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Sarah and Aidan Cooper find a note hidden in a desk that leads them on a wild adventure. Could it be that the Peter and the Starcatchers books were real?
The book starts off a little slowly, but once it gets going, it's a wild ride. It takes the world they've created in the previous books and brings it to modern day America, so be sure to read the others first, but if you liked them, you'll like this one, too.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/01/book-review-bridge-to-never-land-by.html">Carstairs Considers</a>.
The book starts off a little slowly, but once it gets going, it's a wild ride. It takes the world they've created in the previous books and brings it to modern day America, so be sure to read the others first, but if you liked them, you'll like this one, too.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/01/book-review-bridge-to-never-land-by.html">Carstairs Considers</a>.
Mark @ Carstairs Considers (2069 KP) rated Pumpkin Spice Peril in Books
Apr 29, 2020
Exhibiting a Murder
Over the years that best friends Mel Cooper and Angie Harper have run Fairytale Cupcakes, they have made friends with some of their customers. Near the top of that list are husband and wife artists Peter and Rene. Every Friday, Peter comes in to pick up cupcakes for Rene, who is currently putting the finishing touches on a major art installation to be unveiled in Scottsdale, Arizona, and Mel and Angie are providing the cupcakes for the opening night party. However, the night before the big event, someone dies under suspicious circumstances. Has Mel been pulled into another murder?
While the murder happens a little late in the book, the time is well used to introduce us to characters and provide plenty of conflict. I was never bored, and that only increased once the murdered happened and Mel started uncovering secrets. The series regulars all sparkle as always, and I enjoyed getting to spend time with them. The new characters are just as strong. The book has a more somber tone than some of the others in the series, but it fits the events of the plot. Don’t worry, there are still some good laughs along the way. We get four new cupcake recipes at the end that sound delicious. I raced through this book like always. This is another fun entry in one of my favorite series.
While the murder happens a little late in the book, the time is well used to introduce us to characters and provide plenty of conflict. I was never bored, and that only increased once the murdered happened and Mel started uncovering secrets. The series regulars all sparkle as always, and I enjoyed getting to spend time with them. The new characters are just as strong. The book has a more somber tone than some of the others in the series, but it fits the events of the plot. Don’t worry, there are still some good laughs along the way. We get four new cupcake recipes at the end that sound delicious. I raced through this book like always. This is another fun entry in one of my favorite series.
Gareth von Kallenbach (965 KP) rated Yes Man (2008) in Movies
Aug 14, 2019
Carl Allen (Jim Carrey) is a man that has shut himself away from life following a divorce. Despite the best efforts of his friends Peter (Bradley Cooper), and Rooney (Danny Masterson), Carl is content to keep his life to toiling away in a dead end banking job and limiting his social activity to renting DVDs and watching them at home alone.
Following another disappoint day at work where he learned that he is once again being overlooked for a promotion, Carl runs into an old friend who tells him about a seminar that changed his life and has freed him up to do and be what he wants.
With his curiosity peaked, Carl attends the seminar that is conducted by the charismatic Terrance Bundley (Terrance Stamp), who decides to make Carl his project, and tells him that he must agree to say yes to things that are offered to him. Although reluctant, Carl takes the advice and says yes to the first thing he is asked, which is to give a ride to a stranger.
The chance ride and resulting situations that follow lead Carl to meet a quirky and attractive lady named Allison (Zooey Deschanel), who intrigues Carl. The next day, Carl learns that he is getting the promotion and despite getting into some outrageous and at times, scary situations, he continues to say Yes to everything that is offered to him, as he fears the consequences of breaking the covenant of yes.
Carl eventually meets up with Allison again and learns that she spends her evenings singing in a unique band, and the two begin a relationship soon after. What follows is a very funny and amusing story that tracks the crazy events that follow Carl as he begins to open himself not only to Allison but to the possibilities that life presents to him every day when one makes themselves open to new possibilities.
The film is based on the book by Danny Wallace which covers his exploits when he decided to yes to everything thing presented to him for one year. While the film has little in common with the book aside from the title and saying yes premise.
“Yes Man” is Carrey’s best film in years and is a triumphant return to the comedy films that made him such a huge success. He plays Carl with a very likeable and easygoing manner that makes him easy to root for and his energetic performance once again proves beyond a shadow of a doubt that he is one of the most gifted comedians of our generation.
