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Lee (2222 KP) rated Early Man (2018) in Movies
Oct 23, 2018
Early Man is from Aardman Animation, the team behind Wallace and Gromit, Shaun the Sheep and Chicken Run. Following the devastation caused by a large meteor hitting the Earth many generations ago, a stone age tribe now lives in the lush forest within the crater it left behind. Fairly primitive, and fairly stupid, they hunt rabbits for food and don't really venture outside of the crater into the volcanic wastelands that surround them. But when a more advanced civilisation of bronze age people come along and take over the crater in order to start mining more bronze, the stone age gang find themselves forced out of their home and into the wastelands. One of the stone age men, Dug, follows the bronze age men back to their city and into their football stadium, where thousands gather to watch football. He decides to challenge the bronze age team to a football match, with the winner getting to keep the valley that they call home. Turns out that the stone age tribe invented football many generations ago, and now need to reawaken their passion for the game, and somehow get themselves match ready in time for the match.
As always with Aardman and Nick Park, the stop-motion animation and the attention to detail are top notch. There are some funny moments, but it's nowhere near the standard of some of the previous Aardman productions. It boasts a great line up for the character voices too - Eddie Redmayne, Tom Hiddleston, Maisie Williams and more - only it's not enough to lift this beyond being a fairly below average family movie, which is a real shame.
As always with Aardman and Nick Park, the stop-motion animation and the attention to detail are top notch. There are some funny moments, but it's nowhere near the standard of some of the previous Aardman productions. It boasts a great line up for the character voices too - Eddie Redmayne, Tom Hiddleston, Maisie Williams and more - only it's not enough to lift this beyond being a fairly below average family movie, which is a real shame.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Body in the Woods (Point Last Seen, #1) in Books
Jan 23, 2020
I think I'm reading books too fast for the following reasons:
~ It was spring break. I probably got cabin fever. 101°F most likely
~ It was short, compared to a lot of other books I typically really, which are usually 350+
~ It really was action-packed and suspenseful
The last part is a fact, and to my embarrassment, I didn't realize April Henry was the exact same author who wrote Girl, Stolen which I actually loved (I forgot if it was Book Battle, Truman Readers Award Nominee, or both). Or maybe I just forgot who the author was. Whoops.
The Body in the Woods follows multiple perspectives Alexis, Nick, Ruby, and why yes, the murderer on the occasional basis of creepiness. e_e *ominous music* Alexis' is someone who doesn't let others become close to her (sounds like me) and has a delusional mother who hates her medication, Nick had no father figure for most of his life and tries getting attention just to fit in, and Ruby has interests no one else seems to understand. But while all of that is true, there seems to be one thing in common between the three: they're odd and simply want to fit in with the world.
All three are part of Portland's Search and Rescue, which is actually mainly made up of teen volunteers who search for missing people. While on the search for a missing man in Forest Park no, not the one in Missouri where the Muny is at they end up finding a girl... dead.
The multiple POVs actually had a handy advantage: it pretty much kept me at the edge of my seat. A chapter ends at a suspenseful part, I turn the page in hopes of finding out what happens and I end up with a different person entirely. Unfortunately though... there were these random POVs from other people that just seem to pop out of nowhere and proved to be a bit of a distraction from the main 4.
Well written and page turning, The Body in the Woods reminded me of CSI from a witnesses' and murderer's point of view instead of law enforcement. Not bad for April Henry's latest novel, even if I only read one other book. It'll be great for mystery peeps though!
-----------------
ARC copy provided by publisher
Original review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/arc-review-the-body-in-the-woods-by-april-henry.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
~ It was spring break. I probably got cabin fever. 101°F most likely
~ It was short, compared to a lot of other books I typically really, which are usually 350+
~ It really was action-packed and suspenseful
The last part is a fact, and to my embarrassment, I didn't realize April Henry was the exact same author who wrote Girl, Stolen which I actually loved (I forgot if it was Book Battle, Truman Readers Award Nominee, or both). Or maybe I just forgot who the author was. Whoops.
The Body in the Woods follows multiple perspectives Alexis, Nick, Ruby, and why yes, the murderer on the occasional basis of creepiness. e_e *ominous music* Alexis' is someone who doesn't let others become close to her (sounds like me) and has a delusional mother who hates her medication, Nick had no father figure for most of his life and tries getting attention just to fit in, and Ruby has interests no one else seems to understand. But while all of that is true, there seems to be one thing in common between the three: they're odd and simply want to fit in with the world.
All three are part of Portland's Search and Rescue, which is actually mainly made up of teen volunteers who search for missing people. While on the search for a missing man in Forest Park no, not the one in Missouri where the Muny is at they end up finding a girl... dead.
The multiple POVs actually had a handy advantage: it pretty much kept me at the edge of my seat. A chapter ends at a suspenseful part, I turn the page in hopes of finding out what happens and I end up with a different person entirely. Unfortunately though... there were these random POVs from other people that just seem to pop out of nowhere and proved to be a bit of a distraction from the main 4.
