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Phillip McSween (751 KP) rated Dodgeball - A True Underdog Story (2004) in Movies
Jul 19, 2020
Just Too Much Damn Fun
“If you can dodge a wrench, you can dodge a ball.” In Dodgeball: A True Underdog Story a gym on the verge of bankrupt decides to enter a dodgeball competition to gain the money.
Acting: 10
Beginning: 10
The first few minutes introduces us to the main antagonist Dwight and his cronies over at Globo Gym. It’s hilarious how absolutely ridiculous they are. The set up for the rest of the movie is quick and entertaining.
Characters: 10
Cinematography/Visuals: 7
No, the movie isn’t winning any awards for amazing cinematic work, but it does have its moments. I particularly love how they depicted the local competitions, including one between Average Joe’s gym and a girl scout troupe. The national tournament feels like a real sporting event albeit extremely comical. I also appreciate the different personalities of each team which kept things fresh. You have a team of sumo wrestlers, a hip-hop team, lumberjacks, you name it. I appreciate director Rawson Marshall Thurber’s efforts to keep things interesting and light-hearted.
Conflict: 10
I don’t know how they did it, but they managed to keep the stakes interestingly high with this dodgeball tournament. Average Joe’s is at risk of losing everything and there are a number of times where you think they just might. It’s not a straightforward narrative as there are a number of bumps and bruises along the way that keep things entertaining and give you something to root for.
Entertainment Value: 8
You can’t help but not have fun watching this movie. We all remember what is was like to peg people with one of those magenta balls or catch a ball to save one of your friends and bring them back in the game. The feeling of nostalgia you get from watching this movie is unmistakable.
Memorability: 10
Pace: 10
Plot: 3
Resolution: 5
Overall: 83
There are a plenty of movies that come along where you say, “There is no way in hell this is going to be good.” Most times, you’re right, but in the case of Dodgeball: A True Underdog Story it ends up being surprisingly good. With a number of memorable lines and getting to watch people repeatedly get pegged in the face, this movie has a delightful replay value.
Acting: 10
Beginning: 10
The first few minutes introduces us to the main antagonist Dwight and his cronies over at Globo Gym. It’s hilarious how absolutely ridiculous they are. The set up for the rest of the movie is quick and entertaining.
Characters: 10
Cinematography/Visuals: 7
No, the movie isn’t winning any awards for amazing cinematic work, but it does have its moments. I particularly love how they depicted the local competitions, including one between Average Joe’s gym and a girl scout troupe. The national tournament feels like a real sporting event albeit extremely comical. I also appreciate the different personalities of each team which kept things fresh. You have a team of sumo wrestlers, a hip-hop team, lumberjacks, you name it. I appreciate director Rawson Marshall Thurber’s efforts to keep things interesting and light-hearted.
Conflict: 10
I don’t know how they did it, but they managed to keep the stakes interestingly high with this dodgeball tournament. Average Joe’s is at risk of losing everything and there are a number of times where you think they just might. It’s not a straightforward narrative as there are a number of bumps and bruises along the way that keep things entertaining and give you something to root for.
Entertainment Value: 8
You can’t help but not have fun watching this movie. We all remember what is was like to peg people with one of those magenta balls or catch a ball to save one of your friends and bring them back in the game. The feeling of nostalgia you get from watching this movie is unmistakable.
Memorability: 10
Pace: 10
Plot: 3
Resolution: 5
Overall: 83
There are a plenty of movies that come along where you say, “There is no way in hell this is going to be good.” Most times, you’re right, but in the case of Dodgeball: A True Underdog Story it ends up being surprisingly good. With a number of memorable lines and getting to watch people repeatedly get pegged in the face, this movie has a delightful replay value.
