the best of him - it means he could play a more central role in future books. Many of the characters are easy to like, even if their morals often verge into gray area, such as Amelie.
Even though the "book" has suffered its final demise, the bookworm in me still wonders what else was in that book, so I hope future books can tell me more about it.
Phillip McSween (751 KP) rated Never Grow Old (2019) in Movies
Apr 1, 2019
Under-the-Radar Good
Set in the 1800’s, when a band of unsavory men muscle their way into a small town, the town’s undertaker has to face the moral decision of reaping the benefits of their destruction or keeping his family and the town safe. It’s a lot harder of a decision than you might think which is part of the reason why I think this movie works so well. I thought I could easily decide one way or another, but by the end of it, I wasn’t so sure.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Daniel Boyd (1066 KP) rated The Upside (2019) in Movies
May 8, 2019 (Updated May 8, 2019)
On The Up and Up
This movie had a bit of a strange release, at least in my area. It was one of those movies that only had two showings a day on it's opening weekend and they were both at really obscure times like 10:30am and 2:40pm, - times that would suggest that this movie was being put out to die. This was disappointing as, after seeing the trailers, I was looking forward to seeing it and never got the chance while it was in cinemas. Anyway, I finally got around to seeing it upon it's home release and I really enjoyed it.
Although I did like the look of this project from the trailer and I am a big fan of Bryan Cranston, I was wary of Kevin Hart starring opposite him in this role. It looked like a role that would require a more serious actor than Kevin Hart and I was concerned that Hart had been miscast and only chosen because of the recognition of his name rather than whether or not he was the right actor for the part.
Surprisingly and thankfully, I was proven entirely wrong. Hart shows here that he is in fact very capable in a more serious role such as this and doesn't just have to resort to screaming in every film he is in. I hope that he takes on more serious stuff following this as I much prefer it to any of his 'comedic,' roles. The rest of the cast are also great, Cranston gives a sublime performance as he always does and Nicole Kidman works well as Cranston's character's secretary/ potential love interest.
This film is a remake of a French film called The Intouchables and there are other elements of it that bear similarities to other movies that we have seen before, but it is a well told story that has various worthwhile messages littered throughout it. The script is witty and snappy enough that the film never feels slow or boring.
Overall, I really enjoyed my time with this one. It isn't the most original thing I have ever seen, but it was entertaining and it had heart. The script was well written and the direction was solid. The performances from the entire cast also help elevate the already funny script even further.
Although I did like the look of this project from the trailer and I am a big fan of Bryan Cranston, I was wary of Kevin Hart starring opposite him in this role. It looked like a role that would require a more serious actor than Kevin Hart and I was concerned that Hart had been miscast and only chosen because of the recognition of his name rather than whether or not he was the right actor for the part.
Surprisingly and thankfully, I was proven entirely wrong. Hart shows here that he is in fact very capable in a more serious role such as this and doesn't just have to resort to screaming in every film he is in. I hope that he takes on more serious stuff following this as I much prefer it to any of his 'comedic,' roles. The rest of the cast are also great, Cranston gives a sublime performance as he always does and Nicole Kidman works well as Cranston's character's secretary/ potential love interest.
This film is a remake of a French film called The Intouchables and there are other elements of it that bear similarities to other movies that we have seen before, but it is a well told story that has various worthwhile messages littered throughout it. The script is witty and snappy enough that the film never feels slow or boring.
Overall, I really enjoyed my time with this one. It isn't the most original thing I have ever seen, but it was entertaining and it had heart. The script was well written and the direction was solid. The performances from the entire cast also help elevate the already funny script even further.
