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Acanthea Grimscythe (300 KP) rated It in Books
May 16, 2018
As seen first on <a href="http://theghastlygrimoire.com/"; target="_new"><i>The Ghastly Grimoire</i></a>.
If you're looking for an absolute tome of horror to read, It by Stephen King definitely fits that bill. I still prefer The Stand over this book, though. Wrought with the horrific trials visited upon children in the town of Derry, Maine, readers learn to love and loathe an extremely wide range of characters. While much of this book is entertaining, there are a few things I simply cannot condone.
There's a few scenes in here that are sexually graphic. This isn't uncommon in the horror market, and normally doesn't bother me. Only, I made the mistake of laughing off one of my ex's remarks regarding pre-pubescent intercourse and circle-jerking. I'm throwing that out there, in case it's something my readers wish to steer clear of. Not only that, but... Let's just say I prefer the movie's approach to Bev not being afraid, to the actual... what happened in the book, and we'll leave it at that. I cannot stomach some of the scenes of this book, not because they are terrifying, but because they are downright wrong, disgusting, and rather unnecessary.
That rant aside, this massive tome tells two stories alongside one another: the past and present battles with Pennywise the Dancing Clown mingle and cross between one another and, perhaps because I was listening to the audiobook (a whopping 45 hour track, if we're rounding), this made it difficult for me to keep the two straight. In fact, I had to rewind now and then to make sure I was hearing things properly (i.e. aforementioned rant). I've said it before, and I'll say it again: alternating time periods in this manner between the same characters in a story is maddeningly distracting for me.
King's character depth will always astound me. He makes even the briefest characters of his books memorable, giving them a backstory that is fully developed. There are several times he managed to goad emotions out of me that I didn't want to feel, and I love that. Ben Hanscom is by far my favorite, perhaps because in many ways, we share similar childhoods. Parents that care, the bullies, the blossoming from pre-pubescent torture - though the entire Loser's Club endured this, I feel Hanscom had it worst. Not counting Eddie's run in with Henry. His heartfelt devotion for Bev is mesmerizing, and I can only hope they had their happy-ending.
Which... is heartbreaking, in its own right. While I have no doubt there are many things about the sewers of Derry that would be horrible to live with for the rest of your life, can you imagine forgetting chunks of your life, of your past? It has to be absolutely disorienting, and readers can feel it in the conclusion of Bill and Audra's future. They'll never know the incident that happened, nor will they remember their childhood friends whom they loved.
On a brighter note, Steven Weber, the narrator for several of King's books, puts on a dazzling performance in It. He's easily carried away now and then, and it's nice to have a reader that is truly invested into the material he's recording. Weber earns a spot right next to Amanda Dolan as one of my all-time favorite narrators and this production is amazing.
Reluctantly, I have compromised with myself to give this a mid-grade rating. I am a tough critic, and this is something that has caused disagreements between myself and other readers, but in the end, there are elements of this book I simply cannot accept, no matter whose hand wrote them.
Fun fact: My fear of clowns began when I was eight years old and witnessed Tim Curry's Pennywise. It ended with Bill Skarsgard's.
If you're looking for an absolute tome of horror to read, It by Stephen King definitely fits that bill. I still prefer The Stand over this book, though. Wrought with the horrific trials visited upon children in the town of Derry, Maine, readers learn to love and loathe an extremely wide range of characters. While much of this book is entertaining, there are a few things I simply cannot condone.
There's a few scenes in here that are sexually graphic. This isn't uncommon in the horror market, and normally doesn't bother me. Only, I made the mistake of laughing off one of my ex's remarks regarding pre-pubescent intercourse and circle-jerking. I'm throwing that out there, in case it's something my readers wish to steer clear of. Not only that, but... Let's just say I prefer the movie's approach to Bev not being afraid, to the actual... what happened in the book, and we'll leave it at that. I cannot stomach some of the scenes of this book, not because they are terrifying, but because they are downright wrong, disgusting, and rather unnecessary.
