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Emma @ The Movies (1786 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Sep 25, 2019
I've obviously been living under a rock as I hadn't realised that this was a Disney film. But while it has some Disney traits it didn't feel very Disney. In fact something feels a little off about the whole thing, and I can't say that that is a new feeling about their recent live action offerings. If we're excluding Pixar then the only film I've enjoyed from them recently is A Wrinkle In Time, this did nothing to change that.
Occasionally I come across films that leave me rather unenthusiastic, this is one of them. A seemingly massive budget has delivered an entirely mediocre piece filled with a large and impressive cast given parts that are lacklustre and often awkward. I'm not sure what was worse, Richard E. Grant's chandelier headdress or Keira Knightley's horny overlording and her high pitched whine. At least Helen Mirren with a whip gives you something good to watch.
All the realms have that wondrous quality but somehow don't come with the awe-inducing picture on the screen. Once you get into the Realm Of Amusements things get slightly more comical and you'd be forgiven for thinking you'd accidentally stumbled into a Spy Kids movie.
A welcome diversion came in the form of Misty Copeland's performances. It's just a shame that it was tainted by the rest of the film.
Sadly I can't get excited about this, I'm more annoyed about the fact that in all likelihood this will be hogging screen time until Christmas.
What you should do
Go and watch a ballet of The Nutcracker, it'll be more exciting and beautiful to watch.
Movie thing you wish you could take home
I'd love the skill to create those clockwork marvels.
Occasionally I come across films that leave me rather unenthusiastic, this is one of them. A seemingly massive budget has delivered an entirely mediocre piece filled with a large and impressive cast given parts that are lacklustre and often awkward. I'm not sure what was worse, Richard E. Grant's chandelier headdress or Keira Knightley's horny overlording and her high pitched whine. At least Helen Mirren with a whip gives you something good to watch.
All the realms have that wondrous quality but somehow don't come with the awe-inducing picture on the screen. Once you get into the Realm Of Amusements things get slightly more comical and you'd be forgiven for thinking you'd accidentally stumbled into a Spy Kids movie.
A welcome diversion came in the form of Misty Copeland's performances. It's just a shame that it was tainted by the rest of the film.
Sadly I can't get excited about this, I'm more annoyed about the fact that in all likelihood this will be hogging screen time until Christmas.
What you should do
Go and watch a ballet of The Nutcracker, it'll be more exciting and beautiful to watch.
Movie thing you wish you could take home
I'd love the skill to create those clockwork marvels.
MasterSolace (19 KP) rated Toy Story 4 (2019) in Movies
Jun 30, 2019
Pixar animation on point. (3 more)
All the familiar... voices?
Great story, as always(suck it Illumination)
You WILL cry
Expected... unexpected jump scare is expected. (1 more)
You WILL cry
The Necessary Unnecessary Sequel
Contains spoilers, click to show
Here is Toy Story 4. When you thought it was all over with Toy Story 3, how in the hell did we need this one. Well... lemme tell you... we did.
Quick recap, what happened at the end of Toy Story 3? Andy went off to college, and gave ALL of his toys to a little girl named Bonnie. That was it.
But was it?
So why was this story necessary? Without telling you EXACTLY how the movie goes...... what happens with toys when they go to a new owner? How about the idea of toys that are unwanted? And what about defective toys? Or those that are sitting on the shelf of an antique shop?
It also tackles the mystery of what happened to Bo Peep. Great to tie up that one loose end.
And then we come to Forkie. The "toy" that Bonnie made her first day of kindergarten. It's a spork. With pipe cleaner, popsicle stick, and googly eyes. In a parallel from the first movie, Buzz thought he was the REAL Buzz, and Woody has to help him realize he is a toy...... well... Forkie thinks he is trash... and Woody has to explain to him that he is a toy. Weird, but satisfying. And dammit... Trash!!!!
Watching this movie, made me miss Jim Varney. If you don't know who that is, lemme find an Ernest DVD box for ya, and I slap you with it. Also. Rest In Potatohead Parts, Don Rickles.
Last note... Toy Story 4 is another example of amazing animation AND story. Illumination Studios can't grasp that yet.
If you haven't seen it, go see it. Not like a "maybe you should". No... go see it.