Despite the differences in their ages, Carrey and Deschanel make a winning combination and the strong supporting cast anchored by Stamp, Cooper, and Rhys Darby make this a very funny and enjoyable comedy.
Following another disappoint day at work where he learned that he is once again being overlooked for a promotion, Carl runs into an old friend who tells him about a seminar that changed his life and has freed him up to do and be what he wants.
With his curiosity peaked, Carl attends the seminar that is conducted by the charismatic Terrance Bundley (Terrance Stamp), who decides to make Carl his project, and tells him that he must agree to say yes to things that are offered to him. Although reluctant, Carl takes the advice and says yes to the first thing he is asked, which is to give a ride to a stranger.
The chance ride and resulting situations that follow lead Carl to meet a quirky and attractive lady named Allison (Zooey Deschanel), who intrigues Carl. The next day, Carl learns that he is getting the promotion and despite getting into some outrageous and at times, scary situations, he continues to say Yes to everything that is offered to him, as he fears the consequences of breaking the covenant of yes.
Carl eventually meets up with Allison again and learns that she spends her evenings singing in a unique band, and the two begin a relationship soon after. What follows is a very funny and amusing story that tracks the crazy events that follow Carl as he begins to open himself not only to Allison but to the possibilities that life presents to him every day when one makes themselves open to new possibilities.
The film is based on the book by Danny Wallace which covers his exploits when he decided to yes to everything thing presented to him for one year. While the film has little in common with the book aside from the title and saying yes premise.
“Yes Man” is Carrey’s best film in years and is a triumphant return to the comedy films that made him such a huge success. He plays Carl with a very likeable and easygoing manner that makes him easy to root for and his energetic performance once again proves beyond a shadow of a doubt that he is one of the most gifted comedians of our generation.
Despite the differences in their ages, Carrey and Deschanel make a winning combination and the strong supporting cast anchored by Stamp, Cooper, and Rhys Darby make this a very funny and enjoyable comedy.
Gareth von Kallenbach (965 KP) rated The Personal History of David Copperfield (2019) in Movies
Oct 8, 2020
This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.
We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.
The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.
David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.
Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.
The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.
David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.
Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
Gareth von Kallenbach (965 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jun 19, 2019
Saving the Universe is bound to get you noticed, and in “Guardians of the Galaxy Vol. 2”, we find the dysfunctional Guardians reaping the benefits of their newly found notoriety by being hired to resolve threats all over the galaxy.
The film opens with Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Groot (Vin Diesel), battling a gigantic creature at the request of a race known as the Sovereign.
During a frantic and hysterical battle the crew is eventually triumphant and accepts their payment, which is the form of Nebula (Karen Gillan), who the crew look to turn in for a very lucrative bounty and settle some old scores in the process.
Of course their naturally ability to find trouble arises thanks to Rocket, and soon they have a very large and motivated new enemy gunning for them which results in them crashing on a remote planet. A mysterious benefactor named Ego (Kurt Russell), arrives and claims to have a connection with Peter and he, Gamora, and Drax head off with Ego and his assistant Mantis (Pom Klementieff), to his planet while the rest of the crew repair the ship.
As if things were not complicated enough, Yondu (Michael Rooker) and his crew of Revengers arrive hoping to collect a Bounty on the Guardians that has the group divided and facing serious danger.
A new and greater threat is soon discovered and despite internal tensions and conflicts, the Guardians must once again risk everything to save the universe once again.
The new film hits the ground running with plenty of action and humor and gives the characters new and old plenty of great moments that really expand upon their characters. The only issue is that the film does have some slow pacing in the middle as we are given numerous CGI landscapes where the crew walks around talking, but little else. With such a large cast, this is done to allow the characters to grow and new ones to be properly introduced, but it can at times drag on. Thankfully the finale is filled with the trademark humor and action that fans have come to expect which although very CGI heavy does result in a very satisfying and surprisingly touching finale.
The cast works well with one another and the jokes fly frequently throughout. Writer/Director James Gunn has done a great job in expanding the characters and introducing new ones as we see new layers of complexity to the characters that explain their actions and motivations in ways not usually shown in comic themed movies.
I would strongly suggest waiting through the credits for the numerous bonus scenes and keep an eye out during the film for some special surprises as the film is littered with them.
As the characters will soon transition to “The Avengers: Infinity War” which is currently filming audiences will not have to wait as long to see the dysfunctional Guardians family on their next outing, and thankfully we have an enjoyable new outing to enjoy until then.
http://sknr.net/2017/05/03/guardians-galaxy-vol-2/
The film opens with Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Groot (Vin Diesel), battling a gigantic creature at the request of a race known as the Sovereign.
