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Gareth von Kallenbach (980 KP) rated Vacation (2015) in Movies
Jun 19, 2019
It is hard to believe it has been 32 years since Chevy Chase took his family on their now infamous “Vacation” and in doing so launched a series that would eventually spawn four movies.
The well-meaning but unlucky Griswold family gave new meaning to family trips and Europe, Christmas, and Las Vegas will never be the same.
In the new version, Rusty (Ed Helms) works away as a pilot for a commuter airline which ensures he is home each evening to see his beloved wife Debbie (Christina Applegate) and their sons Kevin and James.
The family tradition has been to go to as cabin for the Memorial Day weekend but after hearing that their neighbors recently went to France and that Debbie yearns for a break from the cabin, Rusty opts to take the family on a road trip to Wally World, where he has fond memories from the trip he took as a child.
The idea of spending a long week in a car does not sit well with his family but they decide to indulge their father and hit the road.
It does not take long for the Griswold legacy to start and after a series of hysterical and outrageous encounters along the way ranging from an ill-fated Sorority reunion, an awkward father and son conversation at a pool, running afoul of a trucker, and some hysterical car problems, and more, the crew make it to Texas to see Rusty’s sister Audrey (Leslie Mann) and her husband Stone (Chris Hemsworth).
Rusty has always had a distrust of Stone as he flirts with his wife and shows off his toned physique whenever he can, and touts his success to all.
Naturally some more mishaps ensue on this visit and Rusty and his family continue their trip with stops to the Grand Canyon and Four Corners.
There are plenty of other moments but suffice it to say that challenges and mishaps are the Griswold way whenever a trip is involved and Rusty has to seek help from his parents which sets up a great finale as Chevy Chase and Beverly D’Angelo add to the fun.
The film has plenty of nods to moments from the series but is very much its own film and not a reboot. The humor in the film is a bit raw for those used to the recent PG-13 efforts from the series, but I think returning the series to the R-Rated origins of the original film was a good idea as it allows the unexpected and outrageous to happen more often and it does many times during the film.
I went in hoping for an amusing continuation of the series and what I got was a film that had me laughing throughout and had some cringe-worthy moments where my wife alternated between laughing and hiding her eyes from the outrageous antics.
The cast did a great job of carrying on the Vacation tradition while establishing their own characters. They are not retreads of Ellen and Clark, as Rusty and Debbie are very much their own people with everyday concerns.
Here is hoping we see this group down the Holiday Road again in the future.
http://sknr.net/2015/07/29/vacation/
The well-meaning but unlucky Griswold family gave new meaning to family trips and Europe, Christmas, and Las Vegas will never be the same.
In the new version, Rusty (Ed Helms) works away as a pilot for a commuter airline which ensures he is home each evening to see his beloved wife Debbie (Christina Applegate) and their sons Kevin and James.
The family tradition has been to go to as cabin for the Memorial Day weekend but after hearing that their neighbors recently went to France and that Debbie yearns for a break from the cabin, Rusty opts to take the family on a road trip to Wally World, where he has fond memories from the trip he took as a child.
The idea of spending a long week in a car does not sit well with his family but they decide to indulge their father and hit the road.
It does not take long for the Griswold legacy to start and after a series of hysterical and outrageous encounters along the way ranging from an ill-fated Sorority reunion, an awkward father and son conversation at a pool, running afoul of a trucker, and some hysterical car problems, and more, the crew make it to Texas to see Rusty’s sister Audrey (Leslie Mann) and her husband Stone (Chris Hemsworth).
Rusty has always had a distrust of Stone as he flirts with his wife and shows off his toned physique whenever he can, and touts his success to all.
Naturally some more mishaps ensue on this visit and Rusty and his family continue their trip with stops to the Grand Canyon and Four Corners.
There are plenty of other moments but suffice it to say that challenges and mishaps are the Griswold way whenever a trip is involved and Rusty has to seek help from his parents which sets up a great finale as Chevy Chase and Beverly D’Angelo add to the fun.
The film has plenty of nods to moments from the series but is very much its own film and not a reboot. The humor in the film is a bit raw for those used to the recent PG-13 efforts from the series, but I think returning the series to the R-Rated origins of the original film was a good idea as it allows the unexpected and outrageous to happen more often and it does many times during the film.