Take some Kleenex
Quick recap, what happened at the end of Toy Story 3? Andy went off to college, and gave ALL of his toys to a little girl named Bonnie. That was it.
But was it?
So why was this story necessary? Without telling you EXACTLY how the movie goes...... what happens with toys when they go to a new owner? How about the idea of toys that are unwanted? And what about defective toys? Or those that are sitting on the shelf of an antique shop?
It also tackles the mystery of what happened to Bo Peep. Great to tie up that one loose end.
And then we come to Forkie. The "toy" that Bonnie made her first day of kindergarten. It's a spork. With pipe cleaner, popsicle stick, and googly eyes. In a parallel from the first movie, Buzz thought he was the REAL Buzz, and Woody has to help him realize he is a toy...... well... Forkie thinks he is trash... and Woody has to explain to him that he is a toy. Weird, but satisfying. And dammit... Trash!!!!
Watching this movie, made me miss Jim Varney. If you don't know who that is, lemme find an Ernest DVD box for ya, and I slap you with it. Also. Rest In Potatohead Parts, Don Rickles.
Last note... Toy Story 4 is another example of amazing animation AND story. Illumination Studios can't grasp that yet.
If you haven't seen it, go see it. Not like a "maybe you should". No... go see it.
Take some Kleenex
Sarah (7798 KP) rated Dolittle (2020) in Movies
Feb 26, 2020 (Updated Feb 26, 2020)
Perfect... for kids
The trailer for this didn't fill me with much confidence, and I was even more concerned after hearing about the troubles even getting it to the screen, and I'm afraid to say it lived up to my rather low expectations.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Bob Mann (459 KP) rated The Mitchells vs The Machines (2021) in Movies
May 16, 2021
Brilliantly original animation (1 more)
Fantastic laugh-out-loud gags throughout, many with a movie nerd bias
Dog-Pig-Dog-Pig-Loaf of Bread… KERBOOM!
Katie Mitchell (voiced by Abbi Jacobson) dreams of being a great film director (joining her icons on her version of Mount Rushmore!). She's about to travel to a west-coast film college when her dad Rick (Danny Mcbride) decides to cancel her air ticket and try to re-engage with her through one last epic road trip. Together with wife Linda (Maya Rudolph), dinosaur-mad son Aaron (director Michael Rianda) and cross-eyed pug Monchi (Doug the Pug!) they set off on their journey.
But the world is set to change forever, as sentient operating system PAL (Olivia Colman) and her army of robots take over the world and prepare to launch human-kind into deep dark space. The Mitchell's, as the world's unlikeliest Avengers, appear to be the only ones available to prevent the evil plan!
Positives:
- In my review of the lamentable "Thunder Force", I commented that it failed my "six laughs test" for a comedy. I only laughed 3 times in the whole film. In contrast, this movie hammered home guffaw-generating lines and scenes about six times a minute! It's hilarious. It's one of those films (like the best Pixar ones) with so much hidden detail buried in every shot. You could watch it a dozen times and still find new hidden gags.
- This is a movie that is the perfect family film. A film that kids will love for the knockabout comedy and a film that adults will also fall in love with. This comes from three different angles:
-- Excellent character development of the whole family. Katie feels like a fully rounded stroppy teen: she seems to be struggling with her identity (lesbian? - "It took me a while to figure myself out"); and she is struggling towards her personal goals despite the well-intentioned but destructive doubts that her rough-and-ready father keeps sowing. This feels like a journey that the family is on towards enlightenment, before it's too late.
-- This is also a film with considerable emotional heft. It channels at times some of the best elements of the Toy Story films (most notably "Toy Story 3" with Andy's departure for college). (Any parents who have never experienced that joyous yet dreadful day when you drive your chicks to university or college for the first time: brace yourselves!)
-- It's a dream for film fans. Like "Ready Player One", it's populated with lots of fun movie easter-eggs scattered throughout. Katie's 'Mount Rushmore' by the way has Greta Gerwig, Céline Sciamma (from "Portrait of a Lady on Fire"), Lynne Ramsey and Hal Ashby as her directorial inspirations.
- And finally, it's a film for adults appreciative of some truly great satirical one-liners, including some razor-sharp zingers at 'big tech'. For example:
"It's almost like stealing people's data and giving it to a hyper-intelligent AI as part of an unregulated tech monopoly was a bad thing"
Negatives:
- My only minor criticism - and its a debatable one - might be the running time of 113 minutes. It might be a little too long for younger kids' attention spans. A 90 minute, more condensed, movie might have ticked the 'perfection' box.
