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Neon's Nerd Nexus (360 KP) rated The Addams Family (2019) in Movies
Nov 1, 2019 (Updated Nov 1, 2019)
Everyone knows pink is a gateway colour
addams family attempts to bring the classic family into modern day and while not a bad little film it doesnt do nearly enough to make them as memorable for a new generation of kids/teens as it did for people my age growing up. I must say I quite admire this film for trying to differentiate its self from the constant barrage of animated features weve had this year. Its colour pallet is mostly drab, cold and dark colours which I enjoyed and fit well with the gothic/spooky vibe of the film. Theres also a lot of cool halloween things to look at in the scenes that are set inside the familys house and humor at times can be incredibly gross or darkly adult too which really made me giggle (most of which children are thankfuly to young to understand). Animation while not overly detailed was nice to look at also be it the warts on an old hags nose, spiders crawling the walls or the way the bottom of Morticias dress squirms around the floor as she walks are just some of the neat little attentions to detail making this world a little more strange and alive. Plot and story wise its a little dull and while I found some clever ideas implemented here they really are not executed very interestingly. I did find some of the ideas fun however like the way the movie pokes fun at current trends eg all the girls at the school wednesday goes to have those hidious duck lips, all look identical to one another and obsess over instagram. Everyone in the town also has odd habbits of thier own and the seemingly nicest person also has a much darker side to her, not to mention the entire town is filled with hatred for anything diffrent, easily influenced by social media, full of fake happiness and coated in hidiously garish colour choices which makes you question who the 'ugly' and 'strange' ones really are here. Subtle themes of child abuse, belonging, acceptance, being yourself, death, honour, pressure, loneliness as well as other heavy subjects strangely fit well here making the film a little darker than I expected too. Sadly theres not much here for kids who will undoubtedly be bored quick because big spectacle set pieces are few and far between/not very exciting either and what I found enjoyable ie the subbtle violence, gross adult humour, adult themes and gothic visuals wont likely intrest them either. Oscar isaac and Charlize theron voice work for Morticia and Gomez I found very enjoyable and the score at times really stood out to me a lot at times creating a nice eerie atmosphere. Not nearly as bad as people make out Adams Family may be a tad forgettable, have an extreamly rushed third act, story arcs that go nowhere its creepy, kooky, spooky, and enjoyable enough to warrent seeing at the cinema for sure.
Gareth von Kallenbach (965 KP) rated Annihilation (2018) in Movies
Jul 8, 2019
Lena (Natalie Portman) has spent over a year grieving thinking that her husband has died. Her husband, Kane (Oscar Isaac), was part of a covert Army team. He would leave on missions and not be able to send any word. But a year was too long. Then as she is painting the bedroom of her house Kane walks up the stairs and into the bedroom. She is overwhelmed by happiness. After the initial flutter of excitement wears off she has so many questions. His responses are short and are not making sense. All of the sudden he starts cough up blood. Lena and Kane are headed to the hospital in the ambulance when government vehicles. Lena is pulled out and drugged and quickly loses consciousness. When she awakes she finds herself in a cell being asked questions by a Dr. Ventress (Jennifer Jason Leigh) about her husband and his sudden appearance. She quickly finds out that her husband and his team were one of several team over the past three years that were sent into a place called The Shimmer. The Shimmer was a growing circle surrounding a light house. Nothing that had gone into this area had returned…until Kane. With Kane on the brink of death Lena is determined to find out what is happening inside. She spent over seven years and in the Army and now was a Biology Professor at Johns Hopkins. This made her uniquely qualified to join Dr. Ventress and her team in the latest expedition into The Shimmer.
The movie is based on a novel of the same name by Jeff VanderMeer. It was written for the screen by Alex Garland (Ex Machina, Sunshine), who also directed (also Ex Machina). This film visually very interesting. When they enter The Shimmer you are immediately aware that you are still on Earth but something is definitely different. At times it is gritty and others bright and stunning. The cinematography as a whole make this film worth catching in the theater. The story is definitely original. I thought that the performances were good but at times a little cheesy for how serious of a tone was being set. I thought Natalie Portman had a strong performance. Supporting actors Gina Rodriguez (as Anya Thorensen), Tuva Novotny (as Cass Sheppard) and Tessa Thompson (as Josie Radek) all brought interesting character to life. Jennifer Jason Leigh’s performance felt out of place to me and didn’t gel with the story. I enjoyed the story overall and how the tension built throughout but in the end I was disappointed. The suspense, in my opinion, wound up concluding in an unoriginal way. That is all that I will say to avoid spoilers.
