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Thor: The Dark World (2013)
Thor: The Dark World (2013)
2013 | Action, Sci-Fi
The departure of Kenneth Branagh and the subsequent trouble finding a director landed Thor: The Dark World in hot water before filming had even commenced. Helmed by Alan Taylor who went on to direct Terminator Genisys (oh dear), Thor: The Dark World is one of the weakest films in the entire MCU.

Plagued by a dull script and another phoned-in performance by Natalie Portman, it lacks the humour and sheer sense of madness that the god of thunder’s story requires. Christopher Eccleston also wins the prize for the MCU’s very worst villain – Malekith. May god help us all.

https://moviemetropolis.net/2018/04/21/the-entire-marvel-cinematic-universe-ranked/
  
Thor (2011)
Thor (2011)
2011 | Action, Drama, Sci-Fi
Chris helmsworth (3 more)
Tom hiddleston
Natalie Portman
Asgard
Watched last night after already seeing love and thunder in the afternoon review up later. Anyway back to the first one good start to the thor films now were up 4 films brilliant cast all round in my opinion Tom hiddleston as loki God of mischief is perfect casting no one else could play loki quite like Tom does Chris helmsworth as thor also perfect casting and there's Anthony Hopkins as odin someone I wouldn't imagined as odin but he pulls it off one thing I will say this is better than the second film by miles
  
Thor: Love and Thunder (2022)
Thor: Love and Thunder (2022)
2022 | Action, Adventure, Fantasy
Great SFX (1 more)
Funny in places
No real sense of danger or drama (1 more)
Tries too hard for laughs
Thor The Comedy
Another fun and very lighthearted Thor film. There are some good action scenes and good to see Natalie Portman as Mighty Thor. Christian Bale does well in his role and steals all his scenes. It is funny with the typical humour of Guardians of the Galaxy and the last Thor film.
Unfortunately it just tries to be funny constantly, almost every scene and some of it just becomes a bit silly. Making it more of a comedy than a Superhero film. Still enjoyable but needs a better balance like Ragnarok to hit the mark.
  
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Suswatibasu (1701 KP) rated Annihilation (2018) in Movies

Mar 15, 2018 (Updated Mar 15, 2018)  
Annihilation (2018)
Annihilation (2018)
2018 | Horror, Mystery, Sci-Fi
Natalie Portman's acting can't be faulted (0 more)
Plot (0 more)
Last scene was the only good scene
I may be able to speak for many who saw this film and thought what the heck was that about? Natalie Portman, a biologist, ventures into unknown territory after her husband, played by Oscar Isaac, mysteriously reappears after a year completely oblivious to where he had been. In a bid to seek answers, she teams up with a group of women for what can only be described as a suicide mission.

This may have gone far past Philip K. Dick territory in bizarreness. Most of the film felt inconsequential, with strange atmospheric music, and confusing sequences of events. It definitely seemed like the director tried incredibly hard to create an intelligent science fiction thriller in the same vein as @Solaris (2002) or @Arrival (2016), but the weak plot just seemed to refract his overall intention (see what I did there?)

The last few scenes were probably the most gripping, and rather unnerving. But unfortunately two scenes does not make a film.
  
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Awix (3310 KP) rated Annihilation (2018) in Movies

Mar 17, 2018 (Updated Mar 17, 2018)  
Annihilation (2018)
Annihilation (2018)
2018 | Horror, Mystery, Sci-Fi
Visually striking, cerebral SF-horror movie, notable for being released via Netflix rather than cinemas in most of the world. Ex-soldier-turned-biologist Natalie Portman joins a mission into a mysterious zone where the laws of reality seem to be breaking down.

You can kind of see why Paramount got cold feet and requested changes to the ending in particular, for it is weird and wilfully enigmatic (rather beautiful too, of course), but then the whole movie spurns the obvious elements of outlandish splatter the premise suggests in favour of a weird and unsettling atmosphere (the director has suggested it was inspired by H.P. Lovecraft as much as the stated source novel). Kind of derivative, but not necessarily in a bad way; probably a bit too chilly and intellectual for its own good. Obviously the work of the same director as Ex Machina; one day Garland will figure out how to make an SF movie that doesn't just play with ideas in a rather sterile way, and then he may produce something really exceptional.
  
V for Vendetta
V for Vendetta
David Lloyd, Alan Moore | 2008 | Fiction & Poetry
4
7.7 (6 Ratings)
Book Rating
This sits alongside "[b:Watchmen|472331|Watchmen|Alan Moore|https://images.gr-assets.com/books/1442239711s/472331.jpg|4358649]"; as one of [a:Alan Moore|3961|Alan Moore|https://images.gr-assets.com/authors/1304944713p2/3961.jpg]'s most influential works, with this set in the (then) future of the late 90s: a time when, following a global cataclysm, England has given itself over to fascism.

I'll be honest: I'd seen the Natalie Portman/Hugo Weaving film years ago (mainly out of curiosity to see how the Wachowski's would follow up The Matrix films), but had no idea how closely it stuck to the core material.

Until now.

The answer is actually surprisingly faithful, with most of the core beats of the two versions the same.

While both versions, I feel, do lose their way a bit at just over the half way mark, they both do have some memorable (and thought-worthy) quotes, chief among them these two:

[i]People shouldn't be afraid of their governments. Governments should be afraid of their people[/i]

[i]Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell[/i]