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Ivana A. | Diary of Difference (1171 KP) rated Hippie in Books
Nov 26, 2018
Full review on www.diaryofdifference.com
Hippie is the autobiography by Paulo Coelho, told in third person. This is a story about people that travel the world, wear funny clothes and flowers in their hairs, and believe in peace, love and freedom.
I have read many of Coelho’s books, even since I was a teenage girl. And all of them share something in common – the path of finding yourself. After reading Hippie, I believe that this is the the best one that covers this subject quite perfectly.
‘’He was a human being, with all the fragility that entails, he didn’t understand everything that happened in his life, but he truly wished to believe he was travelling in search of the light.’’
The book is a story of two people, Paulo and Karla. Paulo, a Brazilian guy, searching for freedom and travels. Karla, a lady born and living in Amsterdam, wanting to find herself so badly in the world. When she hears that a hippie bus is going all the way to Nepal, she is willing to go if she meets her ideal companion.
‘’She wished they could see her for her beauty, but all anyone ever saw was the hurricane, and they never sought shelter from it. They preferred to flee to safer ground.’’
Their adventure begins in such an adorable way, only hippies can relate to. Their search for what they want and need feeds with every stop and every destination. A beautiful story about friendship, love and travel.
I actually wished that they had spoken more about the travels and less about some individual stories that didn’t quite correlate to the plot. I also wished that they actually reached out the final destination the way they are supposed to (this was not a spoiler).
‘’Our travels teach us everything we need to know for the rest of our lives, as long as there’s no need to explain this to our parents.’’
Even though a sad end, it is a realistic story about a way of life before, where people loved to be free, and were free to find love, in a world of peace, love, marijuana and travels. A place where no one cares what you look like.
Right now, hippies are a normal thing, people that we all secretly enjoy reading about, and listening to their stories, but in the past, these people fought so hard to change the system of how people’s minds worked, the system people were stuck in, to make people realise that they have the freedom to believe in anything they think is right, to do anything that makes them happy, to be happy, and share this with the world. To live in a world full of happiness, love, peace, to travel and see places, discover places and people, see new cultures, explore people’s minds and customs.
‘’The sun had come out, as though to say that finally the Renaissance was making a return, to change everyone’s habits and customs – and one day very soon, people would no longer depend on the opinions of others but rather on their own ways of seeing life.’’
The one thing that I couldn’t enjoy was the constant religion mentioning in this book. All religions were mentioned, and with such intensity, that peace and love and freedom and the hippie meaning started to be in relation to religion, which is something I personally don’t want to put together. I am aware that lots of hippies believe in God in their own way, but I also think that love and peace should gather them together as a group, not religion. And this point was clearly states a lot of times throughout the book. Not enjoyable, at least for me.
For all of you out there, the hippies, the ordinary people that love travelling, love, life, happiness, music – this is a book for you. Another amazing Paulo Coelho novel, full of wisdom and quotes to underline.
Hippie is the autobiography by Paulo Coelho, told in third person. This is a story about people that travel the world, wear funny clothes and flowers in their hairs, and believe in peace, love and freedom.
I have read many of Coelho’s books, even since I was a teenage girl. And all of them share something in common – the path of finding yourself. After reading Hippie, I believe that this is the the best one that covers this subject quite perfectly.
‘’He was a human being, with all the fragility that entails, he didn’t understand everything that happened in his life, but he truly wished to believe he was travelling in search of the light.’’
The book is a story of two people, Paulo and Karla. Paulo, a Brazilian guy, searching for freedom and travels. Karla, a lady born and living in Amsterdam, wanting to find herself so badly in the world. When she hears that a hippie bus is going all the way to Nepal, she is willing to go if she meets her ideal companion.
‘’She wished they could see her for her beauty, but all anyone ever saw was the hurricane, and they never sought shelter from it. They preferred to flee to safer ground.’’
Their adventure begins in such an adorable way, only hippies can relate to. Their search for what they want and need feeds with every stop and every destination. A beautiful story about friendship, love and travel.
I actually wished that they had spoken more about the travels and less about some individual stories that didn’t quite correlate to the plot. I also wished that they actually reached out the final destination the way they are supposed to (this was not a spoiler).
