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BankofMarquis (1832 KP) rated The Lost Daughter (2021) in Movies
Feb 17, 2022
Strong Acting and Direction
The nice thing about being fanatical about catching all of the Oscar Nominated films in the “Major” categories is that it forces me to watch films that, normally, my interests would not gravitate towards - and, most of the time, I am rewarded and my mind and emotions are expanded because of this.
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Andy K (10821 KP) rated The Favourite (2018) in Movies
Dec 23, 2018
Wickedly fiendish, clever and funny!
After nearly a year, I finally made it out to the cinema and decided this would be my film of choice. I wasn't disappointed.
Director Yorgos Lanthimos is quickly becoming one of my new favorites. After directing interesting wisp films like The Lobster and The Killing of a Sacred Deer, I was anxious to see this film for sure.
The story involves the increasingly ill Queen Anne and the two women who vie for her affections. Their efforts start civil but eventually become more deranged both trying to outdo each other with their fiendishly clever and diabolical deeds.
I found the film quite funny as well as some of the dialogue is really quite gaudy, scandalous and rude. (Don't watch if you don't like the "C" word).
Other than the screenplay, the trio of Olivia Colman, Emma Stone, and Rachel Weisz are all a joy to watch, especially Emma Stone who you really haven't seen play a tart before like this. Her striking beauty comes through as well even when she is covered in dirt or without any make up.
The sets, locations and classic film score all add to the majesty of this magical film which will undoubtedly be nominated numerous times throughout this award season.
Certainly not for everyone, but I loved it!
Director Yorgos Lanthimos is quickly becoming one of my new favorites. After directing interesting wisp films like The Lobster and The Killing of a Sacred Deer, I was anxious to see this film for sure.
The story involves the increasingly ill Queen Anne and the two women who vie for her affections. Their efforts start civil but eventually become more deranged both trying to outdo each other with their fiendishly clever and diabolical deeds.
I found the film quite funny as well as some of the dialogue is really quite gaudy, scandalous and rude. (Don't watch if you don't like the "C" word).
Other than the screenplay, the trio of Olivia Colman, Emma Stone, and Rachel Weisz are all a joy to watch, especially Emma Stone who you really haven't seen play a tart before like this. Her striking beauty comes through as well even when she is covered in dirt or without any make up.
The sets, locations and classic film score all add to the majesty of this magical film which will undoubtedly be nominated numerous times throughout this award season.
Certainly not for everyone, but I loved it!
If I Could Tell You Just One Thing...: Encounters with Remarkable People and Their Most Valuable Advice
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Adventures in advice with some of the world's most remarkable people. President Bill Clinton, Clare...
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Daniel Boyd (1066 KP) rated The Favourite (2018) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
Fantastic script (3 more)
Brilliant performances
Clever cinematography
Insanely detailed set design
Strange But Brilliant
To be honest, I am not a huge fan of Yorgos Lanthimos' other movies, I also have a hatred for most period pieces. I am however a huge fan of Olivia Colman and it was her that swayed me to go and see this movie and I am very glad that I did.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Sarah (7798 KP) rated The Favourite (2018) in Movies
May 6, 2019
An unusual period piece
This is a very unusual film and for the most part very good. Period dramas aren’t usually my thing, but The Favourite isn’t your average period drama. It’s a very subtle tongue in cheek, witty, humorous and sometimes bizarre tale that’s very clever and entertaining to watch. Whilst Olivia Colman May have won the Oscar, I think all 3 of the female leads in this are very strong and a delight to watch, especially when their characters are all together in the same scenes. Indeed the scenes with Emma Stone and Rachel Weisz sniping at each other are by far the best to watch. Even the rest of the supporting cast too are very good, although I do think Mark Gatiss was a little underused. Nobody does posh upper class toff like he does!
The film itself looks beautiful. The costume and set design, and music, are fantastic, and the whole thing looks stunning. I did however have a slight issue with the cinematography. I found some of the strange camera angles a little frustrating and irritating after a while, especially as some of them don’t really seem to fit in with the style and tone of the rest of the film. I also think the final act and especially the final scene were a bit of a letdown. Most of the film has a rather humorous or at least light hearted undertone, but the final act takes it a little too seriously and the final scene is just too ill fitting too. Despite this, it’s a very different period drama and definitely worth a watch for some stellar performances.
The film itself looks beautiful. The costume and set design, and music, are fantastic, and the whole thing looks stunning. I did however have a slight issue with the cinematography. I found some of the strange camera angles a little frustrating and irritating after a while, especially as some of them don’t really seem to fit in with the style and tone of the rest of the film. I also think the final act and especially the final scene were a bit of a letdown. Most of the film has a rather humorous or at least light hearted undertone, but the final act takes it a little too seriously and the final scene is just too ill fitting too. Despite this, it’s a very different period drama and definitely worth a watch for some stellar performances.
