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Gareth von Kallenbach (980 KP) rated Teen Titans Go! To the Movies (2018) in Movies
Jul 8, 2019
This summer has brought us many of the best and highest rated superhero movies of all time. After seeing big blockbusters such as Avengers: Infinity War and Deadpool 2 and even Disney Pixar’s animated superhero hit Incredibles 2, folks may have a bit of superhero overload. With so many genre-defining films one right after the other it would be easy to miss the newest contender, Teen Titans Go! To the Movies, but it’s absolutely a movie you should make a point to see.
Robin (Scott Menville), the leader of the Teen Titans dreams of nothing more than having a movie made about him. It seems like there is a movie about every other major superhero (even if it wasn’t a particularly good one as Green Lantern reluctantly admits too), so why not him? When he and his team Beast Boy (Greg Cipes), Cyborg (Khary Payton), Raven (Tara Strong) and Starfire (Hynden Walch) inquire why a movie has yet to be made about them, they are laughed at. After all, who would ever make a movie dedicated to the lowly sidekicks?
The Titans realize that there is one thing that all superheroes have that they are missing…an archnemesis, someone they could prove their heroic talents defeating and ultimately earn them a place among the stars. The Titans, due the other major superheroes being unavailable, come across Slade (Will Arnett) attempting to steal a precious crystal. Jumping quickly into action, the team realizes that this may be the archnemesis they are searching for.
Teen Titans is a movie that certainly does not take itself seriously, even their first battle is against a giant balloon man who steals safes by stuffing them inside helium filled balloons. There are also the occasional fart jokes and the expected waffles references, which are all the things that young kids have grown to love about the series. Even though those jokes and references were very funny, they are really only surface level jokes, ones to make the kids in the audience laugh. To get to the real genius of this movie you have to look a little deeper. Teen Titans is full of 80’s and pop culture references, so many that it’d be easy to overlook them the first time you see it. The movie includes subtle nods to everything from Back to the Future to superhero origin stories and every one of them is pure genius. The references were clearly made for the adults to catch, yet you’ll still see the younger audience members laughing (although they may not know why). One of my absolute favorite parts in the movie involves Aquaman, and 3 days later I’m still laughing about it. The joy this movie brings will stay with you for a very long time.
Teen Titans! Go to the Movies has my vote for best superhero movie of the year. It’s a bright shining star in the otherwise dismal DC Universe. It’s a movie that is made for young and old alike, but for entirely different reasons. It is both nostalgic and new, something that is incredibly difficult for most movies to accomplish these days. It will have you laughing throughout, but deep down teaches an incredibly important lesson about friendship, and what it means to be a true hero. For fans of the television series this is an absolute must see movie, in fact you should already have your tickets and know exactly when you are going. For those who have never seen a single episode but love superhero movies, don’t just sit there, fly/swim/portal your way over to the theater. If you have a fondness for the 80s, you’ll be in for a serious treat, in many, many ways. As cliché as this may seem, it’s the must-see movie of the summer and in my opinion the entire year. Oh, and make sure you stay for the credits…the genius lasts until the very end.
What I liked: Incredibly clever 80s and pop culture references, vivid and amazing animation, the superhero origin stories (you’ll understand when you watch it)
What I liked less: I couldn’t immediately go see it again
Robin (Scott Menville), the leader of the Teen Titans dreams of nothing more than having a movie made about him. It seems like there is a movie about every other major superhero (even if it wasn’t a particularly good one as Green Lantern reluctantly admits too), so why not him? When he and his team Beast Boy (Greg Cipes), Cyborg (Khary Payton), Raven (Tara Strong) and Starfire (Hynden Walch) inquire why a movie has yet to be made about them, they are laughed at. After all, who would ever make a movie dedicated to the lowly sidekicks?
The Titans realize that there is one thing that all superheroes have that they are missing…an archnemesis, someone they could prove their heroic talents defeating and ultimately earn them a place among the stars. The Titans, due the other major superheroes being unavailable, come across Slade (Will Arnett) attempting to steal a precious crystal. Jumping quickly into action, the team realizes that this may be the archnemesis they are searching for.
Teen Titans is a movie that certainly does not take itself seriously, even their first battle is against a giant balloon man who steals safes by stuffing them inside helium filled balloons. There are also the occasional fart jokes and the expected waffles references, which are all the things that young kids have grown to love about the series. Even though those jokes and references were very funny, they are really only surface level jokes, ones to make the kids in the audience laugh. To get to the real genius of this movie you have to look a little deeper. Teen Titans is full of 80’s and pop culture references, so many that it’d be easy to overlook them the first time you see it. The movie includes subtle nods to everything from Back to the Future to superhero origin stories and every one of them is pure genius. The references were clearly made for the adults to catch, yet you’ll still see the younger audience members laughing (although they may not know why). One of my absolute favorite parts in the movie involves Aquaman, and 3 days later I’m still laughing about it. The joy this movie brings will stay with you for a very long time.
