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Kevin Phillipson (9912 KP) rated Reminiscence (2021) in Movies
Aug 26, 2021
Hugh jackman (2 more)
Rebecca ferguson
Thandiwe newton
Just watched cineworld not bad movie not perfect there are good performances especially Rebecca ferguson beautiful singing voice never she had it in her I was impressed I liked the setting flooded miami in the future could have done with some more action scenes besides the one at the end overall decent thriller
Lee (2222 KP) rated Doctor Sleep (2019) in Movies
Nov 1, 2019
I really wish that I had re-watched 'The Shining' before catching Doctor Sleep, as it's been far too long, and I kind of feel it would have helped my enjoyment of this movie a lot more. However, despite all of that, I thought that Doctor Sleep was an incredible movie.
Ewan McGregor gives a subdued, but brilliant performance as the troubled Danny Torrance and Rebecca Ferguson is captivating as the psychic vampire Rose the Hat. Great score, amazing visuals, plenty of nods to The Shining, but still enough to stand out on its own. At 2h 31m, I never felt that the movie was dragging at any point either.
Full review to follow, but for now let's just say that I loved it!
Ewan McGregor gives a subdued, but brilliant performance as the troubled Danny Torrance and Rebecca Ferguson is captivating as the psychic vampire Rose the Hat. Great score, amazing visuals, plenty of nods to The Shining, but still enough to stand out on its own. At 2h 31m, I never felt that the movie was dragging at any point either.
Full review to follow, but for now let's just say that I loved it!
Barry Newman (204 KP) rated Doctor Sleep (2019) in Movies
Mar 14, 2020
I have recently read and enjoyed the book so was looking forward to seeing what they have done with this. Thankfully I was pleasantly impressed, the film manages to be both a decent adaptation of King’s novel and a satisfying sequel to The Shining. It does change a few things and the ending of the novel but is largely a happy compromise between book and movie. The casting is good particularly Rebecca Ferguson as Rose and the film has some very dark disturbing scenes that linger with you afterwards. It’s certainly long (2.5 hours- theatrical version) but its well paced and kept me entertained and doesn’t really feel as long as that. The blu ray comes with the 3 hour directors cut which I am looking forward to watching as well.
Bob Mann (459 KP) rated The Snowman (2017) in Movies
Sep 29, 2021
“We’re trudging through the slush”.
Unlike its animated namesake, “The Snowman” is not a good film. Frustratingly it has all the right ingredients:
A story by bestselling Nordic writer Jo Nesbø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (“Alien: Covenant“); Rebecca Ferguson (“Mission Impossible: Rogue Nation“); J.K. Simmons (“Whiplash“); Toby Jones (“Dad’s Army“); Chloe Sevigny (“Love and Friendship“); Charlotte Gainsbourg (“Independence Day: Resurgence“, very sexy as Fassbender’s ex-squeeze) and even Val Kilmer (“Top Gun”, whose mother – interesting fact – is actually Swedish).
snowman2
That sinking feeling when you realise you’ve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I haven’t read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, “Tinker, Tailor, Soldier, Spy”) and screenwriting team – Peter Straughan (also “Tinker, Tailor”), Hossein Amini (“The Two Faces of January“) and Søren Sveistrup (TV’s “The Killing”) – either didn’t have (or didn’t agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a “Weinstein moment” at the hotel.
Nesbø (and indeed most crime writers these days) litter their work with damaged cops…. you have to question whether the detective application form has a mandatory check-box with “alcoholic and borderline psycho” on it!. This film is no exception. Fassbender plays Nesbø’s master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. “If only Oslo had a higher murder rate” bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases – all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmen… they get worse… much worse.
The plot is highly formulaic – I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous … (add 50 other thesaurus entries)… endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the “Snowman”‘s fixation with Harry?; what was with the “Vetlesen cleaner” subplot? How is Star Trek transportation possible in Norway? (But wait… “Telemark”… “Teleport”…. coincidence????? 🙂
On the plus side, there is some lovely Norwegian drone cinematography – (by Australian Dion Beebe (“Edge of Tomorrow“) – that immediately made me put “travel by winter train from Oslo to Bergen” on my life-map. The music by Marco Beltrami (“Logan“) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (“The Wolf of Wall Street“) and Claire Simpson (“Far From The Madding Crowd“) that your hands won’t have time to leave your lap! I remember this being a feature of a previous Nesbø adaptation (the much better “Headhunters” from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses – Rebecca Ferguson, curiously playing much “younger” in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending I’m knocking a whole extra Fad off!
