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Kristy H (1252 KP) rated The Banker's Wife in Books
Mar 6, 2019
Great, exciting, tense novel
Annabel Lerner feels isolated in Geneva: she's not like the other bankers' wives, and she rarely sees her husband Matthew anymore. They moved to Geneva for a fresh start--and yes, to take advantage of the salary Matthew's private banking job at Swiss United offered. But Annabel never realized how stressed Matthew would be or how often he'd travel. And then, suddenly, he's gone: his private plane simply falling off the radar over the French Alps. Before she can even understand what's happening, Annabel is left to deal with the aftermath, including a trail of secrets and the powerful men at Swiss United who don't want them exposed. Meanwhile, Marina Tourneau is a reporter for The Press. Her mentor, Duncan Carr, has been chasing a story involving Morty Reiss, whose hedge fund was one of the largest Ponzi scams of all time. Supposedly, before he could get caught, Morty committed suicide. But Duncan and Marina believe Marty faked his death and Duncan has become obsessed with proving it--to the detriment of his health, his reputation, and his career. But Marina is also engaged to Grant Ellis, whose wealthy father, James, is about to run for President. The plan is for Marina to stop writing and stand by her man. But when she suddenly realizes she's on the trail of the story of her career, what will she do?
Well, this turned out to be a gem of a novel. When I first started reading it, I was a little worried that I wouldn't see what the fuss was all about, but things quickly picked up, and I was hooked. One of the best things about this novel is that it's an old-style thriller--it reminded me of old-school Grisham or Stieg Larsson. It even throws shade at the glutton of Girl books and their (annoying) unreliable narrators, which I love. This is a mystery for folks who love real stories without any fuss or distraction and with strong characters--all of which combine to leave you befuddled and anxious as everything slowly unfurls.
Alger takes us into the complicated and dark world of Swiss banking, where we are introduced to a lot of real bad guys who have no morals. You can't trust them, you know they are bad, and you know your heroes and heroines are in true danger. Rarely do I think this while reading a book (because, face it, the book is always better), but I really think this book would *actually* make a great movie. It's exciting and tense, and the way things are slowly revealed would make for a very effective film.
But, anyway, it's a wonderful novel. You quickly get sucked into Annabel and Marina's worlds--the majority of the story is told from their points of view. There's a decent amount of ancillary characters to keep track of, but it's certainly manageable. The best is not knowing who to trust, what to believe, or how things went down. There's that Girl with a Dragon Tattoo-reporting vibe that I love: the pleasure of solving a case. The story is set in 2015 but is completely timely, yet utterly timeless in its essence of greed, money, and fear--and what people do in the name of all three. I just loved the old-fashioned thrill of it, the long list of suspects, the excitement of trying to work out who did what.
Overall, this is just a great novel. The plot is excellent--tense, exciting, and expertly woven together. The characters are strong, but it's really the story that's the standout here. It truly reminds you of mysteries and thrillers of old (I sound ancient here, but whatever). Don't let the banking theme scare you off: this is a fabulous read, and if you're a mystery or thriller fan, I think you'll really enjoy this one. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Well, this turned out to be a gem of a novel. When I first started reading it, I was a little worried that I wouldn't see what the fuss was all about, but things quickly picked up, and I was hooked. One of the best things about this novel is that it's an old-style thriller--it reminded me of old-school Grisham or Stieg Larsson. It even throws shade at the glutton of Girl books and their (annoying) unreliable narrators, which I love. This is a mystery for folks who love real stories without any fuss or distraction and with strong characters--all of which combine to leave you befuddled and anxious as everything slowly unfurls.
Alger takes us into the complicated and dark world of Swiss banking, where we are introduced to a lot of real bad guys who have no morals. You can't trust them, you know they are bad, and you know your heroes and heroines are in true danger. Rarely do I think this while reading a book (because, face it, the book is always better), but I really think this book would *actually* make a great movie. It's exciting and tense, and the way things are slowly revealed would make for a very effective film.
