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    Toca Dance

    Toca Dance

    Education and Entertainment

    4.0 (1 Ratings) Rate It

    App

    ** Now with neon costumes that glow in the dark ** Start warming up - it's time for Toca Dance! ...

    iHandy Flashlight Pro

    iHandy Flashlight Pro

    Utilities and Lifestyle

    (0 Ratings) Rate It

    App

    The brightest, fastest, and most versatile flashlight in the world, ever! Instantly turn on the...

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Neon's Nerd Nexus (360 KP) created a post

Dec 23, 2019  
'The Neon Demon' 2016 is my film of the decade and also my favourite film of all time too.

'The Neon Demon' is all my passion, my addiction, my love for cinema and everything that inspires me, excites and drives me in life all crammed together into one cinematic masterpiece. In fact I think this film is so perfect and it means so much to me that its become a huge obsession of mine to the point where I think about it on a daily basis and even have my phone/room themed around it, tattoos of it, clothing/earnings based around it and it also influences most photos I take too. Directed by Nicholas Winding Refn and just like 'Only God Forgives'/'Drive' its visually immense, beautiful, intimidating, full of mystery and chock full of raw emotion too. Every scene is dense, rich and stylish with clearly a lot of time, care and thought put into each one be it the colours, lighting, camera angles or object placement everything in the frame is there for a purpose both visually and metaphorically. This film invokes and awakens so many emotions with me every single time I watch it that every time it ends I feel I've learnt something new not onlu about the film but about myself too. With next level acting and such an unnerving yet spellbinding soundtrack 'The Neon Demon' almost sends shivers down my spine and catapults me into a hypnotic state of immersion still when rewatching it to this day. Clearly inspired by Dario Argento movies such as 'Suspira' this film also has such a nostalgic feel to it as well containing very similar themes and uncomfortable visual/psychological horror too that many will no doubt find disturbing but to me it helps ramp up the tension, create a chilling atmosphere and adds huge emotional impact to the film. I doubt any film will ever replace this film as my top spot and although its slated by pretty much everyone (Jena Malone however said she was proud of it when I met her) the sheer depth, horror, inspiration, courage, enlightenment and joy that I personally get from watching it makes me feel so alive that if I met NWR I think I'd just burst into tears of gratitude.

Tom Nanni aka Neon Nans Reviews
      
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Gareth von Kallenbach (980 KP) rated The Neon Demon (2016) in Movies

Aug 6, 2019  
The Neon Demon (2016)
The Neon Demon (2016)
2016 | Horror
10
6.9 (9 Ratings)
Movie Rating Watch
A combination that looks like it may be a vapid display of glitz and garbage, the trailers for “Neon Demon” don’t dare give away just how far this film will take audiences.

Completely unique, the psychological thriller goes to dark places – necrophilia, cannibalism, and the solitary confines of the human mind.

The film stars Elle Fanning as Jesse, a sixteen year old girl from a small town who decided to go to LA to become a model. Without any parents, Jesse is completely on her own in a seedy wonderland.

She stays by herself in a dingy motel. Keanu Reeves plays the grubby motel manager, Hank. His role in the film is more of a supportive one, but he still plays a major part in the overall story and feel of the film.

Of course, Jesse meets all kinds of odd people as she dives into a world that is so shallow it could break her. Makeup artist Ruby (Jena Malone), and supermodels Gigi (Bella Heathcote) and Sarah (Abbey Lee) are characters the audience will love to hate. Malone, Heathcote, and Lee have done a great job becoming their characters. They incite visceral disdain, perhaps laced with admiration.

There may be a few moments where it feels like the plot is going nowhere fast, but I highly recommend resisting the urge to lose hope. The whole is greater than the sum of its parts in this case.

It’s not a stretch to say that Director Nicolas Winding Refn has created a piece of cinematic art.

The combination of finely selected camera technique, psychedelic lighting, and a cerebral soundtrack is like watching a beautiful nightmare.

