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Phillip McSween (751 KP) rated Sonic the Hedgehog (2020) in Movies
Aug 12, 2020 (Updated Aug 12, 2020)
Packs a Surprising Impact
Based on the bestselling video game, super cool Sonic (Ben Schwartz) has to outsmart the evil Dr. Robotnik (Jim Carrey) who wants him captured. Sonic the Hedgehog was pulled originally to revamp the look of the character. That fact alone had me worried about the viability of the movie. After watching, I have to be honest: I didn’t hate it. Dare I say, I actually kinda liked it.
Acting: 10
Sure Ben Schwartz was pretty solid as Sonic, but this movie would be nothing without the hilarious performance of Jim Carrey. Carrey has always been hit or miss for me, but he hits a homerun in Sonic. His timing is perfect as he is constantly doing things to keep you laughing. The “Left Yourself Open” scene is a constant rewinder in my household. He gives the movie a much needed shine.
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Despite the exorbitant amount of time spent on fixing Sonic’s character there is still a bit to be desired in the visuals department. Some of the slow-mo scenes feel stolen from the Quicksilver scenes in the X-Men Franchise. Don’t get me wrong, there are quite a few cool moments, but I can’t help but feel like I’ve seen some of it before.
Conflict: 10
Entertainment Value: 5
What Pixar manages to do extremely well in moments is make you feel like you’re not watching a movie for kids. For me, that was the primary reason I couldn’t allow myself to fully get into Sonic the Hedgehog. It oozes with cheesiness in spots which takes away from some of the overall appeal. It would be one thing if it embraced the ridiculousness of these moments, but the movie actually expects you take some of these moments seriously.
Memorability: 7
On a positive note, there are quite a few hilarious moments and some of the action scenes are really cool to watch unfold. it definitely leaves an impact even if it’s not a lasting one. I’ve seen worse kids movies and I’ve for sure seen worse video game adaptations.
Pace: 7
Plot: 4
Resolution: 10
Overall: 76
Sonic the Hedgehog is a solid movie to watch when you’re with your kids and you’ve expended your options. It’s not going to win any awards, but it packs heart. Sometimes that’s enough to carry a movie. In the case of Sonic, at the very least it makes it a fun ride.
Acting: 10
Sure Ben Schwartz was pretty solid as Sonic, but this movie would be nothing without the hilarious performance of Jim Carrey. Carrey has always been hit or miss for me, but he hits a homerun in Sonic. His timing is perfect as he is constantly doing things to keep you laughing. The “Left Yourself Open” scene is a constant rewinder in my household. He gives the movie a much needed shine.
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Despite the exorbitant amount of time spent on fixing Sonic’s character there is still a bit to be desired in the visuals department. Some of the slow-mo scenes feel stolen from the Quicksilver scenes in the X-Men Franchise. Don’t get me wrong, there are quite a few cool moments, but I can’t help but feel like I’ve seen some of it before.
Conflict: 10
Entertainment Value: 5
What Pixar manages to do extremely well in moments is make you feel like you’re not watching a movie for kids. For me, that was the primary reason I couldn’t allow myself to fully get into Sonic the Hedgehog. It oozes with cheesiness in spots which takes away from some of the overall appeal. It would be one thing if it embraced the ridiculousness of these moments, but the movie actually expects you take some of these moments seriously.
Memorability: 7
On a positive note, there are quite a few hilarious moments and some of the action scenes are really cool to watch unfold. it definitely leaves an impact even if it’s not a lasting one. I’ve seen worse kids movies and I’ve for sure seen worse video game adaptations.
Pace: 7
Plot: 4
Resolution: 10
Overall: 76
Sonic the Hedgehog is a solid movie to watch when you’re with your kids and you’ve expended your options. It’s not going to win any awards, but it packs heart. Sometimes that’s enough to carry a movie. In the case of Sonic, at the very least it makes it a fun ride.
Phillip McSween (751 KP) rated Up (2009) in Movies
Jan 30, 2018
Pixar Does it Again
Up is one of those films that sticks with you long after the credits are done rolling. It hits you on a number of different levels, bordering close to perfection. I don't think I've seen a film that manages to switch from hurt to hilarious in such an effortless fashion.
In the beginning you meet Ellie, a cute little girl full of adventure. Her energy and excitement bleed off the screen and you can't help but smile at her. She's perfect for Carl, an innocent kid who barely says more than a few words. Their imaginative adventures get you into the story immediately. It's a relationship that makes the first ten minutes that much harder to watch. There are moments in the film that never lose impact which is testament to the film's power to stand the test of time.
For a child's film, there are a lot of layers that really make the film special. It isn't long before we get to meet Russell, an innocent boyscout turned star of the movie. He's just trying to earn another badge by helping the elderly. Underneath this unassuming kid is hurt from all the painful things happening in his life. Each character has their own respective backstory that makes them relatable and lovable.