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Lee (2222 KP) rated The Shape of Water (2017) in Movies
Feb 8, 2018
Sally Hawkins (1 more)
Michael Shannon
Beautiful and Enchanting
The Shape of Water really is one of those movies where I feel the trailer doesn't really do it justice. From seeing the trailer, I wasn't really sure how much I was going to enjoy the movie. Like I'm sure many others will be, I was persuaded that I might be wrong by the 13 Oscar nominations it recently received. I shouldn't have had any doubts to be honest. Pan's Labyrinth, also directed by Guillermo del Toro, is one of my favourite movies and The Shape of Water shares many similarities with that. A beautiful and enchanting mix of fairy tale, love story and monster movie.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Kevin Wilson (179 KP) rated The Lodge (2008) in Movies
Jul 22, 2018
Good acting (2 more)
Creepy moments
The sadistic daughter
Shooting felt amateur (3 more)
85% of it was slow and boring
No shocks or twists
Didn't feel R rated
A cliche "horror" that lacks so much
First off I just want to say you can't spoil this movie. Whatever you think is going to happen, it will happen. There are no shocks or twists to the story.
They waste no time showing how creepy the caretaker is. Because of this you hoped that it was all a misdirection but sadly not. You even hoped it would possibly go into a ghost story instead but it just turned around and went right back into predictability.
The shooting of the movie felt very amateur. Every scene was out of focus and it's sad it's something you get used to.
The first half was extremely slow with drawn out scenes and about halfway through it did start to pick up some pace but sadly this ended up dragging on too long and felt too anticlimatic. It did feel like a homage to Texas chainsaw massacre which was nice but did nothing.
It was clear that this was very low budget with only 4 members of cast so there was no place to hide with the acting and I have to say it was good. They did a decent job with what was written and the characters often showed good logic which is rare in movies. For example they had reasons for alarms clocks going off randomly in the night, weird noises etc they were likable too which is a big thing for me.
The sadistic daughter was a great addition. She felt sinister but it is never explained why she is so dirty or why she is the way she is.
Sadly there is nothing new here. It felts like plenty of other movies you have already seen. For a R rated movie, it felt very tame. Like every movie they get caught but nothing terrible happens to them. You expect more violence or gore but this barely had anything and I found myself bored and excited for it to end.
I did go into this expected the worst movie ever so I was surprised that there were parts I liked but ultimately I wasn't impressed. It could have been so much more but lack too many things.
They waste no time showing how creepy the caretaker is. Because of this you hoped that it was all a misdirection but sadly not. You even hoped it would possibly go into a ghost story instead but it just turned around and went right back into predictability.
The shooting of the movie felt very amateur. Every scene was out of focus and it's sad it's something you get used to.
The first half was extremely slow with drawn out scenes and about halfway through it did start to pick up some pace but sadly this ended up dragging on too long and felt too anticlimatic. It did feel like a homage to Texas chainsaw massacre which was nice but did nothing.
It was clear that this was very low budget with only 4 members of cast so there was no place to hide with the acting and I have to say it was good. They did a decent job with what was written and the characters often showed good logic which is rare in movies. For example they had reasons for alarms clocks going off randomly in the night, weird noises etc they were likable too which is a big thing for me.
The sadistic daughter was a great addition. She felt sinister but it is never explained why she is so dirty or why she is the way she is.
Sadly there is nothing new here. It felts like plenty of other movies you have already seen. For a R rated movie, it felt very tame. Like every movie they get caught but nothing terrible happens to them. You expect more violence or gore but this barely had anything and I found myself bored and excited for it to end.
I did go into this expected the worst movie ever so I was surprised that there were parts I liked but ultimately I wasn't impressed. It could have been so much more but lack too many things.
Emma @ The Movies (1786 KP) rated Ben Is Back (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
We seem to be knee deep in movies like this at the moment, Ben Is Back being the second from Lucas Hedges. This one is penned and directed by his father, Peter Hedges, though it doesn't appear that he was a shoo-in for the role.
After seeing Boy Erased I wasn't overly sure about Hedges as an actor, if I'm honest this has done little to sway that opinion in me. I don't feel like we get a massive range from him, possibly because these movies all feel like they've been made to win things over everything else? I'm not sure.
Hedges performance is brought up a level by the incredible performance from Julia Roberts, that woman truly is a treasure. The desperate nature of her character is so evident in every scene, wanting to do anything she can for her son and trying to fix everything. I don't think there was a single point where she faltered, and the part she played in the ending was immensely emotional.