Summary Thoughts: I don't normally "go" for animated films much. But this one is a different breed. An instant classic. It knocks you round the chops and forces your respect by being like no animated feature you've seen before. Witty, irreverent, gloriously entertaining it's a no-brainer that this gets 5-stars from me.
I said in my review of "Nomadland" that although that wasn't a 5* film for me, I could see why its brave and different slant at film-making earned it the Best Film Oscar. Well, almost regardless of what epically beautiful production Pixar might bring out before the end of the year, if the Academy doesn't vote this Best Animated Feature at next year's Oscars, then some sort of crime might have been committed.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/16/the-mitchells-vs-the-machines-dog-pig-dog-pig-loaf-of-bread-kerboom/. Thanks.)
But the world is set to change forever, as sentient operating system PAL (Olivia Colman) and her army of robots take over the world and prepare to launch human-kind into deep dark space. The Mitchell's, as the world's unlikeliest Avengers, appear to be the only ones available to prevent the evil plan!
Positives:
- In my review of the lamentable "Thunder Force", I commented that it failed my "six laughs test" for a comedy. I only laughed 3 times in the whole film. In contrast, this movie hammered home guffaw-generating lines and scenes about six times a minute! It's hilarious. It's one of those films (like the best Pixar ones) with so much hidden detail buried in every shot. You could watch it a dozen times and still find new hidden gags.
- This is a movie that is the perfect family film. A film that kids will love for the knockabout comedy and a film that adults will also fall in love with. This comes from three different angles:
-- Excellent character development of the whole family. Katie feels like a fully rounded stroppy teen: she seems to be struggling with her identity (lesbian? - "It took me a while to figure myself out"); and she is struggling towards her personal goals despite the well-intentioned but destructive doubts that her rough-and-ready father keeps sowing. This feels like a journey that the family is on towards enlightenment, before it's too late.
-- This is also a film with considerable emotional heft. It channels at times some of the best elements of the Toy Story films (most notably "Toy Story 3" with Andy's departure for college). (Any parents who have never experienced that joyous yet dreadful day when you drive your chicks to university or college for the first time: brace yourselves!)
-- It's a dream for film fans. Like "Ready Player One", it's populated with lots of fun movie easter-eggs scattered throughout. Katie's 'Mount Rushmore' by the way has Greta Gerwig, Céline Sciamma (from "Portrait of a Lady on Fire"), Lynne Ramsey and Hal Ashby as her directorial inspirations.
- And finally, it's a film for adults appreciative of some truly great satirical one-liners, including some razor-sharp zingers at 'big tech'. For example:
"It's almost like stealing people's data and giving it to a hyper-intelligent AI as part of an unregulated tech monopoly was a bad thing"
Negatives:
- My only minor criticism - and its a debatable one - might be the running time of 113 minutes. It might be a little too long for younger kids' attention spans. A 90 minute, more condensed, movie might have ticked the 'perfection' box.
Summary Thoughts: I don't normally "go" for animated films much. But this one is a different breed. An instant classic. It knocks you round the chops and forces your respect by being like no animated feature you've seen before. Witty, irreverent, gloriously entertaining it's a no-brainer that this gets 5-stars from me.
I said in my review of "Nomadland" that although that wasn't a 5* film for me, I could see why its brave and different slant at film-making earned it the Best Film Oscar. Well, almost regardless of what epically beautiful production Pixar might bring out before the end of the year, if the Academy doesn't vote this Best Animated Feature at next year's Oscars, then some sort of crime might have been committed.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/16/the-mitchells-vs-the-machines-dog-pig-dog-pig-loaf-of-bread-kerboom/. Thanks.)