Overall I think this film definitely makes you think about the story after you watch it. I think it is worth watching and coming to your own conclusion. For me it really fell short at the end but up until that point I was definitely interested in where the story was taking me.
The movie is based on a novel of the same name by Jeff VanderMeer. It was written for the screen by Alex Garland (Ex Machina, Sunshine), who also directed (also Ex Machina). This film visually very interesting. When they enter The Shimmer you are immediately aware that you are still on Earth but something is definitely different. At times it is gritty and others bright and stunning. The cinematography as a whole make this film worth catching in the theater. The story is definitely original. I thought that the performances were good but at times a little cheesy for how serious of a tone was being set. I thought Natalie Portman had a strong performance. Supporting actors Gina Rodriguez (as Anya Thorensen), Tuva Novotny (as Cass Sheppard) and Tessa Thompson (as Josie Radek) all brought interesting character to life. Jennifer Jason Leigh’s performance felt out of place to me and didn’t gel with the story. I enjoyed the story overall and how the tension built throughout but in the end I was disappointed. The suspense, in my opinion, wound up concluding in an unoriginal way. That is all that I will say to avoid spoilers.
Overall I think this film definitely makes you think about the story after you watch it. I think it is worth watching and coming to your own conclusion. For me it really fell short at the end but up until that point I was definitely interested in where the story was taking me.
Gareth von Kallenbach (965 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Jan 6, 2020
Director JJ Abrams was faced with a daunting task; bringing the 9 part Star Wars main story to a satisfying conclusion and appeasing certain toxic fans who have been very displeased with the last two cinematic outings for the franchise.
Thankfully Abrams has stuck the landing and “Star Wars: The Rise of Skywalker” is an entertaining and satisfying conclusion with enough action and nostalgic moments to spare.
Picking up after the events of the last film; it is learned that threatening radio transmissions are going out across the galaxy in the voice of the late Emperor Palpatine. This deeply concerns Leia (Carrie Fisher) and her remaining Resistance as it combines with The First Order to create a larger possible threat than anyone could deal with.
Kylo Ren (Adam Driver) is also very interested in the source of the signal as he does not want anything to stand in the way of his control of The First Order and will use whatever brutal means at his disposal to increase his power.
Naturally this sets Rey (Daisy Ridley), Finn (John Boyega), and Poe (Oscar Isaac), along with Chewbacca and C3PO on a daring mission to find clues to the source of the transmissions and stop what appears to be a devastating invasion which will make anything the First Order has pale in comparison.
Naturally there are plenty of amazing special effects, twists, turns, and surprises along the way as the film races to an epic confrontation.
The film hits the ground running with plenty of action at the start before settling into a longer narrative setup than some fans might like. Thankfully there are enough points of interest along the way to hold your attention before the action kicks up.
The film combines new and favorite locales and characters to create a satisfying finale to the Skywalker saga as the biggest questions from the new trilogy are answered and the few new ones I have after this will likely be heavily debated by fans or explored in a future book or comic and they are minor questions indeed.
The characters work well with one another and it is difficult to go into specifics without spoiling the film as there are plenty of surprises as I mentioned earlier. Suffice it to say that while it will not usurp the original “Star Wars” or “The Empire Strikes Back” amongst fans; it likely will be considered the most enjoyable of the new trilogy and best since “Rogue One” in the Disney era of the franchise.
The biggest remaining question is what is next for the film series as there have been rumors of a new film in 2022 with a new setting, cast, and possibly timeline. While audiences will have to wait and see what the cinematic future for the franchise is; they can be content with a very enjoyable new film.
4 stars out of 5
Thankfully Abrams has stuck the landing and “Star Wars: The Rise of Skywalker” is an entertaining and satisfying conclusion with enough action and nostalgic moments to spare.
Picking up after the events of the last film; it is learned that threatening radio transmissions are going out across the galaxy in the voice of the late Emperor Palpatine. This deeply concerns Leia (Carrie Fisher) and her remaining Resistance as it combines with The First Order to create a larger possible threat than anyone could deal with.