‘’Our travels teach us everything we need to know for the rest of our lives, as long as there’s no need to explain this to our parents.’’
Even though a sad end, it is a realistic story about a way of life before, where people loved to be free, and were free to find love, in a world of peace, love, marijuana and travels. A place where no one cares what you look like.
Right now, hippies are a normal thing, people that we all secretly enjoy reading about, and listening to their stories, but in the past, these people fought so hard to change the system of how people’s minds worked, the system people were stuck in, to make people realise that they have the freedom to believe in anything they think is right, to do anything that makes them happy, to be happy, and share this with the world. To live in a world full of happiness, love, peace, to travel and see places, discover places and people, see new cultures, explore people’s minds and customs.
‘’The sun had come out, as though to say that finally the Renaissance was making a return, to change everyone’s habits and customs – and one day very soon, people would no longer depend on the opinions of others but rather on their own ways of seeing life.’’
The one thing that I couldn’t enjoy was the constant religion mentioning in this book. All religions were mentioned, and with such intensity, that peace and love and freedom and the hippie meaning started to be in relation to religion, which is something I personally don’t want to put together. I am aware that lots of hippies believe in God in their own way, but I also think that love and peace should gather them together as a group, not religion. And this point was clearly states a lot of times throughout the book. Not enjoyable, at least for me.
For all of you out there, the hippies, the ordinary people that love travelling, love, life, happiness, music – this is a book for you. Another amazing Paulo Coelho novel, full of wisdom and quotes to underline.
Chris Sawin (602 KP) rated Paprika (2006) in Movies
Jun 19, 2019
The DC Mini was created to not only record and watch a person's dreams, but to actually enter them as well. It was created by Kosaku Tokita at the Foundation for Psychiatric Research and was meant to be a form of therapy to help people find the purpose of manic disorders and other manias such as fear or anxiety issues. But when the DC Mini is stolen and the same dream is being implanted into people while they're awake with chaotic results, then the research foundation takes it upon themselves to try and find out who is behind all of this. Tokita, along with Atsuko Chiba and Torataro Shima, are on the case. But who is Paprika and how does Detective Toshimi Konakawa fit into the equation?
Let me just start off by saying I loved this film. It is weird, it is unusual, and it's creatively original. I think those are some of the best reasons to like Paprika other than the fact that the animation is incredibly fluid and crisp and the story is quite good, but we'll come back to those points shortly. With a film like Paprika that is so complex and so good, there's a lot of key points to mention.
There seems to be so much going on in the film even though it pretty much centers around one dream and it's a dream for the ages. One of the things I love about Paprika is that whenever this dream is implanted into somebody while they're awake, they just start spitting this random gibberish that doesn't make sense until you actually see the dream and see this parade. The way this parade bleeds into not only Detective Kogawa's dream, but into the real world is also a sight within itself.
Over the years I've found that not only anime fans but fans of foreign cinema prefer to watch the film in its natural language with subtitles rather than the English dubbed version. I'm not talking about someone who just watches anime occasionally, but die hard fans. The English dubbing used to be pretty bad on a lot of anime titles, but it's either progressed quite a bit since I last watched a dubbed title or this film is an exception. I had no problems watching the English dub of Paprika. The voices all fit the characters, it was synced up well, nothing really sounded out of place. I'd actually recommend the English dub over the subtitled version. The audio, in general, was very good. The soundtrack also fit Paprika like a glove. The music during the parade dream is a perfect example of this.
The animation of Paprika is where the film really shines. Each surreal dream is illustrated beautifully and each cel of animation flows in an almost realistic fashion. It's some of the best animation I've seen in an animated film that isn't entirely CGI. The story also reeled me in since what started off as something somewhat simple wound up being more complex than what I once thought. Most of Tokita's dialogue where he's describing why he created the DC Mini and it's purposes are a huge mouthful of scientific jargon that's hard to comprehend to its full extent on the first viewing of Paprika. I got more than what I expected story-wise and I was extremely happy with that.