A story by bestselling Nordic writer Jo Nesbø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (“Alien: Covenant“); Rebecca Ferguson (“Mission Impossible: Rogue Nation“); J.K. Simmons (“Whiplash“); Toby Jones (“Dad’s Army“); Chloe Sevigny (“Love and Friendship“); Charlotte Gainsbourg (“Independence Day: Resurgence“, very sexy as Fassbender’s ex-squeeze) and even Val Kilmer (“Top Gun”, whose mother – interesting fact – is actually Swedish).
snowman2
That sinking feeling when you realise you’ve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I haven’t read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, “Tinker, Tailor, Soldier, Spy”) and screenwriting team – Peter Straughan (also “Tinker, Tailor”), Hossein Amini (“The Two Faces of January“) and Søren Sveistrup (TV’s “The Killing”) – either didn’t have (or didn’t agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a “Weinstein moment” at the hotel.
Nesbø (and indeed most crime writers these days) litter their work with damaged cops…. you have to question whether the detective application form has a mandatory check-box with “alcoholic and borderline psycho” on it!. This film is no exception. Fassbender plays Nesbø’s master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. “If only Oslo had a higher murder rate” bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases – all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmen… they get worse… much worse.
The plot is highly formulaic – I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous … (add 50 other thesaurus entries)… endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the “Snowman”‘s fixation with Harry?; what was with the “Vetlesen cleaner” subplot? How is Star Trek transportation possible in Norway? (But wait… “Telemark”… “Teleport”…. coincidence????? 🙂
On the plus side, there is some lovely Norwegian drone cinematography – (by Australian Dion Beebe (“Edge of Tomorrow“) – that immediately made me put “travel by winter train from Oslo to Bergen” on my life-map. The music by Marco Beltrami (“Logan“) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (“The Wolf of Wall Street“) and Claire Simpson (“Far From The Madding Crowd“) that your hands won’t have time to leave your lap! I remember this being a feature of a previous Nesbø adaptation (the much better “Headhunters” from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses – Rebecca Ferguson, curiously playing much “younger” in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending I’m knocking a whole extra Fad off!
Bob Mann (459 KP) rated Reminiscence (2021) in Movies
Aug 24, 2021
Soggy special effects. (1 more)
Ramin Djawadi's music score
I’ll only remember how disappointing it was.
It's the near future and global warming and a recent war have drastically changed life in Miami. The days are too hot to do anything other than sleep, and the oceans have risen deluging the city. Ex-military colleagues Nick Bannister (Hugh Jackman) and 'Watts' Sanders (Thandiwe Newton) run a 'reminiscence' business, allowing customers to re-experience memories from their past as if they were there. But when nightclub singer Mae (Rebecca Ferguson) begs for their help in finding her lost keys Nick's heart, life and livelihood are thrown into turmoil.
Positives:
- The special effects showing a submerged Miami are impressive enough.
- I enjoyed the soundtrack by "Westworld" and "Game of Thrones" composer Ramin Djawadi.
Negatives:
- The script is dreadful. Hugh Jackman's does a voiceover.... and regular readers of mine will know my feelings about those!!! Here he drones on incessantly about things like "memories being beads on time's necklace". Outside of the voiceover, the dialogue generally doesn't sound remotely like things that people would say to each other. There are some cringe-inducing segments of speechifying. That's when you can actually understand what's being said: I found the sound mix makes that really difficult with some of the lines.
- This seemed to me to be reflected in the performances of Jackman, Ferguson and Newton. Star-power indeed, but it appeared to me that they didn't have confidence in the words. Fans of the trio will, I think, be disappointed. (And I am a big fan of Rebecca Ferguson. She is again gorgeous here and - unlike in "The Greatest Showman" - actually gets to sing).