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Neon's Nerd Nexus (360 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
May 13, 2019
See it soar
#howtotrainyourdragon3 is a delightful, #passionate & #epic end to one of the best #animated trilogies of all time. This 3rd film sets itself apart from the others with its realistic portrayals of #love & by the sheer #heart & #dedication that's clearly gone into its making. Ill start with the themes explored here for a #kids animated #film are so well done that at times i felt not only #goosebumps & shivers going up my #body but my eyes were almost on the verge of tears too. Neglect, progression, sacrafice acceptance, belonging, #family bonds, learning & loyalty are explored here vastly but the biggest surprise comes from how the film depicts love & loss. Courtship is displayed here with such power/realism that my connection to the characters became stronger & #memories of my own #relationships came flooding back instantly bringing a #smile to my face. This film captures the thrill, the excitement, the #magic, the #nerves, the #butterflies of falling in love & meeting someone new so well that you simply can not help feel giddy, #happy & intoxicated by it all which is rare & something big blockbusters even fail to achieve these days. But with love always comes loss/betrayal too & as romantic love, family love & #friendship are handled extremely well so is the loss of love which hits like a punch to the gut & produces a huge dramatic effect ensuring you really do feel the lows as well as the highs each of these characters experience. Animation is glorious here with #dreamworks raising the bar to a #pixar quality flawless animation. Textures are photo realistic, lighting is blinding, action is beautifully staged & facial detail (especially for the main villain) is so good it gives the characters extra dimension & believability. Talking of the main #villain he is worth the price alone, never have i seen such a cold, calculating, methodical & merciless yet #charming & #smart bad guy in a #kids film before & #fmurrayabraham voice work goes beyond for him too. Score wise it shines providing both epic & sombre music adding great tension, atmosphere & heart. Such a well made, touching/moving tale full of heart, #soul & love. EPIC. #Odeon #howtotrainyourdragon #dragon
Neon's Nerd Nexus (360 KP) rated The Incredibles 2 (2018) in Movies
May 14, 2019
Super
#pixar #disney #incredibles2 is an exceptional #sequel with a much more mature tone & flawless #animation. After doing a double bill of the incredibles films today in #4k I found myself awe of the technical achievement on show. This #film is stunning & I mean visual #perfection, particle effects are complex & mesmerising, #eyes house tiny red veins, faces blush & cloths contain intricate stitching too with character animation also being fluid & #natural. Subject matter is dark this time around & deals with extremely #adult themes, parents might want to think twice before taking kids to see this one as id say almost 80% of the film is a heavily dialog driven #drama. I wont lie at times its incredibly intense, heavy going & hard work but its also always fascinating & higly rewarding housing many very real world/mature themes with great complexity & depth. With things getting very serious the film does break things up every now & again with just enough huge scale top notch memorable action set pieces & slick comedy to let your brain rest briefly (however I found most #Kids in my screening were getting restless & bored by then so parents may want to think twice before taking the #family). Themes of death, jealousy, trust, lies, parent roll reversal, balancing home #life & family with work, teaching kids to be themselves while also making sure they obey the law & fit in, as well as metaphors about technology enslaving us all & how superhero films are only pushed on us to distract us from real world problems & belief someone else will solve all our problems for us (this is not only refreshing but expertly handled & over flowing with intelligence giving the #film a more human, realistic & relevant tone). Voice work is simply top notch with #bobodenkirk being the most interesting & going the extra mile. Score & #sound design are also on point & at times I swear I thought #jackjack was a #kid in my screening running around behind me. The last 20mins felt a tad rushed but with such likeable & well fleshed out characters & a more mature story #incredibles 2 might just be the most intelligent & #fun #superhero film or the year. #odeon #odeonlimitless #beautiful #hero #super
Phillip McSween (751 KP) rated Toy Story 3 (2010) in Movies
Feb 2, 2018
Just Plain Awesome
The gang is back in full form for Toy Story 3 as Andy heads off to college and they head to daycare. If you didn't know, this won't be the last installment. Yes, they are making a Toy Story 4. I used to think that was preposterous. Then it hit me that this franchise is probably one of the best trilogies done. Ever. Of all time. I can imagine the creative minds of Pixar sitting in a room and one of them pulls a Danny Ocean: "You think we need one more? You think we need one more. Alright...we'll get one more."
I can't think of many negatives around the film but I sure can praise it to kingdom come. The creativity that goes into this franchise is amazing and the third installment is no exception. One of my favorite scenes includes a private hideaway in the top of a snack machine where some of the toys are playing poker. These moments of great imagination are not only clever but also evoked my emotions as a viewer. Some moments were funny, others heartwrenching. Meanwhile that scene were the 3-year-olds demolish the toy room for the first time was just plain terrifying.
