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Andy K (10821 KP) created a video about The Wolverine (2013) in Movies
Apr 12, 2018 (Updated Apr 13, 2018)
Jason Kimbro (105 KP) rated Slither (2006) in Movies
Dec 30, 2017
LoganCrews (2861 KP) rated The Town (2010) in Movies
Sep 20, 2020
First half is flawed, as clichéd as a bank heist movie could possibly get - but that second half is a goddamned powerhouse (the only *half* conventional ending notwithstanding). Just sucks it took that long to become what it wanted to be the whole time. There's a really terrific story in here about parasitic men on both sides of the law playing with the lives of women like toys to either save their own asses, bring them down with them, or simply just because they can - all encased in a seedy, abusive popcorn heister of bullets and gracious amounts of Boston expletives - but I'm not sure this was ready to fully be that film. Think I'm willing to mostly forgive for how amazing Affleck is in this, and how amazing *everyone* is in this for that matter - along with how admittedly rousing the second hour is. But for the most part this takes nearly every predictable route you'd expect it to. Not really much more or less generic than 𝘓𝘪𝘷𝘦 𝘉𝘺 𝘕𝘪𝘨𝘩𝘵, just a lot less gutted.
Matthew Krueger (10051 KP) rated Dracula (1958) in Movies
Nov 5, 2020 (Updated Nov 5, 2020)
The Vampire Rises Once More
Dracula- is a great movie. Hammer films is a excellent studio, cause their brought back the universal monsters and put their own spin on it. And with Dracula their put their own spin on Dracula. And did it work, yes.
First Christopher Lee played as the creature in The Curse of Frankenstien, now he plays as Dracula. When you think of Dracula you think of Bela Lugosi and Christopher Lee. Christopher Lee played Dracula more times then Bela Lugosi. But both actors are iconic, legends and icons.
The plot: On a search for his missing friend Jonathan Harker (John Van Eyssen), vampire hunter Dr. Van Helsing (Peter Cushing) is led to Count Dracula's (Christopher Lee) castle. Upon arriving, Van Helsing finds an undead Harker in Dracula's crypt and discovers that the count's next target is Harker's ailing fiancée, Lucy Holmwood (Carol Marsh). With the help of her brother, Arthur (Michael Gough), Van Helsing struggles to protect Lucy and put an end to Count Dracula's parasitic reign of terror.
In the United States, the film was retitled Horror of Dracula to avoid confusion with the U.S. original by Universal Pictures, 1931's Dracula.
Its a excllent film.
First Christopher Lee played as the creature in The Curse of Frankenstien, now he plays as Dracula. When you think of Dracula you think of Bela Lugosi and Christopher Lee. Christopher Lee played Dracula more times then Bela Lugosi. But both actors are iconic, legends and icons.
The plot: On a search for his missing friend Jonathan Harker (John Van Eyssen), vampire hunter Dr. Van Helsing (Peter Cushing) is led to Count Dracula's (Christopher Lee) castle. Upon arriving, Van Helsing finds an undead Harker in Dracula's crypt and discovers that the count's next target is Harker's ailing fiancée, Lucy Holmwood (Carol Marsh). With the help of her brother, Arthur (Michael Gough), Van Helsing struggles to protect Lucy and put an end to Count Dracula's parasitic reign of terror.
In the United States, the film was retitled Horror of Dracula to avoid confusion with the U.S. original by Universal Pictures, 1931's Dracula.
Its a excllent film.
LoganCrews (2861 KP) rated Richard Jewell (2019) in Movies
Sep 21, 2020 (Updated Nov 26, 2020)
There were long stretches of this movie where I liked it a lot... right until I remembered who made it and why (a story about a 'good ole boy' famously + very publicly under investigation by the government where both the FBI and the media are both portrayed as parasitic losers with nothing better to do - yeah I'm sure this has absolutely no parallels to anything going on in the present day whatsoever...……..). Other than that it's like your regular late-period Eastwood: mostly just fine with assorted confirmation biases, too much fat, drippy over-fabrications, unabashed factual inaccuracies (the addition of the sex-for-news bit is just ew let alone stupidly unoriginal), a general oversimplification of the events, and a dated view of women - though not without a fair amount of awesome scenes to keep it (for the most part) watchable. I think even this movie's supporters underplayed how fortifyingly *amazing* Paul Walter Hauser is in this - he's not only uncannily casted but straight-up riveting, I recommend this movie simply to see him alone tbh. He's behind only Phoenix and Sandler for the best actor of 2019 imo - nothing else in this film even matters. The last ten or so minutes are horrendous.