There's good ole Doug the runt of a talking dog pack who can't seem to do right even when he tries his best. He's an outcast amongst the other dogs while still harboring those wonderful dogs traits that humans can't help but love. And how can you not love the colorful snipe Kevin whose only goal is to take care of her kids (yes, HER name is Kevin)? All of these characters are worthy of their own standalone film which is why bringing them all together for one story makes the film spectacular.
At the core of the story is the odd couple relationship between Kevin and Russell. Young and old meet and it couldn't be funnier to see the two try and operate together. As they try and understand each other, they form an unlikely bond, a closeness that was lost from both of their lives. At the risk of sounding like a teenager, it will give you all the feels.
There could be some missteps in this wonderful adventure about a man who decides to fly away in his house using thousands of balloons, but those missteps are minute. Not only are the visuals amazing, but the message is also a strong one: Don't get stuck in the past. Live life for the now.
Up is a classic. I give it a 99.
In the beginning you meet Ellie, a cute little girl full of adventure. Her energy and excitement bleed off the screen and you can't help but smile at her. She's perfect for Carl, an innocent kid who barely says more than a few words. Their imaginative adventures get you into the story immediately. It's a relationship that makes the first ten minutes that much harder to watch. There are moments in the film that never lose impact which is testament to the film's power to stand the test of time.
For a child's film, there are a lot of layers that really make the film special. It isn't long before we get to meet Russell, an innocent boyscout turned star of the movie. He's just trying to earn another badge by helping the elderly. Underneath this unassuming kid is hurt from all the painful things happening in his life. Each character has their own respective backstory that makes them relatable and lovable.
There's good ole Doug the runt of a talking dog pack who can't seem to do right even when he tries his best. He's an outcast amongst the other dogs while still harboring those wonderful dogs traits that humans can't help but love. And how can you not love the colorful snipe Kevin whose only goal is to take care of her kids (yes, HER name is Kevin)? All of these characters are worthy of their own standalone film which is why bringing them all together for one story makes the film spectacular.
At the core of the story is the odd couple relationship between Kevin and Russell. Young and old meet and it couldn't be funnier to see the two try and operate together. As they try and understand each other, they form an unlikely bond, a closeness that was lost from both of their lives. At the risk of sounding like a teenager, it will give you all the feels.
There could be some missteps in this wonderful adventure about a man who decides to fly away in his house using thousands of balloons, but those missteps are minute. Not only are the visuals amazing, but the message is also a strong one: Don't get stuck in the past. Live life for the now.
Up is a classic. I give it a 99.
Gareth von Kallenbach (965 KP) rated Happy Feet Two (2011) in Movies
Aug 7, 2019
Mumble is back and dancing his way back into our hearts. Happy Feet Two is a follow up to the 2006 Academy Award winning movie, Happy Feet directed by George Miller. Mumble (Elijah Wood) is now married to Gloria (Alecia “PiNK” Moore, who replaced the late Brittany Murphy) and they have a son, Erik (Ava Acres).
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Timmy Tickle!
Book and Education
App
Timmy Tickle is an interactive story app for children that introduces a beautifully animated octopus...
Disney Color and Play
Entertainment and Education
App
Now you can color and play with Lightning McQueen from the upcoming Disney•Pixar film Cars 3! Join...
BankofMarquis (1832 KP) rated Encanto (2021) in Movies
Dec 28, 2021
Fun Family Friendly Film with GREAT Music
The good thing about travelling by plane over the Holidays is that it is an opportunity to catch up on Movies that were missed. Such is the case with the Disney Animation Film ENCANTO - a film that “came and went” earlier this fall.
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Beatriz (17 KP) rated Coraline (2009) in Movies
Feb 21, 2019
Coraline
Contains spoilers, click to show
Coraline is a stop-motion film that took almost 4 years to be done. It was released in 2009 and produced by Henry Selick also knows by producing The Nightmare Before Christmas.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Coraline was considered a childrens horror and ,in my opinion, that is the ONLY wrong thing about the film. I watched it as a child and it caused me nightmares for years. Its no children film. Its a genious animated horror film for sure, but not for + 6 years olds (the age that the cinemas said it was okay for people to watch)
Long story short Coraline is the story about a girl that doesnt have a close relationship with her parents that moves into the Pink Palace. Where she finds a door to a world where she has another mother and another father that are absolutely everything she ever wished for......until they are not. Until the Other Mother starts doing everything to sew buttons into Coralines eyes in order to trap her in the Other World with her.
This is by far on my top 3 favourite films and a 10 is unfair.
I loved the film so much I ended up researching for every fact and theories I could find. Here are one of the most interesting ones I've found ...
1 - The Ranft Brothers moving truck shows up at the Pink Palace towards the beginning of the film. A hidden detail appears on their truck in the form of
spray paint, which is a shout-out for stop-motion animation.