During a frantic and hysterical battle the crew is eventually triumphant and accepts their payment, which is the form of Nebula (Karen Gillan), who the crew look to turn in for a very lucrative bounty and settle some old scores in the process.
Of course their naturally ability to find trouble arises thanks to Rocket, and soon they have a very large and motivated new enemy gunning for them which results in them crashing on a remote planet. A mysterious benefactor named Ego (Kurt Russell), arrives and claims to have a connection with Peter and he, Gamora, and Drax head off with Ego and his assistant Mantis (Pom Klementieff), to his planet while the rest of the crew repair the ship.
As if things were not complicated enough, Yondu (Michael Rooker) and his crew of Revengers arrive hoping to collect a Bounty on the Guardians that has the group divided and facing serious danger.
A new and greater threat is soon discovered and despite internal tensions and conflicts, the Guardians must once again risk everything to save the universe once again.
The new film hits the ground running with plenty of action and humor and gives the characters new and old plenty of great moments that really expand upon their characters. The only issue is that the film does have some slow pacing in the middle as we are given numerous CGI landscapes where the crew walks around talking, but little else. With such a large cast, this is done to allow the characters to grow and new ones to be properly introduced, but it can at times drag on. Thankfully the finale is filled with the trademark humor and action that fans have come to expect which although very CGI heavy does result in a very satisfying and surprisingly touching finale.
The cast works well with one another and the jokes fly frequently throughout. Writer/Director James Gunn has done a great job in expanding the characters and introducing new ones as we see new layers of complexity to the characters that explain their actions and motivations in ways not usually shown in comic themed movies.
I would strongly suggest waiting through the credits for the numerous bonus scenes and keep an eye out during the film for some special surprises as the film is littered with them.
As the characters will soon transition to “The Avengers: Infinity War” which is currently filming audiences will not have to wait as long to see the dysfunctional Guardians family on their next outing, and thankfully we have an enjoyable new outing to enjoy until then.
http://sknr.net/2017/05/03/guardians-galaxy-vol-2/
LeftSideCut (3778 KP) rated Guardians of the Galaxy (2014) in Movies
Nov 13, 2020
2014 was a damn fine year for Marvel Studios in terms of quality, their two outputs being The Winter Soldier and Guardians of the Galaxy. They're just a big double-whammy example of how comic book movies can get things right.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
Bob Mann (459 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 8, 2021
The fantastic ensemble cast (1 more)
Great directing and editing
Effortlessly stylish and entertaining
The Personal History of David Copperfield starts with the young man (Dev Patel) regaling a theatre audience with a reading of his autobiography. This immediately pitches him into witnessing his own birth to widowed single mother Clara (the wonderful Morfydd Clark, or "Saint Maud" fame). From there, Copperfield goes helter-skelter into a rollercoaster life encompassing workhouse-bottling poverty, fish-gutting and rich gentlemanly pursuits.
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
Gareth von Kallenbach (965 KP) rated Pixels (2015) in Movies
Aug 6, 2019
The new Sony film ‘Pixels’, was written by Tim Herlihy, Adam Sandler and Timothy Dowling. It stars Adam Sandler (Sam Brenner), Peter Dinklage (Eddie ‘The Fire Blaster’), Kevin James (President Will Cooper), Jane Krakowski (the First Lady), and Josh Gad (Ludlow Lamonsoff).
The movie opens with scenes straight out of the 1980’s and shows Sam, Eddie, Will and Ludlow all gathering at the arcade video world championships. The championships are being recorded to send in a time capsule to outer space, hoping to find alien life forms. The competition comes down to Sam and Eddie (who has nick named himself ‘The Fire Blaster’) and Eddie defeats Sam. Sam is crushed.
Fast forward about 30 years and Sam is working as an installation technician, and somehow Will has become the POTUS. Ludlow and Eddie are no where to be seen.
An attack occurs, Ludlow mysteriously appears in Sams van, and Ludlow reveals that the attack was perpetrated not only by aliens, but by 80’s style pixelated arcade aliens, who apparently intercepted our space bound time capsule, interpreted it as a declaration of war (????) and sent back pixelated arcade aliens to destroy us (?!?).
The two childhood friends go to the president with the information, who at first, under the pressure of his advisors, brushes them off.
