"Curse of the Werewolf, Oliver Reed. Hammer Films. Hammer did all these fabulous horror films after Unviversal. Hammer really became the guardian of the horror genre and between Peter Cushing, Christopher Lee, and Oliver Reed also, they did so many remakes and Curse of the Werewolf was terrific. There was a voluptuous vixen who winds up being thrown into a cell and getting banged by some questionable beast."

"In black and white, made in 1940 by Sir Carol Reed, who of course also did The Third Man, Odd Man Out, Oliver!, etc. Night Train to Munich is a witty and quite gripping thriller. Intricate and romantic with very amusing performances."

"Carol Reed was a brilliant director and a sweet man, but he was not a one-man band like David Lean; he required a strong, patient producer who loved him, as my Uncle Alex did, and a gifted screenwriter, which Alex found for him in the novelist Graham Greene, as well as an art director of genius—my father. He was at his best surrounded by talented people who loved him, who were virtual family, and that shows in his best films, Odd Man Out, The Fallen Idol, and The Third Man. One unusual aspect of Carol’s gifts was that he was among the rare directors good at working with children—go watch The Third Man and you will be astonished at the brilliant inclusion of the ghastly little boy who accuses Holly Martins of murder. Most of the great directors hate working with animals or children, but Carol—himself the illegitimate son of the great Edwardian actor and theatrical producer Sir Herbert Beerbohm Tree—had a natural sympathy and understanding of children. He was in fact childlike himself—hence his choice, later in life, to make a film of the musical Oliver!—and this shows in his direction of Bobby Henrey in this, another of those English films in which good manners manage to hide passion and even murder, except in the alarmingly clear view of a child. Ralph Richardson, dear Ralph, is at his best in the role of the butler."