Well written and page turning, The Body in the Woods reminded me of CSI from a witnesses' and murderer's point of view instead of law enforcement. Not bad for April Henry's latest novel, even if I only read one other book. It'll be great for mystery peeps though!
-----------------
ARC copy provided by publisher
Original review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/arc-review-the-body-in-the-woods-by-april-henry.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Pete Thompson (4339 KP) rated The Stand in TV
Feb 10, 2021
I've never written a full review before as I let my score tell the story for the film/TV show in my view and don't like to influence people by what I write, simply put watch it and make your own judgement but with this steaming pile of crap I've had to do this just to get the anger and loathing off my chest.
I heard this was being redone and was looking forward to it having an update and a larger budget than the 94 version (which I love) I thought it wouldn't be as good but would be a solid installment.
I listen to audio books now as I dont get time to read with work and my toddler keeping me busy so I got The Stand to listen to; to get the story back into my head properly and get the juices flowing. I had read it back in the 90s but had forgotten things about it and just had memories of the 94 mini series and had put the scenes from that into the book. Anyway the cast list came out with their characters and just looking through them I said the only 1 that might be ok was Whoopi Goldberg as Mother Abigail. The rest I wasn't keen on and in the case of Larry and The Judge being the wrong race and sex respectively made me irrate and Glen being too young but thought I better wait and see. Oh my god I was proven wrong not being keen was great until I actually watched this mess. Main characters that don't get much screen time Nick, Flagg, Tom, Mother Abigail, Larry and Stu compared to the book and 94 series. Harold gets waaaay too much screen time, Lloyd is just an irritating man child twerp, Tom needs to be punched whats with the hands together bow like he is chinese? And trashcan man oh my word who the hell thought that was the performance required? I can honestly say I wouldnt even swap the peripheral actors from 94 for the main cast in this.
The original story had a beginning, middle and end. The 94 series did it the same. Welcome to 2020/21 series and a director that thinks he's being clever starting the show at the midway point and having flash backs but only for certain characters at certain times in each episode. Even knowing the book and 94 series didn't help to keep track of where the story was and what time frame. I sst there getting more and more angry at the stupid style but what made it worse is the liberties taken to change the story no tunnel sequence for Larry now a sewer so 80s/90s horror cliche, Mother Abigail is in a retirement home not still living independently in her own home baking her own bread. Nick and Tom being in the same town from the start not meeting on the road in the case for Nick, no sherif and doctor that Nick meets after his beating on the road not in a bar as shown in this version. Video cameras being used by Harold to spy on the committee and to monitor his home were never in the book he read Franny' diary on the road and she breaks into his house 1st not Larry. Randall Flagg is supposed to be feared by the good side but this version is laughable as you barely see him and when he is there there is no feeling of threat and underlying malice from him, I expected a lot better from Skarsgard after his brother knocked it out the park with Stephen Kings IT remake. He just didn't seem to really be arsed about the character and was there for a paycheck.
Anyway sorry for such a long rant but loving the book and 94 series this pile of dog s**t should be scrubbed from all records and forgotten about the only redeeming things it has going for it is the music and thats usually a song just as the episode is about to end and the evil side looks a lot more like it would for people without moral compasses and surpasses the 94 series on this part only.
I give it a 2 / 10 and it only gets that due to the music. A very disappointing reboot when all you had to do was follow a great book with the right casting.
I heard this was being redone and was looking forward to it having an update and a larger budget than the 94 version (which I love) I thought it wouldn't be as good but would be a solid installment.
I listen to audio books now as I dont get time to read with work and my toddler keeping me busy so I got The Stand to listen to; to get the story back into my head properly and get the juices flowing. I had read it back in the 90s but had forgotten things about it and just had memories of the 94 mini series and had put the scenes from that into the book. Anyway the cast list came out with their characters and just looking through them I said the only 1 that might be ok was Whoopi Goldberg as Mother Abigail. The rest I wasn't keen on and in the case of Larry and The Judge being the wrong race and sex respectively made me irrate and Glen being too young but thought I better wait and see. Oh my god I was proven wrong not being keen was great until I actually watched this mess. Main characters that don't get much screen time Nick, Flagg, Tom, Mother Abigail, Larry and Stu compared to the book and 94 series. Harold gets waaaay too much screen time, Lloyd is just an irritating man child twerp, Tom needs to be punched whats with the hands together bow like he is chinese? And trashcan man oh my word who the hell thought that was the performance required? I can honestly say I wouldnt even swap the peripheral actors from 94 for the main cast in this.