After another attack occurs, President Will over rides his advisers and enlists Sam and Ludlows help, and also reaches out to The Fire Blaster (currently in prison, and demanding a list of concessions in exchange for his help and expertise.)
The movie didn’t have any dragging points for me, and I did laugh out loud at some portions. My son who is nearly 7 REALLY enjoyed it, and if it had had slightly less obvious (and what felt like marginally unnecessary) curse words I would have liked it better for his age range. There were children even younger than my son in the theatre though, and I found myself cringing at some of the language, and noticed my son looking at me to see if I noticed him noticing that there were ‘bad words’. Since it IS rated PG-13, there’s not a whole lot to be said about it, but it could have been just as good a movie, and therefore enjoyable by a bigger age range, without the cursing.
When I asked him later whether he liked the movie he said he ‘liked it a lot, but it had some bad words’.
Pixels was pretty action packed, and although I found it to be an odd premise for a movie, I did enjoy it. I don’t feel that they made as good a use of the 3D format as they could have. The soundtrack was good. I liked the characters, even though i couldn’t quite make the jump as to ‘why or how’ Will became president, and I had the hardest time dealing with Eddies accent. It just ‘felt off’, most likely because I’ve been watching him most recently on Game of Thrones.
I think kids will enjoy it for the action and parents will like it well enough for the nostalgia factor.
Overall I would give this movie 2.5 out of 5 stars.
The movie opens with scenes straight out of the 1980’s and shows Sam, Eddie, Will and Ludlow all gathering at the arcade video world championships. The championships are being recorded to send in a time capsule to outer space, hoping to find alien life forms. The competition comes down to Sam and Eddie (who has nick named himself ‘The Fire Blaster’) and Eddie defeats Sam. Sam is crushed.
Fast forward about 30 years and Sam is working as an installation technician, and somehow Will has become the POTUS. Ludlow and Eddie are no where to be seen.
An attack occurs, Ludlow mysteriously appears in Sams van, and Ludlow reveals that the attack was perpetrated not only by aliens, but by 80’s style pixelated arcade aliens, who apparently intercepted our space bound time capsule, interpreted it as a declaration of war (????) and sent back pixelated arcade aliens to destroy us (?!?).
The two childhood friends go to the president with the information, who at first, under the pressure of his advisors, brushes them off.
After another attack occurs, President Will over rides his advisers and enlists Sam and Ludlows help, and also reaches out to The Fire Blaster (currently in prison, and demanding a list of concessions in exchange for his help and expertise.)
The movie didn’t have any dragging points for me, and I did laugh out loud at some portions. My son who is nearly 7 REALLY enjoyed it, and if it had had slightly less obvious (and what felt like marginally unnecessary) curse words I would have liked it better for his age range. There were children even younger than my son in the theatre though, and I found myself cringing at some of the language, and noticed my son looking at me to see if I noticed him noticing that there were ‘bad words’. Since it IS rated PG-13, there’s not a whole lot to be said about it, but it could have been just as good a movie, and therefore enjoyable by a bigger age range, without the cursing.
When I asked him later whether he liked the movie he said he ‘liked it a lot, but it had some bad words’.
Pixels was pretty action packed, and although I found it to be an odd premise for a movie, I did enjoy it. I don’t feel that they made as good a use of the 3D format as they could have. The soundtrack was good. I liked the characters, even though i couldn’t quite make the jump as to ‘why or how’ Will became president, and I had the hardest time dealing with Eddies accent. It just ‘felt off’, most likely because I’ve been watching him most recently on Game of Thrones.
I think kids will enjoy it for the action and parents will like it well enough for the nostalgia factor.
Overall I would give this movie 2.5 out of 5 stars.
BankofMarquis (1832 KP) rated Amsterdam (2022) in Movies
Nov 21, 2022
Weak First Half Gives Way To Strong Second Half
There are certain Directors working today that gain such a reputation that most Major Movie Stars clamor to be in their films - no matter how big (or small) their part is. Quentin Tarantino, Wes Anderson and Christopher Nolan all come to mind. And, for some reason, David O. Russell is in that camp as well.
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
We have a problem
To say 2014’s Guardians of the Galaxy was a surprise hit is a slight understatement. Many had predicted Marvel’s gamble to sink the studio with its unknown characters and very unique sense of style, but it ended up being one of the year’s best films grossing nearly $800million.
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/