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Gareth von Kallenbach (980 KP) rated Be Cool (2005) in Movies
Aug 14, 2019
It has been ten years since audiences last saw Chili Palmer (John Travolta), a former criminal who uses his criminal experiences to become a successful film producer. The how and why Chili made this transition was documented in the 1995 film Get Shorty.
As the film opens, Chili is discussing his frustrations with the film industry with his associate Tommy (James Woods), at a sidewalk cafe. The conversation is interrupted by a barrage of bullets that leaves Tommy dead and Chili with more questions than answers. It seems that Tommy was taken down by a criminal organization and as such, his record company now finds itself in dire straits as his widow Edie (Uma Thurman), struggles to keep the company afloat.
Since Chili is friends with Edie and wants to move to the music business, he uses this opportunity to introduce a new prodigy named Linda Moon (Christina Milian) to her and prepares to record her.
Things become complicated when Chili discovers that Linda is under contract to some very shady characters, including Nick Carr (Harvey Keitel) who, like Chili, has a criminal past and is not above using thugs to eliminate or intimidate those into doing his bidding. His right hand man is the hood obsessed Raji (Vince Vaughn) and his massive yet closeted muscle Elliott (Dwayne “The Rock” Johnson).
If you are not confused yet, don’t worry as the plot will be come even more complex when record producer Sin LaSalle (Cedric the Entertainer), demands $300,000 in owed money from Tommy, due in under a week to keep his boys from taking out Chili and ruining Edie’s company.
The great thing about Be Cool is that no matter how many characters come and go from the every changing plot, it is always well paced and funny, and does not lose momentum.
The audience, like most of the characters, is forced to figure things out as they happen with the exception being Chili who seems to have things figured out even before he takes the necessary steps to resolve the situation.
The cast seems to be having a great time playing their parts and Travolta and Thurman seem to have a very easy going and natural chemistry, especially when they follow up their Pulp Fiction dance with a spirited number. The film also boasts many cameos and I will refrain from spoiling them here.
The highlight of the film would have to be The Rock as he daringly pokes fun at his tough guy persona and signature raised eyebrow by playing the identity confused Elliott who is more at ease belting out torch songs than he is at bashing heads.
The only real issue with the film was that Thurman’s character did not always have much to do aside from standing around looking pretty and being the supportive love interest in the film.
That being said, if you do not mind a twisting plot, over the top characters, and some goofiness, than Be Cool is just the film for you.
As the film opens, Chili is discussing his frustrations with the film industry with his associate Tommy (James Woods), at a sidewalk cafe. The conversation is interrupted by a barrage of bullets that leaves Tommy dead and Chili with more questions than answers. It seems that Tommy was taken down by a criminal organization and as such, his record company now finds itself in dire straits as his widow Edie (Uma Thurman), struggles to keep the company afloat.
Since Chili is friends with Edie and wants to move to the music business, he uses this opportunity to introduce a new prodigy named Linda Moon (Christina Milian) to her and prepares to record her.
Things become complicated when Chili discovers that Linda is under contract to some very shady characters, including Nick Carr (Harvey Keitel) who, like Chili, has a criminal past and is not above using thugs to eliminate or intimidate those into doing his bidding. His right hand man is the hood obsessed Raji (Vince Vaughn) and his massive yet closeted muscle Elliott (Dwayne “The Rock” Johnson).
If you are not confused yet, don’t worry as the plot will be come even more complex when record producer Sin LaSalle (Cedric the Entertainer), demands $300,000 in owed money from Tommy, due in under a week to keep his boys from taking out Chili and ruining Edie’s company.
The great thing about Be Cool is that no matter how many characters come and go from the every changing plot, it is always well paced and funny, and does not lose momentum.
The audience, like most of the characters, is forced to figure things out as they happen with the exception being Chili who seems to have things figured out even before he takes the necessary steps to resolve the situation.
The cast seems to be having a great time playing their parts and Travolta and Thurman seem to have a very easy going and natural chemistry, especially when they follow up their Pulp Fiction dance with a spirited number. The film also boasts many cameos and I will refrain from spoiling them here.
The highlight of the film would have to be The Rock as he daringly pokes fun at his tough guy persona and signature raised eyebrow by playing the identity confused Elliott who is more at ease belting out torch songs than he is at bashing heads.
The only real issue with the film was that Thurman’s character did not always have much to do aside from standing around looking pretty and being the supportive love interest in the film.
That being said, if you do not mind a twisting plot, over the top characters, and some goofiness, than Be Cool is just the film for you.