Teen Titans! Go to the Movies has my vote for best superhero movie of the year. It’s a bright shining star in the otherwise dismal DC Universe. It’s a movie that is made for young and old alike, but for entirely different reasons. It is both nostalgic and new, something that is incredibly difficult for most movies to accomplish these days. It will have you laughing throughout, but deep down teaches an incredibly important lesson about friendship, and what it means to be a true hero. For fans of the television series this is an absolute must see movie, in fact you should already have your tickets and know exactly when you are going. For those who have never seen a single episode but love superhero movies, don’t just sit there, fly/swim/portal your way over to the theater. If you have a fondness for the 80s, you’ll be in for a serious treat, in many, many ways. As cliché as this may seem, it’s the must-see movie of the summer and in my opinion the entire year. Oh, and make sure you stay for the credits…the genius lasts until the very end.
What I liked: Incredibly clever 80s and pop culture references, vivid and amazing animation, the superhero origin stories (you’ll understand when you watch it)
What I liked less: I couldn’t immediately go see it again
Sarah (7798 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
Hazel (1853 KP) rated Dreaming of Antigone in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Connor Sheffield (293 KP) rated Clerks (1994) in Movies
Apr 22, 2017
Simple (3 more)
Hilarious
Pop Culture discussions
Jay and Silent Bob
I'm not even suppose to be here today!
Here is a film that could have left Kevin Smith in the Quickstop paying off the money he used to make this film, which he accomplished by maxing out credit cards.
Kevin Smith is an inspiration and this film is the start of it all. Clerks is a very simple film that manages to be entertaining and hilarious. The concept is this; Dante Hicks (Brian O'Halloran) is asked to work on his day off, and ends up spending his day working in his dead end job behind the counter at a convenience store in New Jersey.
I should mention that this film is shot on a Arriflex 16 SR2 which means the film is in black and white.
Working with Dante is his best friend, Randal Graves, who isn't exactly a big help around the store or with personal problems. If anything, he makes matters worse because he almost never takes anything seriously.
The humour in this film is found through discussions of films such as Star Wars, discussions about sex, and about the customers of course. Describing it in text doesn't do it justice so you'll just have to watch it if I have in anyway peaked your interest.
This film was the introduction to what is known as the 'View Askewniverse' which is a series of films by Kevin Smith which are all connected via characters and events. However, the most important introductions from this film are the characters of the now famous duo, Jay and Silent Bob played by Jason Mewes and Kevin Smith. Yes, the same Kevin Smith who wrote and Directed the Movie. These two are the only two characters to appear in every movie in the View Askewniverse and usually help move the film in the right direction.
Overall, Clerks has to be one of my favourite movies of all time and once you watch the Askewniverse, it's easy to understand why, because no only is it smart and hilarious, but you have to appreciate that this started a series of other great indie films that made Kevin Smith the funny man he is today.
Kevin Smith is an inspiration and this film is the start of it all. Clerks is a very simple film that manages to be entertaining and hilarious. The concept is this; Dante Hicks (Brian O'Halloran) is asked to work on his day off, and ends up spending his day working in his dead end job behind the counter at a convenience store in New Jersey.
I should mention that this film is shot on a Arriflex 16 SR2 which means the film is in black and white.
Working with Dante is his best friend, Randal Graves, who isn't exactly a big help around the store or with personal problems. If anything, he makes matters worse because he almost never takes anything seriously.
The humour in this film is found through discussions of films such as Star Wars, discussions about sex, and about the customers of course. Describing it in text doesn't do it justice so you'll just have to watch it if I have in anyway peaked your interest.
This film was the introduction to what is known as the 'View Askewniverse' which is a series of films by Kevin Smith which are all connected via characters and events. However, the most important introductions from this film are the characters of the now famous duo, Jay and Silent Bob played by Jason Mewes and Kevin Smith. Yes, the same Kevin Smith who wrote and Directed the Movie. These two are the only two characters to appear in every movie in the View Askewniverse and usually help move the film in the right direction.
Overall, Clerks has to be one of my favourite movies of all time and once you watch the Askewniverse, it's easy to understand why, because no only is it smart and hilarious, but you have to appreciate that this started a series of other great indie films that made Kevin Smith the funny man he is today.
Cyn Armistead (14 KP) rated Ready Player One in Books
Mar 1, 2018
Add this book to the short list of must-reads for every True Geek, right alongside [b:Snow Crash|830|Snow Crash|Neal Stephenson|http://photo.goodreads.com/books/1320544000s/830.jpg|493634]. It's a gleeful homage to geekdom and pop culture.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Ivana A. | Diary of Difference (1171 KP) rated Ready Player One in Books
Oct 26, 2018
"Everyone my age remembers where they were and what they were doing when they first heard about the contest.’’
