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Gareth von Kallenbach (980 KP) rated Midway (2019) in Movies
Nov 7, 2019
The events of December 7th 1941 left an indelible mark on the psyche of America and became a date that truly has lived in infamy. Though historians, authors, and filmmakers have attempted to analyze the events during and leading to the attack on Pearl Harbor; there is still a great deal of interest about the attack and the aftermath.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
365Flicks (235 KP) rated Deadly Intent (2016) in Movies
Nov 20, 2019
Deadly Intent is a Powerful, Viseceral, Performance Driven, British Thriller Unlike Others… Reaney is Superb…
I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.
Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.
Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
download-40
I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.
This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.
I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.
I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.
Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.
Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
download-40
I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.
This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.
I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.
JT (287 KP) rated Buried (2010) in Movies
Mar 10, 2020
Shot with a low budget and entirely in one location (inside Paul’s coffin), Buried is a very intense and gripping movie, which plays on the age-old human fear of being buried alive and takes it to whole new levels.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
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Heather Cranmer (2721 KP) rated The Girls Are All So Nice Here in Books
Jun 30, 2021
I love a good psychological thriller. In fact, that's one of my favorite genres. When I read the synopsis of The Girls Are All So Nice Here by Laurie Elizabeth Flynn, I knew it was a book I had to read. It was giving me Pretty Little Liars vibes in a way. I ended up really liking this book.
I really enjoyed the plot of The Girls Are All So Nice Here, and the pacing was perfect. To say I devoured this book is an understatement. I had to know more. I had to know more about Amb, Sully, and Flora. I was totally invested in this story. I will say that most of the book is predictable with a few unpredictable plot twists. It's quite obvious, for the most part, how the story will end and who the guilty party is. However, the execution was done very well that knowing what was going to happen didn't put me off reading the book. I wanted more backstory for my theories, and the author did not disappoint. I enjoyed that the story alternated between Amb in college and Amb in the present time. One thing I didn't predict was what happened to Sully and Amb at the end of the book. I will say the ending was a tad rushed and a bit unbelievable with how easy it was for one such character to get away with what they did. However, this book does try to convey the lesson of be careful how you treat people.
I found the characters in The Girls Are All So Nice Here to be fleshed out enough to feel more like real people instead of just some random characters in a book. I really, really did not like Sully and Amb, not because they weren't written very well (which they are written amazingly), but because they were just so mean and selfish. They were the total mean girls at college. I think everyone knew at least one mean girl at some point in their life. I enjoyed reading about Sully and Amb then and now. It was fun to learn how much they had (or hadn't in some cases) matured. I really loved Flora and how much she genuinely seemed to care about everyone even those she never met. I wanted to be friends with Flora, and when I read about how mean Amb and Sully were to her, it broke my heart. Flora did not deserve any hate.
Trigger warnings for The Girls Are All So Nice Here include profanity, promiscuity, many sex references though not super graphic, rape, murder, mentions of suicide, underage drinking, drugs, and gaslighting.
Overall, The Girls Are So Nice Here is an intriguing read that will pull its readers in from the very first page. With characters the reader will love to hate and a story line that sucks you in, this is one novel that you won't soon forget. I would definitely recommend The Girls Are All So Nice Here by Laurie Elizabeth Flynn to those aged 18+ who are after a well developed story that will leave you gasping by the last page.
I really enjoyed the plot of The Girls Are All So Nice Here, and the pacing was perfect. To say I devoured this book is an understatement. I had to know more. I had to know more about Amb, Sully, and Flora. I was totally invested in this story. I will say that most of the book is predictable with a few unpredictable plot twists. It's quite obvious, for the most part, how the story will end and who the guilty party is. However, the execution was done very well that knowing what was going to happen didn't put me off reading the book. I wanted more backstory for my theories, and the author did not disappoint. I enjoyed that the story alternated between Amb in college and Amb in the present time. One thing I didn't predict was what happened to Sully and Amb at the end of the book. I will say the ending was a tad rushed and a bit unbelievable with how easy it was for one such character to get away with what they did. However, this book does try to convey the lesson of be careful how you treat people.
I found the characters in The Girls Are All So Nice Here to be fleshed out enough to feel more like real people instead of just some random characters in a book. I really, really did not like Sully and Amb, not because they weren't written very well (which they are written amazingly), but because they were just so mean and selfish. They were the total mean girls at college. I think everyone knew at least one mean girl at some point in their life. I enjoyed reading about Sully and Amb then and now. It was fun to learn how much they had (or hadn't in some cases) matured. I really loved Flora and how much she genuinely seemed to care about everyone even those she never met. I wanted to be friends with Flora, and when I read about how mean Amb and Sully were to her, it broke my heart. Flora did not deserve any hate.