That rant aside, this massive tome tells two stories alongside one another: the past and present battles with Pennywise the Dancing Clown mingle and cross between one another and, perhaps because I was listening to the audiobook (a whopping 45 hour track, if we're rounding), this made it difficult for me to keep the two straight. In fact, I had to rewind now and then to make sure I was hearing things properly (i.e. aforementioned rant). I've said it before, and I'll say it again: alternating time periods in this manner between the same characters in a story is maddeningly distracting for me.
King's character depth will always astound me. He makes even the briefest characters of his books memorable, giving them a backstory that is fully developed. There are several times he managed to goad emotions out of me that I didn't want to feel, and I love that. Ben Hanscom is by far my favorite, perhaps because in many ways, we share similar childhoods. Parents that care, the bullies, the blossoming from pre-pubescent torture - though the entire Loser's Club endured this, I feel Hanscom had it worst. Not counting Eddie's run in with Henry. His heartfelt devotion for Bev is mesmerizing, and I can only hope they had their happy-ending.
Which... is heartbreaking, in its own right. While I have no doubt there are many things about the sewers of Derry that would be horrible to live with for the rest of your life, can you imagine forgetting chunks of your life, of your past? It has to be absolutely disorienting, and readers can feel it in the conclusion of Bill and Audra's future. They'll never know the incident that happened, nor will they remember their childhood friends whom they loved.
On a brighter note, Steven Weber, the narrator for several of King's books, puts on a dazzling performance in It. He's easily carried away now and then, and it's nice to have a reader that is truly invested into the material he's recording. Weber earns a spot right next to Amanda Dolan as one of my all-time favorite narrators and this production is amazing.
Reluctantly, I have compromised with myself to give this a mid-grade rating. I am a tough critic, and this is something that has caused disagreements between myself and other readers, but in the end, there are elements of this book I simply cannot accept, no matter whose hand wrote them.
Fun fact: My fear of clowns began when I was eight years old and witnessed Tim Curry's Pennywise. It ended with Bill Skarsgard's.
Scott Tostik (389 KP) rated It (2017) in Movies
Sep 28, 2017
Bill Skarsgard (2 more)
Awesome cast of kids
The first ten minutes was amazing
Was amazed and deeply disturbed by this movie
I went into this movie thinking it couldn't possibly top the 90's version, and in some ways i was correct.
First and foremost the first ten minutes of the movie had me on the edge of my seat... From the second Georgie meets our favorite clown from down under the streets you just know something is going to happen... something more than what happened in the previous version of the film. And boy did this deliver in a gruesome and disturbing fashion.
This movie had me waiting in anticipation for every appearance of Pennywise, played masterfully by Bill Skarsgard. He brought the dread and fear to the part and Tim Curry must be proud of his adaptation of a character that he defined in the earlier film as an iconic horror villian. Skarsgard, while bringing his own terrorizing portrayal to the movie, plays the part with the same gusto as Curry did. Making the viewer shudder with his every appearance on screen.
The children almost steal the show from Skarsgard, especially Finn Wolfhard, who's reimaging of Richie is spot on to what I thought he should have been in the old film. Wolfhard was hilarious in his delivery of the "your mom" jokes with Eddie, played by the extremely talented Jack Grazer, and he was also completely believable in his fear. All of these kids were amazing in their respective roles. And I can not wait to see who they will have play them in Chapter 2.
So if your looking for a good time film that will have you amazed as well as revolted, look no further than this movie.
IT was exactly what i was looking for in a date movie.
It scared me, tickled my funny bone, and had me waiting for more.
First and foremost the first ten minutes of the movie had me on the edge of my seat... From the second Georgie meets our favorite clown from down under the streets you just know something is going to happen... something more than what happened in the previous version of the film. And boy did this deliver in a gruesome and disturbing fashion.
This movie had me waiting in anticipation for every appearance of Pennywise, played masterfully by Bill Skarsgard. He brought the dread and fear to the part and Tim Curry must be proud of his adaptation of a character that he defined in the earlier film as an iconic horror villian. Skarsgard, while bringing his own terrorizing portrayal to the movie, plays the part with the same gusto as Curry did. Making the viewer shudder with his every appearance on screen.