We are in the year 2045, where while Earth is deserted and almost destroyed, people don’t realise because they are too busy living in a virtual world - the Oasis!
The Oasis is a place where you can create an avatar for free, you can level up, you go to a school and you work inside the Oasis. This virtual world is filled with references from the 1980s. Cities are built in such a way, video games and books and movies still go on.
When the famous creator of the Oasis, James Halliday, dies, it turns out that there is a contest, and the person that will manage to find the ''Easter egg'' would inherit ownership of the Oasis.
We see the story from the point of view of the young Wade, that calls himself Parzival in the Oasis. He is in love with everything from the 1980’s, you name it - video games, pop culture, movies, shows, books. He is also amazed with Halliday’s work and life.
When five years from James Halliday’s death pass, people seem to have forgotten about the contest, and that’s when Parzival’s courage and knowledge will help him find the first key that unlocks the first of the three gates for the contest, putting him on the top of the scoreboard, and after five years, people start talking about Haliday’s ‘’egg’’ again.
Making friends along the way, and maybe finding the love of his life, Parzival faces millions of challenges, adventures, dangerous, funny and adorable moments. This is a book that will reveal a whole new world for you, and make you love Parzival while you follow his adventure into winning the contest.
With time running out, danger surrounding from all sides, and suddenly finding the ‘’egg’’ becoming a life or death game, Parzival and his friends have no choice but to win this contest. But will they make it, with the IOI Corporation behind their backs, following them both in the real and in the virtual world, endangering their lives?
We are in the year 2045, where while Earth is deserted and almost destroyed, people don’t realise because they are too busy living in a virtual world - the Oasis!
The Oasis is a place where you can create an avatar for free, you can level up, you go to a school and you work inside the Oasis. This virtual world is filled with references from the 1980s. Cities are built in such a way, video games and books and movies still go on.
When the famous creator of the Oasis, James Halliday, dies, it turns out that there is a contest, and the person that will manage to find the ''Easter egg'' would inherit ownership of the Oasis.
We see the story from the point of view of the young Wade, that calls himself Parzival in the Oasis. He is in love with everything from the 1980’s, you name it - video games, pop culture, movies, shows, books. He is also amazed with Halliday’s work and life.
When five years from James Halliday’s death pass, people seem to have forgotten about the contest, and that’s when Parzival’s courage and knowledge will help him find the first key that unlocks the first of the three gates for the contest, putting him on the top of the scoreboard, and after five years, people start talking about Haliday’s ‘’egg’’ again.
Making friends along the way, and maybe finding the love of his life, Parzival faces millions of challenges, adventures, dangerous, funny and adorable moments. This is a book that will reveal a whole new world for you, and make you love Parzival while you follow his adventure into winning the contest.
With time running out, danger surrounding from all sides, and suddenly finding the ‘’egg’’ becoming a life or death game, Parzival and his friends have no choice but to win this contest. But will they make it, with the IOI Corporation behind their backs, following them both in the real and in the virtual world, endangering their lives?
Gareth von Kallenbach (980 KP) rated Futurama: Into the Wild Green Yonder (2009) in Movies
Aug 14, 2019
The fourth (and lets hope not final) of the planned straight to DVD Futurama movies, “Futurama: Into The Wild Green Yonder” has arrived and continues the winning formula of the television series and three previous films as well as ties things up nicely should this be the final outing for the Planet Express crew.
The film opens with a new take on the traditional opening and we are treated to the scenic Mars Vegas complete with futuristic interpretations of the class Las Vegas hotels. As the film opens, Mars Vegas is being destroyed to make way for a new and even better Mars Vegas. This does not sit well with Amy (Lauren Tom) as her father is the one behind all of this, and when she learns that he plans to eliminate portions of a solar system to make the universes biggest miniature golf course, she decides to join a militant feminist group with Leela (Katey Sagal).
As this is happening Fry (Billy West), learns that he has the power to read minds and is recruited by a secret organization who inform him of a great evil that is loose in the galaxy and that he will be the key to preserving the universe.
Bender (John Di Maggio), as usual is happy to drink and grift his way through life, that is until a affair with a local crime figures wife provides him with some danger and distraction.
When a planned protest goes horribly wrong, Leela and Amy end up as fugitives and are doggedly pursued by Captain Zapp Brannigan as they race against the clock to save the creatures of the solar system from Leo Wong’s planned construction.
The film is as usual, loaded with laughs and plenty of pop culture gags. Snoop Dogg and Penn Jilette make cameo appearances as do many of the characters from the series.
With sharp picture and sound, this is a very enjoyable new adventure for fans and should add demand for future adventures in the series and provide great viewing enjoyment.
There are loads of extras which include deleted scenes, commentaries, as well as deleted scenes.