Summary Thoughts on "Reminiscence": This film is a big disappointment to me. When I first saw the trailer, I went "YES, YES, YES!!". It looked like an interesting post-apocalyptic sci-fi with perhaps elements of "Inception", "Waterworld" and "Flatliners" thrown in. Jackman even gets to tussle with sheets on a rooftop again! (Was anyone else playing "A Million Dreams" in their head?). But then came the film itself. The result was that about two-thirds in I was really willing it to end. (On principle, I don't walk out of movies). To be fair, the story did pick up slightly towards the conclusion, so I could quietly put my 1* rating away.
I really feel sorry for writer/director Lisa Joy for writing such a negative review. The executive producer of "Westworld" (who's also written and directed some episodes) had secured Jackman and brought some of her "Westworld" talent with her. I'm sure she put her heart and soul into this as her directorial feature debut. But I'm afraid it just did nothing for me and - given the talent available - came across as a wasted opportunity.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- The special effects showing a submerged Miami are impressive enough.
- I enjoyed the soundtrack by "Westworld" and "Game of Thrones" composer Ramin Djawadi.
Negatives:
- The script is dreadful. Hugh Jackman's does a voiceover.... and regular readers of mine will know my feelings about those!!! Here he drones on incessantly about things like "memories being beads on time's necklace". Outside of the voiceover, the dialogue generally doesn't sound remotely like things that people would say to each other. There are some cringe-inducing segments of speechifying. That's when you can actually understand what's being said: I found the sound mix makes that really difficult with some of the lines.
- This seemed to me to be reflected in the performances of Jackman, Ferguson and Newton. Star-power indeed, but it appeared to me that they didn't have confidence in the words. Fans of the trio will, I think, be disappointed. (And I am a big fan of Rebecca Ferguson. She is again gorgeous here and - unlike in "The Greatest Showman" - actually gets to sing).
Summary Thoughts on "Reminiscence": This film is a big disappointment to me. When I first saw the trailer, I went "YES, YES, YES!!". It looked like an interesting post-apocalyptic sci-fi with perhaps elements of "Inception", "Waterworld" and "Flatliners" thrown in. Jackman even gets to tussle with sheets on a rooftop again! (Was anyone else playing "A Million Dreams" in their head?). But then came the film itself. The result was that about two-thirds in I was really willing it to end. (On principle, I don't walk out of movies). To be fair, the story did pick up slightly towards the conclusion, so I could quietly put my 1* rating away.
I really feel sorry for writer/director Lisa Joy for writing such a negative review. The executive producer of "Westworld" (who's also written and directed some episodes) had secured Jackman and brought some of her "Westworld" talent with her. I'm sure she put her heart and soul into this as her directorial feature debut. But I'm afraid it just did nothing for me and - given the talent available - came across as a wasted opportunity.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Matthew Krueger (10051 KP) rated Mission: Impossible – Rogue Nation (2015) in Movies
Apr 23, 2020 (Updated Apr 24, 2020)
Your Mission, Should You Choose To Accept It
Mission: Impossible - Rogue Nation, is the fifth installment of the mission: impossible franchise. This one is better than the fourth one in my opinon. The plot is better, the action is better, the villian is better and the risk/higher steaks are better. I will rank the films after i watch the 6th one, but right now as it stands it goes... 3, 5, 1, 4 and 2.
The plot: With the IMF now disbanded and Ethan Hunt (Tom Cruise) out in the cold, a new threat -- called the Syndicate -- soon emerges. The Syndicate is a network of highly skilled operatives who are dedicated to establishing a new world order via an escalating series of terrorist attacks. Faced with what may be the most impossible mission yet, Ethan gathers his team and joins forces with Ilsa Faust (Rebecca Ferguson), a disavowed British agent who may or may not be a member of this deadly rogue nation.
Sean Harris was excellent as the villian, second to phillip seymour hoffman. You really got to hate his guts. Such a badass villian.
A excellent movie, a huge plus from the 4th one.
The plot: With the IMF now disbanded and Ethan Hunt (Tom Cruise) out in the cold, a new threat -- called the Syndicate -- soon emerges. The Syndicate is a network of highly skilled operatives who are dedicated to establishing a new world order via an escalating series of terrorist attacks. Faced with what may be the most impossible mission yet, Ethan gathers his team and joins forces with Ilsa Faust (Rebecca Ferguson), a disavowed British agent who may or may not be a member of this deadly rogue nation.