LoganCrews (2861 KP) rated The Rules of Attraction (2002) in Movies
Sep 21, 2020
Bracingly twisted, disturbing 110 minutes of sex-crazed, sleazebag college sociopaths and the unenviably depressing lives they lead. A more quintessential Bret Easton Ellis film than even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰 in showcasing his deliriously warped sense of the world. A university 'romance' drama soaked in booze, coke, apathy, sex, and a seething disdain for living well - naturally I loved it in all its parasitic debauchery. One of the most quietly experimental films of the early 2000s and also one of the fewer ones from that era that actually has a righteous soundtrack and tolerable sense of style. James Van Der Beek is a beast - existing on some other religious, primordial plane of existence that we can't comprehend in our current timeline just yet - and every other performance isn't too far behind. We should probably check up on the people who view this as some sort of misunderstood Truth Serum though, I just love it because it's fucked up tbh and I unashamedly dig me some rich slime. Loathes its characters but never superficially, like it *really* does - revels in the glee of inflicting cruelty on these horrid people but backs it up with tangible emotion to create this hypnotic clash of feelings. Couldn't take my eyes off it. I shudder to even use this now meaningless saying but... I'd be hard pressed to say you could have gotten away with making this today.
Hazel (1853 KP) rated The Flame Never Dies (The Stars Never Rise, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Alice (12 KP) rated The Ninth Rain in Books
Jul 3, 2018
<i>I was given a copy of this book by the publisher in exchange for an honest review</i>
The Ninth Rain is the first book of a new trilogy from my new go-to author Jen Williams. As in her previous books, Jen Williams creates a world like no other, a world where witches, vampires (of a sort) and giant bats coexist to an extent; a world where gods existed and massive war-beasts once lived and fought, where parasitic beetles are the enemy.
I invite you all to most heartily buy this book, read this book, pause and read it again and again.
Once again Jen Williams has created a trio of characters to love in similar veins to her Copper Cat trilogy, though different in their individual way:
-Noon – a fell-witch from the plains imprisoned in the Winnowry for her crime of being born with power.
-Lady Vincenza ‘Vintage’ de Grazon – A human scholar with a love of all things Jure’lia, a constant hunt for knowledge and cash to splash.
-Tormalin the Oathless – an Eboran mercenary trained in the ways of The House of the Long Night.
Three brilliant characters that each bring their own special flair to this book. Tor is witty and sarcastic, Vintage is much the same but show her eccentricities and has a heart of gold, Noon originally so frightened comes into her own on the journey she shares with Vintage and Tor. Another perfect trio of characters.
The plot for this book resolves around the Jure’lia- or worm-people- who came to Sarn and waged war; the Eighth Rain came from the Eboran God Ygseril, a silvery birth of war-beasts who fought off the Jure’lia and their Behemoths and then passed on themselves. Since the end of the Eighth Rain the war-beasts have been extinct and Ebora started to die.
The book follows Vintage and Tor on their journey through Mushenka and the rest of Sarn in pursuit of knowledge of the Jure’lia- eccentric explorer Vintage’s Poison of choice. They enter the Wild and come across Noon, an escaped fell-witch masquerading as an agent of the Winnowry and from then on their journey becomes a lot less regular and and lot more interesting!
Lots of fire! Lots of action and the sweetest romantic creation I’ve read in a long time – a minor bit of romance that does not detract from the overwhelming fantasy that is this book.
Jen’s world building skills are akin to no other, her cities are ancient but with a modern flair, her enemies disgustingly brilliant and savagely evil, her heroes full of charm and heart. The writing style sucks you in and doesn’t let you go until long after you’ve hit the end of the book and leaves you wanting more.
There are no words strong enough for me to describe how utterly brilliant The Ninth Rain was – not just the story the name comes from but the overall storyline. The characters, plot, balance between good versus evil and everything in between – outstanding.
A great read with heart and soul and epic beasties. I highly recommend this book.
The Ninth Rain is the first book of a new trilogy from my new go-to author Jen Williams. As in her previous books, Jen Williams creates a world like no other, a world where witches, vampires (of a sort) and giant bats coexist to an extent; a world where gods existed and massive war-beasts once lived and fought, where parasitic beetles are the enemy.
I invite you all to most heartily buy this book, read this book, pause and read it again and again.
Once again Jen Williams has created a trio of characters to love in similar veins to her Copper Cat trilogy, though different in their individual way:
-Noon – a fell-witch from the plains imprisoned in the Winnowry for her crime of being born with power.