Joe Goodhart (27 KP) rated Ultimate Comics Spider-Man by Brian Michael Bendis, Volume 1 in Books
Nov 30, 2020
So, before I begin my review of ULTIMATE COMICS: SPIDER-MAN Vol. 1, I feel the need to confess something: there was a point in life where I was a lot less liberal, a lot less "forward thinking". I felt heroes like Miles Morales were unnecessary, examples of "lazy writing". I felt that instead of creating a non-white Spider-Man, he should have been a newly created hero, not a copy of one already in existence.
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Since that time, I have experienced what I can think of no word to better describe it other than an <I>awakening</I>. Much of it was the ignorance I was raised in - a racist father, a mother who followed his ideals because she was co-dependent, lacking any autonomy. It's like a veil was lifted from my eyes and I can see/think a lot more clearly. Far more acceptance and understanding now in my life, and I quite like me much more.
Now, that said, since my <I>awakening</I>, I went and checked out the first volume, as it was on sale on Comixology. Can't think of a better reason to check out what was previously, for me, a much overlooked tpb!
Man, I just want to say that I share many of the others' feelings: this was a fun series! The 616 Spider-Man hasn't been that much fun in far too long a time! He captured the youthful innocence of the character, but also exhibiting maturity and sense of honor that was not common for his age.
Those who have known me are aware that I am not a fan of Brian Michael Bendis. I felt he excelled more with his own characters (like SCARLETT, which I loved immensely) than taking on the task of writing for existing characters. However, here, I felt that he was top of his game, offering us a Spider-Man that this world truly needs!
I don't really want to do this, as 95% of the book was beyond awesome, but the inclusion of ULTIMATE FALLOUT #4 (of 6) was the only negative thing I can offer about this book. The story is awkward as it shows us Miles already in costume, already testing out his newfound powers and abilities. I felt that it made reading Miles' story after it confusing at first. It really brought nothing to the story.
Other than that, the book was solid! Bendis' writing was hot as heck, fun yet not as overly wordy as he can be known for. And assigning Sara Pichelli the task of illustrating Miles' adventures was gold! Her pencils are always tight, giving each character their own distinct visual persona! All across the board, this book was so much win!
Don't be like I used to be: read this book, because you, too, will believe in Heroes again!
Videollamadas Con Santa (Video Calls with Santa)
Lifestyle and Entertainment
App
*** ¡LA MEJOR APLICACIÓN DE NAVIDAD DE IPHONE! *** *** ¡LOS MEJORES 100 EN MÁS DE 50 PAÍSES!...
Shifter Protection Specialists, Inc Box Set
8.0
Rate It
Book
Spine tingling excitement builds as danger lurks around every corner. The scenes and details are...
Paranormal MM Romance
postapocalypticplayground (27 KP) rated The Last Namsara in Books
Jan 9, 2018
Where the Namsara brings life the Iskari brings death. Asha is the Iskari, death bringer and dragon hunter. Cursed with a lifetime of knowing it was her fault that dragons had come to ransack her town when she was a child, she is feared and reviled. It was her mother telling her the Old Stories of dragons that brought them, a balm to her nightmares with horrendous consequences. Asha has dedicated her young life to slaying the dragons, although now with them dwindling in numbers she must take drastic action to ensure a successful hunt. Asha must tell the outlawed Old Stories again.
The last Namsara is very much a book of revelations for Asha. The dragon attack when she was a child left her without a mother and also horrible scarred from the burns she suffered. Having to not only live with the fact that she is hated she also has to deal with the stares associated with her disfigurement, the armour she wears is both necessary for her hunt and for her emotional wellbeing. When her secret is out following an accident during a hunt, she is tended to by Torwin, her betrothed’s slave, who seemingly is willing to keep her secret, but at what cost to both of them?
Through a series of cruel acts she finds herself visited by the first Namsara who starts her on a path that will not only unravel the truth about what happened the day of the dragon attack, but also a much deeper and long running deception. Asha must therefore right the wrongs.
I very much liked Asha as a character, I found that she was written with both strength and vulnerability, she has always been the Iskari and that has given her an opportunity to hide behind a persona. She is however still a teenager and she has the same hopes and fears as everyone, but her hardened act is thankfully easy to scratch beyond the surface of. The book was an easy flowing read and I particularly liked how the Old Stories were interwoven into the pages, completing parts of the story and acting almost like a running prologue. It was a great way of explaining a complicated back story without being an info dump on the reader. I also found that there was a great deal of realism about the aftermaths of events, the fact that laws can’t be changed to suit the sovereign and that one persons change for the better will always be anothers change for the worse. It didn’t shy away from the ugly side of things and that always gets good marks from me.
That being said, I found the Last Namsara lacked a certain spark. I enjoyed reading it very much don’t get me wrong, but it didn’t have my pulse racing and I found it easy to put down of an evening. I would still recommend this to anyone who is a fan of dragons and kick ass female protagonists as it really does have a lot to like.