Kylo Ren (Adam Driver) is also very interested in the source of the signal as he does not want anything to stand in the way of his control of The First Order and will use whatever brutal means at his disposal to increase his power.
Naturally this sets Rey (Daisy Ridley), Finn (John Boyega), and Poe (Oscar Isaac), along with Chewbacca and C3PO on a daring mission to find clues to the source of the transmissions and stop what appears to be a devastating invasion which will make anything the First Order has pale in comparison.
Naturally there are plenty of amazing special effects, twists, turns, and surprises along the way as the film races to an epic confrontation.
The film hits the ground running with plenty of action at the start before settling into a longer narrative setup than some fans might like. Thankfully there are enough points of interest along the way to hold your attention before the action kicks up.
The film combines new and favorite locales and characters to create a satisfying finale to the Skywalker saga as the biggest questions from the new trilogy are answered and the few new ones I have after this will likely be heavily debated by fans or explored in a future book or comic and they are minor questions indeed.
The characters work well with one another and it is difficult to go into specifics without spoiling the film as there are plenty of surprises as I mentioned earlier. Suffice it to say that while it will not usurp the original “Star Wars” or “The Empire Strikes Back” amongst fans; it likely will be considered the most enjoyable of the new trilogy and best since “Rogue One” in the Disney era of the franchise.
The biggest remaining question is what is next for the film series as there have been rumors of a new film in 2022 with a new setting, cast, and possibly timeline. While audiences will have to wait and see what the cinematic future for the franchise is; they can be content with a very enjoyable new film.
4 stars out of 5
Emma @ The Movies (1786 KP) rated The Addams Family (2019) in Movies
Dec 8, 2019
Can anyone ever say the name of this film without finger snapping?
When their home life is dislodged by pitchfork-wielding townsfolk the Addams pack up their car and hit the road for a new beginning. They come across a mansion on a hill, it's creepy and it's kooky, mysterious and spooky... it's perfect for the Addams family.
Years of idyllic isolation fly by but the outside world is closer than ever. Wednesday is intrigued by the perils that lay beyond their gates and the family can no longer ignore their neighbours in the valley, their very perky neighbours who live in their little cookie cuttered dream houses below.
What's not to love about the madness of the Addams family? You can pretty much guarantee entertainment, and that's what you get from this film.
There's a gripe... there's always a gripe... so let me get it out of the way first. It annoys me more because it's accurate to the source material so I should love that, but modern adaptations have ruined me! Gomez Addams, he's not what you see when you think Gomez. I have been brainwashed by films and it annoys me. He is a perfect representation of the original cartoons by Charles Addams, he's still suave, sophisticated and playful like we know him to be, but he's no Raul Julia or John Astin.
On a similar note, when I heard Oscar Isaac and Charlize Theron were playing Gomez and Morticia I was elated, imagine my disappointment to discover they were to be animated and not live action. You couldn't get better casting for a live action couple if you tried! Anyway, moving on.
The voice cast is littered with famous faces including Elsie Fisher of Eighth Grade fame and Bette Midler... BETTE MIDLER!! We've also got Allison Janney as out saccharine sweet villain, Janney has a knack for the villain roles and I wouldn't mind seeing more of them.
There's just one role I object to, and I found it to be an incredibly lazy decision on someone's part. Nick Kroll as Uncle Fester. While I understand the nice-but-dim style voice is perfect for Fester it has basically been recycled from Big Mouth's Coach Steve. There will be no real issues with this for the intended audience as Big Mouth comes in at a 15 compared to The Addams Family's more subtle PG, but as someone who's old enough to watch both, I was annoyed.
The artwork on this really does play a great homage to the cartoons and despite their age it works really well for a modern audience. The story also brings it nicely up to date with its reality TV slant and the perfect American dream town. There are lots of great touches throughout that amuse.
I understand that each new adaptation has to do its own thing, and I like how it brought an original story (of sorts) to us but I didn't feel like it took previous iterations of the characters into consideration... this is a daft thing to complain about too, I know that, but the Addams family are iconic. Wednesday has always been my spirit animal, but to see a rather lacklustre version here made me a little sad.
