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Charlie Cobra Reviews (1840 KP) rated Krypton in TV
Jul 7, 2020
Krypton Is No Kryptonite, Despite No Supes
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
Merissa (13154 KP) created a post
Feb 12, 2021
Shirley Manson recommended Stone Roses by The Stone Roses in Music (curated)
Neon's Nerd Nexus (360 KP) rated It: Chapter Two (2019) in Movies
Sep 6, 2019 (Updated Sep 6, 2019)
I am the eater of worlds, and of children.
IT Chapter2 feels like a ride you've been sat on all day, immense fun but a tad repetitive & a little tiresome after awhile. Now I can't remember the book much to be honest so im going by the films here alone & I personally think its all one giant metaphor for child suicide with the clown just being one big easy to relate to combined metaphor for fear, grief, guilt, betrayal, depression, negativity, loneliness, abuse, anxiety, torment, worry, instability & stress of growing up in a town thats had a lot of tragic events happen in it & in a world where things such as bullying, paedophilia, murder, arson, death, accidents, incest, mental illness, fear mongering, love and having no friends can also be against you and playing on your mind. Watching it in this way is where the real terror lies & everything had a logical explanation to it too (especially watching both films back to back) making these films that much more powerful, relatable, meaningful & heartwarming. Watching these kids/adults unite together to battle everything life throws at them to conquer & overcome the darkness while still trying to have fun and enjoy youth at the same time is so empowering and uplifting its just a shame this new film retreads to much old ground feeling a tad to repetitious of what we've seen before already. That being said the character drama is great & theres clear love here for the source material/films from the past that have since become cult classic. A genuine nostalgia vibe is present here too with the film feeling very lost boys meets the goonies & theres even elements of evil dead & john carpenters the thing too. Acting is fantastic with a near flawless adult cast & special effects for the most part are creative, creepy, disgusting & good looking with a few seemingly rushed bits here & there. Its a good film dont get me wrong it just feels like it needs a trim as the lulls at times can make your mind float off elsewhere (especially during some side plots). Overall IT 2 has great depth, fun horror elements & well developed characters its just a shame the comedy & repetitive structure spoil it.
Big Fish Casino: Slots & Games
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Bonnie and Clyde: Resurrection Road
Clark Hays and Kathleen McFall
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THE RETURN OF BONNIE AND CLYDE Saving democracy, one bank robbery at a time. In the provocative...
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I like nothing better than being the unseen observer of a family (in a book, anyway!), and Free Love gives the reader plenty to be looking at.
Phyllis is a typical 1950’s/ 60’s housewife, but is she happy in her role as a housewife? She says yes, but I’d guess not, because when the son of a friend comes for dinner, Phyllis ends up making a pass at him, and then becomes obsessed - to the point that she finds out where he lives, goes to return a shirt that he had to change out of and ends up in bed with him. Then she just doesn’t go home.
Phyllis discovers the liberating 1960’s right at the end of the decade (1967), and shrugs off the responsibilities of motherhood and of being Roger’s wife. Instead she moves in with Nicky, has sex all the time and does whatever she wants to.
It felt like I was watching a car crash in slow motion. I could empathise with Phyllis’ need for freedom: her previous life in the suburbs was stifled and grey. I felt sad for her 16 year old daughter Colette, who is essentially dumped by her mother and left with a father who isn’t coping. It’s almost as if Colette becomes the adult, and her mother the carefree teenager.
I enjoyed the 1960’s setting and the contrasts of old and new. The whole story is told from a non-judgemental point of view. That’s left up to the reader to decide, and believe me, this really did prove how scarily judgemental I can be! There’s something to be said about a middle-class woman who decides to live in a filthy bedsit, expecting others who live in it to enjoy their freedom as much as she does (with her cushion of inherited money).
The plot twist at the end was a jaw dropper!
I loved this though. It might not sound like it, but I do love to hate my characters (although that’s a harsh word for the characters in this book, I think). If you feel the same way about unlikeable characters, then this could be the book for you too!
Phyllis is a typical 1950’s/ 60’s housewife, but is she happy in her role as a housewife? She says yes, but I’d guess not, because when the son of a friend comes for dinner, Phyllis ends up making a pass at him, and then becomes obsessed - to the point that she finds out where he lives, goes to return a shirt that he had to change out of and ends up in bed with him. Then she just doesn’t go home.
Phyllis discovers the liberating 1960’s right at the end of the decade (1967), and shrugs off the responsibilities of motherhood and of being Roger’s wife. Instead she moves in with Nicky, has sex all the time and does whatever she wants to.
It felt like I was watching a car crash in slow motion. I could empathise with Phyllis’ need for freedom: her previous life in the suburbs was stifled and grey. I felt sad for her 16 year old daughter Colette, who is essentially dumped by her mother and left with a father who isn’t coping. It’s almost as if Colette becomes the adult, and her mother the carefree teenager.
I enjoyed the 1960’s setting and the contrasts of old and new. The whole story is told from a non-judgemental point of view. That’s left up to the reader to decide, and believe me, this really did prove how scarily judgemental I can be! There’s something to be said about a middle-class woman who decides to live in a filthy bedsit, expecting others who live in it to enjoy their freedom as much as she does (with her cushion of inherited money).
The plot twist at the end was a jaw dropper!
I loved this though. It might not sound like it, but I do love to hate my characters (although that’s a harsh word for the characters in this book, I think). If you feel the same way about unlikeable characters, then this could be the book for you too!