Sean Harris was excellent as the villian, second to phillip seymour hoffman. You really got to hate his guts. Such a badass villian.
A excellent movie, a huge plus from the 4th one.
Bob Mann (459 KP) rated The Girl on the Train (2016) in Movies
Sep 29, 2021
You won’t uncork a bottle of Malbec again without thinking of this film…
“The Girl on a Train” is the film adaptation of the best-seller by Paula Hawkins, transported from the London suburbs to New York’s Hastings-on-Hudson.
It’s actually rather a sordid story encompassing as it does alcoholism, murder, marital strife, deceit, sexual frustration, an historical tragedy and lashings and lashings of violence. Emily Blunt (“Sicario”, “Edge of Tomorrow”) plays Rachel, a divorcee with an alcohol problem who escapes into an obsessive fantasy each day as she passes her former neighbourhood on her commute into the city. Ex-husband Tom (Justin Theroux, “Zoolander 2”) lives in her old house with his second wife Anna (Rebecca “MI:5” Ferguson) and new baby Evie. But her real fantasy rests with cheerleader-style young neighbour Megan (Haley Bennett) who is actually locked in a frustratingly child-free marriage (frustrating for him at least) with the controlling and unpredictable Scott (Luke Evans, “The Hobbit”). A sixth party in this complex network is Megan’s psychiatrist Dr Kamal Abdic (Édgar Ramírez, “Joy”).
In pure Hitchcockian style Megan witnesses mere glimpses of events from her twice-daily train and from these pieces together stories that suitably feed her psychosis. When ‘shit gets real’ and a key character goes missing, Megan surfaces her suspicions and obsessions to the police investigation (led by Detective Riley, the ever-excellent Allison Janney from “The West Wing”) and promptly makes herself suspect number one.
Readers of the book will already be aware of the twists and turns of the story, so will watch the film from a different perspective than I did. (Despite my best intentions I never managed to read the book first).
First up, you would have to say that Emily Blunt’s performance is outstanding in an extremely challenging acting role. Every nuance of shame, confusion, grief, fear, doubt and anger is beautifully enacted: it would not be a surprise to see her gain her first Oscar nomination for this. All the other lead roles are also delivered with great professionalism, with Haley Bennett (a busy month for her, with “The Magnificent Seven” also out) being impressive and Rebecca Ferguson, one of my favourite current actresses, delivering another measured and delicate performance.
Girl on a Train, The
Rebecca Ferguson as Anna – “there were three of us in this marriage so it was a bit crowded”
The supporting roles are also effective, with Darren Goldstein as the somewhat creepy “man in the suit” and “Friends” star Lisa Kudrow popping up in an effective and pivotal role. The Screen Guild Awards have an excellent category for an Ensemble Cast in a Motion Picture, and it feels appropriate to nominate this cast for that award.
So it’s a blockbuster book with a rollercoaster story and a stellar cast, so what could go wrong? Well, something for sure. This is a case in point where I suspect it is easier to slowly peel back Rachel’s lost memory with pages and imagination than it is with dodgy fuzzy images on a big screen. Although the film comes in at only 112 minutes, the pacing in places is too slow (the screenplay by Erin Cressida Wilson takes its time) and director Tate Taylor (“The Help”) is no Hitchcock, or indeed a David Fincher (since the film has strong similarities to last year’s “Gone Girl”: when the action does happen it lacks style, with the violence being on the brutal side and leaving little to the imagination.
It’s by no means a bad film, and worth seeing for the acting performances alone. But it’s not a film I think that will trouble my top 10 for the year.
