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Fade to Black (Rojan Dizon, #1)
10
10.0 (1 Ratings)
Book Rating
Imagine a combination of 1984, The Hunger Games, and a James Patterson mystery novel. That is the best way I can sum up Fade to Black. A world so intriguing, mysterious, and exciting that you want to live in it, and yet then again, maybe you don’t. A plot that never stops moving and throwing stuff at you, and with every page you become more and more wrapped up in it. Characters that you want to be, or be friends with, or take a good swing at. I am so excited about this novel, guys. I can’t recommend it enough.

First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.

First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.

Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.

Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).

The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!

Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!

Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
  
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Emma @ The Movies (1786 KP) rated The Kid Who Would Be King (2019) in Movies

Jun 22, 2019 (Updated Sep 25, 2019)  
The Kid Who Would Be King (2019)
The Kid Who Would Be King (2019)
2019 | Adventure, Drama, Fantasy
Let's start by saying that this film is a wonderfully entertaining adventure, I don't remember the last time this sort of story graced our screens. I've always been a fan of myths and legends and this didn't disappoint.

I'm not really sure how well myths and legends are known these days, they were one of my favourite things as a child but the topic seems to go in and out of favour. I thought it was a nice start to the whole film to show a summary of the King Arthur legend, and the graphic novel style made a nice link throughout.

There are lots of great things about the film but I think my favourite is how they managed to align the fantasy and reality. The transitions between night and day, the depths of Morgana's prison and her army of the undead are all top notch. There's only one brief moment where I grumbled and that was during Morgana's transformation, she briefly resembles a poor quality Voldemort.

Louis Ashbourne Serkis gives a great performance as Alex our reluctant hero and he's supported by some solid acting, young and old(er). The little comedy duo of Alex and Bedders is so cute comparing themselves to Frodo and Sam *squee*. The adult cast was on form too, although we don't get to see much of Denise Gough, Noma Dumezweni and Mark Bonnar, which made me a little sad. Rebecca Ferguson fairs better with screen time and managed to get the evil thing down, she was particularly menacing as Morgana. Lastly cast-wise is obviously Patrick Stewart, I love him but this film made me a little glum. Firstly because young Merlin got more screen time and secondly because he looks old... that's not supposed to happen!!

At two hours it's quite long for a family film but it actually feels like it should have been longer. The ending of the film just sort of happens, the school montage and fight scenes feel relatively short when considered as part of the whole. I honestly think that the film could have taken an extra twenty minutes or so to properly complete that ending.

What you should do

You should definitely see this film, it's good old fashioned fun for all ages

Movie thing you wish you could take home

I could do with a personal Lady of the Lake who can bring me my things when they go missing.
  
1917 (2020)
1917 (2020)
2020 | Drama, War
Tour-de-Force filmmaking
I have just viewed the film that WILL WIN the Oscars for Best Picture, Director and Cinematography (and probably many, many more).

Yes, 1917 is that good.

A tour-de-force presentation of a film, 1917 tells the tale of 2 soldiers in WW 1 that are tasked with bringing a message across "no man's land" to prevent a company of soldiers from walking into an ambush.

Director Sam Mendes (SKYFALL) chose to shoot this film in such a way as to give the impression that this film is just one long shot. While it is not (he shot it in about 8 minute bursts), the choreography of the action is staged in such a way that the cuts are seamless and unnoticeable. It is a master class in Directing from Mendes, for - though it is an interesting "gimmick" that puts us (literally) in the shoes (and steps) of the 2 young soldiers on their mission - this gimmick does not get in the way of the film. It helps and enhances the film, you can sit back in your chair and forget about "the gimmick" and just get wrapped up, emotionally, in the story that is being told.

And...getting wrapped up, emotionally, you will be. For the story, events, struggles and triumphs of these 2 soldiers are brilliantly brought to the screen from Director Mendes and Cinematograper-extraordinaire Roger Deakins (14 time Oscar nominee - from SHAWSHANK REDEMPTION to his win, finally, in BLADE RUNNER 2049). These 2 (and their crew) suck you into the action and tensions of the situation. You feel every step that these soldiers take.

Since you spend the entire movie with them, Mendes has done a tremendous job of casting 2 charismatic (but not overly so) actors as the 2 soldiers. Dean-Charles Chapman (Tommen Baratheon in GAME OF THRONES) is determined, focused and single-minded as the lead soldier on this trek - he has personal stakes in this mission - as his brother is in the invasion force that is going to be ambushed. Chapman does a nice job of finding the balance - and making a true person - out of a character that has a single, over-arching mission. It is strong subtle work.

But, to me, the standout in this film is George MacKay (CAPTAIN FANTASTIC) as the buddy who is "brought along". This could have been just another "reluctant war hero" character, but MacKay brings a sense of decency and vulnerability to the early scenes of his character (where he could have just as easily played the "reluctant companion"). These nuanced character dimensions take root later on in the film and elevate this actor - and this role - above the norm.