-Lady Vincenza ‘Vintage’ de Grazon – A human scholar with a love of all things Jure’lia, a constant hunt for knowledge and cash to splash.
-Tormalin the Oathless – an Eboran mercenary trained in the ways of The House of the Long Night.
Three brilliant characters that each bring their own special flair to this book. Tor is witty and sarcastic, Vintage is much the same but show her eccentricities and has a heart of gold, Noon originally so frightened comes into her own on the journey she shares with Vintage and Tor. Another perfect trio of characters.
The plot for this book resolves around the Jure’lia- or worm-people- who came to Sarn and waged war; the Eighth Rain came from the Eboran God Ygseril, a silvery birth of war-beasts who fought off the Jure’lia and their Behemoths and then passed on themselves. Since the end of the Eighth Rain the war-beasts have been extinct and Ebora started to die.
The book follows Vintage and Tor on their journey through Mushenka and the rest of Sarn in pursuit of knowledge of the Jure’lia- eccentric explorer Vintage’s Poison of choice. They enter the Wild and come across Noon, an escaped fell-witch masquerading as an agent of the Winnowry and from then on their journey becomes a lot less regular and and lot more interesting!
Lots of fire! Lots of action and the sweetest romantic creation I’ve read in a long time – a minor bit of romance that does not detract from the overwhelming fantasy that is this book.
Jen’s world building skills are akin to no other, her cities are ancient but with a modern flair, her enemies disgustingly brilliant and savagely evil, her heroes full of charm and heart. The writing style sucks you in and doesn’t let you go until long after you’ve hit the end of the book and leaves you wanting more.
There are no words strong enough for me to describe how utterly brilliant The Ninth Rain was – not just the story the name comes from but the overall storyline. The characters, plot, balance between good versus evil and everything in between – outstanding.
A great read with heart and soul and epic beasties. I highly recommend this book.
Gareth von Kallenbach (965 KP) rated the PC version of Tom Clancy's Rainbow Six: Extraction in Video Games
Jan 26, 2022
The latest game in the immensely popular Rainbow Six series has arrived with Rainbow Six: Extraction.
The series features intense squad-based action as players form teams to infiltrate, extract, eliminate, and survive various missions.
Using stealth, tech, weapons, and patience; players have to find the best way to enter a location, avoid or eliminate enemies, and complete objectives while working as a cohesive unit.
This time around the enemy is a parasitic alien race and players must form three-person squads or venture through the locales solo or with a single partner.
Players will select an operative; each with a primary and secondary weapon and two tactical devices such as grenades, mines, revive shots, armor, and drones. As time goes on and players level up; new technology can be researched and used as having the right loadout is essential. Players will also have unique skilsl ranging from gun emplacements, medical, cloaking, and more which can be used in a limited situation and must be replenished as the missions unfolds.
Missions are set in three zones such as New York, San Francisco, Alaska, and more become available as players reach a certain level and naturally they become progressively harder and more intense.
Each zone has random missions and when players select a locale, difficulty level, and their operative; they will encounter missions ranging from elimination, extraction, scanning, and targeting specific strategic locales.
The enemy is very cunning and ruthless and can cloak, shape-shift, and explode amongst their myriad of hostile actions, and players must attack, evade, and work with one another to complete the missions and survive. At the end of a level; players can opt to enter an airlock and move to the next segment or return to an exfiltration zone to end the mission.
This is where the real tactics of the game come into play as health is limited as can be ammunition so players who encounter a difficult mission where they sustain damage or lose a player have to make a hard choice. Players do not die in the game as they are enveloped with a stasis foam should they sustain enough damage.
As such the remaining team must decide to carry the downed player to an Extraction Pod or leave them behind so they can carry on or they can flee to safety. This is not always an easy decision as seeing your team decimated and barely making it to safety with only a small amount of health makes even the most determined player think twice about venturing back in.
Should a player be lost; their experience is deducted from the player and will remain deducted until the character is rescued on a future mission. Seeing your roster of skilled Operatives reduced to a couple of unproven newbies is very humbling and thankfully the maps are very detailed and engaging as players will get very used to playing in the locales frequently before new areas are made available to them.
The action of the game is intense as players can use stealth or run and gun depending on the mission and the variety of enemies and missions is good.