Paprika is an extremely well animated, intelligent, trip into one's imagination that I'd recommend to anyone. The best way I can describe the film is by saying it's kind of like Akira with a story that actually makes sense. Track this film down, whether you're a fan of animated films or not. I think you'll be pleasantly surprised.
Let me just start off by saying I loved this film. It is weird, it is unusual, and it's creatively original. I think those are some of the best reasons to like Paprika other than the fact that the animation is incredibly fluid and crisp and the story is quite good, but we'll come back to those points shortly. With a film like Paprika that is so complex and so good, there's a lot of key points to mention.
There seems to be so much going on in the film even though it pretty much centers around one dream and it's a dream for the ages. One of the things I love about Paprika is that whenever this dream is implanted into somebody while they're awake, they just start spitting this random gibberish that doesn't make sense until you actually see the dream and see this parade. The way this parade bleeds into not only Detective Kogawa's dream, but into the real world is also a sight within itself.
Over the years I've found that not only anime fans but fans of foreign cinema prefer to watch the film in its natural language with subtitles rather than the English dubbed version. I'm not talking about someone who just watches anime occasionally, but die hard fans. The English dubbing used to be pretty bad on a lot of anime titles, but it's either progressed quite a bit since I last watched a dubbed title or this film is an exception. I had no problems watching the English dub of Paprika. The voices all fit the characters, it was synced up well, nothing really sounded out of place. I'd actually recommend the English dub over the subtitled version. The audio, in general, was very good. The soundtrack also fit Paprika like a glove. The music during the parade dream is a perfect example of this.
The animation of Paprika is where the film really shines. Each surreal dream is illustrated beautifully and each cel of animation flows in an almost realistic fashion. It's some of the best animation I've seen in an animated film that isn't entirely CGI. The story also reeled me in since what started off as something somewhat simple wound up being more complex than what I once thought. Most of Tokita's dialogue where he's describing why he created the DC Mini and it's purposes are a huge mouthful of scientific jargon that's hard to comprehend to its full extent on the first viewing of Paprika. I got more than what I expected story-wise and I was extremely happy with that.
Paprika is an extremely well animated, intelligent, trip into one's imagination that I'd recommend to anyone. The best way I can describe the film is by saying it's kind of like Akira with a story that actually makes sense. Track this film down, whether you're a fan of animated films or not. I think you'll be pleasantly surprised.
Chris Sawin (602 KP) rated The Brothers Bloom (2009) in Movies
Jun 19, 2019 (Updated Jun 22, 2019)
Stephen and Bloom are brothers who seem to bounce from foster home to foster home for whatever reason imaginable. That is until the day Stephen sets in motion his first con. After the con is executed exactly as planned, the brothers get their first taste of success only to quickly have it taken away from them. The wheels were already turning though as destiny had knocked on their door. Now, twenty five years later, The Brothers Bloom are arguably the two best con men in the world. While Stephen seems to enjoy pushing himself to create the perfect con, Bloom wants more out of life. He's sick of being a character his brother wrote and wants an unwritten life. They decide to do one last job involving a beautifully charming heiress, Penelope, that takes it upon herself to collect hobbies. Stephen plans on everything except for Bloom falling in love with her. So now, a con that was planned to take them around the world has turned into a romantic adventure that has an ending even Stephen couldn't see coming.
Rian Johnson created a great modern day noir film (which was also his debut as a director) with Brick that was really enjoyable. When the word about The Brothers Bloom started making its rounds, it immediately reeled me in. Johnson's style in The Brothers Bloom seems to almost mimic Wes Anderson's at times as several scenes (especially the first ten minutes or so) have a similar feel that seem to be shot in the same way you'd see in an Anderson film. The film also has a Kiss Kiss Bang Bang feel to it with how colorful every shot is. The tone was similar in both films as they both had humor as an underlying tone amongst a dramatic adventure revolving around crime. This film is just a real pleasure to look at. The cinematography seems to tell a story all on its own as every shot seems to be done in a unique way and everything is so vividly colorful.