Illeana Douglas recommended Wild Strawberries (1957) in Movies (curated)
Kristy H (1252 KP) rated Lola on Fire in Books
Feb 25, 2021
A dark, fast-paced thriller
Brody Ellis has lost his job: desperate for cash to pay rent and to help take care of his younger sister, he robs a gas station. On his way out, he bumps into a woman. It's only once he's home that the realizes he's lost his wallet. He's waiting for the cops to arrest him when he receives a call. A woman named Blair Mayo, the one whom he ran into, has the wallet. She'll return it if he'll do something in return: steal her late mother's diamonds from her father's hateful new wife. But when Brody executes Blair's plan, he finds something else: a murdered woman and a security camera watching his every move. After he flees, slipping in blood, Blair tells him someone has already taken care of the footage. The woman's husband, the notorious mobster Jimmy Latzo. But he wants his own special revenge on Brody (and his sister, Molly, by default). The two flee, with the mob hot on their tail, and get caught up in a tangled web that involves Jimmy, Blair, and a woman named Lola Bear who came up against Jimmy years ago.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
BankofMarquis (1832 KP) rated Nobody (2021) in Movies
Apr 27, 2021
A Fun Romp
Any fan of one of the greatest TV series of all-time, BREAKING BAD, or it’s spin-off, BETTER CALL SAUL, know the acting chops that Bob Odenkirk brings to the role of slimey, billboard lawyer Saul Goodman. His fast-talking, fast-thinking con-man is a character for the ages.
So, naturally, one would think “action star”.
But, darn it, if it doesn’t work.
Playing a retired undercover agent with a “certain set of skills”, NOBODY follows “Hutch” Mansell as he gets pulled back into using those skills when he helps a young woman who is being harassed on a bus, only to find out the thugs he went against are connected to the Russian Mob.
You can pretty much fill in the blanks from there. This film does not really tread any new ground…but…gosh…it was a fun watch.
Playing a more comedic hero than Liam Neeson in the TAKEN movies or Keanu Reeves’ JOHN WICK, Odenkirk, nonetheless, pulls off the “action hero” qualities just fine and is a winning enough presence on the screen that he holds your attention.
Christopher Lloyd (yes, Doc Brown from BACK TO THE FUTURE) is along for the ride as Odenkirk’s father, who gets pulled into the action when the Russian Mobsters decide to go after Hutch’s family and he looks like he is having a ball with this role.
The rest of the cast is pretty by-the-book (though a special shoutout needs to go to 1980’s heavy, Michael Ironside, who has a short role in this film - I would have loved to have seen more of him). The head Russian mobster is a bit over-the-top for my tastes, but the action sequences more than make up for all of this.
Credit for that must be given to Director Ilya Naishuller (HARDCORE HENRY) for he gives this film a unique look in the fight scenes while constantly having his tongue placed firmly in his cheek. I’ve seen ALOT of action films, so when a film brings something unique and fun to the screen, I sit up and notice.
And, notice I did. For NOBODY is a fun, popcorn flick. One that will be entertaining for the 92 minutes you watch.
Just don’t expect to see it during Awards season next year.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
So, naturally, one would think “action star”.
But, darn it, if it doesn’t work.
Playing a retired undercover agent with a “certain set of skills”, NOBODY follows “Hutch” Mansell as he gets pulled back into using those skills when he helps a young woman who is being harassed on a bus, only to find out the thugs he went against are connected to the Russian Mob.
You can pretty much fill in the blanks from there. This film does not really tread any new ground…but…gosh…it was a fun watch.
Playing a more comedic hero than Liam Neeson in the TAKEN movies or Keanu Reeves’ JOHN WICK, Odenkirk, nonetheless, pulls off the “action hero” qualities just fine and is a winning enough presence on the screen that he holds your attention.
Christopher Lloyd (yes, Doc Brown from BACK TO THE FUTURE) is along for the ride as Odenkirk’s father, who gets pulled into the action when the Russian Mobsters decide to go after Hutch’s family and he looks like he is having a ball with this role.
The rest of the cast is pretty by-the-book (though a special shoutout needs to go to 1980’s heavy, Michael Ironside, who has a short role in this film - I would have loved to have seen more of him). The head Russian mobster is a bit over-the-top for my tastes, but the action sequences more than make up for all of this.
Credit for that must be given to Director Ilya Naishuller (HARDCORE HENRY) for he gives this film a unique look in the fight scenes while constantly having his tongue placed firmly in his cheek. I’ve seen ALOT of action films, so when a film brings something unique and fun to the screen, I sit up and notice.