But, ultimately I still enjoyed my time watching it, I just don't think I'll be placing it higher up the ranking than any of the previous ghoulish outings.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/the-addams-family-movie-review.html
When their home life is dislodged by pitchfork-wielding townsfolk the Addams pack up their car and hit the road for a new beginning. They come across a mansion on a hill, it's creepy and it's kooky, mysterious and spooky... it's perfect for the Addams family.
Years of idyllic isolation fly by but the outside world is closer than ever. Wednesday is intrigued by the perils that lay beyond their gates and the family can no longer ignore their neighbours in the valley, their very perky neighbours who live in their little cookie cuttered dream houses below.
What's not to love about the madness of the Addams family? You can pretty much guarantee entertainment, and that's what you get from this film.
There's a gripe... there's always a gripe... so let me get it out of the way first. It annoys me more because it's accurate to the source material so I should love that, but modern adaptations have ruined me! Gomez Addams, he's not what you see when you think Gomez. I have been brainwashed by films and it annoys me. He is a perfect representation of the original cartoons by Charles Addams, he's still suave, sophisticated and playful like we know him to be, but he's no Raul Julia or John Astin.
On a similar note, when I heard Oscar Isaac and Charlize Theron were playing Gomez and Morticia I was elated, imagine my disappointment to discover they were to be animated and not live action. You couldn't get better casting for a live action couple if you tried! Anyway, moving on.
The voice cast is littered with famous faces including Elsie Fisher of Eighth Grade fame and Bette Midler... BETTE MIDLER!! We've also got Allison Janney as out saccharine sweet villain, Janney has a knack for the villain roles and I wouldn't mind seeing more of them.
There's just one role I object to, and I found it to be an incredibly lazy decision on someone's part. Nick Kroll as Uncle Fester. While I understand the nice-but-dim style voice is perfect for Fester it has basically been recycled from Big Mouth's Coach Steve. There will be no real issues with this for the intended audience as Big Mouth comes in at a 15 compared to The Addams Family's more subtle PG, but as someone who's old enough to watch both, I was annoyed.
The artwork on this really does play a great homage to the cartoons and despite their age it works really well for a modern audience. The story also brings it nicely up to date with its reality TV slant and the perfect American dream town. There are lots of great touches throughout that amuse.
I understand that each new adaptation has to do its own thing, and I like how it brought an original story (of sorts) to us but I didn't feel like it took previous iterations of the characters into consideration... this is a daft thing to complain about too, I know that, but the Addams family are iconic. Wednesday has always been my spirit animal, but to see a rather lacklustre version here made me a little sad.
But, ultimately I still enjoyed my time watching it, I just don't think I'll be placing it higher up the ranking than any of the previous ghoulish outings.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/the-addams-family-movie-review.html
BankofMarquis (1832 KP) rated Annihilation (2018) in Movies
Feb 24, 2018
Just didn't work for me
I like "Intelligent Science Fiction". You know, like Alex Garland's other Directorial effort 2014's EX MACHINA or Jeff Nichols’ involving 2016 film MIDNIGHT SPECIAL. These are the types of films that uses the backdrop of Science Fiction to delve deeper into character, concepts or ideas, leaving time for the audience to take it all in and to really think about what is being shown on the screen and to wrestle with the concepts brought forth. So, I was really excited when I found out the Garland would be helming a film of the first book in Jeff VanderMeer's SOUTHERN REACH trilogy, ANNIHILATION - a trippy sci-fi book series about an alien presence that starts tearing away at the very fabric of human existence. I was convinced that this marriage of source material and filmmaker would create another cinematic gem.
Boy, was I wrong.
ANNIHILATION fails in all the ways that these types of films could fail. It is self-indulgent, favors style over substance, mood over momentum and has long, long, loooong scenes of dialogue (or non-dialogue) that is supposed to convey a sense of dread and, for me, just made me want to yell at the screen "get on with it!"
ANNIHILATION tells the story of a group of women who comprise the 12th group of explorers entering "the shimmer" - an unknown phenomenon in a remote part of the US that is growing and will soon start engulfing populated areas. None of the other groups have returned (save for 1 soldier). This 12th group, led by the mysterious Dr. Ventres, tries to get at the heart of what the shimmer is and succeed where others failed. Once inside "the shimmer" the group must fight with their own nightmares and what makes them human.
Sounds like a really good premise for an intelligent Sci-Fi film doesn't it? Unfortunately, Director and Writer Garland is more interested in the sights, sounds and moods of "the shimmer" and fails to create any interesting characters - or circumstances - for the audience to follow.