The children almost steal the show from Skarsgard, especially Finn Wolfhard, who's reimaging of Richie is spot on to what I thought he should have been in the old film. Wolfhard was hilarious in his delivery of the "your mom" jokes with Eddie, played by the extremely talented Jack Grazer, and he was also completely believable in his fear. All of these kids were amazing in their respective roles. And I can not wait to see who they will have play them in Chapter 2.
So if your looking for a good time film that will have you amazed as well as revolted, look no further than this movie.
IT was exactly what i was looking for in a date movie.
It scared me, tickled my funny bone, and had me waiting for more.
Night Reader Reviews (683 KP) rated NOS4A2 in Books
Apr 26, 2020
Just Because Review
While I imagine a few already know this it is important to note that Joe Hill is Stephen King's son, which is actually what made me interested in his work. This book reflects the works of Stephen King so much that I almost thought he was the actual author. It is very clear that this book resides in the same universe as Stephen King's works. It mentions things like the Pennywise Circus and True Knot (Doctor Sleep). It also reminded me of Christine and multiple people in the book have "a touch of the shinning" and if readers pay attention they may notice elements from Dreamcatcher and Finders Keepers as well.
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
Sarah (7798 KP) rated It: Chapter Two (2019) in Movies
Sep 18, 2019
Good but overly long
The negative reviews of this film really got me worried that I wouldn't like it, especially as I loved the first part despite it straying in parts from the book. However despite a few negatives, this is still a pretty good film.
This part seemed to keep a long closer and truer to the book than the first part. Yes there were a few odd differences and scares but for me nothing major, other than the tokens idea which just seemed a bit stupid. As silly as it sounds, when a film sticks closely to a book it makes me all happy and warm inside. So I spent a lot of this film feeling quite satisfied, at least from a plot point of view. The adult cast too are fantastic, they've done so well to find a group of actors that fit perfectly with their younger counterparts from the first film.
But sadly there are negatives. The CGI is pretty poor in parts and vastly overused. By the end I got sick to death of seeing horrendous looking CGI creeps and scares. Bring back physical effects! Pennywise too also suffered from being overly CGI, which is a shame as I think he was brilliant the rest of the time and rather creepy, especially with his voice.
And then there's the length. This film is far too long, and the reason for it is because they've stuck in a ridiculous amount of flashbacks. Dont get me wrong, it was nice to see the younger cast again especially as they provided a lot of nostalgic heartwarming moments. But it was just too much. They could've left out a lot of the flashbacks, cut a good half hour off the run time and still had a pretty decent film without impacting the plot.
Despite it's negatives, I still rather enjoyed this film. It's nothing new after having seen the first part and definitely more of the same, but mostly a rather fitting end to IT.
This part seemed to keep a long closer and truer to the book than the first part. Yes there were a few odd differences and scares but for me nothing major, other than the tokens idea which just seemed a bit stupid. As silly as it sounds, when a film sticks closely to a book it makes me all happy and warm inside. So I spent a lot of this film feeling quite satisfied, at least from a plot point of view. The adult cast too are fantastic, they've done so well to find a group of actors that fit perfectly with their younger counterparts from the first film.
But sadly there are negatives. The CGI is pretty poor in parts and vastly overused. By the end I got sick to death of seeing horrendous looking CGI creeps and scares. Bring back physical effects! Pennywise too also suffered from being overly CGI, which is a shame as I think he was brilliant the rest of the time and rather creepy, especially with his voice.
And then there's the length. This film is far too long, and the reason for it is because they've stuck in a ridiculous amount of flashbacks. Dont get me wrong, it was nice to see the younger cast again especially as they provided a lot of nostalgic heartwarming moments. But it was just too much. They could've left out a lot of the flashbacks, cut a good half hour off the run time and still had a pretty decent film without impacting the plot.
Despite it's negatives, I still rather enjoyed this film. It's nothing new after having seen the first part and definitely more of the same, but mostly a rather fitting end to IT.