The original story had a beginning, middle and end. The 94 series did it the same. Welcome to 2020/21 series and a director that thinks he's being clever starting the show at the midway point and having flash backs but only for certain characters at certain times in each episode. Even knowing the book and 94 series didn't help to keep track of where the story was and what time frame. I sst there getting more and more angry at the stupid style but what made it worse is the liberties taken to change the story no tunnel sequence for Larry now a sewer so 80s/90s horror cliche, Mother Abigail is in a retirement home not still living independently in her own home baking her own bread. Nick and Tom being in the same town from the start not meeting on the road in the case for Nick, no sherif and doctor that Nick meets after his beating on the road not in a bar as shown in this version. Video cameras being used by Harold to spy on the committee and to monitor his home were never in the book he read Franny' diary on the road and she breaks into his house 1st not Larry. Randall Flagg is supposed to be feared by the good side but this version is laughable as you barely see him and when he is there there is no feeling of threat and underlying malice from him, I expected a lot better from Skarsgard after his brother knocked it out the park with Stephen Kings IT remake. He just didn't seem to really be arsed about the character and was there for a paycheck.
Anyway sorry for such a long rant but loving the book and 94 series this pile of dog s**t should be scrubbed from all records and forgotten about the only redeeming things it has going for it is the music and thats usually a song just as the episode is about to end and the evil side looks a lot more like it would for people without moral compasses and surpasses the 94 series on this part only.
I give it a 2 / 10 and it only gets that due to the music. A very disappointing reboot when all you had to do was follow a great book with the right casting.
Purple Phoenix Games (2266 KP) rated Draftosaurus in Tabletop Games
May 14, 2021
YESSSSS Let’s build a dinopark! I have been waiting for this for years! Yes, I know that Dinosaur Island exists. It’s a good game. In fact, I think it’s a great game. But I have been waiting for a quick game of building a dinopark that I can also share with my young kids. Have I found it with Draftosaurus, or is this just another in a long line of drafting games?
Draftosaurus is so appropriately named due to being a drafting game with a dinosaur theme. Instead of typically drafting cards, however, players are drafting adorable little dinomeeples to populate their theme park attractions. Each attraction, or pen in the game, offers different points for having different dinos in each, or the same, or just one, or exactly three, et al. The player with the most points from these pens at the end of the game is the winner!
To setup, every player receives a park board. Populate the draw bag with dinomeeples based on the number of players using the table in the rulebook. Give the wooden placement die to the youngest player and play can begin!
A game of Draftosaurus spans exactly two rounds. Each round is exactly the same: each player grabs six dinomeeples from the bag, active player rolls the die, players draft dinos, players pass the remaining dinos. Repeat these steps starting at die rolling, but the die is passed along with the dinos from the active player. This is repeated until all dinos have been drafted and placed in pens. Easy right?
The true nature of the game and the most fun part is in the placement die and placement of the dinos in the pens. When the die is rolled, this signifies specific placement rules for all players except the active player. So perhaps the die shows that dinos must be placed in the Grasslands, which are the pens on the bottom portion of the boards. Or maybe the die shows that new dinos may only be added to pens that currently have no dinos in them. Again, these rules do not apply to they that rolled the die, but rather every other player. Herein lies the scrumptious struggle: where does one place the dinos they currently possess in their hand from their neighbor? What pens will score the most points at endgame? Can a T.Rex really be appropriate in this pen? The choices can be maddening, or one can play the game with complete laissez-faire and still have a great time. After two rounds the game ends and players look upon their parks with pride as they count up their final scores.
Components. I really only know Ankama from the Krosmaster games, which though I am not really a fan of, the components are great. I believe Ankama has provided excellent components for Draftosaurus. The dinomeeples are all excellently colored and designed. The boards are good quality, though I question the “Grasslands” being brown and kinda devoid of grass. All in all, the components are great and I love handling them and playing with them.
Yes, we always include our scores at the beginning of each review. So you all already know what I’m about to say here. I love this game! I love having so many options available to me, only to have the die roll tell me I can’t do exactly what I want, so I have to alter my strategy on a dime. I love being able to see my dinos filling up the park (or swimming in the River if there are no places for them) and watching them frolic… well, okay not frolic in tight spaced pens. No wonder they all went crazy and escaped in those movies. In any case, if you or your family/friends/playdates enjoy drafting games, but want something a little different, while respecting your playtime (something that many drafting games extend) take a look at Draftosaurus. Even children can get in on the action, as there is no need to be able to read, necessarily. I haven’t yet tried it with my 3-year-old, but I think I will this weekend now. That all said, Purple Phoenix Games gives this one an enthusiastically Triassic 19 / 24. Just keep Newman and Nick Fury away from your game table.
Draftosaurus is so appropriately named due to being a drafting game with a dinosaur theme. Instead of typically drafting cards, however, players are drafting adorable little dinomeeples to populate their theme park attractions. Each attraction, or pen in the game, offers different points for having different dinos in each, or the same, or just one, or exactly three, et al. The player with the most points from these pens at the end of the game is the winner!
