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Gareth von Kallenbach (965 KP) rated Dumb and Dumber To (2014) in Movies
Jun 19, 2019
It is hard to believe that it is been 20 years since Jim Carrey and Jeff Daniels brought the moronic Harry and Lloyd to the big screen. The comedic adventures of the well-meaning but idiotic best friends became a box office smash and has maintained a loyal worker fans despite the highly disappointing prequel that was made in an attempt to extend series. With the Farrelly brothers back in place to write and direct the long-awaited follow-up it should come as no surprise as to what viewers are in store for with “Dumb and Dumber To”.
Lloyd (Jim Carrey) has been an institution for the past two decades while Harry (Jeff Daniels), visits him lawyerly once a week. When the reason behind Lloyd’s institutionalization becomes clear Harry informs his old friend that is in desperate need of a kidney transplant. With his options limited, Harry visits his family whom he has not seen in quite some time and goes through some mail that had been delivered over the years.
Harry learns that an old acquaintance was pregnant and in an effort to see if the child he never knew he had could be a donor, the bumbling duo sets out to find child Harry never knew he had. This is easier said than done as the mother (Kathleen Turner), give the child up for adoption and her only effort to communicate resulted in a letter being returned to her with a note asking her not to write again.
Undaunted Harry and Lloyd set out from their Rhode Island home and venture down to Maryland before learning that the object of their quest is already left for New Mexico to attend a very important conference. The duo decided to head on to New Mexico with a third person in tow not knowing that he secretly is aiming to do away with them in a con limited inheritance scheme.
As anyone who’s seen the previous film will remember, traveling with Harry and Lloyd can be extremely dangerous to one’s physical and mental sanity and the ensuing years have done nothing to change this. In short time duo arrives at their goal but finds their natural tendencies to get in and cause trouble has followed them resulting in a series of chaotic misadventures.
While many of the jokes and situations were recycled from previous films including Lloyd’s daydreaming about a perfect date and various car pranks, one thing that is undeniable is the great chemistry and timing between the two leads. The material certainly strains its PG-13 rating in terms of suggestiveness but even though some of the jokes do not quite succeed and the plot is at best paper thin, it was sure good to see these two back in action.
The film is at best a guilty pleasure because it will be easy to say it was kind of dumb and meandering at points and that the two characters were not given much to do other than an act that was funny 20 years earlier but may seem a bit strange to date considering both Daniels and Carrey have shown they are capable of doing so much more.
For me I looked at it is a bit of a nostalgic guilty pleasure that despite the shortcomings and faults offered some enjoyable although mostly forgettable distractions in between some good laughs. For those willing to take more the same and can temper their expectations accordingly you will likely find this trip one worth taking if nothing else than for the nostalgia.
I for one am hoping that we haven’t seen the last these two in action but I certainly would like to see them come back with a better script and certainly do not want have to wait 20 years for this to happen.
http://sknr.net/2014/11/14/dumb-dumber/
Lloyd (Jim Carrey) has been an institution for the past two decades while Harry (Jeff Daniels), visits him lawyerly once a week. When the reason behind Lloyd’s institutionalization becomes clear Harry informs his old friend that is in desperate need of a kidney transplant. With his options limited, Harry visits his family whom he has not seen in quite some time and goes through some mail that had been delivered over the years.
Harry learns that an old acquaintance was pregnant and in an effort to see if the child he never knew he had could be a donor, the bumbling duo sets out to find child Harry never knew he had. This is easier said than done as the mother (Kathleen Turner), give the child up for adoption and her only effort to communicate resulted in a letter being returned to her with a note asking her not to write again.
Undaunted Harry and Lloyd set out from their Rhode Island home and venture down to Maryland before learning that the object of their quest is already left for New Mexico to attend a very important conference. The duo decided to head on to New Mexico with a third person in tow not knowing that he secretly is aiming to do away with them in a con limited inheritance scheme.
As anyone who’s seen the previous film will remember, traveling with Harry and Lloyd can be extremely dangerous to one’s physical and mental sanity and the ensuing years have done nothing to change this. In short time duo arrives at their goal but finds their natural tendencies to get in and cause trouble has followed them resulting in a series of chaotic misadventures.