The two brothers are also a shout-out, though, specifically to Joe and Jerome Ranft, two brothers who were famous for their animation work, specifically
through Pixar.
2 - Two big reasons Selick pushed for stop-motion animation over live-action was that he felt a talking cat was too much of a gimmick in that context and the
film itself might end up being too scary.
3 - It is never specified in the film whether the real Bobinsky actually has a mouse circus. Selick believes he does not actually have one.
4 - Up to thirty animators worked on the film at any one time.
5 - The hat Coraline wears in several parts of the film is a Japanese school boy’s hat that she finds. While promoting a film in Japan, Selick had picked up one of
these for his son as a souvenir, but the boy never wore it. He figured he could at least make Coraline wear it.
Theories
1 - Wibie says that the well is so deep that some people say they "can see a sky full of stars in it" and The Other World is always night so the well could be another portal as in the end we see the cat disappearing in another portal so there are more portals than the small door.
So ... in the end of the film, did Coraline accidentally just returned the key to Beldam ?
2 - The Taffees that the actresses give Coraline have 3 dates in them that match the years that new people moved in the Pink Palace, which would match the 3 ghost children.
Movie Metropolis (309 KP) rated Sing (2016) in Movies
Jun 11, 2019
Fun for all the family
Talking animated animals are big business over in Hollywood. After all, Disney’s Zootopia was one of only a handful of films to gross over $1billion last year. Its competitor, The Secret Life of Pets performed well but wasn’t critically successful.
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Here, the company behind that second film, Illumination Entertainment, try to get the genre right with Sing. But are we looking at the next superstar of the animated genre?
Koala Buster Moon (Matthew McConaughey) presides over a once-grand theatre that has recently fallen on hard times. An eternal optimist, he loves his work enormously and will do anything to preserve it. Facing the crumbling of his life’s ambition, he takes one final chance to restore his fading jewel to its former glory by producing a singing competition, with eternal glory facing the winner.
There’s an impressive roster of talent on offer in Sing, something that parents will no doubt enjoy slightly more than the offspring they no doubt have to bring with them. With Matthew McConaughey taking the lead role, Taron Egerton, Reese Witherspoon, Scarlett Johansson and Seth McFarlane to name a few all lend their voices. There’s even a role for Brit-favourite Jennifer Saunders as a grumpy old sheep, it’s not ground-breaking, but it’s immensely likeable stuff.
Illumination Entertainment has brought us the brilliant Despicable Me franchise as well as its ridiculously successful spin-off Minions, but they’ve been criticised heavily for relying too much on the funny yellow critters to cash their paycheques. Thankfully, bar the now infamous company logo, the tic-tac shaped creatures are nowhere to be found and Sing is a vastly entertaining movie, in spite of their absence.
Whilst it’s true that the animation lacks the depth or fluidity of offerings from Pixar, Disney, and Dreamworks, there is a certain charm to its simplistic colour palate that children will find endearing. The plot is woefully unoriginal but director Garth Jennings, in his first animated feature, utilises that well, cleverly referencing the many talent shows that feature on our television screens – including those we are sick of.
There are some moral lessons in here too. Tori Kelly’s stage-shy elephant Meena has a great story arc that sees her face her fears and embrace her talents, whilst Taron Egerton’s gorilla Johnny stands up to his criminal father and learns that a life of crime doesn’t always pay.
In fact, only Seth MacFarlane’s obnoxious mouse Mike fails to make an impact on the plot, with his berating of an asthmatic sheep in the cleverly produced opening sequence coming across a little crude in comparison to the rest of the script.
Overall, Sing is a great film to hold the kid’s attention as we approach the half-term holidays. It would be easy to criticise it for lacking an original story, but there’s more to offer here than a half-baked plot. It’s beautifully voiced and reasonably well animated. Illumination Entertainment may not have topped Zootopia, but this is their best offering outside of Despicable Me by a country mile.
https://moviemetropolis.net/2017/01/28/fun-for-all-the-family-sing-review/
Movie Metropolis (309 KP) rated Pete's Dragon (2016) in Movies
Jun 11, 2019
Lovely in every sense of the word
2016 really does belong to Disney. The House of Mouse has been churning out some incredible films this year with the live-action remake of The Jungle Book proving sceptical audiences (and critics) completely wrong.
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
Lee (2222 KP) rated Spies in Disguise (2019) in Movies
Jan 1, 2020
I’m not exactly complaining, but Tom Holland does seem to literally be in everything right now. As I sat ready to watch Spies in Disguise, which features the voice of Tom Holland, there was a trailer for upcoming Pixar movie Onward, featuring the voice of Tom Holland. Then a trailer for Dolittle, starring Robert Downey Jr and featuring the voice of Tom Holland as loyal dog Jip. On top of starring in 2019s highest grossing movie, as everyone’s favourite neighbourhood webslinger, he’s certainly having quite the year right now. And well deserved it is too.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.