But, anyway, it's a wonderful novel. You quickly get sucked into Annabel and Marina's worlds--the majority of the story is told from their points of view. There's a decent amount of ancillary characters to keep track of, but it's certainly manageable. The best is not knowing who to trust, what to believe, or how things went down. There's that Girl with a Dragon Tattoo-reporting vibe that I love: the pleasure of solving a case. The story is set in 2015 but is completely timely, yet utterly timeless in its essence of greed, money, and fear--and what people do in the name of all three. I just loved the old-fashioned thrill of it, the long list of suspects, the excitement of trying to work out who did what.
Overall, this is just a great novel. The plot is excellent--tense, exciting, and expertly woven together. The characters are strong, but it's really the story that's the standout here. It truly reminds you of mysteries and thrillers of old (I sound ancient here, but whatever). Don't let the banking theme scare you off: this is a fabulous read, and if you're a mystery or thriller fan, I think you'll really enjoy this one. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
SummerLGrant (185 KP) rated The Handmaid's Tale - Season 1 in TV
Aug 2, 2017
Very true to the book, any expansion feels like a natural evolution (3 more)
An amazing cast bringing the characters to life
So good at tugging at all sorts of emotions
Relevant, now and always
Everyone needs to watch it
It comes from a small but powerful book. So disturbingly close to how reality could be it's not really surprising how relevant it is to what's happening in the world. Although tackling hard topics, often with harsh outcomes, the show treats every dark twist and turn with empathy - the writers don't want to shy away from the important issues but at the same time they don't want us to flinch and stop watching because it's important that we see.
There are some differences to the book, of course. The main one being June, she's stronger in the show, more determined. This isn't necessarily a bad thing because they had to make adaptations in order for it to work on the screen and I think they way they've done it is genius. She doesn't come across as an entirely different character, if you compare her to the June from the book it's more like they mostly travelled the same path but made a few different decision along the way. Along with this stronger June comes a bit more hope, is it possible that she'll be able to escape? Is it possible that she'll meet Moira, Luke and Hannah again? Can there really be an end to the regime in Gilead?
Each of the characters are strong and memorable, brought to life by a brilliant cast of people. One minute you can be sympathising for them and the next absolutely loathing them. Not only is that a sign of how good the acting is but also how amazing the writing on the show was. A tense show that builds up throughout the series, while it never feels over-packed it is full of messages for all of us to take to heart and keep in mind.
With a second season confirmed it's now going beyond the scope of the book and that's exciting, we get to see where June's story goes and with the open-ended way the book finished who knows where it'll go.
There are some differences to the book, of course. The main one being June, she's stronger in the show, more determined. This isn't necessarily a bad thing because they had to make adaptations in order for it to work on the screen and I think they way they've done it is genius. She doesn't come across as an entirely different character, if you compare her to the June from the book it's more like they mostly travelled the same path but made a few different decision along the way. Along with this stronger June comes a bit more hope, is it possible that she'll be able to escape? Is it possible that she'll meet Moira, Luke and Hannah again? Can there really be an end to the regime in Gilead?
Each of the characters are strong and memorable, brought to life by a brilliant cast of people. One minute you can be sympathising for them and the next absolutely loathing them. Not only is that a sign of how good the acting is but also how amazing the writing on the show was. A tense show that builds up throughout the series, while it never feels over-packed it is full of messages for all of us to take to heart and keep in mind.
With a second season confirmed it's now going beyond the scope of the book and that's exciting, we get to see where June's story goes and with the open-ended way the book finished who knows where it'll go.
BookblogbyCari (345 KP) rated A Whole New World in Books
Sep 23, 2018
Book Review by Cari Mayhew. Rating 7/10.
This book is a much darker retelling of Disney’s Aladdin, and is the first in a series of darker Disney retellings! It starts off pretty much the same as the film – Princess Jasmine meets petty thief “Street Rat” Aladdin while sneaking out of the Palace, and later the conniving Jafar tricks Aladdin into obtaining the lamp - but things go a whole lot worse once Jafar gets hold of it!