While many of the jokes and situations were recycled from previous films including Lloyd’s daydreaming about a perfect date and various car pranks, one thing that is undeniable is the great chemistry and timing between the two leads. The material certainly strains its PG-13 rating in terms of suggestiveness but even though some of the jokes do not quite succeed and the plot is at best paper thin, it was sure good to see these two back in action.
The film is at best a guilty pleasure because it will be easy to say it was kind of dumb and meandering at points and that the two characters were not given much to do other than an act that was funny 20 years earlier but may seem a bit strange to date considering both Daniels and Carrey have shown they are capable of doing so much more.
For me I looked at it is a bit of a nostalgic guilty pleasure that despite the shortcomings and faults offered some enjoyable although mostly forgettable distractions in between some good laughs. For those willing to take more the same and can temper their expectations accordingly you will likely find this trip one worth taking if nothing else than for the nostalgia.
I for one am hoping that we haven’t seen the last these two in action but I certainly would like to see them come back with a better script and certainly do not want have to wait 20 years for this to happen.
http://sknr.net/2014/11/14/dumb-dumber/
LeftSideCut (3778 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jan 23, 2020
In this day and age, where Star Wars is beloved by so many, and more recently met with sighs and trepidation by just as many, it's a franchise that easily faces scrutiny.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
Gareth von Kallenbach (965 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Aug 6, 2019
If it’s not one of the most anticipated movies of all time, it is certainly way up there. Star Wars: The Force Awakens is the thing that every Star Wars fanboy, including myself, fears. Will it be as good as the original trilogy, or will Disney and Bad Robot drop a deuce like many believe Lucas did with the prequel trilogy. Well, here is a spoiler free look from someone who has these fears.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Gareth von Kallenbach (965 KP) rated Oz the Great and Powerful (2013) in Movies
Aug 7, 2019
Taking on a movie as beloved as “The Wizard of Oz” is a daunting task. The iconic Judy Garland film is considered a classic and many of the songs from the film have remained part of our culture since it was released in 1939. Despite several book sequels, the attempts to continue the series have had little success as there have been animated films as well as an urban remake, “The Wiz”, which also failed to reach the success of the original. Director Sam Raimi opted to do an original prequel story that tells of how the fabled Wizard of Oz came to be.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Lee (2222 KP) rated El Camino: A Breaking Bad Movie (2019) in Movies
Oct 13, 2019
When we last saw Jesse Pinkman (Aaron Paul), he was driving away in an El Camino car, having just been freed from six months or so of captivity and slavery. It was the final moments of what is arguably one of the greatest TV shows of all time - Walter White (Bryan Cranston) had come to the aid of his long time friend, and collaborator in the meth business, freeing him from the clutches of a gang of Nazis in what turned out to be a bloodbath. Jesse, clearly a broken man, drove away from it all, into the night, fighting back tears as he let out a scream of pain and relief.
As with all great stories, whether in a book, a movie or a TV show, you do naturally wonder what might have happened next to the characters who have taken you on a journey with them. If the finale is good enough, you can feel satisfied simply by drawing your own conclusions. In the case of Breaking Bad, did Jesse turn a corner, only to be met by a bunch of cops who then lock him up for the rest of his life? Or did he manage to find well deserved peace and solace, a chance to finally live out his days with some kind of normality? Series creator and writer Vince Gilligan clearly had some ideas of his own, and the result is this 2 hour Netflix movie, titled El Camino.
We’ve not been without our fix of the Breaking Bad world since the show ended in 2013 though. Better Call Saul, about to start its fifth season, has acted as a prequel, telling the story of the rise of Saul Goodman, the seedy lawyer who helped Walter and Jesse throughout much of Breaking Bad. It shares much of the same style and tone as Breaking Bad, magnificently scripted and proving to be compulsive viewing. It has also gradually begun weaving other familiar characters from Breaking Bad into the story too, helping us to understand what brought these characters to the point they were at in Breaking Bad, but never (so far) featuring lead characters Walter and Jesse.
El Camino picks up pretty much where Breaking Bad left off. Jesse is clearly a person of interest with the law - not only for his drug crime days, but also because they know that someone fled the scene where a machine gun massacre took place, resulting in nine dead bodies. It’s neither an immediate capture, or an escape to a happy ending though. Instead, we’re treated to something that’s a little in between, and El Camino closely follows Jesse to show us just how that all plays out for him.
