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Lou Grande (148 KP) rated Hogg in Books
May 28, 2018
Please, please, please proceed with caution
HOGG was written in 1968, a few short months before the Stonewall Riots. Brimming with anger and pent up sexuality, HOGG is (by the author's admission) a pornographic novel for nobody. It's the kind of novel that's hard to describe as "good," even though it's masterfully constructed and hard-hitting. It's also disgusting on a deep, visceral level--multiple levels, actually.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
Kristin (149 KP) rated Weirdo. Mosher. Freak: (If Only They'd Stopped at Name Calling) in Books
Dec 7, 2018
Disclaimer: I won this book through a FirstReads giveaway (and I'm really glad I did).
Most everybody, at some point in their lives, has been picked on, bullied, pushed around, whether literally or just emotionally. What happened to Sophie Lancaster and Rob Maltby in August 2007 shows the result of that being taken to the unfortunate extreme.
To say that I enjoyed this book would seem a little inappropriate, considering its subject matter. However, I found it extremely enlightening, as I do not recall ever hearing about this case when it occurred 5 years ago. Reading about how news of it and the resulting foundation spread worldwide made me pause and try to remember back to that time, and I think I remember seeing the "S.O.P.H.I.E." logo before, here in Virginia, USA. That just goes to show how much this meant, and still means, to so many people around the world.
I found this book to be very tactful in its approach to the case, from start to finish, as well as the coverage of the fundraising events for the Sophie Lancaster Foundation and Sylvia Lancaster's work to change the laws regarding the definition of hate crimes. Having just received a Master's Degree in Forensic Psychology, and as someone who has worked with people who have committed Domestic Violence, the sections describing the defendants' actions during the assault, interviews, court appearances (as well as their parents') was extremely unsettling, but very helpful in understanding just how they could be so abusive.
I would recommend this book to anyone who works with youths, especially those considered "troubled," as they could see and share what could happen if they continue down the road they're on. However, those who might benefit most are those who can relate to the title, having been called a "weirdo" or a "freak" by their peers. They need to know that there are people all over the world just like them, and that there is no reason to take the abuse, whether verbal or physical. As Sylvia Lancaster was quoted in the book, "prejudice and intolerance is the new racism," and it can't get any better until those who promote it are held accountable.
"Hate is easy--love takes courage."
Most everybody, at some point in their lives, has been picked on, bullied, pushed around, whether literally or just emotionally. What happened to Sophie Lancaster and Rob Maltby in August 2007 shows the result of that being taken to the unfortunate extreme.
To say that I enjoyed this book would seem a little inappropriate, considering its subject matter. However, I found it extremely enlightening, as I do not recall ever hearing about this case when it occurred 5 years ago. Reading about how news of it and the resulting foundation spread worldwide made me pause and try to remember back to that time, and I think I remember seeing the "S.O.P.H.I.E." logo before, here in Virginia, USA. That just goes to show how much this meant, and still means, to so many people around the world.
I found this book to be very tactful in its approach to the case, from start to finish, as well as the coverage of the fundraising events for the Sophie Lancaster Foundation and Sylvia Lancaster's work to change the laws regarding the definition of hate crimes. Having just received a Master's Degree in Forensic Psychology, and as someone who has worked with people who have committed Domestic Violence, the sections describing the defendants' actions during the assault, interviews, court appearances (as well as their parents') was extremely unsettling, but very helpful in understanding just how they could be so abusive.
I would recommend this book to anyone who works with youths, especially those considered "troubled," as they could see and share what could happen if they continue down the road they're on. However, those who might benefit most are those who can relate to the title, having been called a "weirdo" or a "freak" by their peers. They need to know that there are people all over the world just like them, and that there is no reason to take the abuse, whether verbal or physical. As Sylvia Lancaster was quoted in the book, "prejudice and intolerance is the new racism," and it can't get any better until those who promote it are held accountable.
"Hate is easy--love takes courage."
FilmIntuition (33 KP) rated All We Ever Wanted in Books
Jul 6, 2018
Timely & Compelling
Determined to get to the second book in the series that everyone I knew had assured me was "the best," over the years, I must've picked up and earnestly started my paperback copy of Emily Giffin's Something Borrowed dozens of times but just couldn't relate to the characters.
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.