To setup, every player receives a park board. Populate the draw bag with dinomeeples based on the number of players using the table in the rulebook. Give the wooden placement die to the youngest player and play can begin!
A game of Draftosaurus spans exactly two rounds. Each round is exactly the same: each player grabs six dinomeeples from the bag, active player rolls the die, players draft dinos, players pass the remaining dinos. Repeat these steps starting at die rolling, but the die is passed along with the dinos from the active player. This is repeated until all dinos have been drafted and placed in pens. Easy right?
The true nature of the game and the most fun part is in the placement die and placement of the dinos in the pens. When the die is rolled, this signifies specific placement rules for all players except the active player. So perhaps the die shows that dinos must be placed in the Grasslands, which are the pens on the bottom portion of the boards. Or maybe the die shows that new dinos may only be added to pens that currently have no dinos in them. Again, these rules do not apply to they that rolled the die, but rather every other player. Herein lies the scrumptious struggle: where does one place the dinos they currently possess in their hand from their neighbor? What pens will score the most points at endgame? Can a T.Rex really be appropriate in this pen? The choices can be maddening, or one can play the game with complete laissez-faire and still have a great time. After two rounds the game ends and players look upon their parks with pride as they count up their final scores.
Components. I really only know Ankama from the Krosmaster games, which though I am not really a fan of, the components are great. I believe Ankama has provided excellent components for Draftosaurus. The dinomeeples are all excellently colored and designed. The boards are good quality, though I question the “Grasslands” being brown and kinda devoid of grass. All in all, the components are great and I love handling them and playing with them.
Yes, we always include our scores at the beginning of each review. So you all already know what I’m about to say here. I love this game! I love having so many options available to me, only to have the die roll tell me I can’t do exactly what I want, so I have to alter my strategy on a dime. I love being able to see my dinos filling up the park (or swimming in the River if there are no places for them) and watching them frolic… well, okay not frolic in tight spaced pens. No wonder they all went crazy and escaped in those movies. In any case, if you or your family/friends/playdates enjoy drafting games, but want something a little different, while respecting your playtime (something that many drafting games extend) take a look at Draftosaurus. Even children can get in on the action, as there is no need to be able to read, necessarily. I haven’t yet tried it with my 3-year-old, but I think I will this weekend now. That all said, Purple Phoenix Games gives this one an enthusiastically Triassic 19 / 24. Just keep Newman and Nick Fury away from your game table.
Charlie Cobra Reviews (1840 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 7, 2020
Spider-Man Knocks It Out Of The Park In This Summer Vacation Superhero Hybrid
Spider-Man Far From Home is a 2019 superhero movie directed by Jon Watts and written by Chris Mckenna and Erik Sommers. It was co-produced by Columbia Pictures and Marvel Studios and distributed by Sony Pictures Releasing. The movie stars Tom Holland, Zendaya, Samuel Jackson, Cobie Smulders, Jon Favreau, and Jake Gyllenhaal.
The Midtown School of Science and Technology in New York City organizes a two-week summer field trip to Europe to accommodate the students who were resurrected by "the blip". Peter plans to avoid heroics and confess his feelings to "MJ" on this trip but is warned by Happy that Nick Fury is trying to get in contact with him. Distraught about the events in Endgame and the questions overwhelming him about Tony Stark, Peter decides to not answer when Fury calls him causing Fury to seek him out on his vacation.
This movie was phenomenal. It was really awesome and a perfect summer action blockbuster. Marvel did not drop the ball with this one and I'm so glad I saw it before anybody spoiled it for me because it had plenty of surprises. Especially the after credits scenes, the one after the movie finishes and the one at the very end after the credits. Jake Gyllenhaal was perfect as Mysterio and his acting was on point and Ned (Jacob Battalon) was awesome as Pete's best friend and wing-man in this movie too. The action was great and the effects were spectacular especially for Mysterio and his powers, they really did a amazing job. I really couldn't find much that I didn't like in this movie other than a couple ways the plot or story didn't unfold in a way that I liked; but that's probably me just being picky and a super fan from the comics and watching the cartoons. Also a part having to do with Peter taking a major injury and kind of just shrugging it off when he should have been hurt worse. Zendaya did a good job of portraying "MJ" and showing her come out of her shell a little more too which I though was also cool. I give this movie a 8/10 and I also give it my "Must See Seal of Approval" If you haven't seen this movie yet, what are you waiting for?
The Midtown School of Science and Technology in New York City organizes a two-week summer field trip to Europe to accommodate the students who were resurrected by "the blip". Peter plans to avoid heroics and confess his feelings to "MJ" on this trip but is warned by Happy that Nick Fury is trying to get in contact with him. Distraught about the events in Endgame and the questions overwhelming him about Tony Stark, Peter decides to not answer when Fury calls him causing Fury to seek him out on his vacation.
