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Mark @ Carstairs Considers (2480 KP) rated A Whisker of a Doubt in Books

Dec 13, 2020

Fights over Feral Cats Lead to Murder at Christmas

Maddie James and her friend Katrina have learned about a colony of feral cats near one of the richest neighborhoods on Daybreak Island, so they are working to take care of it. However, the neighbors are resistant to their efforts, going out of their way to be a pain. Just a couple of days before Christmas, Maddie finds the body of one of them, Virgil Proust, outside his house. Virgil and his wife were some of the loudest people fighting against the cats and Maddie’s efforts to feed them. When the police focus on Katrina as their prime suspect, Maddie knows it is up to her to find the truth. Can she do it?

I’ve been waiting impatiently for this book due to the cliffhanger the previous book left us with. I was thrilled to get back to Maddie and find out what happened there. Even if you haven’t read the books that came before this one, you’ll still be able to jump in here and follow along. I will say that Maddie’s attitude in this sub-plot bothered me a bit at times, although I always understood where she was coming from. The main mystery is good with a few nice surprises on our way to the solution. The suspects could have been stronger, and I struggled at times to remember all of their relationships, but I was still invested in the story. The regular characters are strong and charming, as are the cats at the cat café where Maddie works. The Christmas setting adds an extra level of cozy. Fans new and old will enjoy this festive entry in the series.

Kudos

Eleanor Luhar (47 KP) rated All Our Yesterdays in Books

Jun 24, 2019

Okay, the plot of this book is kind of complicated and my summary probably won't do it justice, but here goes:

Em and Finn have been held prisoners in their cells for months. The doctor puts them through horrific interrogations on a regular basis, trying to determine the location of some documents he believes to be in the possession of Finn and Em.

Em is obsessed with the drain in the centre of her cell, positive that it has some kind of important meaning. Eventually, she manages to unscrew it, and discovers something incredibly unexpected; a note from herself.

With the the help of Mike Connor, a guard that other versions of themselves had convinced to help them in the past, Em and Finn escape their cells and make their way to Cassandra. Before the doctor can stop them, they switch on the machine and are transported four years into the past.

This is written from two different perspectives; Em's, and Marina's. Through each girl's story, we discover the truth about the doctor, Cassandra, and the death of Nate, the brother of Marina's childhood love's brother.

I know this all sounds really complicated, and sometimes it does get that way, but it is written so well. Em looks at Marina like she's a different person, which I suppose she is, really. The relationships between each version of Marina/Em and the two different boys is so unique to this book. I suppose it's a regular love triangle, but at the same time, it's not.

I really liked this book. It's not quite made it's way to my favourites list due to the fact that there were times where I got a little bit lost. But it definitely deserves 4.5 stars, because it is such an gripping, unique book. I'm so glad I read this.

BookMarked

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Jordan Binkerd (567 KP) rated Ad Astra (2019) in Movies

Sep 27, 2019

Ad Astra (2019)

2019 | Adventure, Drama, Mystery

6.8

(38 Ratings)

Movie Rating Watch

The cast (3 more)

The score

Realistic science

Beautiful VFX

Anticlimactic/possibly unreliable ending (3 more)

Awkward voiceover

Pacing? Some would disagree....

Action scenes are kind of shoehorned in

Beautiful and haunting

First off, you've got to see this in the theater if you're going to see it. The sparse lunar and Martian vistas, not to mention the star-strewn expanses of space, will be so much less impressive on your living room television. The cast is amazing, though there's not nearly enough Tommy Lee Jones or Donald Sutherland. The tone is haunting and uncomfortable, aided by a subdued score that at times seems to pay tribute to the soundless vacuum in which parts of the film are set. The science is up to date, in that it accurately reflects the fact that after getting sidetracked for a decade or four, we're back to using rockets to explore the solar system. The plot is at heart an exploration of humanity, our needs, drives, relationships and obsessive stubbornness, and dips somewhat into questions of sanity and mental health, again sometimes uncomfortably, though the slow-burn pacing is not for everyone. There are occasional action sequences, but they often feel disconnected and shoehorned in. The ending was a little anti-climactic, and I'm not entirely sure it actually happened - it's barely a spoiler to suggest that the protagonist is in danger as the ending nears, and everything that follows his return to Earth could easily be a dream or dying hallucination (and in fact if argue that this would be a stronger ending). The voiceover was a bit awkward, and would have benefitted from an in-story justification such as the character journalling or leaving a sealed log of some sort. Basically, I think it was worth seeing, but it's not going to be for everyone.