And while I feared the same would be true for Giffin's latest novel All We Ever Wanted, especially considering that the first chapter of the book – which divides the storyline into three alternating first person points-of-view – began from the perspective of the wealthy one percenter wife from Nashville's elite, Giffin quickly replaces first world problems with real world problems.
Shocked to her core upon discovering appalling decision made by her Princeton bound son, in trying to get to the bottom of what exactly happened and what on Earth he was thinking, Nina Browning is forced to take a good hard look at her life and marriage as well as her past when she found herself at the other end of a similar horrific situation.
Continuing the action from the perspective of the two main other parties involved including her son's younger classmate, Lyla and Lyla's protective single father Tom, Giffin deftly balances her richly compelling drama with timely issues of economic inequality, racism, and sexual harassment in the digital age.
Surprising her readers with a few well-earned twists, while despite the narrative roller-coaster, we're pretty sure we know precisely who's to blame, ultimately it's in Lyla and Nina's journey toward accepting and understanding the truth that made the book increasingly hard to stop reading, particularly in its second half.
An ideal property for HBO to look into adapting as part of its annual miniseries exploration of twenty-first century women in literature, All We Ever Wanted might have been my first Emily Giffin work but it's just the right one to make me want to pick up Something Borrowed again for good.
Note: I received an Advanced Reader’s Copy of this title from Bookish First in exchange for an honest opinion.
Joelene Marie (28 KP) rated The Black Witch in Books
Oct 1, 2018
Wow! This story, these characters... just wow. Seriously got me right in the feels. There's quite a bit of controversy surrounding this book and i think it's for the wrong reasons. This book isn't racist or any of the other things it's been called, not in and of itself. Does it contain racism, misogyny, homophobia, xenophobia? in spades! Religious zealots, oppression, and just plain ignorant prejudice and discrimination? Oh, absolutely! At times heartbreaking and difficult to read? Definitely! But at its core this is a book about hope. It's about moving past preconceived notions of others based on any of the labels used to divide and coming together. It's about looking beyond outward appearance and seeing the person inside. There are obvious parallels between the book and reality because the author was trying to make a point, not that she or her story are racist or condone these behaviors but the exact opposite, that it is wrong and that we could do amazing things if we quit using labels that divide us, whether it's race, religion, gender, sexuality, occupation, ability, class, country of origin, political affiliation, etc. Those are only labels, they don't define any of us nor should they.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
This book is beautifully written, with very well developed characters that u come to love and plenty u despise, in a world very similar to our own in different ways. It's emotional. It's wonderful. It has an important message. I am so glad that I read it for myself instead of just going on the negative reviews and jumping on the hate bandwagon. Thinking for yourself instead of believing what you're told about something is a pretty strong message in the story as well. I absolutely loved it and was disappointed when I got to the end. I implore everyone to please take the time to read it yourself and see how it makes you feel instead of avoiding it on some misguided principle after reading a bad review written by someone who either didn't get the obvious messages within The Black Witch or was already prejudiced against it themselves. Seriously, it's worth it.
Neon's Nerd Nexus (360 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020 (Updated Jan 6, 2020)
A funny angle
Gentleman is Guy Richie's attempt to bring the british gangster movies from the past back into the modern time and while it may just be an updated version of Snatch its a bloody enjoyable update. It seems like years ago now since I grew out of the 'British Gangster' film phase of my life and while I actaully find Snatch to be over rated myself instead much preferring Guy Richie's other work I can still understand why it has such a big following. Gentleman follows the same formula either deliberately or coincidentally and while this does feel repetative/outdated I couldnt help but be pulled in and deliciously entertained by it. Playing out a bit like reading a comic book Gentleman is satisfyingly violent, full of cusing/crudness and full of mostly satisfying twists and turns. At first I hated it but after the first 20 minutes I just let go and finally started getting back in to this sort of style. Full to the brim with exposition dialog but its handled in a refreshing new way which made hearing it less eye rolling and instead kept it constantly entertaining. Essentially one big power struggle between an assortment of characters non of which are actually very nice people but the ones Hugh Grant and Charlie hunnam play are extremely likeable. Watching these two interact on screen is the absolute bread and butter and they both play interesting characters both with very unique individual traits and characteristics. Colin Farrell is also superb and memorable too and the film has a wicked sense of humor that kept me laughing the whole way through. If you are easily offended its safe to say this is not the film for you as its not only full of extreame cursing but constant racism and violence too. By no means a perfect film or a gangster masterpiece Gentleman is still and absolute blast to watch and has enough twists/turns, quirky characters, witty dialog, fresh ideas, tension, violence/mucking about to entertain and offend pretty much anyone. Highly enjoyable.