This movie was phenomenal. It was really awesome and a perfect summer action blockbuster. Marvel did not drop the ball with this one and I'm so glad I saw it before anybody spoiled it for me because it had plenty of surprises. Especially the after credits scenes, the one after the movie finishes and the one at the very end after the credits. Jake Gyllenhaal was perfect as Mysterio and his acting was on point and Ned (Jacob Battalon) was awesome as Pete's best friend and wing-man in this movie too. The action was great and the effects were spectacular especially for Mysterio and his powers, they really did a amazing job. I really couldn't find much that I didn't like in this movie other than a couple ways the plot or story didn't unfold in a way that I liked; but that's probably me just being picky and a super fan from the comics and watching the cartoons. Also a part having to do with Peter taking a major injury and kind of just shrugging it off when he should have been hurt worse. Zendaya did a good job of portraying "MJ" and showing her come out of her shell a little more too which I though was also cool. I give this movie a 8/10 and I also give it my "Must See Seal of Approval" If you haven't seen this movie yet, what are you waiting for?
JT (287 KP) rated The Sweeney (2012) in Movies
Mar 10, 2020
Nick Love’s take on the ’70s TV cop show of the same name packs every bit a hard knuckled punch as you would expect it to. The director of such films as The Football Factory and The Business even manages to stay clear of Danny Dyer and cast a slick and talented bunch of individuals, led by Ray Winstone.
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.
Bob Mann (459 KP) rated The Mummy (2017) in Movies
Sep 29, 2021
Crushingly Mediocre
I’d read the bad reviews, but thought “Hey, it’s Tom Cruise – how bad could it be?” The answer is, “Pretty bad”.
It’s an ominous sign when a film starts with a voice-over (even if done by the sonorous tones of Russell Crowe). Regular readers of this blog will know I generally abhor voice-overs: it invariably belies a belief by the scriptwriters that they think the audience are too damn stupid to join up the plot-dots themselves. Here we portentously walk through the ancient Egyptian backstory of princess Ahmanet (Sofia Boutella, “Kingsman: The Secret Service“; “Star Trek Beyond“) cursed to become the titular Mummy. We then skip forward to the present day and the film settles down, promisingly enough, with scavenging adventurer Nick Morton (Cruise, in Indiana Jones mode), discovering a lost Egyptian temple in war-torn modern-day Mesopotamia that for the sake of the world should have stayed lost.
But after an impressive plane crash (with zero G scenes filmed for real in a “Vomit Comet”) the plot dissolves into a completely incoherent mush. With B-movie lines forcing B-movie acting performances, the film lurches from plot crisis to plot crisis in a similar manner to the comically lurching undead Zombie-like creatures that Ahmanet has sucked the life out of. (After 110 minutes of this, I know how they feel!)
What were actors of this calibre doing in this mess? When I first saw the trailer for this, and saw that Cruise was in it, I thought this felt like an unusual career misstep for the megastar. After seeing the film, I’m even more mystified. Nick Morton is supposed to be an immoral bad guy. Immoral bad guy?? Tom Cruise?? Nope, you lost the audience on that one in the first ten minutes. Cruise, who is STILL only a year younger than I am (damn him, for real!) is still in great shape and must spend ALL his time in the gym. There must be a time soon coming though where he gets to a “Roger Moore in View to a Kill” moment where these action hero roles just no longer become credible anymore.
And what was Russell Crowe, as a famous / infamous (yes, both!) doctor from literature doing in this? His character’s involvement in the plot was almost completely inconsequential. In fact his ‘affliction’ only serves as a coincidental diversion (how convenient!) for bad Mummy-related action to happen. His character has no backstory and seems to serve only as a backbone for Universal’s “Dark Universe” franchise that this movie is supposed to launch. (Good luck with that Universal after this stinker!) Surely it would have made more sense to have the first film in the series to be the origins story for Crowe’s character and the organisation he sets up. This would have made far more sense.
Annabelle Wallis, who is sweet and “only” 22 years his junior, plays Cruise’s love interest in the film and equips herself well, given the material she has to play with. However (after “King Arthur: Legend of the Sword“) she must be kicking herself for not picking the ‘right’ summer blockbusters for her CV.
The main culprit here is the plot, which again is mystifying given that the writing team includes David Koepp (“Jurassic Park”; “Mission Impossible”); Christopher McQuarrie (“The Usual Suspects”, “Edge of Tomorrow“) and Jon Spaihts (“Mission Impossible: Rogue Nation“, “Doctor Strange“). A poor script can sometimes be salvaged by a good director, but here we have Alex Kurtzman, who has only one other directing credit to his name. And I’m afraid it shows. All round, not a good day at the office.
Brian Tyler did the music (aside from the Danny Elfman opening “Dark Universe” fanfare) but it comprises what I would term “running and jumping music”, with few discernible leitmotifs for the characters breaking through.