Every factor of the film is strong. The story isn't entirely original as we've all heard con men stories before, but the way the story unfolds and the development of the characters involved makes it a new experience. The dialogue is also top notch. Nothing stuck out as being cheesy or hokey. Every line spoken was either witty, charming, or something you'd expect to hear in everyday conversation. So it was realistic and natural. The entire cast has to be the film's strongest point though. There doesn't really seem to be a character that's wasted or isn't used to their full potential. Rachel Weisz does steal the show though. Her character is so charismatic, outgoing, and eccentric that she just steals every scene she's a part of.
The Brothers Bloom is one of the best films to be released this year, which is a shame since it seems to have a limited release. It offers something for everybody looking for a good time at the movies whether it's an adventure that will take them around the world, romance between two of the central characters, an oddball character that's great comedic relief, the development of both brothers as characters as their crime of swindling people as con men causes drama, and even plenty of explosions to satisfy the action junkie. The conclusion of the film is both heartwarming and heartbreaking, as well. The Brothers Bloom will probably be overlooked by the many assured blockbusters coming out this summer, but it comes highly recommended from me and should be on everyone's must see list.
Rian Johnson created a great modern day noir film (which was also his debut as a director) with Brick that was really enjoyable. When the word about The Brothers Bloom started making its rounds, it immediately reeled me in. Johnson's style in The Brothers Bloom seems to almost mimic Wes Anderson's at times as several scenes (especially the first ten minutes or so) have a similar feel that seem to be shot in the same way you'd see in an Anderson film. The film also has a Kiss Kiss Bang Bang feel to it with how colorful every shot is. The tone was similar in both films as they both had humor as an underlying tone amongst a dramatic adventure revolving around crime. This film is just a real pleasure to look at. The cinematography seems to tell a story all on its own as every shot seems to be done in a unique way and everything is so vividly colorful.
Every factor of the film is strong. The story isn't entirely original as we've all heard con men stories before, but the way the story unfolds and the development of the characters involved makes it a new experience. The dialogue is also top notch. Nothing stuck out as being cheesy or hokey. Every line spoken was either witty, charming, or something you'd expect to hear in everyday conversation. So it was realistic and natural. The entire cast has to be the film's strongest point though. There doesn't really seem to be a character that's wasted or isn't used to their full potential. Rachel Weisz does steal the show though. Her character is so charismatic, outgoing, and eccentric that she just steals every scene she's a part of.
The Brothers Bloom is one of the best films to be released this year, which is a shame since it seems to have a limited release. It offers something for everybody looking for a good time at the movies whether it's an adventure that will take them around the world, romance between two of the central characters, an oddball character that's great comedic relief, the development of both brothers as characters as their crime of swindling people as con men causes drama, and even plenty of explosions to satisfy the action junkie. The conclusion of the film is both heartwarming and heartbreaking, as well. The Brothers Bloom will probably be overlooked by the many assured blockbusters coming out this summer, but it comes highly recommended from me and should be on everyone's must see list.
Lucy Buglass (45 KP) rated Crazy Rich Asians (2018) in Movies
Jun 20, 2019
A Rom-Com with Substance
Yes, I know what you’re thinking. This isn’t really the kind of film I’m particularly fond of. Everything about it screams ‘cheesy rom-com’, just look at that poster. But, I’m happy to say I walked away from this film feeling so glad that I had watched it. This is a classic example of not judging a film by its poster or trailer, as it has so much more to offer.
As the title of my review suggests, I mainly loved this film because of the overall narrative. There’s a lot of character development and dark secrets, meaning your interest is constantly held throughout the film. You really start to care about these characters and their lives, and I didn’t feel like anyone was just thrown in there for the sake of it. The dynamics between characters is really well done and realistic, and it’s very easy for you to quickly love or hate them. I was so impressed by the quality of the acting, and how each actor brought their characters to life on screen. I was especially blown away by Michelle Yeoh and Gemma Chan, for very different reasons. I was also happy to see an all-Asian cast in a mainstream film, as we still have a lot to do when it comes to wider representation and films like this are a huge step in the right direction.