I do wish the Quick Play would allow players to select the skill level they would like to play in and that there was a server list to select from; that being said; at $39.99 and available on Game Pass; Rainbow Six Extraction is a great deal as the cross-play enabled game ensures plenty of players to venture into danger with but like the best games of the series; having the right group of players is essential as I have lost many players due to wild cards not following mission objectives.
Intense, engaging, and deeply entertaining; Rainbow Six Extraction delivers even if it does differ from what fans have come to expect.
4 stars out of 5
The series features intense squad-based action as players form teams to infiltrate, extract, eliminate, and survive various missions.
Using stealth, tech, weapons, and patience; players have to find the best way to enter a location, avoid or eliminate enemies, and complete objectives while working as a cohesive unit.
This time around the enemy is a parasitic alien race and players must form three-person squads or venture through the locales solo or with a single partner.
Players will select an operative; each with a primary and secondary weapon and two tactical devices such as grenades, mines, revive shots, armor, and drones. As time goes on and players level up; new technology can be researched and used as having the right loadout is essential. Players will also have unique skilsl ranging from gun emplacements, medical, cloaking, and more which can be used in a limited situation and must be replenished as the missions unfolds.
Missions are set in three zones such as New York, San Francisco, Alaska, and more become available as players reach a certain level and naturally they become progressively harder and more intense.
Each zone has random missions and when players select a locale, difficulty level, and their operative; they will encounter missions ranging from elimination, extraction, scanning, and targeting specific strategic locales.
The enemy is very cunning and ruthless and can cloak, shape-shift, and explode amongst their myriad of hostile actions, and players must attack, evade, and work with one another to complete the missions and survive. At the end of a level; players can opt to enter an airlock and move to the next segment or return to an exfiltration zone to end the mission.
This is where the real tactics of the game come into play as health is limited as can be ammunition so players who encounter a difficult mission where they sustain damage or lose a player have to make a hard choice. Players do not die in the game as they are enveloped with a stasis foam should they sustain enough damage.
As such the remaining team must decide to carry the downed player to an Extraction Pod or leave them behind so they can carry on or they can flee to safety. This is not always an easy decision as seeing your team decimated and barely making it to safety with only a small amount of health makes even the most determined player think twice about venturing back in.
Should a player be lost; their experience is deducted from the player and will remain deducted until the character is rescued on a future mission. Seeing your roster of skilled Operatives reduced to a couple of unproven newbies is very humbling and thankfully the maps are very detailed and engaging as players will get very used to playing in the locales frequently before new areas are made available to them.
The action of the game is intense as players can use stealth or run and gun depending on the mission and the variety of enemies and missions is good.
I do wish the Quick Play would allow players to select the skill level they would like to play in and that there was a server list to select from; that being said; at $39.99 and available on Game Pass; Rainbow Six Extraction is a great deal as the cross-play enabled game ensures plenty of players to venture into danger with but like the best games of the series; having the right group of players is essential as I have lost many players due to wild cards not following mission objectives.
Intense, engaging, and deeply entertaining; Rainbow Six Extraction delivers even if it does differ from what fans have come to expect.
4 stars out of 5
Gareth von Kallenbach (965 KP) rated Slither (2006) in Movies
Aug 14, 2019
Mixing elements of The Blob, The Fly, Invasion of the Body Snatchers, Night of the Creeps and countless other horror films, the new Horror/Comedy Slither has oozed its way into theaters with a mix that will likely delight hardcore horror fans.
The film is set in a small southern town and features the usual mix of horror film stereotypes. There is the Chief of Police named Bill Pardy (Nathan Fillon) who watched over the sleepy town while secretly holding a torch for the lovely Starla Grant (Elizabeth Banks). The only issue is Starla’s older husband Grant (Michael Rooker), who is not only a very prosperous man, but took Starla in when she was younger and provided for her.
Of course there are also the stock characters of the loud and obnoxious Mayor of the town (Gregg Henry), who is more trouble than he is good and spouts a string of profanity and insensitive remarks that would make a Drill Instructor blush. Add to the mix the various assortments of yokels, deputies and towns folk, and you have a setting ripe for invasion.
The invasion arrives in the form of a meteor that breaks apart in the atmosphere save for a small segment that lands harmlessly in the woods. Unfortunately, an organism has hitched a ride on the meteor and in short order a parasitic organism has infected Grant causing him to exhibit odd behavior and have a ravenous desire for large amounts of meat in all forms.
Despite the changes, Grant still has his eye firmly on his wife and as the changes become more and more radical, he becomes even more fixated upon his wife.
Eventually Grant’s odd behavior and ongoing transformation has him on the run from the authorities who organize a manhunt to bring him in and end the carnage in his path.