Jafar wishes himself to be made the Sultan, and the most powerful sorcerer of the world. But that’s not enough – Jafar seeks to break the genie’s rules of magic, in order to bring the dead back to life to raise an army of the undead! Jafar kills the former Sultan and declares he wants to wed Princess Jasmine, who, meanwhile, meets up with the Street Rats to lead a full-on rebellion. They attempt to intercept the delivery of magic book sought by Jafar, but things don’t go according to plan!
Braswell imitates the original Disney tale for the first third of the book and really fleshes it out with scene description and attention to Aladdin’s and Jasmine’s thoughts. Some of these scenes are different, yet the first half remains very true to the original. After this point the action really heats up!
The genie took a less prominent role in the latter part of the book than he did in the film. The inclusion of more minor characters added a depth to the novel that was missing in the film, and allowed the underlying themes to develop. There was a strong theme on the grey area between right and wrong, and how doing a minor wrong can help the greater good.
Fortunately (IMO) the book didn’t include the lyrics to the musical numbers! Unfortunately, however, the book is only available in paperback. Some of the story was predictable, including how it ended, but there was the odd surprise in there - all in all, I feel this book has got the Twisted Tales series off to a great start!
You can follow all my book news and reviews on bookblogbycari.com
This book is a much darker retelling of Disney’s Aladdin, and is the first in a series of darker Disney retellings! It starts off pretty much the same as the film – Princess Jasmine meets petty thief “Street Rat” Aladdin while sneaking out of the Palace, and later the conniving Jafar tricks Aladdin into obtaining the lamp - but things go a whole lot worse once Jafar gets hold of it!
Jafar wishes himself to be made the Sultan, and the most powerful sorcerer of the world. But that’s not enough – Jafar seeks to break the genie’s rules of magic, in order to bring the dead back to life to raise an army of the undead! Jafar kills the former Sultan and declares he wants to wed Princess Jasmine, who, meanwhile, meets up with the Street Rats to lead a full-on rebellion. They attempt to intercept the delivery of magic book sought by Jafar, but things don’t go according to plan!
Braswell imitates the original Disney tale for the first third of the book and really fleshes it out with scene description and attention to Aladdin’s and Jasmine’s thoughts. Some of these scenes are different, yet the first half remains very true to the original. After this point the action really heats up!
The genie took a less prominent role in the latter part of the book than he did in the film. The inclusion of more minor characters added a depth to the novel that was missing in the film, and allowed the underlying themes to develop. There was a strong theme on the grey area between right and wrong, and how doing a minor wrong can help the greater good.
Fortunately (IMO) the book didn’t include the lyrics to the musical numbers! Unfortunately, however, the book is only available in paperback. Some of the story was predictable, including how it ended, but there was the odd surprise in there - all in all, I feel this book has got the Twisted Tales series off to a great start!
You can follow all my book news and reviews on bookblogbycari.com
Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
127 Hours is based on the true story of Aron Ralston, a mountain climber who was trapped under a rock for five days only to amputate his own arm to survive. Directed by Danny Boyle (Slumdog Millionaire, 28 Days Later) and starring James Franco (Pineapple Express, Spider-Man), 127 Hours sucker punches you with its ability to be both absorbing and compelling.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Neon's Nerd Nexus (360 KP) rated The Peanut Butter Falcon (2019) in Movies
Oct 22, 2019 (Updated Oct 22, 2019)
Rule No.1........ Party!