There was some big news recently when it was revealed that a large number of Breaking Bad characters would be appearing in El Camino and speculation was rife as to who those characters would be. They appear either in flashback form, or in present day situations, and all justifiably serve to drive the story forward, whether it be as a moment of reflection and poignancy, an aid to understanding Jesse’s current actions, or just as a cool little Easter egg for fans of the show. I must admit though, I had to resort to Google to try and remember how some of the characters fitted into the Breaking Bad show, but that could just be down to my lousy memory!
El Camino is packed full of the steady, confident, detailed pacing that we know and love from Breaking Bad and Better Call Saul. Action, drama, emotion, it’s all there as a determined Jesse tries to acquire enough money to be able to start over. There’s a constant feeling throughout though that this is a story we didn’t really need, but it is certainly a welcome one, and a real joy to be back in this world and in the company of these great characters once again, if only for a short while.
As with all great stories, whether in a book, a movie or a TV show, you do naturally wonder what might have happened next to the characters who have taken you on a journey with them. If the finale is good enough, you can feel satisfied simply by drawing your own conclusions. In the case of Breaking Bad, did Jesse turn a corner, only to be met by a bunch of cops who then lock him up for the rest of his life? Or did he manage to find well deserved peace and solace, a chance to finally live out his days with some kind of normality? Series creator and writer Vince Gilligan clearly had some ideas of his own, and the result is this 2 hour Netflix movie, titled El Camino.
We’ve not been without our fix of the Breaking Bad world since the show ended in 2013 though. Better Call Saul, about to start its fifth season, has acted as a prequel, telling the story of the rise of Saul Goodman, the seedy lawyer who helped Walter and Jesse throughout much of Breaking Bad. It shares much of the same style and tone as Breaking Bad, magnificently scripted and proving to be compulsive viewing. It has also gradually begun weaving other familiar characters from Breaking Bad into the story too, helping us to understand what brought these characters to the point they were at in Breaking Bad, but never (so far) featuring lead characters Walter and Jesse.
El Camino picks up pretty much where Breaking Bad left off. Jesse is clearly a person of interest with the law - not only for his drug crime days, but also because they know that someone fled the scene where a machine gun massacre took place, resulting in nine dead bodies. It’s neither an immediate capture, or an escape to a happy ending though. Instead, we’re treated to something that’s a little in between, and El Camino closely follows Jesse to show us just how that all plays out for him.
There was some big news recently when it was revealed that a large number of Breaking Bad characters would be appearing in El Camino and speculation was rife as to who those characters would be. They appear either in flashback form, or in present day situations, and all justifiably serve to drive the story forward, whether it be as a moment of reflection and poignancy, an aid to understanding Jesse’s current actions, or just as a cool little Easter egg for fans of the show. I must admit though, I had to resort to Google to try and remember how some of the characters fitted into the Breaking Bad show, but that could just be down to my lousy memory!
El Camino is packed full of the steady, confident, detailed pacing that we know and love from Breaking Bad and Better Call Saul. Action, drama, emotion, it’s all there as a determined Jesse tries to acquire enough money to be able to start over. There’s a constant feeling throughout though that this is a story we didn’t really need, but it is certainly a welcome one, and a real joy to be back in this world and in the company of these great characters once again, if only for a short while.
Halo Reach
8.0
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Because Halo is the best-selling Xbox franchise of all-time, the developers at Bungie had their work...
Bob Mann (459 KP) rated Army of Thieves (2021) in Movies
Nov 4, 2021
“Did He Just Say Gulp?”
I have Covid-19, and am confined to quarters. So time to catch up on some streaming films. New on Netflix is “Army of Thieves”, a quirky prequel, of sorts, to Zac Snyder’s “Army of the Dead“.
Plot Summary:
Sebastian Schlencht-Wöhnert (Matthias Schweighöfer) is a geek obsessed with the work of legendary safe-manufacturer Hans Wagner whose magnum opus was a series of four intricate safes named after the four parts of his namesake’s Ring cycle: The Rhinegold, The Valkyrie, Siegfried and Götterdämmerung.