Psychology of Prejudice and Discrimination
Mary E. Kite and Bernard E. Whitley
Book
The Psychology of Prejudice and Discrimination provides a comprehensive and compelling overview of...
Ali A (82 KP) rated Black Buck in Books
Jan 5, 2021
Black Buck follows the story of Darren Vender, an unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother. He’s happy with his Mom, his long term girlfriend, Soraya, his best friend Jason, and Mr. Rawlings, the man who’s lived on the first floor of his house since before he was born. Darren is even content with just being a shift manager at Starbucks. But his Mom wants nothing more than for Darren to live up to his potential. So when Rhett Daniels, the CEO of Sumwun, New York’s newest tech startup, invites Darren to join the elite team on the thirty-sixth floor, Darren agrees.
Quickly finding out he’s the only Black person in the company and after enduring a “hell week” of training, Darren gets the new name “Buck”, and turns himself into an impressive salesman who becomes unrecognizable to his friends and family. But after a tragic event back home, Buck feels like he hit rock bottom and he begins to make plans to help young people of color make their way into the sales force and it forever changes the game.
This is Mateo Askaripour’s debut novel and what a talent he is! He definitely takes you on a journey that is wild and crazy. This book deals with a lot, the narrator, Buck, puts it all out on the table for the readers to read and experience: racism, gentrification, white privilege, classism, etc.
The story is told with small “notes” from Buck, who is talking to you from a later time. The little notes really make the novel unique and sometimes even funny. There are many characters and many events that keep the story going and growing. You know it’s all somehow going to blow up, because there are so many ways it could, but how it does is the shock.
This book was not what I expected at all and for that I am glad. I will for sure be keeping Mateo Askaripour on my radar for anything he releases in the future.
*Thank you Bookishfirst and HMH Publishing for an ARC copy of this book in exchange for an honest review
Quickly finding out he’s the only Black person in the company and after enduring a “hell week” of training, Darren gets the new name “Buck”, and turns himself into an impressive salesman who becomes unrecognizable to his friends and family. But after a tragic event back home, Buck feels like he hit rock bottom and he begins to make plans to help young people of color make their way into the sales force and it forever changes the game.
This is Mateo Askaripour’s debut novel and what a talent he is! He definitely takes you on a journey that is wild and crazy. This book deals with a lot, the narrator, Buck, puts it all out on the table for the readers to read and experience: racism, gentrification, white privilege, classism, etc.
The story is told with small “notes” from Buck, who is talking to you from a later time. The little notes really make the novel unique and sometimes even funny. There are many characters and many events that keep the story going and growing. You know it’s all somehow going to blow up, because there are so many ways it could, but how it does is the shock.
This book was not what I expected at all and for that I am glad. I will for sure be keeping Mateo Askaripour on my radar for anything he releases in the future.
*Thank you Bookishfirst and HMH Publishing for an ARC copy of this book in exchange for an honest review
Kristy H (1252 KP) rated One to Watch in Books
Nov 12, 2020
With more than half a million Instagram followers and a popular blog, Bea Schumacher has a great life. But she doesn't have love--she's still pining after her best friend, who broke her heart. Bea also loves the reality romance juggernaut, Main Squeeze, where men vie for the affections of a beautiful women. When Bea's critique of Main Squeeze goes viral--why doesn't the show feature any diversity of size in its cast--the show comes to her. They want Bea to be the next star. Bea agrees, but she's adamant: she won't fall in love. This is just for her career. But once on set, Bea realizes this might not be as easy as she thinks.
"Life isn’t often a fairy tale, even on a show that aims to create one.”
I've never seen "The Bachelor" (Main Squeeze's equivalent) before in my life, but I found this book fascinating. (Probably more enjoyable than the actual show, ha.) It's frothy and entertaining but also tackles serious topics like body issues and racism. Once on the show, Bea meets a host of men: some truly awful, some quite lovely. It's quite the ride to watch her have her choice of eligible and handsome men.