I also feel like people could identify with some of the themes, especially this idea of a class divide and feeling unwelcome. It was so eye-opening to see how some people are shunned by families because of their social status, and how important it is for families to protect their name and heritage at all costs. Whilst Crazy Rich Asians shows an extreme version of this type of behaviour, class divides are prevalent across the world so this was a really interesting theme to explore. This theme is one of the reasons why I felt this film had so much substance, as it goes beyond simply being just another rom-com and shows us some serious, real-life issues instead. There are some scenes in Crazy Rich Asians that are far from comedic, and shows us a darker side to life within a wealthy, influential circle. The results are as dark as you’d expect. I don’t want to give any spoilers – experience it for yourself instead.
As for the comedy, it was genuinely laugh-out-loud funny. I am always apprehensive with comedy films as sometimes it can become too ridiculous and slapstick, but Crazy Rich Asians was satirical and smart, with some silly moments thrown in there too. I’m so impressed with how they blended humour with drama this effortlessly. It knows how to balance this without going too far one way, and the result is an incredibly well-rounded and three dimensional film that made me laugh and cry in equal measure. It’s a truly captivating film from start to finish.
Visually, it’s a stunning piece of cinema. You’re greeted with bright colours, gorgeous set design, and you’re transported to a world of luxury and Chinese culture, with these hostile undertones. On the big screen it’s even better, because you get to experience this gorgeous film on a large scale. It’s hard to take your eyes off it. I’m looking forward to revisiting this film in future so I can look for more details the second time around, as I’m sure I missed stuff during my initial viewing!
If this is the future of rom-com, consider me converted. I was so impressed by the overall film and would recommend it to anyone. Please don’t let the title and synopsis put you off, it’s such a smart, funny, heartbreaking film and I urge you to give it a go. You might end up as surprised as me!
https://lucygoestohollywood.com/2018/09/16/a-rom-com-with-substance-my-thoughts-on-crazy-rich-asians/
As the title of my review suggests, I mainly loved this film because of the overall narrative. There’s a lot of character development and dark secrets, meaning your interest is constantly held throughout the film. You really start to care about these characters and their lives, and I didn’t feel like anyone was just thrown in there for the sake of it. The dynamics between characters is really well done and realistic, and it’s very easy for you to quickly love or hate them. I was so impressed by the quality of the acting, and how each actor brought their characters to life on screen. I was especially blown away by Michelle Yeoh and Gemma Chan, for very different reasons. I was also happy to see an all-Asian cast in a mainstream film, as we still have a lot to do when it comes to wider representation and films like this are a huge step in the right direction.
I also feel like people could identify with some of the themes, especially this idea of a class divide and feeling unwelcome. It was so eye-opening to see how some people are shunned by families because of their social status, and how important it is for families to protect their name and heritage at all costs. Whilst Crazy Rich Asians shows an extreme version of this type of behaviour, class divides are prevalent across the world so this was a really interesting theme to explore. This theme is one of the reasons why I felt this film had so much substance, as it goes beyond simply being just another rom-com and shows us some serious, real-life issues instead. There are some scenes in Crazy Rich Asians that are far from comedic, and shows us a darker side to life within a wealthy, influential circle. The results are as dark as you’d expect. I don’t want to give any spoilers – experience it for yourself instead.
As for the comedy, it was genuinely laugh-out-loud funny. I am always apprehensive with comedy films as sometimes it can become too ridiculous and slapstick, but Crazy Rich Asians was satirical and smart, with some silly moments thrown in there too. I’m so impressed with how they blended humour with drama this effortlessly. It knows how to balance this without going too far one way, and the result is an incredibly well-rounded and three dimensional film that made me laugh and cry in equal measure. It’s a truly captivating film from start to finish.
Visually, it’s a stunning piece of cinema. You’re greeted with bright colours, gorgeous set design, and you’re transported to a world of luxury and Chinese culture, with these hostile undertones. On the big screen it’s even better, because you get to experience this gorgeous film on a large scale. It’s hard to take your eyes off it. I’m looking forward to revisiting this film in future so I can look for more details the second time around, as I’m sure I missed stuff during my initial viewing!