“Was that supposed to be funny?” My wife’s reaction after the film sums up that this really is a bit of a stinker. Best avoided.
It’s an ominous sign when a film starts with a voice-over (even if done by the sonorous tones of Russell Crowe). Regular readers of this blog will know I generally abhor voice-overs: it invariably belies a belief by the scriptwriters that they think the audience are too damn stupid to join up the plot-dots themselves. Here we portentously walk through the ancient Egyptian backstory of princess Ahmanet (Sofia Boutella, “Kingsman: The Secret Service“; “Star Trek Beyond“) cursed to become the titular Mummy. We then skip forward to the present day and the film settles down, promisingly enough, with scavenging adventurer Nick Morton (Cruise, in Indiana Jones mode), discovering a lost Egyptian temple in war-torn modern-day Mesopotamia that for the sake of the world should have stayed lost.
But after an impressive plane crash (with zero G scenes filmed for real in a “Vomit Comet”) the plot dissolves into a completely incoherent mush. With B-movie lines forcing B-movie acting performances, the film lurches from plot crisis to plot crisis in a similar manner to the comically lurching undead Zombie-like creatures that Ahmanet has sucked the life out of. (After 110 minutes of this, I know how they feel!)
What were actors of this calibre doing in this mess? When I first saw the trailer for this, and saw that Cruise was in it, I thought this felt like an unusual career misstep for the megastar. After seeing the film, I’m even more mystified. Nick Morton is supposed to be an immoral bad guy. Immoral bad guy?? Tom Cruise?? Nope, you lost the audience on that one in the first ten minutes. Cruise, who is STILL only a year younger than I am (damn him, for real!) is still in great shape and must spend ALL his time in the gym. There must be a time soon coming though where he gets to a “Roger Moore in View to a Kill” moment where these action hero roles just no longer become credible anymore.
And what was Russell Crowe, as a famous / infamous (yes, both!) doctor from literature doing in this? His character’s involvement in the plot was almost completely inconsequential. In fact his ‘affliction’ only serves as a coincidental diversion (how convenient!) for bad Mummy-related action to happen. His character has no backstory and seems to serve only as a backbone for Universal’s “Dark Universe” franchise that this movie is supposed to launch. (Good luck with that Universal after this stinker!) Surely it would have made more sense to have the first film in the series to be the origins story for Crowe’s character and the organisation he sets up. This would have made far more sense.
Annabelle Wallis, who is sweet and “only” 22 years his junior, plays Cruise’s love interest in the film and equips herself well, given the material she has to play with. However (after “King Arthur: Legend of the Sword“) she must be kicking herself for not picking the ‘right’ summer blockbusters for her CV.
The main culprit here is the plot, which again is mystifying given that the writing team includes David Koepp (“Jurassic Park”; “Mission Impossible”); Christopher McQuarrie (“The Usual Suspects”, “Edge of Tomorrow“) and Jon Spaihts (“Mission Impossible: Rogue Nation“, “Doctor Strange“). A poor script can sometimes be salvaged by a good director, but here we have Alex Kurtzman, who has only one other directing credit to his name. And I’m afraid it shows. All round, not a good day at the office.
Brian Tyler did the music (aside from the Danny Elfman opening “Dark Universe” fanfare) but it comprises what I would term “running and jumping music”, with few discernible leitmotifs for the characters breaking through.
“Was that supposed to be funny?” My wife’s reaction after the film sums up that this really is a bit of a stinker. Best avoided.
Debbiereadsbook (1080 KP) rated Reveal (Hidden Cove Season4, #4) in Books
Sep 29, 2019
bloody LOVED this book!
I was gifted the audio file of this book, that I write a review was not required, but I gotta, oh yeah, I GOTTA!!
I have not READ this book, just listened, so if my review lines blur, I’m sorry, but I’m not sure I can split the narration from the story itself, and I ususally at least TRY to.
Jason is a geek, a rocket scientist for God’s sake. Channing, a firefighter. They really don’t have much in common, other than a childhood of living next door to each other. So when Channing rescues Jason from the taunting that is a constant in his life from the guys at work, Jason does the only thing he thinks of, and asks Channing to be his *fake* boyfriend for a weekend work retreat. And Channing, the darling that he is, of course, says yes!
Oh! I LOVED these guys! I really did!
Jason is out and mostly proud. The guys at work make it hard for him though. Channing has only ever been with girls. But he thinks nothing of touching Jason, kissing him! Channing is, quite possibly, my favourite Ms Welch character! I loved how, while things creep up on Channing, when he questions them, to his best friend, Remi is, like *duh* well of course you are bisexual, you silly man!
When it all hits the fan, and their *fake* relationship is discovered, I loved how both men, separately and independently of each other, decided that they would wait for the other to make their own minds up, whether they wanted *this* to be real. Even if it meant they broke their hearts and had to walk away from the other. They did, of course they did, but it was painful but beautiful listening, as Jason dug deep into himself and found his TRUE self, not the one he THOUGHT he should be.