Lenard (726 KP) rated It: Chapter Two (2019) in Movies
Sep 9, 2019
It: Chapter Two continues the story of the malevolent cosmic being that appears mostly as a clown named Pennywise. In 1989, a group of seven friends nicknamed The Losers' Club ended the reign of terror of It, swearing a blood oath (seen in both chapters) that if It returned they would come back. They had an unearthed a twenty-year cycle of terror so one would assume that they would be extravigilent in 2016. But you know how it is. You move away from your hometown, you lose track of your friends, the horrible things that happened to you when you were 13 tend to take on a glossy foggy shade of its former memory. As an adult, you forget about some of the things you did when you were younger, keeping only the happier memories of your childhood unless you were mercilessly abused and keep hold on the childhood traumas you escaped. Bill, Stan, Eddie, Richie, Bev, and Ben have no memories of the weird events of that summer. But sometimes the past comes back to haunt you or in this case, your old friend from back then, Mike calls you up and reminds you that you made a pact.
Now, The Losers' Club reunite to defeat the evil force that overtakes their town of Derry, Maine. Like any good Stephen King adaptation, the supernatural being that terrorizes is not such a huge component. It is the story of friends and the way they are able to colloborate and grow. It: Chapter 2 is a sort of The Big Chill if a murderous clown connected the friends. Bev and Ben rediscover old feelings. Richie hides a secret from his friend, Eddie. Bill is a writer who can't write an ending until the novelization of his childhood traumas are written. Stan is (spoiler alert) Kevin Costner, but still serves an important purpose for the Club to triumph.
The movie is a blueprint for horror movie direction. Andy is a master horror visual storyteller. The movie is not very scary if you are susceptible to that. It is more a terror than fearful. I thoroughly enjoyed the movie even if it did tend to drag in areas.
Now, The Losers' Club reunite to defeat the evil force that overtakes their town of Derry, Maine. Like any good Stephen King adaptation, the supernatural being that terrorizes is not such a huge component. It is the story of friends and the way they are able to colloborate and grow. It: Chapter 2 is a sort of The Big Chill if a murderous clown connected the friends. Bev and Ben rediscover old feelings. Richie hides a secret from his friend, Eddie. Bill is a writer who can't write an ending until the novelization of his childhood traumas are written. Stan is (spoiler alert) Kevin Costner, but still serves an important purpose for the Club to triumph.
The movie is a blueprint for horror movie direction. Andy is a master horror visual storyteller. The movie is not very scary if you are susceptible to that. It is more a terror than fearful. I thoroughly enjoyed the movie even if it did tend to drag in areas.
EasterBunnyKiller (31 KP) rated It: Chapter Two (2019) in Movies
Sep 16, 2019
Contains spoilers, click to show
Saw this before starting my shift the Saturday of opening weekend. I would have rated this higher if it hadn't hurt my fanboy feelings as much as it did, but I am of two minds about this movie.
Visually, it's stunning. The differences in the color palette between the teenage and adult version of the Losers Club and the tunnels beneath the house on Neibolt street was great, just like in the first movie. Andy Muschietti did a great job capturing the frenetic dread during the final conflict with Pennywise. The acting is great. And I'm very pleased at how effective the movie is with horror in the light, instead of relying o the dark for tension.
The dialogue is fun and Bill Hader knocked it out of the park. I enjoyed the departure from the source material in regard to the specifics of the final confrontation, which changed the specifics, but managed the retain the theme and feeling of the book's conclusion.
Now the bad:
At times, It: Chapter Two felt like a high concept comedy starring Bill Hader. Now I understand and appreciate the character of Ritchie and his wisecracking timbre, but at times, it felt a bit much and took me out of the tension of the story.
I wasn't a huge fan of some of the characterisations of the adult versions of the characters. Specifically, Eddie and Mike. For Mike, one would have thought that given the he is the entire reason the the Losers reunite, he would have had some kind of plan better than "get everyone together and hope that's enough." The way he tries to convince them all to stick around and fight It seems contrived, considering that the film very much moves away from the idea of Bill being the leader of the group.