If this is the future of rom-com, consider me converted. I was so impressed by the overall film and would recommend it to anyone. Please don’t let the title and synopsis put you off, it’s such a smart, funny, heartbreaking film and I urge you to give it a go. You might end up as surprised as me!
https://lucygoestohollywood.com/2018/09/16/a-rom-com-with-substance-my-thoughts-on-crazy-rich-asians/
Ivana A. | Diary of Difference (1171 KP) rated The Psychology of Time Travel in Books
Dec 30, 2018
The Psychology of Time Travel – Kate Mascarenhas [BOOK REVIEW]
Full review on my blog: www.diaryofdifference.com
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
Heather Cranmer (2721 KP) rated Spin in Books
Jun 21, 2019
The synopsis for Spin by K.J. Farnham really grabbed my attention. I had to know why Jenna was acting out. Plus, I liked how the synopsis mentioned that diary entries would be involved. Luckily, I was not disappointed one bit.
Jenna is a 16 year old high school girl. She's the picture of perfection. She's beautiful, popular, makes good grades, athletic, and is a great friend and daughter. However, when a certain person from her past moves back to her town, Jenna's painful memories of the past resurface. When it all becomes too much, Jenna acts out by drinking, taking drugs, and other bad behaviors. One night, on the way to confront her abuser, Jenna disappears. Through Jenna's diary, her point of view, and the points of view from her friends and family, we are able to piece together what happened to Jenna during her childhood and leading up to her disappearance.
I found the plot for Spin to be very interesting. Although it has been done many times before, Farnham was able to keep it fresh as well as fascinating. The plot leaves no cliff hangers and every question I had was answered. The one thing that was a little annoying was that in the same chapter, in a few parts of the book, the tense would switch between past and present. This was obviously missed in editing since the whole book is written in past tense. Other than that, Spin was written beautifully.
I really did enjoy the characters in Spin. Jenna was very likable, and I felt bad for her. I wanted things to go back to normal for her throughout the book. She was so vulnerable, and I hated how her events of her childhood had robbed her of all she had going for her. Keeley and Delaney, Jenna's best friends, felt realistic. Their actions regarding Jenna's behavior seemed like what most friends would be like at that age. I enjoyed reading things from their point of view. Dustin, Jenna's boyfriend, was also a great character. I hated how Jenna was treating him. I understood why she was acting the way she was towards him, but I just hate that he never knew the reasoning behind her actions. It still wouldn't have made it right, but at least Dustin would have had some insight. Leighton was my favorite character in Spin. Even I wanted to be friends with Leighton. I love what a great friend she was to Jenna and how loyal she was. Yes, Leighton did make some bad decisions, but her love for Jenna was admirable. I do wish Bonnie, Jenna's mom, would have read more of her diary. My heart went out to Bonnie especially when she felt like it was her fault after reading an entry in Jenna's diary before she went missing. I did feel that Bonnie was a little strict with Jenna especially when it came to Dustin. I felt like the character of Joseph was written perfectly. Was he truly a changed man or was he still sick?
The pacing for Spin was fantastic. Not once did I feel like the pacing was too slow or slowing down. It was never too quick either where I became lost. This book held my attention throughout. I was buckled up to go wherever Spin wanted to take me!
Trigger warnings for Spin include underage drinking, drug use, sexual situations (although not graphic), rape, attempted rape, child and teen sexual abuse, incest, profanity, and death.
All in all, Spin is a great read with a fantastic set of characters and an enthralling plot. Yes, it is a dark and emotional read, but it will not be a disappointing one for sure! I would definitely recommend Spin by K.J. Farnham to those aged 16+!
Jenna is a 16 year old high school girl. She's the picture of perfection. She's beautiful, popular, makes good grades, athletic, and is a great friend and daughter. However, when a certain person from her past moves back to her town, Jenna's painful memories of the past resurface. When it all becomes too much, Jenna acts out by drinking, taking drugs, and other bad behaviors. One night, on the way to confront her abuser, Jenna disappears. Through Jenna's diary, her point of view, and the points of view from her friends and family, we are able to piece together what happened to Jenna during her childhood and leading up to her disappearance.