The last Namsara is very much a book of revelations for Asha. The dragon attack when she was a child left her without a mother and also horrible scarred from the burns she suffered. Having to not only live with the fact that she is hated she also has to deal with the stares associated with her disfigurement, the armour she wears is both necessary for her hunt and for her emotional wellbeing. When her secret is out following an accident during a hunt, she is tended to by Torwin, her betrothed’s slave, who seemingly is willing to keep her secret, but at what cost to both of them?
Through a series of cruel acts she finds herself visited by the first Namsara who starts her on a path that will not only unravel the truth about what happened the day of the dragon attack, but also a much deeper and long running deception. Asha must therefore right the wrongs.
I very much liked Asha as a character, I found that she was written with both strength and vulnerability, she has always been the Iskari and that has given her an opportunity to hide behind a persona. She is however still a teenager and she has the same hopes and fears as everyone, but her hardened act is thankfully easy to scratch beyond the surface of. The book was an easy flowing read and I particularly liked how the Old Stories were interwoven into the pages, completing parts of the story and acting almost like a running prologue. It was a great way of explaining a complicated back story without being an info dump on the reader. I also found that there was a great deal of realism about the aftermaths of events, the fact that laws can’t be changed to suit the sovereign and that one persons change for the better will always be anothers change for the worse. It didn’t shy away from the ugly side of things and that always gets good marks from me.
That being said, I found the Last Namsara lacked a certain spark. I enjoyed reading it very much don’t get me wrong, but it didn’t have my pulse racing and I found it easy to put down of an evening. I would still recommend this to anyone who is a fan of dragons and kick ass female protagonists as it really does have a lot to like.
Movie Metropolis (309 KP) rated Deadpool (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Valentine's weekend wonder
It’s hard to believe that one of Marvel’s hottest properties – Deadpool, has taken this long to get to the silver screen. Of course, we can always cast our minds back to 2009’s disastrous X-Men Origins: Wolverine. But for goodness sake, let’s not.
Here, after much petitioning from fans and Reynolds himself, Deadpool finally gets his own origins story, directed by Tim Miller in his debut feature film. But was it worth the wait?
Ryan Reynolds returns as a much more faithful representation of Wade Wilson, a small-time mercenary going through the motions until a shock cancer diagnosis makes him rethink his life – and career prospects, at the cost of losing touch with his love interest, Vanessa, played by the incredibly beautiful Morena Baccarin.
Naturally, a villain in the shape of Ed Skrein’s Ajax, provides the film with its main opposition, though a few other one-dimensional characters appear alongside him every so often. Unfortunately, they make little impact throughout the course of Deadpool and even Skrein suffers next to Reynolds potty-mouthed Wilson.
MV5BMjE3MzI3NzAwOV5BMl5BanBnXkFtZTgwNDc2Nzc5NzE@._V1__SX1303_SY615_
Brianna Hildebrand, Ryan Reynolds and Stefan Kapicic. Photo by 20th Century Fox.
And ta da! The red-suited antihero is born, much like any other Marvel origins story in fact. However, this is most definitely not your typical superhero flick. From gratuitous sex, violence, swearing and drug references, not to mention the character’s trademark breaking of the fourth wall, it’s all here – and you know what, it’s a breath of fresh air.
Reynolds is absolutely born to play this character and is the best we have seen him in years. Gone is the romantic comedy slop or stereotypical action hero he has portrayed over the last few years and in their place is a witty, incredibly self-aware persona that is one of Marvel’s greatest assets.
Elsewhere, the direction is so confident, and the design choices so slick, it’s difficult to fully comprehend that this is Tim Miller’s first feature film. From a brilliant set of opening credits that poke fun at the narcissism of Hollywood, to some excellent commentary on the superhero genre itself, it’s very cocky indeed and very very funny.
Naturally, not every gag lands on target, but that’s no surprise given that even the best comedies suffer from this. There’s also a lack of development beyond the titular character that hurts the film’s more romantic side, and with Deadpool’s lengthy running time, this could’ve been avoided somewhat.
Other than that, it’s pretty much spot on. Ryan Reynolds looks like he’s having a blast in front of the camera, and Tim Miller looks like he’s having a great time behind it. What about the old Fox and Marvel rivalry chestnut? Well, there’s not even a whiff of it – apart from a sarcastic remark that is.
Overall, Deadpool was a gamble and with Fox’s less than stellar reputation for fashioning decent films out of Marvel property, a huge one at that. But, against all the odds it has paid off spectacularly.
Keep this to yourselves, but it could quite possibly be the best comic-book adaptation to date.
https://moviemetropolis.net/2016/02/13/a-valentines-weekend-wonder-deadpool-review/
Here, after much petitioning from fans and Reynolds himself, Deadpool finally gets his own origins story, directed by Tim Miller in his debut feature film. But was it worth the wait?