I went in hoping for an amusing continuation of the series and what I got was a film that had me laughing throughout and had some cringe-worthy moments where my wife alternated between laughing and hiding her eyes from the outrageous antics.
The cast did a great job of carrying on the Vacation tradition while establishing their own characters. They are not retreads of Ellen and Clark, as Rusty and Debbie are very much their own people with everyday concerns.
Here is hoping we see this group down the Holiday Road again in the future.
http://sknr.net/2015/07/29/vacation/
Gareth von Kallenbach (980 KP) rated Call of Duty: Modern Warfare in Video Games
Dec 2, 2019
Call of Duty is back and better than ever with the release of Call of Duty: Modern Warfare. The game serves as a reboot of the Modern Warfare series and features the return of a single player campaign that was sadly missing from last year’s Call of Duty: Black Ops IIII.
The campaign is ripped from the headlines as it has a more plausible storyline with the discovery of Poison Gas that is threatening instability in the Middle East and abroad and forces the players to make very tough decisions along the way.
Playing the missions as one of several characters helps give the game a wide-ranging perspective as it is not all run and gun action as there is also stealth and tactical stages of the game.
What I really enjoyed was the updated graphical engine that not only produced some amazing visuals but really gave a new level of intensity to the game which is a non-stop thrill ride that rivals anything Hollywood can offer.
While the game has some issues at launch; they were patched up and future updates such as maps are not only free this time around but frequent.
The Multiplayer aspect of the game is always a big draw and this time around Modern Warfare really shines by featuring Cross-Play which allows Xbox One, Playstation 4, and a PC player to play in the same game and also allows players greater options in finding games to take part in.
Multiplayer Modes will be very familiar to anyone who has played any of the games in the series as the Team Death Match, Kill Confirmed, Hardpoint, and other modes are back which combine with the other modes to offer ten different options for players.
As before players will gain points as they play which will allow them to unlock new weapons, equipment, Kill Streaks, Perks, cosmetics and other options to enhance the experience and allow players to pick loadouts that best suit their style of play.
Moving away from the Battle Royale mode that was introduced last year; Modern Warfare offers a mode called Ground War which allows large groups of players to battle one another in a large map complete with vehicles such as tanks and helicopters. I can tell you that there is no greater joy than hopping in a tank to obliterate a person who has been camping and sniping your entire squad for most of the mission.
Perhaps the most interesting new feature of the game is a series of Co-Op modes. This option allows players to join with other players to complete missions; some of which extend the storyline to the game as they must work with one another to complete various missions.
The sales for the game have been very strong as it brought in over $600 million in revenue in just three days. Once the technical issues I faced were eliminated and my gameplay stabilized; I have found this to be easily one of the most enjoyable recent games in the series and one of the best overall.
I cannot wait to see what they do next as Call of Duty: Modern Warfare is a great new addition to the series that blends old and new with a gripping story and relentless action.
4.5 stars out of 5
The campaign is ripped from the headlines as it has a more plausible storyline with the discovery of Poison Gas that is threatening instability in the Middle East and abroad and forces the players to make very tough decisions along the way.
Playing the missions as one of several characters helps give the game a wide-ranging perspective as it is not all run and gun action as there is also stealth and tactical stages of the game.
What I really enjoyed was the updated graphical engine that not only produced some amazing visuals but really gave a new level of intensity to the game which is a non-stop thrill ride that rivals anything Hollywood can offer.
While the game has some issues at launch; they were patched up and future updates such as maps are not only free this time around but frequent.
The Multiplayer aspect of the game is always a big draw and this time around Modern Warfare really shines by featuring Cross-Play which allows Xbox One, Playstation 4, and a PC player to play in the same game and also allows players greater options in finding games to take part in.
Multiplayer Modes will be very familiar to anyone who has played any of the games in the series as the Team Death Match, Kill Confirmed, Hardpoint, and other modes are back which combine with the other modes to offer ten different options for players.
As before players will gain points as they play which will allow them to unlock new weapons, equipment, Kill Streaks, Perks, cosmetics and other options to enhance the experience and allow players to pick loadouts that best suit their style of play.