Trigger warnings for The Girls Are All So Nice Here include profanity, promiscuity, many sex references though not super graphic, rape, murder, mentions of suicide, underage drinking, drugs, and gaslighting.
Overall, The Girls Are So Nice Here is an intriguing read that will pull its readers in from the very first page. With characters the reader will love to hate and a story line that sucks you in, this is one novel that you won't soon forget. I would definitely recommend The Girls Are All So Nice Here by Laurie Elizabeth Flynn to those aged 18+ who are after a well developed story that will leave you gasping by the last page.
BookInspector (124 KP) rated Dear Amy in Books
Sep 24, 2020
When I read the description of the book it really left me intrigued and I was very excited when I got this review book. After I finished it, I was slightly disappointed of how it turned out. The main character was a teacher/adviser Margot Lewis. Who was about to get divorced with her husband. When the schoolgirl gets kidnapped, Margot starts getting letters from Bethan, who vanished a decade ago, with a request to save her. Police is laughing at her letters, so she is trying to figure out Bethan’s story on her own. But what she finds out ruins her life. Margot is a very strong woman, who has some serious psychological issues. However I really liked the way she was dealing with them. Most of the novel is told by Margot, however I really loved that there were parts, where other characters had chance to express themselves. There was a part where the kidnapped schoolgirl had to tell her side of the story and how she was feeling in some situations. I was ecstatic when author gave an insight of the kidnapper’s brain and how he saw and felt during the whole story. The ability to involve more than one character in the book makes me enjoy it way more, and I am over the moon when authors do it. The characters in this publication were quite interesting and enjoyable.
I don’t think that the whole idea of getting letters from kidnapped people was very original, but the fact that they come after so long kept the suspense going. Unfortunately not for very long, because at least for me it was quite predictable what the outcome will be and who the sender was. The intensity of the plot I would describe as “V” shape. The beginning had turns and was interesting, the middle of the book got quite boring and predictable and then towards the end it became interesting and twisty again. I was not very excited to read so many Margot’s thoughts, as some of them were quite irrelevant and felt like dragging unnecessary. There was some action going on but it could’ve been a bit faster paced. It was quite easy to read this book; it has a simple and understandable writing style. The author shares her love for Cambridge in a very enjoyable way by describing the places and buildings very nicely and with great detail. Never been there but from this book I can imagine it is a beautiful place. I really liked that author touched such themes as school hierarchy, influence of internet posts and how naive young girls can be. I do hope that people who read the book will learn something from this book. I truly enjoyed the ending of the book and I think it was really thought trough and concluding. It didn’t leave any unfinished business and I’m very happy about it. So to conclude, It is a good book if you looking for mystery, some twists and turns and the story which was told from more than one point of view.
I don’t think that the whole idea of getting letters from kidnapped people was very original, but the fact that they come after so long kept the suspense going. Unfortunately not for very long, because at least for me it was quite predictable what the outcome will be and who the sender was. The intensity of the plot I would describe as “V” shape. The beginning had turns and was interesting, the middle of the book got quite boring and predictable and then towards the end it became interesting and twisty again. I was not very excited to read so many Margot’s thoughts, as some of them were quite irrelevant and felt like dragging unnecessary. There was some action going on but it could’ve been a bit faster paced. It was quite easy to read this book; it has a simple and understandable writing style. The author shares her love for Cambridge in a very enjoyable way by describing the places and buildings very nicely and with great detail. Never been there but from this book I can imagine it is a beautiful place. I really liked that author touched such themes as school hierarchy, influence of internet posts and how naive young girls can be. I do hope that people who read the book will learn something from this book. I truly enjoyed the ending of the book and I think it was really thought trough and concluding. It didn’t leave any unfinished business and I’m very happy about it. So to conclude, It is a good book if you looking for mystery, some twists and turns and the story which was told from more than one point of view.
Ivana A. | Diary of Difference (1171 KP) rated Not My Daughter in Books
Oct 5, 2020
I am so happy to have the opportunity to be part of the blog tour for Not My Daughter by Suzy K. Quinn. Thank you to the team at HQ, for sending me an e-copy in exchange for an honest review. Have a look at the Blog Tour Banner below and check out the other bloggers.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Ivana A. | Diary of Difference (1171 KP) rated Codename Villanelle (Killing Eve #1) in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3346735674">Codename Villanelle</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3350743338">No Tomorrow</a> - To Be Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-62.png"/>;
<b><i>Codename Villanelle is a book I listened to. I don’t often listen to audiobooks, but I wanted to read this book, and I didn’t own a physical copy.</i></b>
The reason I wanted to read this book is because I heard there is a TV series coming, featuring Sandra Oh from Grey’s Anatomy. I loved Sandra as Christina, and I knew I was going to love her as Eve. The TV Series is a hit, and I love it, but this is not why we’re here. We are here to talk about the books. On this occasion, the first book in the series.