There's also a solid support cast in Courtney B. Vance and Kathryn Newton. They drew in the much-needed family element which could have been lost to all the scenes with Ben and Holly out on their own.
You have to compare this to Beautiful Boy, it's difficult not to. They could be the same film, Ben Is Back just edges ahead for me though. I wasn't overly keen on the main actors in either film and both were carried by their parental leads. Both cover the drugs topic well from their own angles but here I felt we got a much better look at the family impact.
This rounded out a very emotional double bill at the cinema and what I actually came out thinking wasn't about this film in particular but that this year has given us some fantastic mum performances. Julia Roberts, Penelope Cruz and Nicole Kidman have managed to use their films to prove that they're giants in the acting world.
What you should do
I'd add Ben Is Back to my list of films to watch at least once.
Movie thing you wish you could take home
All I would really like is an attic that was as easy to get into as theirs.
After seeing Boy Erased I wasn't overly sure about Hedges as an actor, if I'm honest this has done little to sway that opinion in me. I don't feel like we get a massive range from him, possibly because these movies all feel like they've been made to win things over everything else? I'm not sure.
Hedges performance is brought up a level by the incredible performance from Julia Roberts, that woman truly is a treasure. The desperate nature of her character is so evident in every scene, wanting to do anything she can for her son and trying to fix everything. I don't think there was a single point where she faltered, and the part she played in the ending was immensely emotional.
There's also a solid support cast in Courtney B. Vance and Kathryn Newton. They drew in the much-needed family element which could have been lost to all the scenes with Ben and Holly out on their own.
You have to compare this to Beautiful Boy, it's difficult not to. They could be the same film, Ben Is Back just edges ahead for me though. I wasn't overly keen on the main actors in either film and both were carried by their parental leads. Both cover the drugs topic well from their own angles but here I felt we got a much better look at the family impact.
This rounded out a very emotional double bill at the cinema and what I actually came out thinking wasn't about this film in particular but that this year has given us some fantastic mum performances. Julia Roberts, Penelope Cruz and Nicole Kidman have managed to use their films to prove that they're giants in the acting world.
What you should do
I'd add Ben Is Back to my list of films to watch at least once.
Movie thing you wish you could take home
All I would really like is an attic that was as easy to get into as theirs.
Neon's Nerd Nexus (360 KP) rated Gemini Man (2019) in Movies
Oct 16, 2019
Exposition Man
Gemini Man is a pure bore, a tedious bombardment of utter crap that's so oversimplified you would think it was made for children. Personaly I admire Ang Lee as a director hes got this quirky kinda way of shooting films & hes always brave enough to try new filming techniques/strange camera angles that you dont really see in other movies. Id liken him to Luc Besson tbh but sadly just like him after making some absolute cinematic masterpieces they both then seem to be content with just churning out utter dross & while at the heart all these movies have great ideas/cool action its the excecution they fail on every time. Gemini man is no diffrerent infact id say its even worse than Lucy or Billy Lynn as its just so dull to the point where I was questioning if i should use the time catch up on sleep instead. Nothing of any intrest happens in this movie and im not kidding when i say all we get 90% of the time is characters repeating the extreamly basic plot to us over & over again which comes across as patronising making the movie exteamly monotonous & exhausting to watch. Acting isnt much better either its all very one tone/basic with characters clearly only there as checklist reminder of whats about to happen. But what about the action? well for a 2hour movie #action scenes only equate to about 15 minutes total & even when we do get finally get an action scene (bar the motorbike chase from the trailer) theres really nothing memorable or thrilling at all. One thing I will say its a looker for sure & at times my god does it look fantastic with a visual clarity that almost feels like your on set but problem is again its not pushed enough & theres not really any enviroments or action that makes good use of the techniques used to film it which is a big shame (it almost got a 2 because of visuals but I got annoyed I wasted 2hours of my only day off watching it). So irritating, boring, generic, predictable, shallow, basic, overlong & inteligence insulting I warn you now do not go to see Gemini Man it deserves no ones precious time or #money its just a pointless mess thats nothing but an absolutle chore to sit through.