Seeking more the glory of cracking the legendary safes (rather than the riches within), high-class jewel-thief Gwendoline (Nathalie Emmanuel) teams with Sebastian to crack the three known safes (in Paris, Prague and St Moritz) before they are officially ‘retired’. Together with Korina (Ruby O. Fee), muscle-man Brad (Stuart Martin) and getaway driver Rolph (Guz Khan) the gang try to stay one step ahead of obsessed Interpol agent Delacroix (Jonathan Cohen).
Certification:
US: TV-MA. UK: 15.
Talent:
Starring: Matthias Schweighöfer, Nathalie Emmanuel, Ruby O. Fee, Stuart Martin, Guz Khan, Jonathan Cohen.
Directed by: Matthias Schweighöfer.
Written by: Shay Hatten (from a story by Shay Hatten and Zack Snyder).
“Army of Thieves” Review: Positives:
I really wasn’t expecting much from this offering. For me, the character of Dieter in “Army of the Dead” was an annoyingly quirky comedy character in a zombie-actioner that you just wanted to punch in the face…. repeatedly. But in contrast, this Dieter-centric film is deliberately quirky throughout and it just all worked for me. Under his own direction, Schweighöfer’s Sebastian/Dieter becomes a genuinely quirky, lovelorn and loveable loser that you want to root for.
The look and feel of the film is utterly glorious. The wonderful cinematography by Bernhard Jasper makes the introduction to the European locations feel Bond-like and the combination of Production Design and Special Effects make the safe-cracking scenes tense, dynamic and beautiful to watch. It’s all nicely rounded off by a quirky Steve Mazzaro / Hans Zimmer score.
Shay Hatten’s script delivers a nice balance of action and exposition. It actually – shock horror – takes time to flesh out some character behind the generic heist-movie stereotypes. Setting the movie in the same timeline as the emerging Nevada zombie-apocalypse as “Army of the Dead” is neat: (although those expecting extensive zombie-action will feel short-changed). And having the Las Vegas safe as the mythical Götterdämmerung is a nice touch. Above all – “SURPRISE!!!” – the script surpassed the essential six-laughs test.
The acting is above par, with Schweighöfer putting in a fabulous turn and the stunningly beautiful Nathalie Emmanuel (best known for being Ramsey in the Fast and Furious series) gets to be a lot more than mere window-dressing here. Stuart Martin is notable here for looking astonishingly like Hugh Jackman…. I mean, really, they could be twins.
Negatives:
I mean, honestly, there are more holes in this story than a St Moritz swiss-cheese. Why would all of the safes, owned by different private institutions, be being “decommissioned” due to a Zombie outbreak on the other side of the world? Can the Interpol team really be that incompetent? And however clever he is, I don’t buy that you can open safes like that!
Although I liked the balance of the script overall, the story is pretty simplistic and linear.
Summary Thoughts on “Army of Thieves”
Sometimes a little movie appears that surprises and delights you, and this was one of those for me. It’s not big and it’s not clever. But it is very nicely made, thoroughly entertained me and was – for me – way better than its source movie. A recommended watch on Netflix.
Plot Summary:
Sebastian Schlencht-Wöhnert (Matthias Schweighöfer) is a geek obsessed with the work of legendary safe-manufacturer Hans Wagner whose magnum opus was a series of four intricate safes named after the four parts of his namesake’s Ring cycle: The Rhinegold, The Valkyrie, Siegfried and Götterdämmerung.
Seeking more the glory of cracking the legendary safes (rather than the riches within), high-class jewel-thief Gwendoline (Nathalie Emmanuel) teams with Sebastian to crack the three known safes (in Paris, Prague and St Moritz) before they are officially ‘retired’. Together with Korina (Ruby O. Fee), muscle-man Brad (Stuart Martin) and getaway driver Rolph (Guz Khan) the gang try to stay one step ahead of obsessed Interpol agent Delacroix (Jonathan Cohen).
Certification:
US: TV-MA. UK: 15.
Talent:
Starring: Matthias Schweighöfer, Nathalie Emmanuel, Ruby O. Fee, Stuart Martin, Guz Khan, Jonathan Cohen.
Directed by: Matthias Schweighöfer.