Toy Story 3 grabs your attention immediately as it gets off to an exciting start. A strong part of what keeps the film interesting is the emotional connection between kids and toys. When we're toddlers, we destroy everything in our paths toys included. As we get older, not only do we learn to appreciate those toys and what they do for us, we start to treat them more intimately, almost if they were friends. Eventually that love fades to mere memories and it's not long before toys are once again seen as mere objects. It's touching to watch the trouble the toys go through in the beginning to regain Andy's attention. Andy's moved on, but the toys can't accept it.
There is a scene where Woody is escaping from a bathroom. Right before he reaches up to grab the toilet seat, he puts some tissue down. It's the small touches like these that propel this movie to greatness. I give Toy Story 3 a 97.
I can't think of many negatives around the film but I sure can praise it to kingdom come. The creativity that goes into this franchise is amazing and the third installment is no exception. One of my favorite scenes includes a private hideaway in the top of a snack machine where some of the toys are playing poker. These moments of great imagination are not only clever but also evoked my emotions as a viewer. Some moments were funny, others heartwrenching. Meanwhile that scene were the 3-year-olds demolish the toy room for the first time was just plain terrifying.
Toy Story 3 grabs your attention immediately as it gets off to an exciting start. A strong part of what keeps the film interesting is the emotional connection between kids and toys. When we're toddlers, we destroy everything in our paths toys included. As we get older, not only do we learn to appreciate those toys and what they do for us, we start to treat them more intimately, almost if they were friends. Eventually that love fades to mere memories and it's not long before toys are once again seen as mere objects. It's touching to watch the trouble the toys go through in the beginning to regain Andy's attention. Andy's moved on, but the toys can't accept it.
There is a scene where Woody is escaping from a bathroom. Right before he reaches up to grab the toilet seat, he puts some tissue down. It's the small touches like these that propel this movie to greatness. I give Toy Story 3 a 97.
BankofMarquis (1832 KP) rated Megamind (2010) in Movies
Dec 5, 2018
Holds up well - very entertaining
When one thinks of Animation studios, the first 2 names that come to mind are, probably, PIXAR and DISNEY ANIMATION. Coming in 3rd on that list is probably DREAMWORKS with such hit franchises as SHREK, HOW TO TRAIN YOUR DRAGON and KUNG FU PANDA. But Dreamworks also made a few, fun "one-off" films (animation films that spawned no sequels), most notably OVER THE HEDGE, SHARK TALE and the animated film I'm reviewing today, MEGAMIND.
What? You don't remember MEGAMIND? Well, you should. Spooffing SuperHero films by focusing on the villain, Megamind stars some incredible voice talents - Will Ferrell, Tina Fey, Brad Pitt, David Cross and Johan Hill - and tells the cautionary tale of "be careful what you wish for, you just might get it."
Ferrell, of course, stars as the titular Megamind, a Super Villain who after years of failure, finally defeats SuperHero Megaman (Brad Pitt). He realizes that without his arch-nemesis, his life is empty and begins to search for meaning in his life. Along for the journey is a reporter (Tina Fey), her Cameraman (Jonah Hill) and Megamind's Minion (long before Despicable Me), David Cross.
Sounds like pretty standard stuff, huh? But in the hands of comedians like Ferrell, Fey, Cross and Hill it elevates itself to something more. The comic sensibilities make a little more sense to me when I realized that Ben Stiller and Justin Theroux were the Excecutive Producers - both very funny men. They, smartly, turned the Direction of this film over to Dreamworks Animation veteran Tom McGrath (REN & STIMPY, some of the MADAGASCAR films and THE BOSS BABY), he keeps the events of the film moving swiftly and simply, being really clear of the events and motivations of the players while not getting too clever and complex.
I caught this film on HBO, and am sure you can stream it elsewhere. If you're looking for a fun film for the whole family this Holiday Season - especially one without Princes & Princesses in it - check out MEGAMIND, it's a fun way to spend a few hours.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
What? You don't remember MEGAMIND? Well, you should. Spooffing SuperHero films by focusing on the villain, Megamind stars some incredible voice talents - Will Ferrell, Tina Fey, Brad Pitt, David Cross and Johan Hill - and tells the cautionary tale of "be careful what you wish for, you just might get it."