Natalie Portman stars as Lena - a biologist (and former military) who's husband (the great Oscar Isaac) is the lone returning solider (though not all of him, mentally, has returned). The pairing of these two strong, interesting actors should have been enough to propel this film forward, but all they do is stare at each other and "not say" anything. They look at each other like something is wrong, but the never say or do anything. Compounding things is the weird portrayal of the weird Dr. Ventres by Jennifer Jason Leigh - an actress not known from shying away from weird. Her portrayal would have worked, I think, if she had some "normal" folks to play against - or if her character had some sort of climax, but she doesn't, she just sort of peters out. Joining these two are Tessa Thompson (losing the goodwill she earned in THOR:RAGNAROK) as a physicist that "has secrets" and Gina Rodriguez (channelling her inner Michelle Rodriguez) as a gung-ho "kick-ass" paramedic (you can guess how that is going to turn out). Only Tuva Novotny as scientist Cass Sheppard has anything approaching an interesting character, but she is on all too briefly.
Also wasted in this film is Benedict Wong (DOCTOR STRANGE) as the "Basil Exposition" of this film (explaining things to the audience) and David Gyasi (INTERSTELLAR) as a pseudo-love interest for Lena.
Maybe I'm just not "artsy" enough to enjoy this. If you are and you enjoy this, let me know what I missed. As it is, I have an early, leading contender for "Worst Film of 2018".
In the meantime, I'm going to rewatch EX MACHINA or MIDNIGHT SPECIAL, two intelligent Science Fiction films that work.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Boy, was I wrong.
ANNIHILATION fails in all the ways that these types of films could fail. It is self-indulgent, favors style over substance, mood over momentum and has long, long, loooong scenes of dialogue (or non-dialogue) that is supposed to convey a sense of dread and, for me, just made me want to yell at the screen "get on with it!"
ANNIHILATION tells the story of a group of women who comprise the 12th group of explorers entering "the shimmer" - an unknown phenomenon in a remote part of the US that is growing and will soon start engulfing populated areas. None of the other groups have returned (save for 1 soldier). This 12th group, led by the mysterious Dr. Ventres, tries to get at the heart of what the shimmer is and succeed where others failed. Once inside "the shimmer" the group must fight with their own nightmares and what makes them human.
Sounds like a really good premise for an intelligent Sci-Fi film doesn't it? Unfortunately, Director and Writer Garland is more interested in the sights, sounds and moods of "the shimmer" and fails to create any interesting characters - or circumstances - for the audience to follow.
Natalie Portman stars as Lena - a biologist (and former military) who's husband (the great Oscar Isaac) is the lone returning solider (though not all of him, mentally, has returned). The pairing of these two strong, interesting actors should have been enough to propel this film forward, but all they do is stare at each other and "not say" anything. They look at each other like something is wrong, but the never say or do anything. Compounding things is the weird portrayal of the weird Dr. Ventres by Jennifer Jason Leigh - an actress not known from shying away from weird. Her portrayal would have worked, I think, if she had some "normal" folks to play against - or if her character had some sort of climax, but she doesn't, she just sort of peters out. Joining these two are Tessa Thompson (losing the goodwill she earned in THOR:RAGNAROK) as a physicist that "has secrets" and Gina Rodriguez (channelling her inner Michelle Rodriguez) as a gung-ho "kick-ass" paramedic (you can guess how that is going to turn out). Only Tuva Novotny as scientist Cass Sheppard has anything approaching an interesting character, but she is on all too briefly.
Also wasted in this film is Benedict Wong (DOCTOR STRANGE) as the "Basil Exposition" of this film (explaining things to the audience) and David Gyasi (INTERSTELLAR) as a pseudo-love interest for Lena.
Maybe I'm just not "artsy" enough to enjoy this. If you are and you enjoy this, let me know what I missed. As it is, I have an early, leading contender for "Worst Film of 2018".
In the meantime, I'm going to rewatch EX MACHINA or MIDNIGHT SPECIAL, two intelligent Science Fiction films that work.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Life Itself (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This film is hard to watch, not because it's not good but because there's a lot of chaos to the story at the beginning. We're then treated to a portion that's entirely in Spanish which kicks off an emotional rollercoaster that brings us into the end.
