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Hidden Masterpiece (Soli Hansen Mysteries #3)
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In this riveting third book in the Soli Hansen Mysteries series, a woman’s courage to follow her...
Historical Fiction Mystery Dual Timeline
The Boy in the Attic (Wartime Holland Book 3)
7.0
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Anna opened the letter with trembling hands. ‘My darling, if you’re reading this, I haven’t...
It’s a long time since I read George Orwell’s 1984, but it is one of those books that stays with you - and my son recently wanted to watch the film with John Hurt (which was very good, by the way!).
If you’ve ever wondered what happened what happened to Winston Smith’s girlfriend both before, during and after the original novel, then this book will answer those questions.
Julia starts off being able to navigate the world under the ideology of IngSoc and the rule of the Party, for example, she’s a member of the Anti-Sex League whilst being promiscuous at the same time: she plays their game, but leads her own life in secret. She’s good at protecting herself - right up until she encounters Winston. And then she loses her grip on her self-preservation skills.
A lot of the scenes are the same as in the original and written from Julia’s point of view, and I enjoyed reading about the backstory of Oceania and the countryside that at first didn’t seem to be effected by the Party. I don’t think Julia detracted from the original. In fact she adds to it.
1984 was written between 1946 and 1949 shortly after WW2, and Orwell was very close historically to Stalinist Russia and Nazi Germany. It was a time of geopolitical tension and fear of totalitarianism. Sandra Newman was able to write Julia at a considerable distance from these regimes. I’m not saying this is better, just different. Newman has seen the fall of both regimes and is perhaps able to write with more perspective. She can take social media into account for one thing (it gives the Two Minutes Hate a run for it’s money, that’s for sure!).
I enjoyed this. If you’re interested in the female perspective on 1984, then you’ll probably enjoy it too.
If you’ve ever wondered what happened what happened to Winston Smith’s girlfriend both before, during and after the original novel, then this book will answer those questions.
Julia starts off being able to navigate the world under the ideology of IngSoc and the rule of the Party, for example, she’s a member of the Anti-Sex League whilst being promiscuous at the same time: she plays their game, but leads her own life in secret. She’s good at protecting herself - right up until she encounters Winston. And then she loses her grip on her self-preservation skills.
A lot of the scenes are the same as in the original and written from Julia’s point of view, and I enjoyed reading about the backstory of Oceania and the countryside that at first didn’t seem to be effected by the Party. I don’t think Julia detracted from the original. In fact she adds to it.
1984 was written between 1946 and 1949 shortly after WW2, and Orwell was very close historically to Stalinist Russia and Nazi Germany. It was a time of geopolitical tension and fear of totalitarianism. Sandra Newman was able to write Julia at a considerable distance from these regimes. I’m not saying this is better, just different. Newman has seen the fall of both regimes and is perhaps able to write with more perspective. She can take social media into account for one thing (it gives the Two Minutes Hate a run for it’s money, that’s for sure!).
I enjoyed this. If you’re interested in the female perspective on 1984, then you’ll probably enjoy it too.
Steven Sklansky (231 KP) rated Overlord (2018) in Movies
Nov 8, 2018
Action (2 more)
Great Acting
Intense
F******* Insane
Holy crap, this movie was amazing in IMAX, so you have the chance go see it there. On to the review. From the begin of this movie it was absolutely amazing. The film opens with the paratroops in the the plane getting ready to jump out in France to knock out a radio tower to let the planes know when to make their bombing run. This opening scene was done so well. It made you feel like you were in the plane being shot at and trying to get blown out of the sky. The soldiers getting ready to jump, you could really feel their fear and not wanting to die. It was edge of your seat fun wait to see what was going to happen.
Once they hit the ground the action did not stop, you had Germans shoot at you and explosions and wondering who was going to survive. This really did start like every other war movies, except for some reason I felt more invested the characters and not knowing what was going to happen. Once they arrived to the small town to take out the radio tower you just knew something strange was going on. There was a curfew and if you were out after dark you got taken to the church.
Now this was a really good plot about the Nazis and the crazy science experiments that Hitler was known for working on during the war. Now Nazi-zombies aren't necessarily new but I was a good take. This movie really had the feel of the video game Wolfenstein which was really cool.
Overall the action and scare factor was there on display, props to the crew for making this a great movie. If you are a fan of war and horror and not know what is going to happen. Get out there and enjoy the show.
Once they hit the ground the action did not stop, you had Germans shoot at you and explosions and wondering who was going to survive. This really did start like every other war movies, except for some reason I felt more invested the characters and not knowing what was going to happen. Once they arrived to the small town to take out the radio tower you just knew something strange was going on. There was a curfew and if you were out after dark you got taken to the church.
Now this was a really good plot about the Nazis and the crazy science experiments that Hitler was known for working on during the war. Now Nazi-zombies aren't necessarily new but I was a good take. This movie really had the feel of the video game Wolfenstein which was really cool.
Overall the action and scare factor was there on display, props to the crew for making this a great movie. If you are a fan of war and horror and not know what is going to happen. Get out there and enjoy the show.
Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies
Aug 9, 2019
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
TM
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