As far as Eddie, I felt like it was a missed opportunity with regard to him facing his fears. In the novel, adult Eddie is still very much ruled by his own fears. It didn't feel like a very big moment for him to overcome his fear in the movie, because there is very little prove-up for his fearfulness as an adult.
There were certain things I wasn't very much of a fan of, like the abbreviated inclusion of Henry Bowers, and the decided lack of a cosmic Turtle, but all in all, it was an enjoyable movie, with a couple of legitimately creepy scenes on it.
Visually, it's stunning. The differences in the color palette between the teenage and adult version of the Losers Club and the tunnels beneath the house on Neibolt street was great, just like in the first movie. Andy Muschietti did a great job capturing the frenetic dread during the final conflict with Pennywise. The acting is great. And I'm very pleased at how effective the movie is with horror in the light, instead of relying o the dark for tension.
The dialogue is fun and Bill Hader knocked it out of the park. I enjoyed the departure from the source material in regard to the specifics of the final confrontation, which changed the specifics, but managed the retain the theme and feeling of the book's conclusion.
Now the bad:
At times, It: Chapter Two felt like a high concept comedy starring Bill Hader. Now I understand and appreciate the character of Ritchie and his wisecracking timbre, but at times, it felt a bit much and took me out of the tension of the story.
I wasn't a huge fan of some of the characterisations of the adult versions of the characters. Specifically, Eddie and Mike. For Mike, one would have thought that given the he is the entire reason the the Losers reunite, he would have had some kind of plan better than "get everyone together and hope that's enough." The way he tries to convince them all to stick around and fight It seems contrived, considering that the film very much moves away from the idea of Bill being the leader of the group.
As far as Eddie, I felt like it was a missed opportunity with regard to him facing his fears. In the novel, adult Eddie is still very much ruled by his own fears. It didn't feel like a very big moment for him to overcome his fear in the movie, because there is very little prove-up for his fearfulness as an adult.
There were certain things I wasn't very much of a fan of, like the abbreviated inclusion of Henry Bowers, and the decided lack of a cosmic Turtle, but all in all, it was an enjoyable movie, with a couple of legitimately creepy scenes on it.
IT… didn’t really float my boat.
IT is based on the Stephen King novel, and tells the disturbing recurring events that happen within the town of Derry in Maine. Kids keep disappearing and sightings of a spooky clown, other visitations and red balloons occur. A group of bullied high school kids – one directly impacted by the disappearances – work to get to the bottom of the supernatural goings on. (Fortunately they don’t have a dog called Scooby).
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
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I don’t always read poetry, but I won "It's Getting Harder and Harder To Tell the Two of You Apart" by Casey Renee Kiser and Johnny Scarlotti through a giveaway on LibraryThing.
And if you are already familiar with my “reading rules”, you know I try and read every single book I have ever received, because it’s only fair. And sometimes, the most unexpected books and the ones we don’t actively search for tend to surprise us the most. That happened with this book as well!
"It's Getting Harder and Harder To Tell the Two of You Apart" is written by two authors - two amazing writers of poetry, who have a very similar style of horror and suspense, but also very distinctive differences in their writing style too. The book is split in two parts, and we get the chance to explore both worlds.
<b>Part 1 - Casey Renee Kiser</b>
The first part of the book was written by Casey Renee Kiser, and my favorite poem was “I am not a ghost yet”. It is morbid and powerful, and I loved the way the feelings and scenes were amplified in a morbid sense. I love the brutality of the writing.
<b><i>“Everything was beautiful the day you died”,
You said as you touched my cold hand. </i></b>
<b>Part 2 - Johnny Scarlotti</b>
I could instantly see the difference in the poems between the two poets, but at the same time, also admire how similar their styles and themes are. I find Johnny’s writing very creepy, much creepier than Casey’s. Especially when the mood suddenly changes and the random “haha’s” and “woahh’s” in the poems appear.