One of the things we see near the beginning of this story almost instantly made me dislike the film, the story line exposes the fact that what we're hearing might not be what actually happened. It plays on the point that one person's view of something isn't the same as another person's. This will sound silly when I say it but I was annoyed that it had pointed out that the film might be lying to me. The reason it's particularly silly is that this same scenario happens a lot in all sorts of films. I know films lie to me but I don't want to know it.
I'm sitting here tapping my pen as I try and write this review, the film left me perplexed in so many ways. I went into the film prepared for what I thought I was going to see and yet it opened with Samuel L. Jackson. You read that right, I haven't lost the plot, Samuel L. "MFing" Jackson. Admittedly he was there doing what I love best about him but he only added to my confusion. The sort of film this is, opening with him, even with the context it makes no sense.
We're treated to lots of great actors in this one but I have to say that I was most happy to see Annette Bening pop up. (The American President used to be one of my go to films. I've also just noticed Captain Marvel in her filmography... *wheezes into a paper bag*) Her part may have been fleeting but in the chaotic part of the film she was the only grounded point. From my high to my low point... Oscar Isaac. It actually upsets me to put him in this position as I've enjoyed him in most of his recent films but I wasn't feeling the love for his character Will. In nearly every scene I could see a style I associate with Jake Johnson and honestly I'd much rather have seen him trying that role.
If you can make it to the mid-way point of the movie then you do get a much more palatable film, and a predictable one. There is a point where you absolutely know what is going to happen at the end of the film and from thereon in you look for the connections before they happen. Despite that point it's a satisfactory ending to a rather mixed bag.
We were also treated to a Q&A after the film featuring Dan Fogelman (writer and director) and actress Olivia Cooke. Sadly it was a bit of an anti-climax, I often find that these featurettes can offer some fascinating insights into the goings on but this seemed more like an after thought for this preview.
What you should do
As if to add insult to injury you don't need to leave the house to see this film as it is made by Sky (although I'm also seeing Amazon Studios coming up in places, but I'm sure the film actually said Sky) and premieres on Sky Cinema at the same time as being released at cinemas. If you can see it on there then go for it, I'm not sure it's cinema worthy.
Movie thing you wish you could take home
A life picking olives in the Spanish countryside?
One of the things we see near the beginning of this story almost instantly made me dislike the film, the story line exposes the fact that what we're hearing might not be what actually happened. It plays on the point that one person's view of something isn't the same as another person's. This will sound silly when I say it but I was annoyed that it had pointed out that the film might be lying to me. The reason it's particularly silly is that this same scenario happens a lot in all sorts of films. I know films lie to me but I don't want to know it.
I'm sitting here tapping my pen as I try and write this review, the film left me perplexed in so many ways. I went into the film prepared for what I thought I was going to see and yet it opened with Samuel L. Jackson. You read that right, I haven't lost the plot, Samuel L. "MFing" Jackson. Admittedly he was there doing what I love best about him but he only added to my confusion. The sort of film this is, opening with him, even with the context it makes no sense.
We're treated to lots of great actors in this one but I have to say that I was most happy to see Annette Bening pop up. (The American President used to be one of my go to films. I've also just noticed Captain Marvel in her filmography... *wheezes into a paper bag*) Her part may have been fleeting but in the chaotic part of the film she was the only grounded point. From my high to my low point... Oscar Isaac. It actually upsets me to put him in this position as I've enjoyed him in most of his recent films but I wasn't feeling the love for his character Will. In nearly every scene I could see a style I associate with Jake Johnson and honestly I'd much rather have seen him trying that role.
If you can make it to the mid-way point of the movie then you do get a much more palatable film, and a predictable one. There is a point where you absolutely know what is going to happen at the end of the film and from thereon in you look for the connections before they happen. Despite that point it's a satisfactory ending to a rather mixed bag.
We were also treated to a Q&A after the film featuring Dan Fogelman (writer and director) and actress Olivia Cooke. Sadly it was a bit of an anti-climax, I often find that these featurettes can offer some fascinating insights into the goings on but this seemed more like an after thought for this preview.
What you should do
As if to add insult to injury you don't need to leave the house to see this film as it is made by Sky (although I'm also seeing Amazon Studios coming up in places, but I'm sure the film actually said Sky) and premieres on Sky Cinema at the same time as being released at cinemas. If you can see it on there then go for it, I'm not sure it's cinema worthy.