Ryan Reynolds returns as a much more faithful representation of Wade Wilson, a small-time mercenary going through the motions until a shock cancer diagnosis makes him rethink his life – and career prospects, at the cost of losing touch with his love interest, Vanessa, played by the incredibly beautiful Morena Baccarin.
Naturally, a villain in the shape of Ed Skrein’s Ajax, provides the film with its main opposition, though a few other one-dimensional characters appear alongside him every so often. Unfortunately, they make little impact throughout the course of Deadpool and even Skrein suffers next to Reynolds potty-mouthed Wilson.
MV5BMjE3MzI3NzAwOV5BMl5BanBnXkFtZTgwNDc2Nzc5NzE@._V1__SX1303_SY615_
Brianna Hildebrand, Ryan Reynolds and Stefan Kapicic. Photo by 20th Century Fox.
And ta da! The red-suited antihero is born, much like any other Marvel origins story in fact. However, this is most definitely not your typical superhero flick. From gratuitous sex, violence, swearing and drug references, not to mention the character’s trademark breaking of the fourth wall, it’s all here – and you know what, it’s a breath of fresh air.
Reynolds is absolutely born to play this character and is the best we have seen him in years. Gone is the romantic comedy slop or stereotypical action hero he has portrayed over the last few years and in their place is a witty, incredibly self-aware persona that is one of Marvel’s greatest assets.
Elsewhere, the direction is so confident, and the design choices so slick, it’s difficult to fully comprehend that this is Tim Miller’s first feature film. From a brilliant set of opening credits that poke fun at the narcissism of Hollywood, to some excellent commentary on the superhero genre itself, it’s very cocky indeed and very very funny.
Naturally, not every gag lands on target, but that’s no surprise given that even the best comedies suffer from this. There’s also a lack of development beyond the titular character that hurts the film’s more romantic side, and with Deadpool’s lengthy running time, this could’ve been avoided somewhat.
Other than that, it’s pretty much spot on. Ryan Reynolds looks like he’s having a blast in front of the camera, and Tim Miller looks like he’s having a great time behind it. What about the old Fox and Marvel rivalry chestnut? Well, there’s not even a whiff of it – apart from a sarcastic remark that is.
Overall, Deadpool was a gamble and with Fox’s less than stellar reputation for fashioning decent films out of Marvel property, a huge one at that. But, against all the odds it has paid off spectacularly.
Keep this to yourselves, but it could quite possibly be the best comic-book adaptation to date.
https://moviemetropolis.net/2016/02/13/a-valentines-weekend-wonder-deadpool-review/
Movie Metropolis (309 KP) rated Maze Runner: The Scorch Trials (2015) in Movies
Jun 10, 2019
A Vast Improvement
The Young Adult genre has, for the last few years, been dominated by Jennifer Lawrence and her imposing Katniss Everdeen, and as fans prepare for the conclusion of Mockingjay in November, they can whet their appetites for the conclusion of another YA trilogy.
The Maze Runner was a decent, albeit muddled attempt at getting the coveted young adult audience interested in another series and its sequel, The Scorch Trials promises more of the mind-blowing storytelling of its predecessor, but is it a success?
The plot of Scorch Trials takes place immediately after the events of the previous instalment as a group of teenagers battle against the sinister W.C.K.D, an organisation intent on finding a cure for a virus that has ravished Earth.
Amongst them is leader Thomas (Teen Wolf’s Dylan O’Brien), the Katniss Everdeen of this particular series, Theresa (Skins’ Kaya Scodelario) and Newt (Love Actually’s Thomas Brodie-Sangster). There are numerous other characters in the group but they aren’t fleshed out enough to make an impact on screen.
Unfortunately, character development is a serious problem throughout, with only a handful of the large cast having enough of a backstory to make the memorable. O’Brien is particularly likeable as the confused Thomas and his more reserved persona is a pleasant change to the majority of lead characters in the genre.
Of the adult cast, Aidan Gillen does a sterling effort as the mysterious Janson and Giancarlo Esposito is perhaps the best character in the entire film with his portrayal of Jorge – a bargain hunter and ally of the group.
A much larger budget has done wonders for the series’ set-pieces. This is a particularly striking movie with numerous heart-racing action sequences filmed with a mixture of stunning CGI and breath-taking practical effects, a desert thunderstorm is beautifully filmed and a particular highlight.
The desolate landscapes and ruined cities give the film more than a whiff of Mad Max and I Am Legend with the latter being very similar.
These pulse-raising scenes do not do Scorch Trials’ dialogue any good however. The characters don’t get much to say apart from “Run” and “Look out” and the series lacks the powerful communication that The Hunger Games has become known for.
Nevertheless, those coming to the series without reading the books will find much to enjoy here as the plot is impossible to guess – there’s simply no way of knowing what is going to happen from one moment to the next.