Mendes brings in a "who's who" of modern British acting stars to fill important extended cameo roles - Colin Firth, Andrew Scott, Mark Strong and Benedict Cumberbatch all bring gravitas and heft to their brief appearances on screen.

This is not the fastest paced film you will ever see - and I think that this serves the film well. It earns its pace and I was drawn in, emotionally, in a way that would not have worked had Mendes rushed the pace (especially early on).

But this film (and Mendes and Deakins) shines during the battle scenes. Even though we are following 2 foot soldiers, they set up the boundaries of these battles in such a way that you understand what is going on - and what is at stake - at least to the 2 soldiers we are following. It is in these scenes that this film really finds its footing. I was drawn even further into the intimate, emotional stakes of these characters at those moments.

A marvelous piece of film making that shows a Director and Cinematographer at the top of their games.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
The Fourth Monkey (4MK Thriller, #1)
The Fourth Monkey (4MK Thriller, #1)
J.D. Barker | 2017 | Thriller
8
8.5 (4 Ratings)
Book Rating
<img src="https://bookbumzuky.files.wordpress.com/2017/06/4mk-giveaway-v2.png"; width="430" height="430" alt="win the book!"/>

<a href="https://bookbum.co.uk/2017/06/27/4mk/">WIN A HARDBACK COPY OF THE BOOK HERE!</a> (UK only)

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I had so many opinions running through my head when I was reading this. At first I was excited and intrigued to find out more, then I was slightly reluctant to read it towards the middle (though I think factors outside of the book were influencing my opinion at that point) and then by the end I was super eager to finish it (in a good way) and see where it went.

This is a fast paced thriller that’s going to keep you rooted to your seat. I, unfortunately, had so much to do while reading this book (work and personal life) that I wasn’t able to sit and read huge chunks of it and I think that’s why I got a little slow to reading it towards the middle. If you’re going to read this book, my advice is to free up some of your time so you can bulk read it, otherwise some of the more shocking revelations and continuous fast paced action won’t have it’s desired effect.

The first thing I loved about this novel is the fact that our protagonist is an older man, not some sprightly new thing coming straight out of police school. It was nice to have that less popular character as our “hero”. The second thing I loved was the Diary entries. I (mainly) love books that jump back and forth between past and present so when these skin crawlingly creepy diary entries started, I was pumped! They never let me down, through the entire thing they were disturbing and really added something to the novel.

My only complaint? Well, this was a buddy read with my pal Annie @ The Misstery, and we knew who 4MK was the moment we met them. Kind of a bummer but at the same time it was quite fun to see if we were actually going to be right or not (we were). It was still good fun to find out how everything came together in the end.

Overall, I really enjoyed this novel and I’m already excited to see another book in the series will be out next year. The ending lines of the novel are chilling and I can’t wait for them to be followed up!

<i>Thanks to HQ for sending me a copy of the book in exchange for an honest review!</i>
  
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Darren (1599 KP) rated The 33 (2015) in Movies

Jun 20, 2019  
The 33 (2015)
The 33 (2015)
2015 | Drama
8
8.5 (2 Ratings)
Movie Rating
Story: The 33 starts as we follow our Chilean miners including family man Mario Sepulveda (Banderas) and safety inspector Don Lucho (Phillips) who is reluctantly backs down from their boss about the conditions inside the mine, believing the mountain will start to collapse in on itself.

When the mine does collapse, it leaves all 33 miners trapped hoping they might get rescued, well that is inside the mine. Outside the mine the miner’s families led by Maria Segovia (Binoche) demanded answers and help from the government with Laurence Golborne (Santoro) calling the shots, doing the best he can to find a way to rescue the miners. This is the incredible story of how the Chilean miners survived and were rescued.

 

Thoughts on The 33

 

Characters/Performance – The film is based on the real people involved, Mario is the one that takes control inside the mine, the reluctant hero even against the odds. Laurence is the government man that must do the right thing while working with the experts as well as keep the families happy. Maria is the sister of one of the miners and leads the protest to find answers about her brother and other miners.

Performance wise, Banderas shows himself to be the biggest star within the mine, we do get strange casting choices up next because we have a French actress playing a Chilean lady, and Irish man as a Chilean. But away from this we have good performances all around from the whole cast.

Story – The story is one that we all followed on the news, it was one of the most must watch news stories of the 21st Century. Seeing the amazing story of how the men survived, the way a small town can together to bring a nation, then the world to see, beg and pray for these men is an incredible story of courage, strength and belief in the human race.

Biography/History – While we don’t truly get to know the men personally, we do see the 69 days that changed their lives. This will go down in history as one of our moments of greatness as a human race.

Settings – The film is set between the mine which shows us just how trapped the character will be but we also see how the family members are working towards rescue.

Final Thoughts – This is an incredible story that was one we followed and seeing this brings back the memories but in places this is slightly slow.