I found Bea a little frustrating in her absolute unwillingness to open up, leading her to wallow in self-pity and a complete inability to even consider love. But, she had her reasons. The body positivity in the book was excellent and frequent. Bea is fearful of opening up and revealing herself and her body after being hurt. But she's also a successful and strong businesswoman (and now a celebrity!). The book draws you in to the episodes of Main Squeeze--it's honestly quite addictive. It sprinkles in excepts from Twitter, chats, publications, and more to tell the story--a very effective format. And there's true humor, romance, and heartbreak involved as well.
Overall, this was probably 3.75 stars for me--bumping up due to its strong coverage of serious and important topics. Oh and for Bea's stepdad! I loved him so much. Worth a read, for sure.
"Life isn’t often a fairy tale, even on a show that aims to create one.”
I've never seen "The Bachelor" (Main Squeeze's equivalent) before in my life, but I found this book fascinating. (Probably more enjoyable than the actual show, ha.) It's frothy and entertaining but also tackles serious topics like body issues and racism. Once on the show, Bea meets a host of men: some truly awful, some quite lovely. It's quite the ride to watch her have her choice of eligible and handsome men.
I found Bea a little frustrating in her absolute unwillingness to open up, leading her to wallow in self-pity and a complete inability to even consider love. But, she had her reasons. The body positivity in the book was excellent and frequent. Bea is fearful of opening up and revealing herself and her body after being hurt. But she's also a successful and strong businesswoman (and now a celebrity!). The book draws you in to the episodes of Main Squeeze--it's honestly quite addictive. It sprinkles in excepts from Twitter, chats, publications, and more to tell the story--a very effective format. And there's true humor, romance, and heartbreak involved as well.
Overall, this was probably 3.75 stars for me--bumping up due to its strong coverage of serious and important topics. Oh and for Bea's stepdad! I loved him so much. Worth a read, for sure.
Melanie Caldicott (6 KP) rated The Beauty of Your Face in Books
Apr 29, 2021
You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
Kristy H (1252 KP) rated Firekeeper's Daughter in Books
Aug 19, 2021
An expansive and lovely #OwnVoices tale
Daunis Fontaine feels torn between two worlds--growing up worrying about her Mom and dreaming of becoming a doctor and then being an unenrolled member of the Ojibwe tribe. Her late father was a member and so is her half-brother, Levi. When Daunis' uncle dies and she decides to stay home and attend local community college to take care of her mom, she feels trapped. But the arrival of Jamie, a new member of Levi's hockey team, is a bright spot. The two become fast friends. However, everything changes when Daunis witnesses a horrible murder, and she becomes an informant for the FBI. Suddenly, everything she knows about her hometown and the tribe changes.
"I learned there were times when I was expected to be a Fontaine and other times when it was safe to be a Firekeeper."
This is an excellent book--more mystery than I thought it would be. It covers a lot of topics--sometimes more than seems necessary. Racism, tribal issues, sexual assault, depression, drug abuse, FBI informants, romance, murder... there's a lot packed into this book. However, it does a great job looking into how meth and drug abuse affect the Native American community (as well as sexual assault). It's heartbreaking at times, but also compelling and educational.
"My mother's superpower is turning my ordinary worries into monsters so huge and pervasive that her distress and heartache become almost debilitating. I can protect her from that hurt."
Daunis is a very sympathetic and likeable character. She's dedicated to her family, to her tribe, and her community. She takes on a lot for a kid her age. Sometimes it felt like the informant plot was a little much, a little contrived, but overall, it didn't take away from my enjoyment of the book. It was wonderful to read an #OwnVoices book of such quality and scope, and I look forward to what Boulley does next.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my fourth book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
"I learned there were times when I was expected to be a Fontaine and other times when it was safe to be a Firekeeper."
This is an excellent book--more mystery than I thought it would be. It covers a lot of topics--sometimes more than seems necessary. Racism, tribal issues, sexual assault, depression, drug abuse, FBI informants, romance, murder... there's a lot packed into this book. However, it does a great job looking into how meth and drug abuse affect the Native American community (as well as sexual assault). It's heartbreaking at times, but also compelling and educational.
"My mother's superpower is turning my ordinary worries into monsters so huge and pervasive that her distress and heartache become almost debilitating. I can protect her from that hurt."
Daunis is a very sympathetic and likeable character. She's dedicated to her family, to her tribe, and her community. She takes on a lot for a kid her age. Sometimes it felt like the informant plot was a little much, a little contrived, but overall, it didn't take away from my enjoyment of the book. It was wonderful to read an #OwnVoices book of such quality and scope, and I look forward to what Boulley does next.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my fourth book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!