<b><i>Villanelle is one of the world’s best assassins.</i></b>
She is a psychopath who loves her luxurious lifestyle and loves playing mind games. She is hired by a powerful group called the Twelve, and she is tasked to murder rich and influential people.
<b><i>Eve Polastri is a former MI6 operative.</i></b>
She is hired to find and capture or kill this assassin. Eve, who has a quiet life with her husband Nico and enjoys the peace, accepts the mission. However, little does she know, everything is about to change.
The chase is an exciting one and we never know what will happen next.
Honestly, I had troubles with the audiobook. The pronunciation of everything in Russian, French and Italian was a complete miss, and it annoyed me. Names, food, places, cities - it was all said incorrectly. I know for some people this is a minor issue. However, for me, it took away the joy throughout the whole book.
Apart from this, the first book of the series is a great introduction to both Eve and Villanelle. We find out more about their personalities and characters. We follow Villanelle in a few of her assassinations, and we follow Eve in some of her investigations. I think this book focused more on VIllanelle, featuring her childhood and training days as well. The presentation of their feelings and insights was immaculate. I loved their relationship forming, even without them meeting each other. There is tension, there are clues, and there is the play of destiny to always end up chasing each other.
<b><i>The writing was good and the pace was fast, which led to a very fast adventure. Also, the ending was intriguing, and it definitely leaves space for the second book to come in and explain a few things.</i></b>
I am looking forward to continuing this series and reading the second book - No Tomorrow. I recommend Codename Villanelle to everyone that loves action, assassination, murder, spy themes and psychological thrillers.
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#1 <a href="https://www.goodreads.com/review/show/3346735674">Codename Villanelle</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3350743338">No Tomorrow</a> - To Be Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-62.png"/>;
<b><i>Codename Villanelle is a book I listened to. I don’t often listen to audiobooks, but I wanted to read this book, and I didn’t own a physical copy.</i></b>
The reason I wanted to read this book is because I heard there is a TV series coming, featuring Sandra Oh from Grey’s Anatomy. I loved Sandra as Christina, and I knew I was going to love her as Eve. The TV Series is a hit, and I love it, but this is not why we’re here. We are here to talk about the books. On this occasion, the first book in the series.
<b><i>Villanelle is one of the world’s best assassins.</i></b>
She is a psychopath who loves her luxurious lifestyle and loves playing mind games. She is hired by a powerful group called the Twelve, and she is tasked to murder rich and influential people.
<b><i>Eve Polastri is a former MI6 operative.</i></b>
She is hired to find and capture or kill this assassin. Eve, who has a quiet life with her husband Nico and enjoys the peace, accepts the mission. However, little does she know, everything is about to change.
The chase is an exciting one and we never know what will happen next.
Honestly, I had troubles with the audiobook. The pronunciation of everything in Russian, French and Italian was a complete miss, and it annoyed me. Names, food, places, cities - it was all said incorrectly. I know for some people this is a minor issue. However, for me, it took away the joy throughout the whole book.
Apart from this, the first book of the series is a great introduction to both Eve and Villanelle. We find out more about their personalities and characters. We follow Villanelle in a few of her assassinations, and we follow Eve in some of her investigations. I think this book focused more on VIllanelle, featuring her childhood and training days as well. The presentation of their feelings and insights was immaculate. I loved their relationship forming, even without them meeting each other. There is tension, there are clues, and there is the play of destiny to always end up chasing each other.
<b><i>The writing was good and the pace was fast, which led to a very fast adventure. Also, the ending was intriguing, and it definitely leaves space for the second book to come in and explain a few things.</i></b>
I am looking forward to continuing this series and reading the second book - No Tomorrow. I recommend Codename Villanelle to everyone that loves action, assassination, murder, spy themes and psychological thrillers.
Lee (2222 KP) rated Greyhound (2020) in Movies
Sep 2, 2020
Snore...
Based on a C.S. Forester novel The Good Shepherd, and a screenplay by Mr Tom Hanks himself, Greyhound is the latest movie to feature Hanks in the role of brave Captain, returning once more to World War II territory. Any hopes that this might be a return to the grand heights of Saving Private Ryan though are soon laid to rest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Awix (3310 KP) Nov 12, 2019