Nick J Russo narrates this book. And he does a cracking job!
His voices for Jason and Channing are different and distinctive, showing the marked differences in the lives so far. His reading voice is clear and even, and its part of why I love this narrator so much: his deep clear reading voice. You know the one, the one is telling the story. It makes for such easy listening, to a deaf head like me.
The voices for ALL the characters are clear, and I had no trouble keeping up with multi person conversations. I am intrigued by several of the supporting cast now, simply because of the voices that Russo gives them here! Remi and Kris especially! Harrison too.
Russo gets over all of Jason wish that they can work this out, that it be real. He gets over all of Channing’s dawning realisation of his true feelings for Jason, and we get all that love pouring out.
A narrator can only read the words they have been given, though and Ms Welch smashes this one out the park! Well, that was what I *THOUGHT* when I finished listening to this, I thought this was my favourite of this author so far. But before writing THIS review, I read Homeward Bound (Pine Cove #3) and now?? I can’t split them!
So, thank you, Ms Welch, for making the start of my work day a little more pleasant and thank you to Mr Russo for bringing these men to my ear (singular, like, cos one don’t work!)
5 full and oh so very cute stars for the book and the narration.
**same worded review will appear elsewhere**
I have not READ this book, just listened, so if my review lines blur, I’m sorry, but I’m not sure I can split the narration from the story itself, and I ususally at least TRY to.
Jason is a geek, a rocket scientist for God’s sake. Channing, a firefighter. They really don’t have much in common, other than a childhood of living next door to each other. So when Channing rescues Jason from the taunting that is a constant in his life from the guys at work, Jason does the only thing he thinks of, and asks Channing to be his *fake* boyfriend for a weekend work retreat. And Channing, the darling that he is, of course, says yes!
Oh! I LOVED these guys! I really did!
Jason is out and mostly proud. The guys at work make it hard for him though. Channing has only ever been with girls. But he thinks nothing of touching Jason, kissing him! Channing is, quite possibly, my favourite Ms Welch character! I loved how, while things creep up on Channing, when he questions them, to his best friend, Remi is, like *duh* well of course you are bisexual, you silly man!
When it all hits the fan, and their *fake* relationship is discovered, I loved how both men, separately and independently of each other, decided that they would wait for the other to make their own minds up, whether they wanted *this* to be real. Even if it meant they broke their hearts and had to walk away from the other. They did, of course they did, but it was painful but beautiful listening, as Jason dug deep into himself and found his TRUE self, not the one he THOUGHT he should be.
Nick J Russo narrates this book. And he does a cracking job!
His voices for Jason and Channing are different and distinctive, showing the marked differences in the lives so far. His reading voice is clear and even, and its part of why I love this narrator so much: his deep clear reading voice. You know the one, the one is telling the story. It makes for such easy listening, to a deaf head like me.
The voices for ALL the characters are clear, and I had no trouble keeping up with multi person conversations. I am intrigued by several of the supporting cast now, simply because of the voices that Russo gives them here! Remi and Kris especially! Harrison too.
Russo gets over all of Jason wish that they can work this out, that it be real. He gets over all of Channing’s dawning realisation of his true feelings for Jason, and we get all that love pouring out.
A narrator can only read the words they have been given, though and Ms Welch smashes this one out the park! Well, that was what I *THOUGHT* when I finished listening to this, I thought this was my favourite of this author so far. But before writing THIS review, I read Homeward Bound (Pine Cove #3) and now?? I can’t split them!
So, thank you, Ms Welch, for making the start of my work day a little more pleasant and thank you to Mr Russo for bringing these men to my ear (singular, like, cos one don’t work!)
5 full and oh so very cute stars for the book and the narration.
**same worded review will appear elsewhere**
Mike Wilder (20 KP) rated The Avengers (2012) in Movies
May 30, 2018
Wow!
Contains spoilers, click to show
First of all I will not be referring to this film by the crap UK name of Avengers Assembled. The film is The Avengers and that all it needs to be called.
This is biggest and most anticipated film from the last few years. It is a sequel to the Marvel films Iron Man (2008), Iron Man 2 (2010), Thor (2011), Captain America (2011) and The Incredible Hulk (2008). But is it possible to make one film starring them all? Would it work with all of them in lead roles? The film brings together Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans) & The Hulk (Mark Ruffalo) along with S.H.I.E.L.D. agents Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Nick Fury (Samuel L. Jackson). They join forces against Thor's Brother Loki (Tom Hiddleston) who has unleashed an alien race upon the Earth so he can conquer it.
As many of you will know by now, I am a huge action movie and comic adaption fan, so this film exactly what I was looking for. I kept away from many reviews and possible spoilers. However I had to see the trailers. After seeing them and being blown away I got a little worried for the film. Many trailers use so much of the action and plot that they show most of the good parts of the film. I really hoped that this wouldn't happen with this one. I wanted this film to be good.