The film opens with a new take on the traditional opening and we are treated to the scenic Mars Vegas complete with futuristic interpretations of the class Las Vegas hotels. As the film opens, Mars Vegas is being destroyed to make way for a new and even better Mars Vegas. This does not sit well with Amy (Lauren Tom) as her father is the one behind all of this, and when she learns that he plans to eliminate portions of a solar system to make the universes biggest miniature golf course, she decides to join a militant feminist group with Leela (Katey Sagal).
As this is happening Fry (Billy West), learns that he has the power to read minds and is recruited by a secret organization who inform him of a great evil that is loose in the galaxy and that he will be the key to preserving the universe.
Bender (John Di Maggio), as usual is happy to drink and grift his way through life, that is until a affair with a local crime figures wife provides him with some danger and distraction.
When a planned protest goes horribly wrong, Leela and Amy end up as fugitives and are doggedly pursued by Captain Zapp Brannigan as they race against the clock to save the creatures of the solar system from Leo Wong’s planned construction.
The film is as usual, loaded with laughs and plenty of pop culture gags. Snoop Dogg and Penn Jilette make cameo appearances as do many of the characters from the series.
With sharp picture and sound, this is a very enjoyable new adventure for fans and should add demand for future adventures in the series and provide great viewing enjoyment.
There are loads of extras which include deleted scenes, commentaries, as well as deleted scenes.
Scott Tostik (389 KP) rated Dead Shack (2017) in Movies
Jan 29, 2020
Storyline... Dialogue... Hilarious (1 more)
The kids killed it... No pun intended
Lmfao.... What a great little flick
So I'm going through TubiTv yesterday and i come across this little dynamo.
Side note. Tubi has over 1000 horror movies on it... So this was after careful deliber... Oh who the fuck am I kidding... I closed my eyes, flicked thee mouse wheel... And this is what I landed on... So much to my surprise... It was actually good for once.
The story starts out with 3 kids and a pair of parents... Even though one parent is a mich younger mail order asian bride... She's still a parent... Sort of... Ish... Anywhore... They are headed out for a week long getaway to a cabin in the woods( yeah... I went there)...
With out spoiling it... The film gets going in the first 15 minutes... Which is what you want in a good horror film.
I have yet to figure put what exactly the antagonist creatures in this film are though... Undead... Sorta dead... Not dead and just crazy... But in all honesty... Who the fuck cares.
The kids talk like kids do... Using swear words out of context... Blaming their folks... Bringing up pop culture references... It was honestly one of the best teenage speak films i have seen in a long time... With the exception of IT Chapter 1... Those kids were on fucking point.
The best part of the movie... And this made me laugh my proverbial ass off... Was the kids are confronting the big bad near the climax of the film... Big bad asks"What are you going to do about it?".
14 year old responds with,"We're gonna tell on you,".
His two friends just stop what they are doing and give him the best WTF look I have seen since my daughter gave me one when she was 5... And I missed a chair when going to sit down... I was sober... *hangs head in shame*
If you want to have a genuine good time... And like a few laughs mixed in with your blood soaked insanity... Then this is a flick for you...
I mean fuck, what do you have to lose?? Besides 1hr and 44 minutes of your life...
Side note. Tubi has over 1000 horror movies on it... So this was after careful deliber... Oh who the fuck am I kidding... I closed my eyes, flicked thee mouse wheel... And this is what I landed on... So much to my surprise... It was actually good for once.
The story starts out with 3 kids and a pair of parents... Even though one parent is a mich younger mail order asian bride... She's still a parent... Sort of... Ish... Anywhore... They are headed out for a week long getaway to a cabin in the woods( yeah... I went there)...
With out spoiling it... The film gets going in the first 15 minutes... Which is what you want in a good horror film.
I have yet to figure put what exactly the antagonist creatures in this film are though... Undead... Sorta dead... Not dead and just crazy... But in all honesty... Who the fuck cares.
The kids talk like kids do... Using swear words out of context... Blaming their folks... Bringing up pop culture references... It was honestly one of the best teenage speak films i have seen in a long time... With the exception of IT Chapter 1... Those kids were on fucking point.
The best part of the movie... And this made me laugh my proverbial ass off... Was the kids are confronting the big bad near the climax of the film... Big bad asks"What are you going to do about it?".
14 year old responds with,"We're gonna tell on you,".
His two friends just stop what they are doing and give him the best WTF look I have seen since my daughter gave me one when she was 5... And I missed a chair when going to sit down... I was sober... *hangs head in shame*
If you want to have a genuine good time... And like a few laughs mixed in with your blood soaked insanity... Then this is a flick for you...
I mean fuck, what do you have to lose?? Besides 1hr and 44 minutes of your life...
Shirley Manson recommended Exodus by Bob Marley and The Wailers in Music (curated)
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