Written by: Shay Hatten (from a story by Shay Hatten and Zack Snyder).
“Army of Thieves” Review: Positives:
I really wasn’t expecting much from this offering. For me, the character of Dieter in “Army of the Dead” was an annoyingly quirky comedy character in a zombie-actioner that you just wanted to punch in the face…. repeatedly. But in contrast, this Dieter-centric film is deliberately quirky throughout and it just all worked for me. Under his own direction, Schweighöfer’s Sebastian/Dieter becomes a genuinely quirky, lovelorn and loveable loser that you want to root for.
The look and feel of the film is utterly glorious. The wonderful cinematography by Bernhard Jasper makes the introduction to the European locations feel Bond-like and the combination of Production Design and Special Effects make the safe-cracking scenes tense, dynamic and beautiful to watch. It’s all nicely rounded off by a quirky Steve Mazzaro / Hans Zimmer score.
Shay Hatten’s script delivers a nice balance of action and exposition. It actually – shock horror – takes time to flesh out some character behind the generic heist-movie stereotypes. Setting the movie in the same timeline as the emerging Nevada zombie-apocalypse as “Army of the Dead” is neat: (although those expecting extensive zombie-action will feel short-changed). And having the Las Vegas safe as the mythical Götterdämmerung is a nice touch. Above all – “SURPRISE!!!” – the script surpassed the essential six-laughs test.
The acting is above par, with Schweighöfer putting in a fabulous turn and the stunningly beautiful Nathalie Emmanuel (best known for being Ramsey in the Fast and Furious series) gets to be a lot more than mere window-dressing here. Stuart Martin is notable here for looking astonishingly like Hugh Jackman…. I mean, really, they could be twins.
Negatives:
I mean, honestly, there are more holes in this story than a St Moritz swiss-cheese. Why would all of the safes, owned by different private institutions, be being “decommissioned” due to a Zombie outbreak on the other side of the world? Can the Interpol team really be that incompetent? And however clever he is, I don’t buy that you can open safes like that!
Although I liked the balance of the script overall, the story is pretty simplistic and linear.
Summary Thoughts on “Army of Thieves”
Sometimes a little movie appears that surprises and delights you, and this was one of those for me. It’s not big and it’s not clever. But it is very nicely made, thoroughly entertained me and was – for me – way better than its source movie. A recommended watch on Netflix.
Connor Sheffield (293 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Apr 18, 2017
New, yet Nostalgic
So whenever I hear that there's going to be a new Star Wars Movie, I get so excited EVERY TIME! However, that's not to say that I don't always feel nervous about this next one could be "The Bad Star Wars Film" because whilst I can find some good aspects of the prequel trilogy (SOME! Not a lot but there is some) I don't enjoy them and prefer to ignore them when having a Star Wars Movie marathon.
So when I heard that there's this film being made that's not and 'episode' but will have some connections to the original trilogy, I was nervous that it might blow some of the lore out the window and try and make their own lore that doesn't fit in with the prequels or the sequels. On the other hand I was so excited to feel that I was getting to see new characters and more of the lore on film such as Kyber Crystals and Jedha itself.
The characters were incredible in my opinion! Felicity Jones portrayed Jyn Erso, and really brought the strong female lead to a new generation of Star Wars fans and film fans in general. Jyn Erso is the Princess Leia of this new generation and honestly she had quite a lot to live up to following Daisy Ridley's portrayal as the strong female lead character, Rey, in Star Wars: The Force Awakens. Long story short, Felicity Jones nailed it! She's strong, independent but also has a lot of history and emotion that we don't get to see a lot of.
Then there's characters like K-2SO who is hilarious in my opinion and Alan Tudyk really brought a droid to life and made him feel more human, but also 'too good to be a human character', because there are certain aspects of the film where I was sat thinking "This character is hilarious to me, but I think the fact that he's a droid and doesn't fully understand a living, breathing, being's train of thought. So if this character was written as a human he wouldn't be as funny to me."
SPOILERS AHEAD!!!