The Peanutbutter Falcon is a heartwarming and charming tale of belonging, ambition and family. I've always loved and admired Shia labeouf and despite all the hate he gets I really do think he is an incredible actor and with how good this movie is I really hope people start to see that. Zak is a person with downs syndrome who escapes from his care home to peruse his dream of becoming a wrestler and upon meeting Shia's character the two form a bond and set of on an adventure together. Seeing these two very different personalities form a friendship is just so beautiful, powerful and endearing with Shia's character tormented/held back by guilt and Zack gottsagen's character desperate to be free to enjoy life, party and be taken seriously. Theres such a great redneck world built here and whilst the film is odd its also so pure with a charming weirdness so realistic you could mistake the film for being a true story. Themes of loss, guilt, motivation, happiness and destiny as well as the line between good and evil. However what I found really interesting was the messages about mental health/learning difficulties/oldage and how we tend to treat people with these conditions like they aren't human too. It even depicts how most people who work in the care industry fail to grasp that these people are just like us and how restricting, patronising and telling them no all the time is inhumane and leads to failing to truly understand them/form a bond with them. Performances are outstanding from both the mains really depicting two different inner struggles and personalities coming together during difficult times thus giving them purpose and hope. Its also stunning to look at too with a perfect soundtrack. If I had to I would liken this movie to Oh brother where art thou and while it does have some great humour it leans more to the serious side most of the time showing us not all families are perfect but no matter how dysfunctional they are the love is no less. Such a lovely film that even made me shed a few tears too.
Kristy H (1252 KP) rated A Good Neighborhood in Books
Mar 26, 2020
Oak Knoll is a close-knit multiracial neighborhood in North Carolina where everyone looks out for one another. Valerie Alston-Holt, a professor and single mother, has raised her biracial son, Xavier, there since he was small. Their calm life changes, however, when the Whitman family moves in next door. First they raze the current house and build a "Mcmansion," whose very existence threatens the health of Valerie's beloved historic oak tree. Brad Whitman is a local celebrity, known for his charisma and commercials for his company, Whitman HVAC. His wife, Julia, has long escaped her trailer park days and is now raising her daughters Julia and Lily in a privilege she once dreamed of. But soon the Alston-Holts and Whitmans find them themselves fighting over the oak tree's well-being and then, the budding romance between Julia and Xavier.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
Molly J (Cover To Cover Cafe) (106 KP) rated With Every Letter in Books
Feb 25, 2019
Sarah Sundin's masterful skills have done it again! Another amazing home run, out-of-the-ball-park hitter for this amazingly talented author. From the start, I was instantly in the heart of the story, following Philomela Blake, Tom MacGilliver, Rose and Georgie and all the other complex and amazing characters. This is most definitely the start of a fantastic new series and I can't wait for more!
Philomela "Mellie" Blake, aka Annie, is a wonderful character. She was chiseled perfectly and I loved following her story. She was a young woman, desperate to be a flight nurse and make a difference. Never fitting into America because of her Asian descent, and never fitting into the Asian world because of her American heritage, she's just wanting to fit in to something, make a difference and make friends. Joining a team of flight nurses, though, doesn't look to be much help as every thinks she's just a bit odd. When an opportunity arises, she takes a chance on mailing out a letter to one of the Armed Forces members. Just one is all she'll write. But, then, one turns into and then three...what can it hurt though, as anonymity seems to be the top priority and he'll never know what she looks like, or who she is. Right? Until a chance meeting during a flight evac pick up brings her face-to-face with her letter writing hero.
Thomas "Tom" MacGilliver, Jr. aka "Earnest". I fell in love with him instantly! He's a wonderful character who always hides behind a smile. He's had rough past, always getting looked down upon because of his father and a terrible happenstance from the past. But, this letter writing with his "Annie" is helping him become a better person. She's helping him realize that with God, all things are possible, and people will overlook the past of crimes with mercy and forgiveness. He loves what she makes him feel just through her words. Can this anonymity turn to more than just a friendship? And what of the beautiful Mellie Blake he meets? He doesn't want to betray his sweet Annie, but the attraction to Mellie is undeniable. Will God help him through this and show him which woman is for him? Or will his dreams of Annie and Mellie being one and the same come true?