It’s actually rather a sordid story encompassing as it does alcoholism, murder, marital strife, deceit, sexual frustration, an historical tragedy and lashings and lashings of violence. Emily Blunt (“Sicario”, “Edge of Tomorrow”) plays Rachel, a divorcee with an alcohol problem who escapes into an obsessive fantasy each day as she passes her former neighbourhood on her commute into the city. Ex-husband Tom (Justin Theroux, “Zoolander 2”) lives in her old house with his second wife Anna (Rebecca “MI:5” Ferguson) and new baby Evie. But her real fantasy rests with cheerleader-style young neighbour Megan (Haley Bennett) who is actually locked in a frustratingly child-free marriage (frustrating for him at least) with the controlling and unpredictable Scott (Luke Evans, “The Hobbit”). A sixth party in this complex network is Megan’s psychiatrist Dr Kamal Abdic (Édgar Ramírez, “Joy”).
In pure Hitchcockian style Megan witnesses mere glimpses of events from her twice-daily train and from these pieces together stories that suitably feed her psychosis. When ‘shit gets real’ and a key character goes missing, Megan surfaces her suspicions and obsessions to the police investigation (led by Detective Riley, the ever-excellent Allison Janney from “The West Wing”) and promptly makes herself suspect number one.
Readers of the book will already be aware of the twists and turns of the story, so will watch the film from a different perspective than I did. (Despite my best intentions I never managed to read the book first).
First up, you would have to say that Emily Blunt’s performance is outstanding in an extremely challenging acting role. Every nuance of shame, confusion, grief, fear, doubt and anger is beautifully enacted: it would not be a surprise to see her gain her first Oscar nomination for this. All the other lead roles are also delivered with great professionalism, with Haley Bennett (a busy month for her, with “The Magnificent Seven” also out) being impressive and Rebecca Ferguson, one of my favourite current actresses, delivering another measured and delicate performance.
Girl on a Train, The
Rebecca Ferguson as Anna – “there were three of us in this marriage so it was a bit crowded”
The supporting roles are also effective, with Darren Goldstein as the somewhat creepy “man in the suit” and “Friends” star Lisa Kudrow popping up in an effective and pivotal role. The Screen Guild Awards have an excellent category for an Ensemble Cast in a Motion Picture, and it feels appropriate to nominate this cast for that award.
So it’s a blockbuster book with a rollercoaster story and a stellar cast, so what could go wrong? Well, something for sure. This is a case in point where I suspect it is easier to slowly peel back Rachel’s lost memory with pages and imagination than it is with dodgy fuzzy images on a big screen. Although the film comes in at only 112 minutes, the pacing in places is too slow (the screenplay by Erin Cressida Wilson takes its time) and director Tate Taylor (“The Help”) is no Hitchcock, or indeed a David Fincher (since the film has strong similarities to last year’s “Gone Girl”: when the action does happen it lacks style, with the violence being on the brutal side and leaving little to the imagination.
It’s by no means a bad film, and worth seeing for the acting performances alone. But it’s not a film I think that will trouble my top 10 for the year.
Dean (6921 KP) rated Reminiscence (2021) in Movies
Sep 2, 2021 (Updated Sep 2, 2021)
Rebecca Ferguson (1 more)
The score
You are going on a journey...
A strange film in many ways. I haven't seen much publicity for it, yet the trailer I saw last week gave me high hopes.
A noir style film set in the near future of a world that's largely flooded, including the location of Miami. Where the rich have built huge dams to keep their area dry while the poor are in flooded areas. So people pay to relive their memories of happier times to experience again with the technology available. The owner of this technology then tries to track down a mysterious woman who has gone missing.
Huge potential which in the main part is not explored at all. Some nice Sfx in places and sets of the flooded Miami but even the setting could have been used more.
The script is basic and what starts as quite an intricate plot becomes rather simple before the ending. The cast is pretty good, although Cliff Curtis is miscast as a tough guy, villian. It's stylish in places and fans of noir, detective films will enjoy it more but others may find it very slow going especially at the start.
A missed opportunity overall, one that might be more popular once available on the small screen. Although not a film many will reminisce about.
A noir style film set in the near future of a world that's largely flooded, including the location of Miami. Where the rich have built huge dams to keep their area dry while the poor are in flooded areas. So people pay to relive their memories of happier times to experience again with the technology available. The owner of this technology then tries to track down a mysterious woman who has gone missing.
Huge potential which in the main part is not explored at all. Some nice Sfx in places and sets of the flooded Miami but even the setting could have been used more.