 

Overall: Great glimpse into history.

https://moviesreview101.com/2018/03/27/a-z-bonus-review-month-the-33-2015/
  
A Deadly Education: Lesson One of the Scholomance
A Deadly Education: Lesson One of the Scholomance
Naomi Novik | 2020 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
9
7.2 (6 Ratings)
Book Rating
Magical elements (0 more)
I received an ARC of this book in exchange for an honest review.

It’s taken me three days to write this review, as I’ve tried to find something clever and witty to say about it when the simple truth is, I like this book and it’s hard to explain why without giving too much away.

It has all the elements you’d expect and enjoy from a fantasy novel, and even though most people I know who enjoy this genre feel it bridges the gap between YA and adult fiction, I should still probably say that the only thing that gives it away that this is a YA book is the teenage protagonist. Novik has gone with the canny technique of a YA voice and theme with an adult backdrop. (I know it’s school but I don’t think even Harry Potter had THIS many near-death experiences)

The protagonist is a girl called El who goes to a special school called The Scholomance. What makes this school so special is the fact that it’s for magically gifted children, it’s held between realities, there are no teachers, the school itself assesses your progress and provides your work accordingly. However, where there are magical beings there are beasties and there are some right nasty ones in this school. Luckily El is constantly rescued by resident hero Orion, which she is especially aggrieved by, considering that El herself is potentially the most dangerous thing in the school.

Oddly enough, one of my favourite aspects of this book was the one thing that most reviewers found annoying about it, and that’s what they’re calling the ‘info-dumping’. There’s a strong feeling amongst the reviews that there is constantly just too much information being thrown at you. In hindsight, I can see their point, and if you’re a fan of Novik and were expecting her usual standard this may be annoying. However, for me as my first foray into her style, I didn’t mind it. In fact, I think it contributed to her world-building and just made me even keener to read the next book. Maybe now that the base is established the next book won’t have so much of it, but it didn’t detract from the story at all for me. I can’t help it, I like information. Sure if a bunch of schoolroom chairs have just come to life and chased after our main characters I want to know how that turns out as quickly as possible, but I do also like to know why.

There is so much going on here, that not only is Novik giving you an entertaining story but it feels like she’s laying the groundwork for what could be (hopefully) an epic new series. El is at times annoying and frustrating, but refreshingly consistent. Orion is the reluctant hero, despite being provided with a bit of background for him he still feels a little 2 dimensional to me, but I hope he’ll be fleshed out a bit more in the next book. They are supported by a range of diverse characters, speaking of which . . .
I’d be remiss if I didn’t mention the controversy around the book regarding some racist claims. I am by no means qualified to comment on this point, but what I would say is that the issue is a sin of omission rather than intention, and has been addressed by the author. If this is an issue that has you reconsidering adding this to your TBR pile, please do read a broad selection of reviews before making up your mind. As it is a fantastic book and could potentially be my favourite new series
  
One Cut of the Dead (Kamera o Tomeru na!) (2017)
One Cut of the Dead (Kamera o Tomeru na!) (2017)
2017 | Comedy, Horror
Characters – Director Higurashi is the man trying to make this movie work, he is getting tired of his performers not showing enough fear, he pushes them to the limits with real zombies, which soon give him his perfect picture. Chinatsu is the star of the movie being made, she struggles to show the fear to start with, until she finds herself in a real zombie film. Nao is the production assistant that teaches the actors about the rumours about the area and joins in the fight against the real zombies. Ko is the lead actor in the film being made, he is meant to be the reluctant hero when the zombie attack.

Performances – This is a movie that has performances that do give the actors a lot to do, with a lot of different angles to be seen, everything is wonderful from the cast, that truly makes sense by the end of the film.

Story – The story here follows the production of the low budget zombie movie until things take a turn, from fiction to reality. This is a story that is a breath of fresh air, because it goes in a direction you won’t see coming and does seem like something we needed for the zombie genre of film. The story does however start by feeling like something we have seen before, until we go in the different direction. We do get some wall breaking moments which adds everything to this story, which will make it one of the most original and smart ideas you will ever see.

Comedy/Horror – The comedy in the film comes from most of the second half of the film, which will be constant laughs, the horror in the film does seem like a routine zombie movie, until things change, it doesn’t get as scary as it could, but then it doesn’t need to be.

Settings – The film uses the settings perfectly to add to the film, we get to see so much from the abandoned warehouse setting, which only grows in the later parts of the film.

Special Effects – The effects in the film are everything you need for a low budget production, it is used to create and add extra comedy to the film too.


Scene of the Movie – The third act.

That Moment That Annoyed Me – There really isn’t one.

Final Thoughts – This is one of the most original and ingenious by turning everything you think you know, leaving you laughing with pure enjoyment of the events of the film.

Overall: Ingenious Zombie Movie.

One Cut for the Dead will get a one-night event in the US on the 17th September.
  
King Arthur: Legend Of The Sword (2017)
King Arthur: Legend Of The Sword (2017)
2017 | Action, Drama
Schrodinger's Film
There is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.

At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.

I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.

Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.

In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.

Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.

Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.

There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.

Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.

But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.

https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/