My issue with the film, whilst I did enjoy it and understand WHY they ended it with Jyn's and Cassian's death, but I would love to have seen MORE of these characters. If they wanted to do a film with those characters in the future, it would have to be a more coming of age movie for Jyn and whilst I wouldn't mind seeing more of her growing up to understand her character more, I'd have preferred to see an aftermath film, because I think they could totally write the character to be someone who still fights for the rebellion but has some reason not to be in the events that take place in the original trilogy. Maybe she's taking care of some surviving death troopers, or trying to find out what the Empire's plans are on another planet or in another system because to think that the Empire had all of their subjects in one place concentrating on one project is ridiculous. Perhaps the First Order was being formed secretly in another system, or the Empire was enslaving some planets to prepare them for the Empires master plan of ruling the galaxy.
Overall, I just wanted more of these characters because they were just well written and the film was shot beautifully. To my knowledge, from the top of my head there weren't any jumpy editing cuts, or any moments where, due to camera movement, I would think "what's going on I can't follow the action" etc. It was brilliantly made and it very quickly became not just one of my favourite movies of all time, but one of my favourite Star Wars movies! But I have to give it a 9/10 because of the reasons I stated above...I need more of these characters in future aftermath films, but it cant happen now because of the ending and that makes me sad.
Brilliant Movie, Brilliant Cast, and of course....
THE DARTH VADER CORRIDOR SCENE!
So when I heard that there's this film being made that's not and 'episode' but will have some connections to the original trilogy, I was nervous that it might blow some of the lore out the window and try and make their own lore that doesn't fit in with the prequels or the sequels. On the other hand I was so excited to feel that I was getting to see new characters and more of the lore on film such as Kyber Crystals and Jedha itself.
The characters were incredible in my opinion! Felicity Jones portrayed Jyn Erso, and really brought the strong female lead to a new generation of Star Wars fans and film fans in general. Jyn Erso is the Princess Leia of this new generation and honestly she had quite a lot to live up to following Daisy Ridley's portrayal as the strong female lead character, Rey, in Star Wars: The Force Awakens. Long story short, Felicity Jones nailed it! She's strong, independent but also has a lot of history and emotion that we don't get to see a lot of.
Then there's characters like K-2SO who is hilarious in my opinion and Alan Tudyk really brought a droid to life and made him feel more human, but also 'too good to be a human character', because there are certain aspects of the film where I was sat thinking "This character is hilarious to me, but I think the fact that he's a droid and doesn't fully understand a living, breathing, being's train of thought. So if this character was written as a human he wouldn't be as funny to me."
SPOILERS AHEAD!!!
My issue with the film, whilst I did enjoy it and understand WHY they ended it with Jyn's and Cassian's death, but I would love to have seen MORE of these characters. If they wanted to do a film with those characters in the future, it would have to be a more coming of age movie for Jyn and whilst I wouldn't mind seeing more of her growing up to understand her character more, I'd have preferred to see an aftermath film, because I think they could totally write the character to be someone who still fights for the rebellion but has some reason not to be in the events that take place in the original trilogy. Maybe she's taking care of some surviving death troopers, or trying to find out what the Empire's plans are on another planet or in another system because to think that the Empire had all of their subjects in one place concentrating on one project is ridiculous. Perhaps the First Order was being formed secretly in another system, or the Empire was enslaving some planets to prepare them for the Empires master plan of ruling the galaxy.
Overall, I just wanted more of these characters because they were just well written and the film was shot beautifully. To my knowledge, from the top of my head there weren't any jumpy editing cuts, or any moments where, due to camera movement, I would think "what's going on I can't follow the action" etc. It was brilliantly made and it very quickly became not just one of my favourite movies of all time, but one of my favourite Star Wars movies! But I have to give it a 9/10 because of the reasons I stated above...I need more of these characters in future aftermath films, but it cant happen now because of the ending and that makes me sad.
Brilliant Movie, Brilliant Cast, and of course....
THE DARTH VADER CORRIDOR SCENE!
Connor Sheffield (293 KP) rated Black Sails - Season 1 in TV
May 30, 2017
Great Cast (3 more)
Brilliant Action
Great Drama
Very Accurate (thought not 100%)
Game of Thrones with Pirates
I was unawares during my first initial viewing of this show that this was in fact a prequel of sorts to the famous classic novel by Robert Louis Stevenson, Treasure Island. Though I knew that I had heard the names Flint and John Silver among others. However, I must admit, I have never seen, nor read any adaptation of the classic (I know shameful) but I intend to as it is in my collection of books and has been for years. I collected the 'Golden Library' collection which contains nearly all of the most classic books that are must reads for any book worm, and though I do not claim to be a book worm nor a large reader of any kind, I take interest in anything to do with Pirates, Vikings, and most historical fiction.