The script is basic and what starts as quite an intricate plot becomes rather simple before the ending. The cast is pretty good, although Cliff Curtis is miscast as a tough guy, villian. It's stylish in places and fans of noir, detective films will enjoy it more but others may find it very slow going especially at the start.
A missed opportunity overall, one that might be more popular once available on the small screen. Although not a film many will reminisce about.
Blazing Minds (89 KP) rated Mission: Impossible - Fallout (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Way back in 1996 we were introduced to the movie franchise of Mission: Impossible, now 22 years later (yes you read that right!), we’ve got to the sixth movie, Mission: Impossible Fallout, with Tom Cruise reprising his role of Ethan Hunt and showing us that he is still one heck of an adrenaline junkie with even more edge of the seat stunts and action.
I’ve been looking forward to seeing the team of Tom Cruise, Ving Rhames, Simon Pegg and Rebecca Ferguson back together in the latest movie and to see Henry Cavill (with that moustache that caused some CGI removal in Justice League), so I popped over to the Scala Cinema in Prestatyn to check out the movie.
Now with all the previous Mission: Impossible movies I went into this one, not really knowing too much about the movie, I like to have the surprises that the franchise throws at you and not have any spoilers, so long story short, all I knew is that the IMF is trying to get their hands back on some stolen plutonium that a new rogue faction called The Apostles want to use to wipe out a third o the world’s population and on the way Hunt (Tom Cruise) and his team have to get their hands back on Soloman Lane (Sean Harris) who we last saw in Mission: Impossible Rogue Nation.
I’ve been looking forward to seeing the team of Tom Cruise, Ving Rhames, Simon Pegg and Rebecca Ferguson back together in the latest movie and to see Henry Cavill (with that moustache that caused some CGI removal in Justice League), so I popped over to the Scala Cinema in Prestatyn to check out the movie.
Now with all the previous Mission: Impossible movies I went into this one, not really knowing too much about the movie, I like to have the surprises that the franchise throws at you and not have any spoilers, so long story short, all I knew is that the IMF is trying to get their hands back on some stolen plutonium that a new rogue faction called The Apostles want to use to wipe out a third o the world’s population and on the way Hunt (Tom Cruise) and his team have to get their hands back on Soloman Lane (Sean Harris) who we last saw in Mission: Impossible Rogue Nation.
RyzorGick (43 KP) rated Doctor Sleep (2019) in Movies
Nov 11, 2019
Atmosphere (3 more)
Acting
Effective Horror Moments
Special Effects
I was a bit dubious about this sequel to The Shining. I didn't think Kubrick style was really something that could be reproduced. Luckily the film mainly does it's own thing but when it does call back to the original film I felt it did succeed.
I've seen some people complain abouy Rebecca Ferguson being wrong for the role of villain but I have to disagree. She does behave animated and feels less serious in some scenes but this does fit her character. She is powerful being that has lived longer than natural and feels she has little to fear, so it makes sense she would be overly confident and nonchalant.
Overall this film succeeds as a sequel. It gives us answers about what happened to the characters of the first film while having it's own plot and themes that connects to the original without relying on it too much. However some references may go over your head if you've not seen The Shining for a while.
It was a bit jarring to have people playing Jack Nicholson and Shelley Duvall but they did give it their all.
Doctor Sleep is a horror film that has more than just the usual jump scares. It's atmosphere and sense of foreboding are what truly sold me on it from the very beginning of the film. (I will never look at a shower curtain the same way again.)
I've seen some people complain abouy Rebecca Ferguson being wrong for the role of villain but I have to disagree. She does behave animated and feels less serious in some scenes but this does fit her character. She is powerful being that has lived longer than natural and feels she has little to fear, so it makes sense she would be overly confident and nonchalant.
Overall this film succeeds as a sequel. It gives us answers about what happened to the characters of the first film while having it's own plot and themes that connects to the original without relying on it too much. However some references may go over your head if you've not seen The Shining for a while.
It was a bit jarring to have people playing Jack Nicholson and Shelley Duvall but they did give it their all.
Doctor Sleep is a horror film that has more than just the usual jump scares. It's atmosphere and sense of foreboding are what truly sold me on it from the very beginning of the film. (I will never look at a shower curtain the same way again.)