These two were amazing and I didn't want to say goodbye! A powerful message of self forgiveness, mercy and friendship were woven in among the pages, and really spoke volumes to both myself and the characters! Not only were these two characters the heart of the story, Ms. Sundin used her secondary characters as the heart as well. I loved all of the amazing people of this book and know that Ms. Sundin has so much more history and fun to weave for us with the other characters!
Definitely an amazing 5 Book worthy, richly detailed with historical elements and war time efforts, and I highly recommend it to all! Ms. Sundin will quickly become a favorite if you've never read her previous works. If you have, well, then, this will be a wonderful addition to your Sarah Sundin collection! Forever on my bookshelf, I can't wait to see more of these amazing flight nurses and their WWII military men that capture the heart! Amazing job, Ms. Sundin!
Philomela "Mellie" Blake, aka Annie, is a wonderful character. She was chiseled perfectly and I loved following her story. She was a young woman, desperate to be a flight nurse and make a difference. Never fitting into America because of her Asian descent, and never fitting into the Asian world because of her American heritage, she's just wanting to fit in to something, make a difference and make friends. Joining a team of flight nurses, though, doesn't look to be much help as every thinks she's just a bit odd. When an opportunity arises, she takes a chance on mailing out a letter to one of the Armed Forces members. Just one is all she'll write. But, then, one turns into and then three...what can it hurt though, as anonymity seems to be the top priority and he'll never know what she looks like, or who she is. Right? Until a chance meeting during a flight evac pick up brings her face-to-face with her letter writing hero.
Thomas "Tom" MacGilliver, Jr. aka "Earnest". I fell in love with him instantly! He's a wonderful character who always hides behind a smile. He's had rough past, always getting looked down upon because of his father and a terrible happenstance from the past. But, this letter writing with his "Annie" is helping him become a better person. She's helping him realize that with God, all things are possible, and people will overlook the past of crimes with mercy and forgiveness. He loves what she makes him feel just through her words. Can this anonymity turn to more than just a friendship? And what of the beautiful Mellie Blake he meets? He doesn't want to betray his sweet Annie, but the attraction to Mellie is undeniable. Will God help him through this and show him which woman is for him? Or will his dreams of Annie and Mellie being one and the same come true?
These two were amazing and I didn't want to say goodbye! A powerful message of self forgiveness, mercy and friendship were woven in among the pages, and really spoke volumes to both myself and the characters! Not only were these two characters the heart of the story, Ms. Sundin used her secondary characters as the heart as well. I loved all of the amazing people of this book and know that Ms. Sundin has so much more history and fun to weave for us with the other characters!
Definitely an amazing 5 Book worthy, richly detailed with historical elements and war time efforts, and I highly recommend it to all! Ms. Sundin will quickly become a favorite if you've never read her previous works. If you have, well, then, this will be a wonderful addition to your Sarah Sundin collection! Forever on my bookshelf, I can't wait to see more of these amazing flight nurses and their WWII military men that capture the heart! Amazing job, Ms. Sundin!
Phillip McSween (751 KP) rated Queen & Slim (2019) in Movies
Oct 29, 2020
Extremely Entertaining
In the first ten minutes, you have a good idea of how Queen & Slim is going to end. Two black people on a first date end up killing a cop during a traffic stop. In spite the dread of knowing where things are heading, the movie is so powerfully done that it gave me a bit of a chill as the credits were rolling.
Acting: 10
Daniel Kaluuya puts on yet another powerful performance, this time playing the role of the male love interest Slim. I love the way he chose to play this role as a man that doesn’t have it all together trying to figure things out on the fly. His counterpart Jodi Turner-Smith playing Queen is so on point as well carrying the strong emotional defensiveness of the lawyer that she is. Their chemistry drives this movie to heights I wasn’t expecting.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The movie is beautifully shot with a number of strong sequences and setpieces that keep things interesting. Director Melina Matsoukas is a master of capturing emotional moments with well-timed closeups and long pauses. She pushes the emotions out of the viewers with tender scenes and scenes that get your blood boiling.