Movie thing you wish you could take home
A life picking olives in the Spanish countryside?
Gareth von Kallenbach (965 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Aug 6, 2019
If it’s not one of the most anticipated movies of all time, it is certainly way up there. Star Wars: The Force Awakens is the thing that every Star Wars fanboy, including myself, fears. Will it be as good as the original trilogy, or will Disney and Bad Robot drop a deuce like many believe Lucas did with the prequel trilogy. Well, here is a spoiler free look from someone who has these fears.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Gareth von Kallenbach (965 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
BankofMarquis (1832 KP) rated Dune (2021) in Movies
Oct 24, 2021
The Definitive Film Version for the Fans
Fans of the 1965 Frank Herbert Sci-Fi Fantasy Masterpiece DUNE can finally rejoice - the definitive film version of this novel (at least the first 1/2 of the novel) has made it’s way onto the screen.
Lush, dense, rich, well cast and acted with eye-popping visuals that should be seen on the big screen, Directer Denis Villaneuve’s DUNE is everything that a fan of the book (that would include me) has been waiting for in a film version. It IS the “Peter Jackson LORD OF THE RINGS” version of this book - finally!
The question is, how does this film work for casual fans of the book - or for the myriad moviegoers that have never read the novel it is based on.
And, I’m afraid, the answer there is “not as well”. For Dune is a dense novel, filled with mythology that does go somewhat deep in the movie. This makes the pacing of this film problematic - especially at the beginning, for the novice - but is “deep enough” for those that have read the books.
Let’s start with what works - and that is the visuals that Director Denis Villeneuve (Blade Runner 2049) and his crew put on the screen. They are incredible. Unfortunately, most casual on-lookers to this film will decide to check out this 2 hour and 35 minute epic at home for free on HBO MAX, and that would be too bad. This film needs to be seen on the biggest screen possible to totally immerse you in this world.
Villeneuve perfectly cast this film from top to bottom starting with Timothy Chalamet as the hero of this book (and series) Paul Atreides. He brings the right balance of cockiness and unease to Paul who grows into something more than the “perfect prince” as the story progresses.
He is joined by some of the finest performers working today. Rebecca Ferguson and Josh Brolin bring their star power to the roles of Paul’s Mother (who is something more than Paul’s mother) and the head of the military (who is something more than the head of the military). Both of these roles needed to be played by a strong force - and both fill this need admirably.
The always good Oscar Isaac is the right choice for the role of Paul’s father, Duke Leto Atreides, who - by story necessity - is underwritten and, therefore, this film/role does not showcase his talents.
However, Jason Mamoa SHINES as Warrior Duncan Idaho. This is one of my favorite characters from the book and Mamoa brings his “A” game to this charismatic warrior/mentor to Paul. It was the largest pleasant surprise of the performances for me.
Alas, the villains of this piece - Baron Vladimir Harkonnen (Stellan Skarsgard) and his nephew, Beast Rabban Harkonnen (Dave Bautista) are relegated to background “mustache twirling” villains, they were not able to showcase their talents in this film. But, at least, we did not get the “golden speedo” that Sting wore in the 1984 David Lynch film version.
Also, not being able to showcase their talents is Javier Bardem and Zendaya as members of the Freman (the subjugated native people of the “Dune” planet). They are both in this film, briefly, as their characters rise and shine in the 2nd half of the book - so, hopefully, we’ll get to see more of them, then.
Which is the other part of this film that will turn off the casual viewer - it only covers (by necessity) the first half of the book, so only tells half a story with no real emotional payoff. For me, a fan of the books, I was fine with this as I am eagerly anticipating the 2nd film - but as a viewer who is just gonna “check this one out”, I’m not so sure that the visuals of this film will be enough to satisfy them.
Come for the visuals, stay for the performances and the dense story and prepare for Dune: Part 2.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lush, dense, rich, well cast and acted with eye-popping visuals that should be seen on the big screen, Directer Denis Villaneuve’s DUNE is everything that a fan of the book (that would include me) has been waiting for in a film version. It IS the “Peter Jackson LORD OF THE RINGS” version of this book - finally!