And, notice I did. For NOBODY is a fun, popcorn flick. One that will be entertaining for the 92 minutes you watch.
Just don’t expect to see it during Awards season next year.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Jesters_folly (230 KP) rated Saw IV (2007) in Movies
Apr 13, 2021
Contains spoilers, click to show
Continuing on from the events of the previous film a new game is started as the last of the police officers from the other films are tested by jigsaw.
Like the previous films we have more traps and more people being tested and, of course things are not always what they seem.
With 'Saw 4' we get more of a feel of where the series is going, we see more of how Jigsaw recruits his assistants and how he intends to continue his work even when he no longer can.
We also get more on Jigsaws past, although, at times it does seem like it's contradicting what we already know everything comers together by the end of the film.
Saw 4 does a better job with the remaining characters from the previous films, keeping then through the film instead of killing them off in the first few minuets like they did in saw 3 and this film really does do a good job of tying up the loose ends from saw 3 and setting up things to come which is something which could have gone really wrong after the events of saw 3, other franchises have had problems bringing back their main killers and most of the way they used would not work with Saw as the franchise is more grounded in reality than a lot of other slasher type films.
I'm not sure how much of the story is planned ahead and how much is the writers checking the previous films for plot holes and then filling them in but Saw 4 does answer some questions, like how was Amanda able to lift some of her victims. The film also show us things like why Amanda uses a Pig mask.
The Gore level isn't as much as in Saw 3 and a lot of the 'game' is more psychological than the previous films but this fits the overall tone of the series and allows the film to give us more information via flashbacks, which are also used to throw the viewer off what is happening.
Saw 4 is more of the same, traps, games, blood and tests whilst also building on the law and setting up for more movies and ends leaving the viewer wanting more.
Like the previous films we have more traps and more people being tested and, of course things are not always what they seem.
With 'Saw 4' we get more of a feel of where the series is going, we see more of how Jigsaw recruits his assistants and how he intends to continue his work even when he no longer can.
We also get more on Jigsaws past, although, at times it does seem like it's contradicting what we already know everything comers together by the end of the film.
Saw 4 does a better job with the remaining characters from the previous films, keeping then through the film instead of killing them off in the first few minuets like they did in saw 3 and this film really does do a good job of tying up the loose ends from saw 3 and setting up things to come which is something which could have gone really wrong after the events of saw 3, other franchises have had problems bringing back their main killers and most of the way they used would not work with Saw as the franchise is more grounded in reality than a lot of other slasher type films.
I'm not sure how much of the story is planned ahead and how much is the writers checking the previous films for plot holes and then filling them in but Saw 4 does answer some questions, like how was Amanda able to lift some of her victims. The film also show us things like why Amanda uses a Pig mask.
The Gore level isn't as much as in Saw 3 and a lot of the 'game' is more psychological than the previous films but this fits the overall tone of the series and allows the film to give us more information via flashbacks, which are also used to throw the viewer off what is happening.
Saw 4 is more of the same, traps, games, blood and tests whilst also building on the law and setting up for more movies and ends leaving the viewer wanting more.
Jesters_folly (230 KP) rated Love and Monsters (2021) in Movies
Apr 18, 2021
Contains spoilers, click to show
Love and monsters is quite a slow paced film about a journey and a character. Joel starts the film as a bit of a looser, he feels out of place and unneeded so he sets out to find the one person he thinks will appreciate him and, as he movers through the world he begins to find himself, a purpose and the meaning of family.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
Gaspar Noe recommended The Mother and the Whore (1973) in Movies (curated)
Gaspar Noe recommended An Andalusian Dog (1929) in Movies (curated)
Mel Rodriguez recommended Raging Bull (1980) in Movies (curated)
Kim Pook (101 KP) rated The Prodigy (2019) in Movies
Sep 25, 2020
Contains spoilers, click to show
A woman is seen running away from something or someone and ends up being almost hit by an elderly driver, we discover the woman has had her hand cut off, how did this happen? Why did it happen?
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.