After the first 5 minutes I was worried. The film started out well but there was a really really bad camera cut/edit. For a film fan it stood out and slapped me in the face. I started to worry that it was a sign of things to come. However my fears were soon dispelled as the film sucked me in with outstanding direction, visuals and 3D effects like I have never seen before. The way the film was prepared starting out with Iron Man in 2008 and then tying in all the following films together are a big lead up to this one. A huge gamble but it really paid off. The outstanding cast work so well together. With all these larger than life characters already having their own individual stories told, all what was left was to bring them together. But first they start out against each other. Their individual egos explode as they battle each other with explosive devastation. Soon they all share a common goal and start to band together. Then the film really lets to. Up until this point it was amazing. When they finally start working together that's when an amazing movie exceeds all expectations and takes the superhero genre to a level never before seen. This is also the point then the 3D effects take on a whole new level. Prior to this they were used for depth and clarity of the film very well, but now it bring you in to the film and doesn't let go. The greatest effect is an alien ship appearing from over your head. It actually startled me as it appeared above my head before it was on the screen. Never before outside of a theme park has a 3D film managed this.
Fortunately it didn't just meet my expectations, it exceeded them more than I ever thought possible. I really can't find the right words to convey how good this film really is. It has moments where you laugh so hard you cry, amazingly the best of these involve The Hulk! There are moments where you find yourself holding your breath at the sheer scope of what you are seeing. The action raises the bar for the genre to maybe unattainable heights. This film is so very good.
I usually rate films on a scale of 1-10 but 10 feels inadequate for this. So for this one I am using 1-100. This film scores a 99. Only losing out on 100 due to the single bad edit at the start of the film. Joss Whedon has managed the impossible with this film and pulled of a film no one expected to be so good. For this reason and for the first time my stand out performance is the director Joss Whedon, for creating a perfect superhero movie.
You have to see this on the biggest screen you can find and in 3D
This is biggest and most anticipated film from the last few years. It is a sequel to the Marvel films Iron Man (2008), Iron Man 2 (2010), Thor (2011), Captain America (2011) and The Incredible Hulk (2008). But is it possible to make one film starring them all? Would it work with all of them in lead roles? The film brings together Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans) & The Hulk (Mark Ruffalo) along with S.H.I.E.L.D. agents Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Nick Fury (Samuel L. Jackson). They join forces against Thor's Brother Loki (Tom Hiddleston) who has unleashed an alien race upon the Earth so he can conquer it.
As many of you will know by now, I am a huge action movie and comic adaption fan, so this film exactly what I was looking for. I kept away from many reviews and possible spoilers. However I had to see the trailers. After seeing them and being blown away I got a little worried for the film. Many trailers use so much of the action and plot that they show most of the good parts of the film. I really hoped that this wouldn't happen with this one. I wanted this film to be good.
After the first 5 minutes I was worried. The film started out well but there was a really really bad camera cut/edit. For a film fan it stood out and slapped me in the face. I started to worry that it was a sign of things to come. However my fears were soon dispelled as the film sucked me in with outstanding direction, visuals and 3D effects like I have never seen before. The way the film was prepared starting out with Iron Man in 2008 and then tying in all the following films together are a big lead up to this one. A huge gamble but it really paid off. The outstanding cast work so well together. With all these larger than life characters already having their own individual stories told, all what was left was to bring them together. But first they start out against each other. Their individual egos explode as they battle each other with explosive devastation. Soon they all share a common goal and start to band together. Then the film really lets to. Up until this point it was amazing. When they finally start working together that's when an amazing movie exceeds all expectations and takes the superhero genre to a level never before seen. This is also the point then the 3D effects take on a whole new level. Prior to this they were used for depth and clarity of the film very well, but now it bring you in to the film and doesn't let go. The greatest effect is an alien ship appearing from over your head. It actually startled me as it appeared above my head before it was on the screen. Never before outside of a theme park has a 3D film managed this.
Fortunately it didn't just meet my expectations, it exceeded them more than I ever thought possible. I really can't find the right words to convey how good this film really is. It has moments where you laugh so hard you cry, amazingly the best of these involve The Hulk! There are moments where you find yourself holding your breath at the sheer scope of what you are seeing. The action raises the bar for the genre to maybe unattainable heights. This film is so very good.
I usually rate films on a scale of 1-10 but 10 feels inadequate for this. So for this one I am using 1-100. This film scores a 99. Only losing out on 100 due to the single bad edit at the start of the film. Joss Whedon has managed the impossible with this film and pulled of a film no one expected to be so good. For this reason and for the first time my stand out performance is the director Joss Whedon, for creating a perfect superhero movie.
You have to see this on the biggest screen you can find and in 3D