<b><i>Now I’m dashing through the park clipping
Children’s kite strings
Ha ha, that’s what you get, you little freaks!</i></b>
It felt like I was reading the secret diary of the Joker. Either him, or Pennywise. It was so fucked up, but it read as the new normal, which is what a psycho would think and feel. It was creepy, it was wrong, but at the same time it satisfied my curiosity. I think that may be the same curiosity that makes me watch true crime shows, crime confessions and old interview with Ted Bundy. And I really enjoyed it.
If I could change anything about my experience with this book, I would have read this for Halloween. I think it would have been the perfect experience, next to a lot of red candles and dim lighting, alongside some quiet creepy music.
I would recommend "It's Getting Harder and Harder To Tell the Two of You Apart" to all fans of horror poetry - it is dark and twisty, brutally honest and creepy, and it will pull you over to the dark side, even for a day.
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-79.png"/>;
I don’t always read poetry, but I won "It's Getting Harder and Harder To Tell the Two of You Apart" by Casey Renee Kiser and Johnny Scarlotti through a giveaway on LibraryThing.
And if you are already familiar with my “reading rules”, you know I try and read every single book I have ever received, because it’s only fair. And sometimes, the most unexpected books and the ones we don’t actively search for tend to surprise us the most. That happened with this book as well!
"It's Getting Harder and Harder To Tell the Two of You Apart" is written by two authors - two amazing writers of poetry, who have a very similar style of horror and suspense, but also very distinctive differences in their writing style too. The book is split in two parts, and we get the chance to explore both worlds.
<b>Part 1 - Casey Renee Kiser</b>
The first part of the book was written by Casey Renee Kiser, and my favorite poem was “I am not a ghost yet”. It is morbid and powerful, and I loved the way the feelings and scenes were amplified in a morbid sense. I love the brutality of the writing.
<b><i>“Everything was beautiful the day you died”,
You said as you touched my cold hand. </i></b>
<b>Part 2 - Johnny Scarlotti</b>
I could instantly see the difference in the poems between the two poets, but at the same time, also admire how similar their styles and themes are. I find Johnny’s writing very creepy, much creepier than Casey’s. Especially when the mood suddenly changes and the random “haha’s” and “woahh’s” in the poems appear.
<b><i>Now I’m dashing through the park clipping
Children’s kite strings
Ha ha, that’s what you get, you little freaks!</i></b>
It felt like I was reading the secret diary of the Joker. Either him, or Pennywise. It was so fucked up, but it read as the new normal, which is what a psycho would think and feel. It was creepy, it was wrong, but at the same time it satisfied my curiosity. I think that may be the same curiosity that makes me watch true crime shows, crime confessions and old interview with Ted Bundy. And I really enjoyed it.
If I could change anything about my experience with this book, I would have read this for Halloween. I think it would have been the perfect experience, next to a lot of red candles and dim lighting, alongside some quiet creepy music.
I would recommend "It's Getting Harder and Harder To Tell the Two of You Apart" to all fans of horror poetry - it is dark and twisty, brutally honest and creepy, and it will pull you over to the dark side, even for a day.
Gareth von Kallenbach (965 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
I’ve always been a fan of Stephen King movies, even some of those that were not particularly good or well received. For someone who is a fan you think that would inspire me to pick up at least one of his books to get a feel for what the author truly intended over the stripped down,
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.
“Hollywood-ised” versions. I can’t put my finger on why I haven’t, it’s not because the size of many of his novels are daunting, it’s more that as a reader I’m just not a horror book fan. So when it comes to sitting in on a Stephen king movie I have to rely on the story by it’s modified merits then to compare and contrast what IT does well (or not).
Like many before me, my first movie experience of IT was the classic mini-series featuring an incredibly creepy (and non-CGI’d version) of Pennywise portrayed by the extremely talented Tim Curry.
I even went out and purchased the mini-series before I went to see the first chapter of the remake of IT, just to see how those two compared. IT: Chapter One introduced us in great depth to the teens of the original losers club. A group of misfits, who went on their own personal crusade to attack and kill the nefarious clown while saving one of their own. A strong pact was formed and an oath sworn that if IT ever returned to Derry that the group would once again join together to put a stop to IT for good.