It’s worth noting that this is a very dark film with a tone unlike anything else seen in the genre. The 12A certification given to it seems a little too lenient and in parts The Scorch Trials is deeply unnerving.
Maze Runner: The Scorch Trials is, on the whole, a fantastically enjoyable romp in spite of its excessive length and flat characters. It’s not quite up to the standards of The Hunger Games series but surpasses its Divergent franchise counterparts by some margin and is well worth a trip to the cinema.
https://moviemetropolis.net/2015/09/13/a-vast-improvement-maze-runner-the-scorch-trials-review/
The Maze Runner was a decent, albeit muddled attempt at getting the coveted young adult audience interested in another series and its sequel, The Scorch Trials promises more of the mind-blowing storytelling of its predecessor, but is it a success?
The plot of Scorch Trials takes place immediately after the events of the previous instalment as a group of teenagers battle against the sinister W.C.K.D, an organisation intent on finding a cure for a virus that has ravished Earth.
Amongst them is leader Thomas (Teen Wolf’s Dylan O’Brien), the Katniss Everdeen of this particular series, Theresa (Skins’ Kaya Scodelario) and Newt (Love Actually’s Thomas Brodie-Sangster). There are numerous other characters in the group but they aren’t fleshed out enough to make an impact on screen.
Unfortunately, character development is a serious problem throughout, with only a handful of the large cast having enough of a backstory to make the memorable. O’Brien is particularly likeable as the confused Thomas and his more reserved persona is a pleasant change to the majority of lead characters in the genre.
Of the adult cast, Aidan Gillen does a sterling effort as the mysterious Janson and Giancarlo Esposito is perhaps the best character in the entire film with his portrayal of Jorge – a bargain hunter and ally of the group.
A much larger budget has done wonders for the series’ set-pieces. This is a particularly striking movie with numerous heart-racing action sequences filmed with a mixture of stunning CGI and breath-taking practical effects, a desert thunderstorm is beautifully filmed and a particular highlight.
The desolate landscapes and ruined cities give the film more than a whiff of Mad Max and I Am Legend with the latter being very similar.
These pulse-raising scenes do not do Scorch Trials’ dialogue any good however. The characters don’t get much to say apart from “Run” and “Look out” and the series lacks the powerful communication that The Hunger Games has become known for.
Nevertheless, those coming to the series without reading the books will find much to enjoy here as the plot is impossible to guess – there’s simply no way of knowing what is going to happen from one moment to the next.
It’s worth noting that this is a very dark film with a tone unlike anything else seen in the genre. The 12A certification given to it seems a little too lenient and in parts The Scorch Trials is deeply unnerving.
Maze Runner: The Scorch Trials is, on the whole, a fantastically enjoyable romp in spite of its excessive length and flat characters. It’s not quite up to the standards of The Hunger Games series but surpasses its Divergent franchise counterparts by some margin and is well worth a trip to the cinema.
https://moviemetropolis.net/2015/09/13/a-vast-improvement-maze-runner-the-scorch-trials-review/
Purple Phoenix Games (2266 KP) rated Cindr in Tabletop Games
Oct 29, 2020
Finally! A game to simulate dating dragons. I have been waiting for this theme all my life and it’s now a reality!! Well, okay, I have never really considered dating a dragon. But I know I would be signing up for a service app like Cindr to find my true dragon mate FO SHO if it were real. So how does a card game dragon sim play?
Cindr has players taking on the persona of a lonely fantasy creature looking for dragon love on a dating app. Players will be building their character by making choices and then swiping left or right to attempt going on dates with dragons that may be a great match. Roll the dice well and things may go to the Next Step, or even the Next Level. Roll poorly and your dear dragon date may send you home aflame.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. Furthermore I will be covering the game using the Solo rules (which are no different than the multiplayer rules). For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, each player (or just yourself if playing the solo rules as I am) will choose a Character Profile card, filling in the blanks and circling choices to build their new fantasy persona. Each player will take one Try Again card that is useful during game play. Shuffle each Cindr App Dragon Profile and Whelp App Location card deck and place near each other. The dice will be placed near all the cards as well and the game is ready to begin!
On a turn a player will do each of these steps in order: Choose a Dragon to Date, Assemble the Dice Pool, Draw a Location Card, Check Dragon Powers & Location Bonuses, The Date / Roll Dice, Burned by a Dragon, and End of Turn. In the solo game players will be playing long enough to complete five dragon dates.