This show is a great representation of the life and time of Piracy however, and I can review it from a point of view of someone who knows quite a bit about the golden age of piracy in actual historical facts. Unlike the previous pirate content I reviewed, Blackbeard, this show portrays pirates as scarred, dirty, bloody, and frightening in their own way. However, similar to the Blackbeard short series, the pirates and other characters all have near perfect teeth. It seems to be that only (in what I have seen anyways) the Pirate's of the Caribbean franchise has managed to nail the full historical accuracy of the look of a pirate from clothing, to makeup, to the teeth.
On the other hand, this does not cause much of a disturbance to the viewing of this show, because the drama is brilliant, if you can bare the somewhat slow plot lines unfold as there are many characters in this show, and each have a ship full of issues that all need resolving with very few of them actually being resolved. From love interests, to thievery, betrayal and all round general opposition between old allies and acquaintances. There is a lot of 'business' to deal with on the side of Eleanor Guthrie and her dealings with our main protagonists, among other important characters, some of which are based upon historical figures such as Captain Benjamin Hornigold, Charles Vane, Anne Bonny and Jack Rackham (known throughout history as Calico Jack). All portrayed as tough, cunning and sometimes (most times for Rackham) as humerous.
The production of this show is great, with beautiful sets, great looking props and special effects that make this a believable series to get lost in. It's one of the better pirate themed mediums that I have seen, and I personally really enjoy the drama and suspense of the episodes, as well as the twists and turns of certain scenario's which leave you wanting more.
The cast deliver great performances and make you believe that they are truly men or women to be feared, and not to be double crossed. From Charles Vane's tough exterior, to Eleanor Guthrie's power over trade in Nassau, and even Captain Flint's fear inducing presence, as we watch his secrets spill out into the hands of the wrong people.
This is a show I would recommend to anyone who enjoys the theme of pirates, with some fantasy and a lot of drama, but I should warn you, that it doesn't hold back with neither the nudity or the actions performed, during the state in which someone would be naked. Whether it's the whores in the brothel, or the few short term relationships between characters.
Minor Spoilers - nothing too important.
The first example you see of this extent of mature content, as well as some of the humour of this show, is when John Silver is taken into a whore house, and is told that 'Blackbeard' wishes to see him. When he enters, he finds a woman standing there, and as John Silver points out "You are not Blackbeard" only to discover that the beard, is revealed to be between her legs.
As I said, watch at your own risk but I would recommend it to anyone interested in the theme of Pirates during the Golden Age.
This show is a great representation of the life and time of Piracy however, and I can review it from a point of view of someone who knows quite a bit about the golden age of piracy in actual historical facts. Unlike the previous pirate content I reviewed, Blackbeard, this show portrays pirates as scarred, dirty, bloody, and frightening in their own way. However, similar to the Blackbeard short series, the pirates and other characters all have near perfect teeth. It seems to be that only (in what I have seen anyways) the Pirate's of the Caribbean franchise has managed to nail the full historical accuracy of the look of a pirate from clothing, to makeup, to the teeth.
On the other hand, this does not cause much of a disturbance to the viewing of this show, because the drama is brilliant, if you can bare the somewhat slow plot lines unfold as there are many characters in this show, and each have a ship full of issues that all need resolving with very few of them actually being resolved. From love interests, to thievery, betrayal and all round general opposition between old allies and acquaintances. There is a lot of 'business' to deal with on the side of Eleanor Guthrie and her dealings with our main protagonists, among other important characters, some of which are based upon historical figures such as Captain Benjamin Hornigold, Charles Vane, Anne Bonny and Jack Rackham (known throughout history as Calico Jack). All portrayed as tough, cunning and sometimes (most times for Rackham) as humerous.