Ferrell, of course, stars as the titular Megamind, a Super Villain who after years of failure, finally defeats SuperHero Megaman (Brad Pitt). He realizes that without his arch-nemesis, his life is empty and begins to search for meaning in his life. Along for the journey is a reporter (Tina Fey), her Cameraman (Jonah Hill) and Megamind's Minion (long before Despicable Me), David Cross.
Sounds like pretty standard stuff, huh? But in the hands of comedians like Ferrell, Fey, Cross and Hill it elevates itself to something more. The comic sensibilities make a little more sense to me when I realized that Ben Stiller and Justin Theroux were the Excecutive Producers - both very funny men. They, smartly, turned the Direction of this film over to Dreamworks Animation veteran Tom McGrath (REN & STIMPY, some of the MADAGASCAR films and THE BOSS BABY), he keeps the events of the film moving swiftly and simply, being really clear of the events and motivations of the players while not getting too clever and complex.
I caught this film on HBO, and am sure you can stream it elsewhere. If you're looking for a fun film for the whole family this Holiday Season - especially one without Princes & Princesses in it - check out MEGAMIND, it's a fun way to spend a few hours.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Wreck-It-Ralph (2012) in Movies
Nov 12, 2018
Deserves greater credit than it currently is getting
Not being a big video game guy, I was late to the party to the original WRECK-IT RALPH in 2012 and when I saw it, I thought "it's fine" and didn't really think more about it. Now that it's sequel is coming out, I thought it would be good time to revisit this film (and to also remind me of the characters of the first one). And I'm glad I did, for I enjoyed myself much more this go around with this film than I did in my initial experience.
Taking a page out of PIXAR, this WALT DISNEY ANIMATION STUDIOS picture tells the "inside story" of what happens to Video Game characters when the lights go off. Following a "villain" in a game, WRECK-IT RALPH tells the story of Ralph's attempt to become a hero by winning a medal in another video game, only to become something more when he encounters a "glitch" in another game.
This is a well made, smart animation film that has enough action, suspense and silliness to appeal to children, but enough "adult content" (read: smart humor that goes over the heads of the kids) to appeal to the adults that have taken the kids to the movies. It pays great homage to video games - many of which went over my head, but (I am assured) were well played (at least according to the video gamers that I am acquainted).
Like all animated movies, a good percentage of the joy of this film is in the voice work - and this picture has very good ones from Sarah Silverman's Vanellope to Jack McBrayer's Fix-It Felix and Jane Lynch's kick-butt Calhoun, the voices strongly portray the character - and character types - quickly and easily. Special mention should be made of Allan Tudyk's King Candy (an homage to the the great Vaudeville and early film comedian Ed Wynn) and, especially, John C. Reilly in the title role. He is perfectly cast as Ralph, showing the weight of the size of the character in his voice with a sweetness and vulnerability that shows the size of the character's heart.
This is a wonderful and winning film, one that deserves greater praise than it is currently given, and I, for one, am looking forward to the sequel coming out.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Taking a page out of PIXAR, this WALT DISNEY ANIMATION STUDIOS picture tells the "inside story" of what happens to Video Game characters when the lights go off. Following a "villain" in a game, WRECK-IT RALPH tells the story of Ralph's attempt to become a hero by winning a medal in another video game, only to become something more when he encounters a "glitch" in another game.
This is a well made, smart animation film that has enough action, suspense and silliness to appeal to children, but enough "adult content" (read: smart humor that goes over the heads of the kids) to appeal to the adults that have taken the kids to the movies. It pays great homage to video games - many of which went over my head, but (I am assured) were well played (at least according to the video gamers that I am acquainted).
Like all animated movies, a good percentage of the joy of this film is in the voice work - and this picture has very good ones from Sarah Silverman's Vanellope to Jack McBrayer's Fix-It Felix and Jane Lynch's kick-butt Calhoun, the voices strongly portray the character - and character types - quickly and easily. Special mention should be made of Allan Tudyk's King Candy (an homage to the the great Vaudeville and early film comedian Ed Wynn) and, especially, John C. Reilly in the title role. He is perfectly cast as Ralph, showing the weight of the size of the character in his voice with a sweetness and vulnerability that shows the size of the character's heart.
This is a wonderful and winning film, one that deserves greater praise than it is currently given, and I, for one, am looking forward to the sequel coming out.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)