Moving away from the Battle Royale mode that was introduced last year; Modern Warfare offers a mode called Ground War which allows large groups of players to battle one another in a large map complete with vehicles such as tanks and helicopters. I can tell you that there is no greater joy than hopping in a tank to obliterate a person who has been camping and sniping your entire squad for most of the mission.
Perhaps the most interesting new feature of the game is a series of Co-Op modes. This option allows players to join with other players to complete missions; some of which extend the storyline to the game as they must work with one another to complete various missions.
The sales for the game have been very strong as it brought in over $600 million in revenue in just three days. Once the technical issues I faced were eliminated and my gameplay stabilized; I have found this to be easily one of the most enjoyable recent games in the series and one of the best overall.
I cannot wait to see what they do next as Call of Duty: Modern Warfare is a great new addition to the series that blends old and new with a gripping story and relentless action.
4.5 stars out of 5
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
JT (287 KP) rated RoboCop (2014) in Movies
Mar 17, 2020
Reboot taints the original's good name
If you’re going to remake one of the 80s most iconic action films you’ve got to do it with some balls. Sadly José Padilha dropped this particular ball, pretty spectacularly in fact, to give us a sorry remake and leave fans of the original baying for blood (something which was missing in this).
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
Gareth von Kallenbach (980 KP) rated Jack Ryan: Shadow Recruit (2014) in Movies
Aug 6, 2019
This is not your father’s Jack Ryan; but it should’ve been.
Chris Pine stars as the famed Jack Ryan in this reboot of the character. We open the movie with Ryan
attending school in London on the day many won’t soon forget: September 11, 2001. The events
this day push Ryan into enlisting in the Marines and we join him 3 years later where we see Ryan in
a helicopter with some brothers-in-arms. It doesn’t take long for the helo to be shot down, but not
without Ryan becoming a hero. After extensive rehab from a broken spine, Mr. Ryan is approached by
Thomas Harper (Kevin Costner) to join the CIA as an analyst.
This intro to the movie was short. But what lacks in length it makes up for in the eloquence in which
it delivers the back story for Jack Ryan, thus setting up a whole new franchise and getting new viewers
ready for the ride. After this intro, we flash forward 10 years later to find Ryan working on Wall Street,
but he’s undercover and is an analyst for the CIA. He is with his one-time physical therapist, Cathy
Muller (Keira Knightley), and he discovers the details of a planned economic attack against the USA.
It isn’t long before he is whisked away to Russia to do some wet work, and he bumbles into the life
of a field agent facing off against the mastermind of the villainy in the film, Viktor Cherevin (Kenneth
Branagh).
Some may find that the movie lacks the quick-paced, non-stop action that we have seen from spy
movies these days (including the famous 007), but it does keep a good pace and puts an intelligent story
line on the screen and actually entices the audience to think, all the while including some action for the
adrenaline-junkies.
Pine plays a very believable Jack Ryan. He portrays a character that is more closely linked to Tom
Clancy’s original stories and vision for the character than even Harrison Ford did in Patriot Games (which
I thought was an excellent movie). He nailed the bumbling analyst-turned-field-agent in such a way that
you’d believe it was really his personality. They explain his ability to handle himself with the military
background so expertly set up at the beginning of the movie. Adding Costner to the cast was a stroke
of genius as he plays the mentor/superior part extremely well, but he wasn’t in the film so much as
to distract from the focus of Ryan. Branagh (who also directed the film) played an excellent Russian
adversary to Ryan, who was nothing short of a genius in the way he delivered his character’s stoic
responses and reactions.
If I had to name one gripe with the movie, which believe me was no small feat, it was the Cathy
Muller character. Don’t get me wrong, the character was amazing and Knightley did an admirable job
portraying her. I just felt that she seemed to accept things that most people would question a little too
quickly, and without any reservation.
Other than that, the movie rocked. The action scenes were gripping and the actual story-line was
intelligent. The best thing is that story was plausible. It was not over the top or wildly impossible in the
real world. The scary part is just that. The plot of this movie could actually happen. I would definitely
recommend checking it out in theaters, and it most certainly made my “gotta buy it on bluray” list.