Conflict: 10
Entertainment Value: 10
Memorability: 9
This movie sticks, it sticks with you. It’s hard to walk away from it and not feel some way or the other. It will challenge you emotionally and mentally. It’s not perfect as it does stick to a pretty linear script, but it’s extremely memorable nonethless.
Pace: 10
Because of the constant danger the two main characters are under, the movie moves quick even when they’re just sitting around awaiting their next piece of the plan. It’s heartpounding like knowing a car crash is coming, but you’re forced to watch it anyway. There is no standing still. They’re always on the run so the pace remains uptempo.
Plot: 8
Resolution: 10
Overall: 97
Yes Queen & Slim is pretty linear, but it works for the building of the relationship within the story. And yes you see the ending coming but there’s a true power that comes from it that makes it worth it. The conflict is great, but the dialogue solidifies it for me as a classic. See this movie.
Acting: 10
Daniel Kaluuya puts on yet another powerful performance, this time playing the role of the male love interest Slim. I love the way he chose to play this role as a man that doesn’t have it all together trying to figure things out on the fly. His counterpart Jodi Turner-Smith playing Queen is so on point as well carrying the strong emotional defensiveness of the lawyer that she is. Their chemistry drives this movie to heights I wasn’t expecting.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The movie is beautifully shot with a number of strong sequences and setpieces that keep things interesting. Director Melina Matsoukas is a master of capturing emotional moments with well-timed closeups and long pauses. She pushes the emotions out of the viewers with tender scenes and scenes that get your blood boiling.
Conflict: 10
Entertainment Value: 10
Memorability: 9
This movie sticks, it sticks with you. It’s hard to walk away from it and not feel some way or the other. It will challenge you emotionally and mentally. It’s not perfect as it does stick to a pretty linear script, but it’s extremely memorable nonethless.
Pace: 10
Because of the constant danger the two main characters are under, the movie moves quick even when they’re just sitting around awaiting their next piece of the plan. It’s heartpounding like knowing a car crash is coming, but you’re forced to watch it anyway. There is no standing still. They’re always on the run so the pace remains uptempo.
Plot: 8
Resolution: 10
Overall: 97
Yes Queen & Slim is pretty linear, but it works for the building of the relationship within the story. And yes you see the ending coming but there’s a true power that comes from it that makes it worth it. The conflict is great, but the dialogue solidifies it for me as a classic. See this movie.
Democracy in Chains
Book
An explosive exposé of the right’s relentless campaign to eliminate unions, suppress voting,...
History Politics
I am most familiar with the tale of the Phantom of the Opera from the musical of that name. It is likely different from the book by Gaston Leroux. I havent read the original novel that inspired the opera and RoseBlood itself in years. As a result, I am sure that I miss some nods to the original or nuances that people more familiar with the story will understand.
Our main character, Rune has a unique relationship with music. Certain works, usually arias written for women, speak to her and make their home in her soul. Upon hearing the soaring notes, she is immediately overtaken by the need to sing and expel the music. When she was younger and her father accompanied her on the violin, those moments were glorious but they did not last. Her father became ill and then died, leaving her with no accompaniment and the music began to cage her. No longer could she just release the notes inside her, but they took something with them and left her feeling ill. If the piece spoke to her she had no choice but let it overwhelm her vocal cords and release.
The Phantom lives in his classic dark dwelling beneath the school, which was once an opera house. He travels the underground river via a boat, has various neglected instruments strewn about and is friendly with a red swan. Just your normal phantom behavior. Pretty early on, we learn that who we first believe to be this iteration of the phantom is not the one from the book and are introduced to the Phantom himself. The Phantom is Thorns guardian and teacher, although he has been sickly lately and Thorn has been taking care of him.
There is an interesting addition in this version of auras and chakras. Rune, Thorn and the Phantom are able to see the music as it fills the air with colour. The Phantom even taught Thorn how to harness that auric energy from emotions, and the even more powerful music, to do things like manipulating feelings and thoughts. Together, Thorn and the Phantom plan to alienate Rune from her teachers and classmates until she discovers the lair surrenders to the darkness and they hope she gives up her music to them.