The question is, how does this film work for casual fans of the book - or for the myriad moviegoers that have never read the novel it is based on.
And, I’m afraid, the answer there is “not as well”. For Dune is a dense novel, filled with mythology that does go somewhat deep in the movie. This makes the pacing of this film problematic - especially at the beginning, for the novice - but is “deep enough” for those that have read the books.
Let’s start with what works - and that is the visuals that Director Denis Villeneuve (Blade Runner 2049) and his crew put on the screen. They are incredible. Unfortunately, most casual on-lookers to this film will decide to check out this 2 hour and 35 minute epic at home for free on HBO MAX, and that would be too bad. This film needs to be seen on the biggest screen possible to totally immerse you in this world.
Villeneuve perfectly cast this film from top to bottom starting with Timothy Chalamet as the hero of this book (and series) Paul Atreides. He brings the right balance of cockiness and unease to Paul who grows into something more than the “perfect prince” as the story progresses.
He is joined by some of the finest performers working today. Rebecca Ferguson and Josh Brolin bring their star power to the roles of Paul’s Mother (who is something more than Paul’s mother) and the head of the military (who is something more than the head of the military). Both of these roles needed to be played by a strong force - and both fill this need admirably.
The always good Oscar Isaac is the right choice for the role of Paul’s father, Duke Leto Atreides, who - by story necessity - is underwritten and, therefore, this film/role does not showcase his talents.
However, Jason Mamoa SHINES as Warrior Duncan Idaho. This is one of my favorite characters from the book and Mamoa brings his “A” game to this charismatic warrior/mentor to Paul. It was the largest pleasant surprise of the performances for me.
Alas, the villains of this piece - Baron Vladimir Harkonnen (Stellan Skarsgard) and his nephew, Beast Rabban Harkonnen (Dave Bautista) are relegated to background “mustache twirling” villains, they were not able to showcase their talents in this film. But, at least, we did not get the “golden speedo” that Sting wore in the 1984 David Lynch film version.
Also, not being able to showcase their talents is Javier Bardem and Zendaya as members of the Freman (the subjugated native people of the “Dune” planet). They are both in this film, briefly, as their characters rise and shine in the 2nd half of the book - so, hopefully, we’ll get to see more of them, then.
Which is the other part of this film that will turn off the casual viewer - it only covers (by necessity) the first half of the book, so only tells half a story with no real emotional payoff. For me, a fan of the books, I was fine with this as I am eagerly anticipating the 2nd film - but as a viewer who is just gonna “check this one out”, I’m not so sure that the visuals of this film will be enough to satisfy them.
Come for the visuals, stay for the performances and the dense story and prepare for Dune: Part 2.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated Suburbicon (2017) in Movies
Jul 11, 2019
Suburbicon is a picturesque community built to free families from all the hustle and bustle of the big city but with all the amenities a community will need. For all intents in purposes Suburbicon is the ideal place to raise a family in the 1950s. That is exactly what the Lodge family is doing. That is until the night Nicky (Noah Jupe) is awoken by his father, Gardner (Matt Damon), and told that there are two men in the house. The two criminals, Sloan and Louis (Glenn Fleshler and Alex Hassell), move the family to the kitchen and tie Nicky, Gardner, Nicky’s mother Rose (Julianne Moore) and Rose’s sister Margaret (also Julianne Moore) to chairs and put them to sleep using chloroform. When Nicky awakens in the hospital his father and aunt are waiting for him but sadly his mother was overdosed with chloroform and died. After the funeral it is decided by Gardner that Aunt Margaret should come stay with them. When officer Hightower (Jack Conley) calls to let them know they have found two possible suspects Gardner rushes to the police station to look at a lineup. Gardner arrives and is surprised to find Margaret and Nicky there. He asks that Nicky be left outside to save him from the trauma. After a line of potential criminals are paraded in front of Gardner and Margaret both agree that the perpetrators are not there. When they turn around they are surprised to see Nicky with a shocked look on his face as he is staring directly at Sloan and Louis. Nicky now knows that something is going on with his mother’s death and he may be trapped in a house with the two people who are responsible. He is not the only one that thinks something is amiss an insurance investigator, Bud Cooper (Oscar Isaac), shows up with questions about the policy. Is the Suburbicon truly the sanctuary that it looks like from the outside or is there something sinister happening behind closed doors?
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.