BackToTheMovies (56 KP) rated Annabelle Comes Home (2019) in Movies
Jul 2, 2019
The third instalment of the Annabelle franchise as Annabelle Comes Home delivers where the previous two did not.
Demonologists Ed Warren (Patrick Wilson) and his wife Lorraine (Vera Farmiga) return back to their home with the cursed Annabelle doll. Safely locked away in their occult museum of the paranormal they leave for another case and leave their babysitter Mary (Madison Iseman) and her best friend Daniela (Katie Sarife) in charge of looking after their daughter Judy (McKenna Grace). One curious friend breaks into the paranormal museum situated in the Warren’s basement and all hell breaks loose.
Annabelle Comes Home is a well-rounded horror. It has a completely different feel than the films previous to it. It has a very goosebumps style goofiness about it with a more sinister tone. The Annabelle doll acts as a beacon for spirits. So when she is unleashed within the museum the other entities contained within that room escape. It really is a Goosebumps style injection of horror as various creatures and entities roam the house.
Whilst these horror movies have cut and paste jump scares and quite predictable outcomes Annabelle Comes Home just about keeps it somewhat fresh. The film is heavily held up high from strong performances by our three lead girls. The film has a lovely dark tone and the detail within the museum is incredible. If you’re a paranormal/haunted object junkie like me just seeing the attention to detail in the set dressing was impressive indeed.
Director Gary Dauberman takes Annabelle out of the one trick pony setting and allows this freedom of entities to run amok without convoluting the plot in any way shape or form. Each item is linked to a spirit and they’re carefully injected at spaced intervals through the story.
There’s nothing really new on display here. Horror movies just aren’t scary anymore. They rely on jump scares to provide a ‘scare’ which is actually a fabricated effect. A jump scare will never make a movie scary. I wish filmmakers wouldn’t over-saturated jumps every 10 minutes to make something ‘scary’. This movie isn’t bad whatsoever but my god is the horror genre becoming a little repetitive and boring in some aspects. It’s time to spice things up without pushing agendas! Yes, I’m talking to you Jordan Peele.
Demonologists Ed Warren (Patrick Wilson) and his wife Lorraine (Vera Farmiga) return back to their home with the cursed Annabelle doll. Safely locked away in their occult museum of the paranormal they leave for another case and leave their babysitter Mary (Madison Iseman) and her best friend Daniela (Katie Sarife) in charge of looking after their daughter Judy (McKenna Grace). One curious friend breaks into the paranormal museum situated in the Warren’s basement and all hell breaks loose.
Annabelle Comes Home is a well-rounded horror. It has a completely different feel than the films previous to it. It has a very goosebumps style goofiness about it with a more sinister tone. The Annabelle doll acts as a beacon for spirits. So when she is unleashed within the museum the other entities contained within that room escape. It really is a Goosebumps style injection of horror as various creatures and entities roam the house.
Whilst these horror movies have cut and paste jump scares and quite predictable outcomes Annabelle Comes Home just about keeps it somewhat fresh. The film is heavily held up high from strong performances by our three lead girls. The film has a lovely dark tone and the detail within the museum is incredible. If you’re a paranormal/haunted object junkie like me just seeing the attention to detail in the set dressing was impressive indeed.
Director Gary Dauberman takes Annabelle out of the one trick pony setting and allows this freedom of entities to run amok without convoluting the plot in any way shape or form. Each item is linked to a spirit and they’re carefully injected at spaced intervals through the story.
There’s nothing really new on display here. Horror movies just aren’t scary anymore. They rely on jump scares to provide a ‘scare’ which is actually a fabricated effect. A jump scare will never make a movie scary. I wish filmmakers wouldn’t over-saturated jumps every 10 minutes to make something ‘scary’. This movie isn’t bad whatsoever but my god is the horror genre becoming a little repetitive and boring in some aspects. It’s time to spice things up without pushing agendas! Yes, I’m talking to you Jordan Peele.