Runes first day at RoseBlood does not go exactly as she hoped, but her new friend and peer advisor, Sunny introduces her to Jackson Reynolds. My immediate feelings about the two were that they were playing this retelling's version of Meg and Raoul, whether that is, in fact, true you shall have to discover by reading the book. Her relationship with her Phantom parallels that of the original, as he helps her to calm the music inside her.
Although the author provides reasoning later on for their immediate connection and trust, it still feels like insta-love. To know someone for only a short while and frequently consider abandoning or betraying everything youve ever known and believed in for the past decade. That is intense and not something people could just easily give up on whether it is the right way or not.
While I did enjoy this book, I probably would not go out and purchase a copy for myself. In order to make this the next chapter of the Phantom of the Opera, rather than a re-telling the author added some different aspects to the story that were not in the original. I am not entirely sure how I feel about this change it was interesting but as I was reading I didnt feel or believe that it was as well thought out as it should have been. I think that the idea of the story was a lot more intriguing than the actual execution of it ended up being.
After the conclusion of the book, there is a note from the author that describes what inspired her to write this version of the story. It shows where she got each of her ideas and the amount of thought that went into them. As I stated before, I see the merit of each addition (and admire the research that went into them) but it just seemed to be a little too much added and it became unwieldy.
Our main character, Rune has a unique relationship with music. Certain works, usually arias written for women, speak to her and make their home in her soul. Upon hearing the soaring notes, she is immediately overtaken by the need to sing and expel the music. When she was younger and her father accompanied her on the violin, those moments were glorious but they did not last. Her father became ill and then died, leaving her with no accompaniment and the music began to cage her. No longer could she just release the notes inside her, but they took something with them and left her feeling ill. If the piece spoke to her she had no choice but let it overwhelm her vocal cords and release.
The Phantom lives in his classic dark dwelling beneath the school, which was once an opera house. He travels the underground river via a boat, has various neglected instruments strewn about and is friendly with a red swan. Just your normal phantom behavior. Pretty early on, we learn that who we first believe to be this iteration of the phantom is not the one from the book and are introduced to the Phantom himself. The Phantom is Thorns guardian and teacher, although he has been sickly lately and Thorn has been taking care of him.
There is an interesting addition in this version of auras and chakras. Rune, Thorn and the Phantom are able to see the music as it fills the air with colour. The Phantom even taught Thorn how to harness that auric energy from emotions, and the even more powerful music, to do things like manipulating feelings and thoughts. Together, Thorn and the Phantom plan to alienate Rune from her teachers and classmates until she discovers the lair surrenders to the darkness and they hope she gives up her music to them.
Runes first day at RoseBlood does not go exactly as she hoped, but her new friend and peer advisor, Sunny introduces her to Jackson Reynolds. My immediate feelings about the two were that they were playing this retelling's version of Meg and Raoul, whether that is, in fact, true you shall have to discover by reading the book. Her relationship with her Phantom parallels that of the original, as he helps her to calm the music inside her.
Although the author provides reasoning later on for their immediate connection and trust, it still feels like insta-love. To know someone for only a short while and frequently consider abandoning or betraying everything youve ever known and believed in for the past decade. That is intense and not something people could just easily give up on whether it is the right way or not.
While I did enjoy this book, I probably would not go out and purchase a copy for myself. In order to make this the next chapter of the Phantom of the Opera, rather than a re-telling the author added some different aspects to the story that were not in the original. I am not entirely sure how I feel about this change it was interesting but as I was reading I didnt feel or believe that it was as well thought out as it should have been. I think that the idea of the story was a lot more intriguing than the actual execution of it ended up being.
After the conclusion of the book, there is a note from the author that describes what inspired her to write this version of the story. It shows where she got each of her ideas and the amount of thought that went into them. As I stated before, I see the merit of each addition (and admire the research that went into them) but it just seemed to be a little too much added and it became unwieldy.