Choosing a Dragon to Date consists of reading the profile on the top of the deck and deciding whether to date or not. If not, swipe the profile into The Dating Pool below the deck. Players may swipe twice for free, and pay for additional swipes. After a dragon has been chosen, players will Assemble the Dice Pool by flipping the profile card and comparing with the stats they had made for their character at the beginning of the game. For each match players will receive a green die. For each value one space away a blue die, and for two spaces away a red die. Each die color has a different value of faces, but all have hearts and fires. Next the player(s) will Draw a Location Card from the top of the deck, read the front, then flip to the back. The back of the card will list any die up/downgrades and bonuses that may activate at different times during the date. Checking Dragon Powers & Location Bonuses will happen next and are self-explanatory.
Now that a dragon date has been procured and a location chosen, The Date may occur! When on the date, players will roll the four dice up to three times. The first time they are rolled is considered the Meet Up. The Next Step and The Next Level are the second and third rolls respectively. To be considered a full date, players will need to at least roll a second time. It is during The Date that players will be collecting hearts and trying to avoid fires. Three fires and the hearts are lost and the turn over. Players may stop rolling any time they wish and bank the hearts they have won to that point. The hearts then transfer to Love Points that are tracked at the bottom of the Character Profile card.
Should a player roll three flames and have no way to mitigate them, they lose all earned hearts for that round and their turn is over. They were, after all, Burned by a Dragon. The End of Turn is a cleanup phase to setup for the next player (or next round if playing solo). Play continues in this fashion until a player reaches 21+ Love Points in a multiplayer game or after the solo player has gone on five complete dates. Total the points to see who is the winner, or compare against the Love Meter card to see where you stack up.
Components. I’m just going to come out and say it now: I love everything about the components in this game. The dice are excellent and feature GOOD colors (not just boring primary colors). The app cards look like a phone’s screen and that’s brilliant. The Location cards are using a review service named Whelp, and also a stroke of brilliance. The art is amazing, save for the somewhat boring Second Chance cards, and one of the fonts is the same as my favorite game of all time – Valeria: Card Kingdoms, so I am fan for sure.
It’s no use hiding the fact that I am giddy playing this game. Even solo! Yes, I missed out on being able to date dragons from other players’ Dating Pools, but I have access to all the dragons anyway! Being able to adjust your choices during the game as a result of dragon powers or location powers is a neat twist that I wasn’t expecting. Those powers and bonuses are great and can really change the game, and contribute to an already large replayability score from me. It’s just a superb game that I love more and more every time I play it.
Cindr will probably never make my Top 10 Games of All Time, but it will most certainly remain in my Top 100 for years. Again, I wish I had not missed out on the Kickstarter for this one as I am gluttonous for KS stretch goal extras, but I am quite happy with where this game is at retail level. If you are looking for a great game with a hilarious and wonderful theme, plays quickly, and is excellent as a solo game too, then check out Cindr. You will never look at dragon dating sites the same way again. I promise.
Cindr has players taking on the persona of a lonely fantasy creature looking for dragon love on a dating app. Players will be building their character by making choices and then swiping left or right to attempt going on dates with dragons that may be a great match. Roll the dice well and things may go to the Next Step, or even the Next Level. Roll poorly and your dear dragon date may send you home aflame.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. Furthermore I will be covering the game using the Solo rules (which are no different than the multiplayer rules). For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, each player (or just yourself if playing the solo rules as I am) will choose a Character Profile card, filling in the blanks and circling choices to build their new fantasy persona. Each player will take one Try Again card that is useful during game play. Shuffle each Cindr App Dragon Profile and Whelp App Location card deck and place near each other. The dice will be placed near all the cards as well and the game is ready to begin!
On a turn a player will do each of these steps in order: Choose a Dragon to Date, Assemble the Dice Pool, Draw a Location Card, Check Dragon Powers & Location Bonuses, The Date / Roll Dice, Burned by a Dragon, and End of Turn. In the solo game players will be playing long enough to complete five dragon dates.
Choosing a Dragon to Date consists of reading the profile on the top of the deck and deciding whether to date or not. If not, swipe the profile into The Dating Pool below the deck. Players may swipe twice for free, and pay for additional swipes. After a dragon has been chosen, players will Assemble the Dice Pool by flipping the profile card and comparing with the stats they had made for their character at the beginning of the game. For each match players will receive a green die. For each value one space away a blue die, and for two spaces away a red die. Each die color has a different value of faces, but all have hearts and fires. Next the player(s) will Draw a Location Card from the top of the deck, read the front, then flip to the back. The back of the card will list any die up/downgrades and bonuses that may activate at different times during the date. Checking Dragon Powers & Location Bonuses will happen next and are self-explanatory.
Now that a dragon date has been procured and a location chosen, The Date may occur! When on the date, players will roll the four dice up to three times. The first time they are rolled is considered the Meet Up. The Next Step and The Next Level are the second and third rolls respectively. To be considered a full date, players will need to at least roll a second time. It is during The Date that players will be collecting hearts and trying to avoid fires. Three fires and the hearts are lost and the turn over. Players may stop rolling any time they wish and bank the hearts they have won to that point. The hearts then transfer to Love Points that are tracked at the bottom of the Character Profile card.