BankofMarquis (1832 KP) rated The Father (2020) in Movies
Apr 7, 2021
1st half is GREAT! The 2nd half? Not so much...
THE FATHER is one of those types of films that, generally, I would not seek out - except at Oscar time. A small, “drawing room” type of drama, based on a stage play and starring a couple of Oscar winning performers at it’s core.
And that is enough to make this film very entertaining and interesting…but, unfortunately…this piece of entertainment falls flat at the end, so one will have to be contented to watching a decent drawing room drama (based on a Stage play) starring 2 strong Oscar winning actors at it’s core.
Written and Directed by Florian Zeller, THE FATHER tells the tale of a…well…FATHER, who is aging and mentally deteriorating. His daughter is trying to aide him and bring him comfort, but his befuddled mind begins to see things (conspiracies) that are not there…or are they?
Zeller wrote the lead role, specifically for Anthony Hopkins and it is a very good thing that Hopkins agree to this role for he is in EVERY scene and commands this picture as only a performer of Hopkins stature and abilities can. Hopkins is, rightfully, nominated for this performance and could pull the upset (but I highly doubt it).
Strongly supporting him - in an Oscar nominated turn herself - as Olivia Colman as his daughter. She has the much less flashy - but no less important - role in this drama and Hopkins would not be as good as he is without her to play against.
Zeller (who was nominated for an Oscar for his Screenplay adaptation of his Stage Play) was smart to cast a strong ensemble of British Stage Actors for this film - Mark Gattis, Olivia Williams, Rufus Sewell and Imogen Poots are all strong, interesting people to watch on screen and they help bring an air of seriousness and gravitas to the proceedings.
The first half of this film is extremely fascinating to watch and I was intrigued by the premise, the direction, the script and the direction it seemed to be headed. But…unfortunately (at least for me) the 2nd half of the film (and I would imagine, the Stage Play) never, really capitalizes on the promise of the first half and THE FATHER just sorts of peters out in the end.
Which, I guess, you could say for the poor souls who suffer from dementia, but I don’t think that was the point that Zeller was trying to make.
Letter Grade: A- (did I mention that I really, really liked the first half)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is enough to make this film very entertaining and interesting…but, unfortunately…this piece of entertainment falls flat at the end, so one will have to be contented to watching a decent drawing room drama (based on a Stage play) starring 2 strong Oscar winning actors at it’s core.
Written and Directed by Florian Zeller, THE FATHER tells the tale of a…well…FATHER, who is aging and mentally deteriorating. His daughter is trying to aide him and bring him comfort, but his befuddled mind begins to see things (conspiracies) that are not there…or are they?
Zeller wrote the lead role, specifically for Anthony Hopkins and it is a very good thing that Hopkins agree to this role for he is in EVERY scene and commands this picture as only a performer of Hopkins stature and abilities can. Hopkins is, rightfully, nominated for this performance and could pull the upset (but I highly doubt it).
Strongly supporting him - in an Oscar nominated turn herself - as Olivia Colman as his daughter. She has the much less flashy - but no less important - role in this drama and Hopkins would not be as good as he is without her to play against.
Zeller (who was nominated for an Oscar for his Screenplay adaptation of his Stage Play) was smart to cast a strong ensemble of British Stage Actors for this film - Mark Gattis, Olivia Williams, Rufus Sewell and Imogen Poots are all strong, interesting people to watch on screen and they help bring an air of seriousness and gravitas to the proceedings.
The first half of this film is extremely fascinating to watch and I was intrigued by the premise, the direction, the script and the direction it seemed to be headed. But…unfortunately (at least for me) the 2nd half of the film (and I would imagine, the Stage Play) never, really capitalizes on the promise of the first half and THE FATHER just sorts of peters out in the end.
Which, I guess, you could say for the poor souls who suffer from dementia, but I don’t think that was the point that Zeller was trying to make.
Letter Grade: A- (did I mention that I really, really liked the first half)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Favourite (2018) in Movies
Jan 24, 2019
Quirky and original with strong performances and direction
Greek Director Yorgos Lanthimos is the director of such quirky, bizarre comedy/dramas as DOGTOOTH, THE LOBSTER and KILLING OF A SACRED DEER and his latest, THE FAVOURITE is no different, so when it was nominated for 10 Oscars, I thought I'd better go see what all the fuss was all about.
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)