I found the plot for Spin to be very interesting. Although it has been done many times before, Farnham was able to keep it fresh as well as fascinating. The plot leaves no cliff hangers and every question I had was answered. The one thing that was a little annoying was that in the same chapter, in a few parts of the book, the tense would switch between past and present. This was obviously missed in editing since the whole book is written in past tense. Other than that, Spin was written beautifully.
I really did enjoy the characters in Spin. Jenna was very likable, and I felt bad for her. I wanted things to go back to normal for her throughout the book. She was so vulnerable, and I hated how her events of her childhood had robbed her of all she had going for her. Keeley and Delaney, Jenna's best friends, felt realistic. Their actions regarding Jenna's behavior seemed like what most friends would be like at that age. I enjoyed reading things from their point of view. Dustin, Jenna's boyfriend, was also a great character. I hated how Jenna was treating him. I understood why she was acting the way she was towards him, but I just hate that he never knew the reasoning behind her actions. It still wouldn't have made it right, but at least Dustin would have had some insight. Leighton was my favorite character in Spin. Even I wanted to be friends with Leighton. I love what a great friend she was to Jenna and how loyal she was. Yes, Leighton did make some bad decisions, but her love for Jenna was admirable. I do wish Bonnie, Jenna's mom, would have read more of her diary. My heart went out to Bonnie especially when she felt like it was her fault after reading an entry in Jenna's diary before she went missing. I did feel that Bonnie was a little strict with Jenna especially when it came to Dustin. I felt like the character of Joseph was written perfectly. Was he truly a changed man or was he still sick?
The pacing for Spin was fantastic. Not once did I feel like the pacing was too slow or slowing down. It was never too quick either where I became lost. This book held my attention throughout. I was buckled up to go wherever Spin wanted to take me!
Trigger warnings for Spin include underage drinking, drug use, sexual situations (although not graphic), rape, attempted rape, child and teen sexual abuse, incest, profanity, and death.
All in all, Spin is a great read with a fantastic set of characters and an enthralling plot. Yes, it is a dark and emotional read, but it will not be a disappointing one for sure! I would definitely recommend Spin by K.J. Farnham to those aged 16+!
Chris Sawin (602 KP) rated Where the Wild Things Are (2009) in Movies
Jun 22, 2019
Max is a boy who possesses something that fades away for most as they grow older and that's a young child's incredible imagination. His only dilemma is that he doesn't really have any friends of his own. He builds an igloo out of snow and tries to share it with his older sister, Claire, who seems more interested in hanging out with her friends. Max's mom embraces Max's imagination and even asks him to tell her stories, but everything falls apart when Max tries to save his mom a seat in the fort he just built that would save them from hot lava while she's on a date. Things quickly spiral out of control and Max winds up running away. He finds a boat by the water and takes it out into the sea. As he explores the open water, he becomes astray while he succumbs to the relentless weather and crashing waves of the ocean. That is until he stumbles upon an island where an incandescent glow of a small fire catches his eye. He finds that the island is inhabited by large, hairy, horned creatures. He's discovered where the wild things are and he will be their king.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
LeftSideCut (3776 KP) rated Watchmen - Season 1 in TV
Dec 26, 2019 (Updated Dec 27, 2019)
Pretty much perfect
Watchmen, in my opinion, is one of the best, if not the best graphic novels ever released. It's neon lit alternate reality setting and it's collection of jaded, flawed, and sometimes toxic characters were a far cry from usual comic book territory.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
Emma @ The Movies (1786 KP) rated Cats (2019) in Movies
Dec 27, 2019
[Nostalgia enters the room looking cheery. A cat lurks in the background. Nostalgia starts tapdancing. Suddenly a red dot appears on Nostalgia's back and the cat savagely attacks it, leaving it bloody and beaten on the ground.]
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
Heather Cranmer (2721 KP) rated You Are Not Alone in Books
Dec 29, 2019
I've been a fan of Greer Hendricks and Sarah Pekkanen since I read their novel The Wife Between Us as well as their other book An Anonymous Girl. Hendricks and Pekkanen are definitely a force to be reckoned with when it comes to writing. When I was offered a chance to read their new book You Are Not Alone, I didn't even have to think twice about saying yes!
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
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(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
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(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)