Should a player roll three flames and have no way to mitigate them, they lose all earned hearts for that round and their turn is over. They were, after all, Burned by a Dragon. The End of Turn is a cleanup phase to setup for the next player (or next round if playing solo). Play continues in this fashion until a player reaches 21+ Love Points in a multiplayer game or after the solo player has gone on five complete dates. Total the points to see who is the winner, or compare against the Love Meter card to see where you stack up.
Components. I’m just going to come out and say it now: I love everything about the components in this game. The dice are excellent and feature GOOD colors (not just boring primary colors). The app cards look like a phone’s screen and that’s brilliant. The Location cards are using a review service named Whelp, and also a stroke of brilliance. The art is amazing, save for the somewhat boring Second Chance cards, and one of the fonts is the same as my favorite game of all time – Valeria: Card Kingdoms, so I am fan for sure.
It’s no use hiding the fact that I am giddy playing this game. Even solo! Yes, I missed out on being able to date dragons from other players’ Dating Pools, but I have access to all the dragons anyway! Being able to adjust your choices during the game as a result of dragon powers or location powers is a neat twist that I wasn’t expecting. Those powers and bonuses are great and can really change the game, and contribute to an already large replayability score from me. It’s just a superb game that I love more and more every time I play it.
Cindr will probably never make my Top 10 Games of All Time, but it will most certainly remain in my Top 100 for years. Again, I wish I had not missed out on the Kickstarter for this one as I am gluttonous for KS stretch goal extras, but I am quite happy with where this game is at retail level. If you are looking for a great game with a hilarious and wonderful theme, plays quickly, and is excellent as a solo game too, then check out Cindr. You will never look at dragon dating sites the same way again. I promise.
Daniel Boyd (1066 KP) rated American Idiot by Green Day in Music
Nov 2, 2017
Soda Pop & Ritalin
For some reason people like to slag Green Day, they are the butt of a lot of punk music jokes and to be honest I do get why. I understand why people see their use of makeup and their whole zany persona as a farce and don’t take them seriously, but no matter what you think of them in general, it is hard to deny that their seventh album, ‘American Idiot,’ perfectly captured the zeitgeist at the time, especially in the US. The album was an unexpected maturation of any of the band’s previous efforts and capitalised on their potential. When Billie Joe Armstrong wrote the album, he chose to channel his feelings into a cast of various characters and use a concept album format to display the emotions he and his peers felt at the time. I would argue the fact that American Idiot is definitively a concept album, as it doesn’t actually tell a cohesive story with a beginning, middle and end, instead opting for the approach of latching on to a certain feeling, whether it be rage or love and assigning that to a specific character and then throwing all of these characters into the mixing pot together. We hear the album from the perspective of the protagonist in the story, Jesus Of Suburbia, a young man who is sick of a broken system and feels disillusioned and uninspired by everything that he sees around him. The reason that so many people felt this way at the time of this album’s release, 2004, was due to the Bush administration’s misguidance and outright lies and due to the fallout from the 9/11 terrorists attacks that has never really gone away in America since the incident occurred. So, fed up of his suburban, dead end town Jesus leaves home and begins a quest of self discovery that involves a great deal of substance abuse, which ends up leading to the creation of an alter ego residing in Jesus’ mind who calls himself Saint Jimmy. Think Tyler Durden in fight club, but if he had a Mohican and ear stretchers. Jimmy leads Jesus on the thinly veiled path to revolution, which simply turns out to be a path to self destruction and eventually when Jesus hits rock bottom, (just like Fight Club,) he forces Jimmy to commit suicide and rids his mind of him. At the end of the album though Jesus’ fate is left ambiguous, but what is clear is that his journey has taken its toll on him, which is signified by the fact that he forgets the name of the girl that he fell in and out of love with during his spiritual quest. This album perfectly captured the mindset of a generation of kids forgotten by the system that was put in place to help them grow. American Idiot gives the man on the street a well informed, unified voice and actually injects some form of leadership into the political and social landscape at the time, even if it probably isn’t the form of leadership that your parents had in mind, or the government had put in place for you. A wake up call that is essential and still relevant today, this album and its story and character carries the important message that we shouldn’t settle for any less than what we deserve and what we deserve is often a lot better than what we end up getting. This album is pretty much the American version of Never Mind The Bollocks.
Movie Metropolis (309 KP) rated Spider-Man: Homecoming (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
The Marvel touch
The first thing I’m going to tell you about Spider-Man: Homecoming is that it has been gloriously undersold in its uninspiring trailers and promotional posters. In fact, most of the marketing materials shown made it look like this would be Iron Man 4 ft. Peter Parker. Thankfully that’s not the case.