Naturally things do not go as planned as before long there are hordes of slug like creatures unleashed upon the town whose entire purpose is to infect the town making zombies out of all who are infected.
As if all of this was not bad enough, Bill must figure out how to protect those uninfected people as well as search for a way to end the devastation at all cost.
Slither is a film that strives to blend horror and comedy but seems better suited to be a comedic send up of the horror genre. Unlike the “Scary Movie” series, it does not come in as a parody but rather presents itself as a horror film, yet one that seems devoid of any real suspense or frights. There is plenty of gore, violence, and other mayhem in the film, but at my advanced screenings the vast majority of the film garnered laughs from the audience rather than shrieks.
Since there were several segments of the film that were obviously intended to create laughs such as the zombie family trying to coax their uninfected daughter out of hiding by proclaiming she is missing out on family fun day, and a very gory, yet humorous outcome for a yokel who decides to stand down a very infected Grant armed only with a pistol.
James Gunn who did such a good job with the “Dawn of the Dead” lets it all out as writer and Director for Slither, but seems unsure if he is trying to make a comedy or a horror film with comedic elements. To me the film works best as a comedy as the over simplified resolution combined with the strained performances and simple plot as well as the genuine lack of any suspense or scares seriously undermined this film for me as a horror film.
That being said, if you look at the film as a gross out comedy set amidst a generic horror backdrop where the plot, acting, and other pitfalls were designed elements, then the film works.
If you are looking for a bad horror movie with some funny moments, than Slither may indeed be your thing, as it is either a very bad horror film, or one of the best satirical tributes of the genre to date. I choose to pick the latter.
The film is set in a small southern town and features the usual mix of horror film stereotypes. There is the Chief of Police named Bill Pardy (Nathan Fillon) who watched over the sleepy town while secretly holding a torch for the lovely Starla Grant (Elizabeth Banks). The only issue is Starla’s older husband Grant (Michael Rooker), who is not only a very prosperous man, but took Starla in when she was younger and provided for her.
Of course there are also the stock characters of the loud and obnoxious Mayor of the town (Gregg Henry), who is more trouble than he is good and spouts a string of profanity and insensitive remarks that would make a Drill Instructor blush. Add to the mix the various assortments of yokels, deputies and towns folk, and you have a setting ripe for invasion.
The invasion arrives in the form of a meteor that breaks apart in the atmosphere save for a small segment that lands harmlessly in the woods. Unfortunately, an organism has hitched a ride on the meteor and in short order a parasitic organism has infected Grant causing him to exhibit odd behavior and have a ravenous desire for large amounts of meat in all forms.
Despite the changes, Grant still has his eye firmly on his wife and as the changes become more and more radical, he becomes even more fixated upon his wife.
Eventually Grant’s odd behavior and ongoing transformation has him on the run from the authorities who organize a manhunt to bring him in and end the carnage in his path.
Naturally things do not go as planned as before long there are hordes of slug like creatures unleashed upon the town whose entire purpose is to infect the town making zombies out of all who are infected.
As if all of this was not bad enough, Bill must figure out how to protect those uninfected people as well as search for a way to end the devastation at all cost.
Slither is a film that strives to blend horror and comedy but seems better suited to be a comedic send up of the horror genre. Unlike the “Scary Movie” series, it does not come in as a parody but rather presents itself as a horror film, yet one that seems devoid of any real suspense or frights. There is plenty of gore, violence, and other mayhem in the film, but at my advanced screenings the vast majority of the film garnered laughs from the audience rather than shrieks.
Since there were several segments of the film that were obviously intended to create laughs such as the zombie family trying to coax their uninfected daughter out of hiding by proclaiming she is missing out on family fun day, and a very gory, yet humorous outcome for a yokel who decides to stand down a very infected Grant armed only with a pistol.
James Gunn who did such a good job with the “Dawn of the Dead” lets it all out as writer and Director for Slither, but seems unsure if he is trying to make a comedy or a horror film with comedic elements. To me the film works best as a comedy as the over simplified resolution combined with the strained performances and simple plot as well as the genuine lack of any suspense or scares seriously undermined this film for me as a horror film.
That being said, if you look at the film as a gross out comedy set amidst a generic horror backdrop where the plot, acting, and other pitfalls were designed elements, then the film works.
If you are looking for a bad horror movie with some funny moments, than Slither may indeed be your thing, as it is either a very bad horror film, or one of the best satirical tributes of the genre to date. I choose to pick the latter.