Chris Pine stars as the famed Jack Ryan in this reboot of the character. We open the movie with Ryan
attending school in London on the day many won’t soon forget: September 11, 2001. The events
this day push Ryan into enlisting in the Marines and we join him 3 years later where we see Ryan in
a helicopter with some brothers-in-arms. It doesn’t take long for the helo to be shot down, but not
without Ryan becoming a hero. After extensive rehab from a broken spine, Mr. Ryan is approached by
Thomas Harper (Kevin Costner) to join the CIA as an analyst.
This intro to the movie was short. But what lacks in length it makes up for in the eloquence in which
it delivers the back story for Jack Ryan, thus setting up a whole new franchise and getting new viewers
ready for the ride. After this intro, we flash forward 10 years later to find Ryan working on Wall Street,
but he’s undercover and is an analyst for the CIA. He is with his one-time physical therapist, Cathy
Muller (Keira Knightley), and he discovers the details of a planned economic attack against the USA.
It isn’t long before he is whisked away to Russia to do some wet work, and he bumbles into the life
of a field agent facing off against the mastermind of the villainy in the film, Viktor Cherevin (Kenneth
Branagh).
Some may find that the movie lacks the quick-paced, non-stop action that we have seen from spy
movies these days (including the famous 007), but it does keep a good pace and puts an intelligent story
line on the screen and actually entices the audience to think, all the while including some action for the
adrenaline-junkies.
Pine plays a very believable Jack Ryan. He portrays a character that is more closely linked to Tom
Clancy’s original stories and vision for the character than even Harrison Ford did in Patriot Games (which
I thought was an excellent movie). He nailed the bumbling analyst-turned-field-agent in such a way that
you’d believe it was really his personality. They explain his ability to handle himself with the military
background so expertly set up at the beginning of the movie. Adding Costner to the cast was a stroke
of genius as he plays the mentor/superior part extremely well, but he wasn’t in the film so much as
to distract from the focus of Ryan. Branagh (who also directed the film) played an excellent Russian
adversary to Ryan, who was nothing short of a genius in the way he delivered his character’s stoic
responses and reactions.
If I had to name one gripe with the movie, which believe me was no small feat, it was the Cathy
Muller character. Don’t get me wrong, the character was amazing and Knightley did an admirable job
portraying her. I just felt that she seemed to accept things that most people would question a little too
quickly, and without any reservation.
Other than that, the movie rocked. The action scenes were gripping and the actual story-line was
intelligent. The best thing is that story was plausible. It was not over the top or wildly impossible in the
real world. The scary part is just that. The plot of this movie could actually happen. I would definitely
recommend checking it out in theaters, and it most certainly made my “gotta buy it on bluray” list.
Joe Goodhart (27 KP) rated Ms. Marvel: Volume 3: Crushed in Books
Nov 30, 2020
This review is really for the first three volumes, including this one.
So, first let me start off by sharing a little honesty.. I read the first volume 4 or 5 months ago. I thought it fun, but not enough to pursue reading further volumes. A lot has gone down in my life since that first outing. For those of you who either a) do not know me offline, or b) have not looked at my GR profile, I was diagnosed with RRMS (relapsing-remitting multiple sclerosis) in September of last year, then two months later, we said goodbye to Lily, our 14-year-old Mini Schnauzer.
Prior to all that, I used to live a relatively structured life, with plans-of-a-sort as well as a job. I have since had to step down from my job (thanks, MS!). I have also taken to trying to lead a "sloth life". I live each day as if it were the last, preferring to not plan days in advance. I also am trying to let a lot more roll off my back, giving an honest effort to having more fun with life.
One of those things which is appearing to be helpful to my mental well-being and general happiness has been G. Willow Wilson's MS. MARVEL.
GWW took a character who was once Carol Danvers (now Captain Marvel), a superhero whose costume did nothing what so ever to aid feminism or help to have less objectifying looks for our female heroes. She gave Ms. Marvel a proper reboot, presenting us with Kamala Khan, a young Pakistani-American living in NJ. Her character is one of many who were exposed to the Terrigen Mist via a Terrigen Bomb released by Black Bolt, the Inhumans' king; her powers gained gave her the ability to be polymorphic, i.e. shape-changing.
The series presents us with an imperfect hero. Kamala struggles to balance her hero life, while hiding it from her parents. She maintains her Muslim faith, offering us glimpses into her life and much of what it entails. The handling of it is both mature yet fun, giving us a palatable, more open approach to their faith, rather than what the Idiot in the WH has tried to portray it!