The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on.
Still buzzing from his experiences with the Avengers in Captain America: Civil War, young Peter Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under the watchful eye of Tony Stark (Robert Downey Jr), Peter starts to embrace Spider-Man. He also tries to return to his normal life — distracted by thoughts of proving himself to be more than just a bargain basement superhero. However, when danger emerges in the shape of the Vulture (Michael Keaton), Peter must soon put his powers to the test.
Jon Watts directs not only the best Spider-Man film to date, but probably the best film to come out of the Marvel Cinematic Universe since Guardians of the Galaxy. That is by no means and easy thing to achieve, but by golly he’s done it.
The best Marvel films don’t shout about their superhero roots. By that I mean Captain America: the Winter Soldier was first and foremost a heist movie and Guardians of the Galaxy was an epic space opera. Here, Watts and his two writers turn Spider-Man: Homecoming into a cheesy, fun high-school romance and it succeeds at that beautifully.
But is it a good superhero flick? In a word, yes. The action is shot exceptionally well with very little nonsensical shaky cam, the pacing is spot on; in fact it may be one of the best films I have ever seen for pacing and the characters are all utterly believable.
Tom Holland is, without a doubt the best iteration of Peter Parker ever put to the big screen. He is the school geek that the character always should have been. Gone are Tobey Maguire’s ridiculous facial expressions and Andrew Garfield’s unrealistic ‘high school nerd’ persona.
Elsewhere, Michael Keaton avoids the Marvel villain trap and becomes the universe’s best antagonist since Loki. It would be easy for Vulture to come across ridiculous rather than menacing and Keaton gets the latter absolutely spot on. In particular, a pivotal turning point in the film’s third act is exquisitely written and truly intimidating.
It’s not all good news unfortunately. Like a broken record, I have to mention the obligatory CGI-heavy finale. Thankfully though, the story is nicely twisted to give the scenes emotional gravitas. I’m also not sold on Marisa Tomei as Aunt May, but this may come with time. And if I’m really nit-picking, there’s a little too much obvious product placement for Audi.
So, I’ve managed to get through a full review with only a small paragraph of negative points, that doesn’t happen very often. Something else that doesn’t happen very often is for me to award a film a full five stars. On this occasion however, the Marvel touch has well and truly created a corker.
https://moviemetropolis.net/2017/07/06/spider-man-homecoming-review/
The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on.
Still buzzing from his experiences with the Avengers in Captain America: Civil War, young Peter Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under the watchful eye of Tony Stark (Robert Downey Jr), Peter starts to embrace Spider-Man. He also tries to return to his normal life — distracted by thoughts of proving himself to be more than just a bargain basement superhero. However, when danger emerges in the shape of the Vulture (Michael Keaton), Peter must soon put his powers to the test.
Jon Watts directs not only the best Spider-Man film to date, but probably the best film to come out of the Marvel Cinematic Universe since Guardians of the Galaxy. That is by no means and easy thing to achieve, but by golly he’s done it.
The best Marvel films don’t shout about their superhero roots. By that I mean Captain America: the Winter Soldier was first and foremost a heist movie and Guardians of the Galaxy was an epic space opera. Here, Watts and his two writers turn Spider-Man: Homecoming into a cheesy, fun high-school romance and it succeeds at that beautifully.
But is it a good superhero flick? In a word, yes. The action is shot exceptionally well with very little nonsensical shaky cam, the pacing is spot on; in fact it may be one of the best films I have ever seen for pacing and the characters are all utterly believable.
Tom Holland is, without a doubt the best iteration of Peter Parker ever put to the big screen. He is the school geek that the character always should have been. Gone are Tobey Maguire’s ridiculous facial expressions and Andrew Garfield’s unrealistic ‘high school nerd’ persona.
Elsewhere, Michael Keaton avoids the Marvel villain trap and becomes the universe’s best antagonist since Loki. It would be easy for Vulture to come across ridiculous rather than menacing and Keaton gets the latter absolutely spot on. In particular, a pivotal turning point in the film’s third act is exquisitely written and truly intimidating.
It’s not all good news unfortunately. Like a broken record, I have to mention the obligatory CGI-heavy finale. Thankfully though, the story is nicely twisted to give the scenes emotional gravitas. I’m also not sold on Marisa Tomei as Aunt May, but this may come with time. And if I’m really nit-picking, there’s a little too much obvious product placement for Audi.
So, I’ve managed to get through a full review with only a small paragraph of negative points, that doesn’t happen very often. Something else that doesn’t happen very often is for me to award a film a full five stars. On this occasion however, the Marvel touch has well and truly created a corker.
https://moviemetropolis.net/2017/07/06/spider-man-homecoming-review/