Best described as “Clockwork Orange” meets “Top Model,”
  
    Camera Makeup 360

    Camera Makeup 360

    Beauty, Entertainment and Photo & Video

    (0 Ratings) Rate It

    App

    Beauty and fashion magazines shouldn’t have all the fun! Creating beautiful and natural looking...

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Movie Metropolis (309 KP) rated The First Purge (2018) in Movies

Jun 10, 2019  
The First Purge (2018)
The First Purge (2018)
2018 | Action, Horror, Sci-Fi
4
5.8 (32 Ratings)
Movie Rating Watch
Yet another wasted opportunity
Yes! Get in! Finally, the producers over at Platinum Dunes and Blumhouse realised that what fans of the Purge series were wanting was a look at how the night of legalised crime came to be. It’s all we’ve been asking for since 2013 after all.

After three films of decent quality in which the second, Purge: Anarchy is the highlight, The First Purge promises to shake up the formula by introducing a prequel into the horror franchise. But does it do enough to stop the series from feeling stale or are we looking at yet another paint-by-numbers horror flick?

No. That’s the short answer anyway. Director Gerard McMurray falls into all the usual horror movie clichés with a film that is definitely Purge-like in its construction, but once again plays it all frustratingly safe.

To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America test a sociological theory that vents aggression for one night in one isolated New York community. But when the violence of oppressors meets the rage of the others, the contagion will explode from the trial-city borders and spread across the nation.

The cast of characters in this instalment is possibly the most unlikeable of the bunch, apart from a few exceptions. Marisa Tomei is hideously underused as the experiment’s creator, Dr. May Updale, when in fact she should and could be the most interesting part of the movie. The rest of the cast are one-dimensional characters that you could cut and paste into any horror film of the last decade. Y’Ian Noel as Dmitri is probably the only one who leaves any lasting impression.

Subtlety has never been the series’ strong point. One of the leaders of the New Founding Fathers is called Donald T for heaven’s sake, but that was always part of its dark charm. It has never been afraid to show us an America that, for now at least, doesn’t feel that too far into the future but the political side-swiping in this instalment bashes us over the head with what feels like a brick. It’s so on the nose.

The premise has always been the best part, and the Achilles heel, of the series and so it continues with The First Purge. Fans waiting to get a really intricate look at how the night of crime came to be will be disappointed as we’re treated to barely 10 minutes of exposition before we’re slung head-first into the same killing-fest that the last three films descended into after their first acts.

This gets old quickly, even more so in this instalment as the repetitive jump scares come thick and fast with uninspiring camerawork, dreadful dialogue and lethargic kills. The use of contact lenses to create some striking neon visuals aren’t enough to lift anything in the film above average.

Thankfully, the final act in a dimly lit tower block shows the audience the type of film it could have been. Slickly shot and nicely styled, it’s a much-improved finale that is only let down by some truly dreadful CGI blood splatter. However, the use of strobe lighting is an inspired choice in this sequence as we follow two groups of people each trying to dispatch the other.

Unfortunately, this highlight isn’t enough to lift the rest of The First Purge above the mundane. Where the first in the series was a film testing the waters regarding its premise and the second improved on that ten-fold taking the action out onto the streets, this tries to use a hybrid of both but it comes across as stale as a ten day old loaf.

The pacing too is an issue. The first 20 minutes or so are excruciatingly slow as the film tries to set-up as many of its plot-points as possible. Now, 20 minutes might not sound too bad, but this is a 97 minute film – that’s a fifth of the time gone with nothing achieved.

If we must get a fifth film, and from the box-office figures, it bafflingly looks like we will, all we can do is hope they take the cheap jump scares and replace them with a thrilling look at the people who brought the purge to life in the first place. Until then, save your money and wait for the network premiere when it comes to television in a couple of years.

When the best part of your film is the purge announcement that has featured in every instalment, you know you’ve run into some trouble.

https://moviemetropolis.net/2018/07/12/the-first-purge-review-yet-another-wasted-opportunity/