IT: Chapter Two picks up 27 years later, the group has moved on with their lives, all except Mike (Isaiah Mustafa as an adult and Chosen Jacobs as a younger version) who has felt a sense of responsibility to watch over the town and research how to kill IT if IT were to ever return. A horrific killing of an adult at the fair and subsequent disappearances of children alert Mike that the plague that has befallen Derry for generations has returned to feed. Mike reaches out to each of the losers reminding them that something they have all feared has come to pass.
Each when notified experience a fear that is indescribable yet for some reason the groups memories of the past have become clouded.
The now adult losers (with several flashbacks featuring the original cast) come together to remind themselves of the past, and the pact they made to protect the future. Featuring a star studded cast, Mike, Bill (James McAvoy/Jaeden Martell), Beverly (Jessica Chastain/Sophia Lillis), Ben (Jay Ryan/Jeremy Ray Taylor), Richie (Bill Hader/Finn Wolfhard), Eddie (James Ransone/Jack Dylan Grazer) and Stanley (Andy Bean/Wyatt Oleff), must battle their lost memories, their fears and the very real danger if they are to save Derry and themselves.
IT: Chapter 2 continues the incredible character building that Chapter 1 began. Where each of the young actors were perfectly cast as their book counterparts, their adult versions could easily be mistaken for the grown-up versions. This is the area where IT shines the most, the story of the losers who have grown and moved away, yet still share the unescapable bond of friendship. While an older Bill struggles (much like Stephen King himself) to come up with good endings to his stories it’s what he writes at the end of IT: Chapter 2 that really sums up the movie as a whole. To summarize, there are no good friends or bad friends, there are only friends, and chapter 2 is an example of how you take a band of misfits and turn them into heroes.
Sadly, for all the things IT does from a character side, it tends to drag on and over CGI its monster side. Pennywise the clown (portrayed brilliantly by Bill Skarsgård) brings with him all the creepiness and fear that the movie needs, even posters of his maniacal self is promoting lawsuits in other countries due to his ability to scare small children. So, it seems a bit disheartening that the studio felt it was necessary to go overboard with their CGI budgets. Many scenes go from being creepy and scary to simply being silly when our favorite clown is turned into a giant naked hag like figure. This is where I felt the mini-series did a far better job, due to its limited budget and shorter time requirements it allowed for the viewers to imagine the evil and not see it thrown out for the world to see.
IT: Chapter 2 also drags out far longer than it needed to. Make sure you get your bathroom breaks in, because the film, not counting previews, is just about 10 minutes shy of being three hours. I’m normally not one to complain about the length of a movie, as I’d rather they tell the story they want instead of trying to compress it into a shorter run time. However, in this case, it seemed entirely wasted on an overabundance of clown mutations and an extremely drawn out final battle. It’s unfortunate, because one of the most unused (and potentially interesting characters) Henry Bowers (Teach Grant/Nicholas Hamilton) is given only a few minutes of screen time and ultimately adds nothing to the movie as a whole. As I stated earlier, I haven’t read the novel, but I have to assume that he played a far bigger role in the book.
As it stands in the movie, his character is both unnecessary and completely ineffective at whatever he was attempting to do. I think some of the time taken away from the battle scenes to flesh out his (or other supporting characters) would have be time better spent.
IT: Chapter 2 is a good movie, that with some reduced special effects and better time management is just shy of being a great movie. The story of the kids, now grown up, is one of forgiveness, bravery and love. It shows how true friendship can overcome distance and time and that those things never truly vanish, even if the particulars of what separated you in the first place is a bit fuzzy. Horror movies with outrageous budgets tend to lose the spirit of what makes a true horror movie scary…it’s rarely about the effects, and more about the imagination.
That’s what makes the books typically so much better than the movies, after all, each one of us imagines our own version of what truly scares us (although clowns tend to be scary regardless of how they are portrayed). IT: Chapter 2 provides a satisfying ending to a story that began a few years ago, it suffers a bit from its budget and its use of CGI effects, but it’s still a story of what all of us losers can accomplish if we band together.