Like Marvel's UNBEATABLE SQUIRREL GIRL, MM is clearly a book that, at its heart, lies a good sense of fun, as well as some good life lessons along the way. In an era where the focus appears to be "Gloom Is Good" and "The Darker The Story, The Better", it is truly refreshing to read a book like this one.
As amazing as Wilson's writing is, the series' artists - Adrian Alphona, Takeshi Miyazawa and fill-in artist Jacob Wyatt (Issues 6 and 7) - all did one heckuva job providing artwork that was as fun as the writing it was supporting. All three were different, yet they shared similarities in their rendering of Kamala and her supporting cast, helping to maintain continuity rather than breaking it via wholly dissimilar art.
I know that there only few more volumes before Wilson hands the reins to Saladin Ahmed (MILES MORALES: SPIDER-MAN, BLACK BOLT), with the art being handled by with art by Minkyu Jung. I have seen Wilson's own page, where she seemed very confident in Ahmed's future handling of Kamala's adventures. That, alone, is good enough for me!
Seriously, if you have not checked out, please, please check out the adventures of MS. MARVEL. Your heart and mind, not to mention your soul, will be more the better for it! Promise!
So, first let me start off by sharing a little honesty.. I read the first volume 4 or 5 months ago. I thought it fun, but not enough to pursue reading further volumes. A lot has gone down in my life since that first outing. For those of you who either a) do not know me offline, or b) have not looked at my GR profile, I was diagnosed with RRMS (relapsing-remitting multiple sclerosis) in September of last year, then two months later, we said goodbye to Lily, our 14-year-old Mini Schnauzer.
Prior to all that, I used to live a relatively structured life, with plans-of-a-sort as well as a job. I have since had to step down from my job (thanks, MS!). I have also taken to trying to lead a "sloth life". I live each day as if it were the last, preferring to not plan days in advance. I also am trying to let a lot more roll off my back, giving an honest effort to having more fun with life.
One of those things which is appearing to be helpful to my mental well-being and general happiness has been G. Willow Wilson's MS. MARVEL.
GWW took a character who was once Carol Danvers (now Captain Marvel), a superhero whose costume did nothing what so ever to aid feminism or help to have less objectifying looks for our female heroes. She gave Ms. Marvel a proper reboot, presenting us with Kamala Khan, a young Pakistani-American living in NJ. Her character is one of many who were exposed to the Terrigen Mist via a Terrigen Bomb released by Black Bolt, the Inhumans' king; her powers gained gave her the ability to be polymorphic, i.e. shape-changing.
The series presents us with an imperfect hero. Kamala struggles to balance her hero life, while hiding it from her parents. She maintains her Muslim faith, offering us glimpses into her life and much of what it entails. The handling of it is both mature yet fun, giving us a palatable, more open approach to their faith, rather than what the Idiot in the WH has tried to portray it!
Like Marvel's UNBEATABLE SQUIRREL GIRL, MM is clearly a book that, at its heart, lies a good sense of fun, as well as some good life lessons along the way. In an era where the focus appears to be "Gloom Is Good" and "The Darker The Story, The Better", it is truly refreshing to read a book like this one.
As amazing as Wilson's writing is, the series' artists - Adrian Alphona, Takeshi Miyazawa and fill-in artist Jacob Wyatt (Issues 6 and 7) - all did one heckuva job providing artwork that was as fun as the writing it was supporting. All three were different, yet they shared similarities in their rendering of Kamala and her supporting cast, helping to maintain continuity rather than breaking it via wholly dissimilar art.
I know that there only few more volumes before Wilson hands the reins to Saladin Ahmed (MILES MORALES: SPIDER-MAN, BLACK BOLT), with the art being handled by with art by Minkyu Jung. I have seen Wilson's own page, where she seemed very confident in Ahmed's future handling of Kamala's adventures. That, alone, is good enough for me!
Seriously, if you have not checked out, please, please check out the adventures of MS. MARVEL. Your heart and mind, not to mention your soul, will be more the better for it! Promise!
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
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Movie Metropolis (309 KP) rated Captain America: Civil War (2016) in Movies
Jun 10, 2019
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/