The production of this show is great, with beautiful sets, great looking props and special effects that make this a believable series to get lost in. It's one of the better pirate themed mediums that I have seen, and I personally really enjoy the drama and suspense of the episodes, as well as the twists and turns of certain scenario's which leave you wanting more.
The cast deliver great performances and make you believe that they are truly men or women to be feared, and not to be double crossed. From Charles Vane's tough exterior, to Eleanor Guthrie's power over trade in Nassau, and even Captain Flint's fear inducing presence, as we watch his secrets spill out into the hands of the wrong people.
This is a show I would recommend to anyone who enjoys the theme of pirates, with some fantasy and a lot of drama, but I should warn you, that it doesn't hold back with neither the nudity or the actions performed, during the state in which someone would be naked. Whether it's the whores in the brothel, or the few short term relationships between characters.
Minor Spoilers - nothing too important.
The first example you see of this extent of mature content, as well as some of the humour of this show, is when John Silver is taken into a whore house, and is told that 'Blackbeard' wishes to see him. When he enters, he finds a woman standing there, and as John Silver points out "You are not Blackbeard" only to discover that the beard, is revealed to be between her legs.
As I said, watch at your own risk but I would recommend it to anyone interested in the theme of Pirates during the Golden Age.
Haley Mathiot (9 KP) rated Once Dead, Twice Shy (Madison Avery, #1) in Books
Apr 27, 2018
Madison Avery doesn't believe in fate—until a combination of fate and free will brings her to live with her dad (which her mom thinks is a good thing for her since she can't stay out of trouble at home), gets her a pity-date ("you got your boss to get his son to ask me out? what?"), and kills her (at her junior prom. On her seventeenth birthday. of all the luck.). Now, after having claimed the amulet of the timekeeper who killed her (which is the only thing that keeps her looking like she's alive), she has to learn how to live with death. If that's even possible.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.
But the dark timekeeper who killed her isn't happy, because she's got his amulet, and she's not all the way dead (just sort of dead). Teaming up with Barnabas—who may or may not be a fallen angel—and the light time keeper, Chronos (or Ron for short), a guardian angel (who she forces to guard someone else) and enlisting the human help of her ex-prom date Josh (who she didn't realize she had a crush on), she has to attempt to save her soul.
All in a day's work for a dead high-schooler… right?
This was the second time I've read Once Dead, Twice Shy. I still can't figure out what the title means. Whatever it means, it was a pretty exciting book. There wasn't a second of "down-time." Madison was always up to something, learning something, running to—or from—something, or saving someone. Every chapter had little pieces of the puzzle, and the way it all fit together at the end, was priceless, hilarious, and promising.
I will say that I don't like where the story picks up. I think Harrison should have actually included the beginning of the story, where she gets killed. I read it before I read this book and I would have been rather lost without it. It was a short story included in Prom Nights from Hell. I don't care if this is technically a "book 1" in the series. It should have been book 2, or at least had the beginning of the story included in it.
I really liked Madison. I liked her character (though not some of her choices—but hey, if I was a dead seventeen year old trying to keep her dad from knowing that she could bend time, I probably would have made those same choices) and I liked her interior monologue. She was serious enough to be nerve-wracking and exciting, but sarcastic enough to give everything a touch of comic relief. I really didn't like Josh in the short prequel to this book, but as his character began to be more clear, I really started to like him. I hope things turn out well between him and Madison. I would have liked a little more romantic tension between them, but what was there was clean and innocent—a little too innocent for Madison Avery.
I don't particularly like Kim Harrison's writing style. It's very casual, it has those dreaded fragments, and it's nothing out of the ordinary. However, her way of describing both physical images and emotional feelings was very good, and I could see everything, hear everything, and feel everything her characters were experiencing. As I mentioned above, I liked the comic relief. I also liked her lack of language through the story. Madison had her own set of "words" and phrases that she used that weren't offensive in any way, and it made the story much more enjoyable. However, the only word I can think of to describe her writing is mediocre, and that and the lack of tension between Madison and Josh are the only reasons I don't give this book five stars.
Content: clean of language, violence, and sexuality of any kind. Thank you Harrison, for writing clean YA fiction!
Recommendation: Ages 12+ to lovers of sci-fi, fantasy, and general YA fiction.
This review is copyright Haley Mathiot and Night Owl Reviews.