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Andy K (10821 KP) rated Halloween (2007) in Movies
Oct 10, 2018
A successful re-imagining but turned up to 11!
When I first heard director Rob Zombie was going to have a hand at Halloween, I couldn't have been more excited. His films up to that point had been intense, scary, gruesome, gothic, sexual and down-rite awesome!
This reinvention had big shoes to fill since the original Halloween is not only a scary movie classic, but invented or perfected a lot of horror elements still used in films today.
The additions to the story proved successful seeing a lot more scenes of Michael as a child, his dysfunctional family roots (which could have been part of his inner demons) and more details around his escape from the psychiatric hospital. Then the original story plays out as you are familiar; although, more intense and evil.
The third act does seem to drag out just a bit as the movie is around 2 hours in length.
Great to see a lot of "B" movie actors appear in the film including Malcolm McDowell, Clint Howard, Brad Dourif, Dee Wallace and Richard Lynch. Also Danielle Harris who was the little girl in parts 4 & 5 is also there as another homage.
Overall, a successful reboot with enough mixture of old and new to keep me very well entertained.
This reinvention had big shoes to fill since the original Halloween is not only a scary movie classic, but invented or perfected a lot of horror elements still used in films today.
The additions to the story proved successful seeing a lot more scenes of Michael as a child, his dysfunctional family roots (which could have been part of his inner demons) and more details around his escape from the psychiatric hospital. Then the original story plays out as you are familiar; although, more intense and evil.
The third act does seem to drag out just a bit as the movie is around 2 hours in length.
Great to see a lot of "B" movie actors appear in the film including Malcolm McDowell, Clint Howard, Brad Dourif, Dee Wallace and Richard Lynch. Also Danielle Harris who was the little girl in parts 4 & 5 is also there as another homage.
Overall, a successful reboot with enough mixture of old and new to keep me very well entertained.
Frank Black recommended New Values by Iggy Pop in Music (curated)
Ross (3282 KP) rated Dogs of War in Books
Sep 19, 2017
Disclosure: I received a free advance copy of this novel from NetGalley in return for an honest review.
This near-future science fiction story surrounds the use of genetically modified, cyborg animals in security and warfare and the humane concerns around that.
Having read the author's fantasy series, Shadows of the Apt, I was already familiar with Tchaikovsky's style, and his liking for warfare and technology (that series including the development of a number of new technologies which are eventually used as weapons).
What I was not quite prepared for was how he would write if in the PoV of a cyborg dog (how can you prepare yourself for that?!). This took a little getting used to, but not too much (a little like Flowers for Algernon, the language starts off simplistic but develops). Rex's vocabulary is like that of a small child, but one that has learned certain military phrases. Rex just wants his master to acknowledge him with a "good dog" now and then.
The story develops through a government-backed incursion into rebel-held Mexico, then into the courtroom and beyond into the brave new world for suddenly free man-made creatures.
There are a number of topical issues dealt with here, using not-people to do unpleasant jobs, the burden of responsibility in warfare and also the dangers of cyber-linked machines/people.
I really enjoyed the book and how the different PoVs come across and also how the setting and the message keeps changing throughout so there are different concerns to be dealt with or discussed (without being preachy!).
I also enjoyed Tchaikovsky's descriptions of conflict and battle scenes: giving enough of a picture of the whole battle while focussing on key moments and events.
Overall, something of a departure from my usual book, but very much enjoyable. This wouldn't have looked out of place with Richard Bachman's name on it.
This near-future science fiction story surrounds the use of genetically modified, cyborg animals in security and warfare and the humane concerns around that.
Having read the author's fantasy series, Shadows of the Apt, I was already familiar with Tchaikovsky's style, and his liking for warfare and technology (that series including the development of a number of new technologies which are eventually used as weapons).
What I was not quite prepared for was how he would write if in the PoV of a cyborg dog (how can you prepare yourself for that?!). This took a little getting used to, but not too much (a little like Flowers for Algernon, the language starts off simplistic but develops). Rex's vocabulary is like that of a small child, but one that has learned certain military phrases. Rex just wants his master to acknowledge him with a "good dog" now and then.
The story develops through a government-backed incursion into rebel-held Mexico, then into the courtroom and beyond into the brave new world for suddenly free man-made creatures.
There are a number of topical issues dealt with here, using not-people to do unpleasant jobs, the burden of responsibility in warfare and also the dangers of cyber-linked machines/people.
I really enjoyed the book and how the different PoVs come across and also how the setting and the message keeps changing throughout so there are different concerns to be dealt with or discussed (without being preachy!).
I also enjoyed Tchaikovsky's descriptions of conflict and battle scenes: giving enough of a picture of the whole battle while focussing on key moments and events.
Overall, something of a departure from my usual book, but very much enjoyable. This wouldn't have looked out of place with Richard Bachman's name on it.
Sarah (7798 KP) rated Rocketman (2019) in Movies
May 29, 2019
I knew before watching this that it wasn’t your average biopic but that still didn’t prepare me for how truly wacky and wonderful it was. But then when you think of Elton John, would you really expect anything less flamboyant?
This is more like an Elton John musical complete with rather strange fantasy elements, and I have to admit that the fantasy is mostly the bit I didn’t like. Singing with younger versions of himself were fine, but the rest I just found a little too odd and ill fitting. However despite this, it’s still a rather good musical. All of the songs that you’d expect are in here and it was a struggle not to sing along. I do think that the general sound on the music in this didn’t seem quite as good as Bohemian Rhapsody, it didn’t feel quite as immersive and concert like and it was in the same screen!
Taron Egerton does a wonderful job, I’ve said before that he’s a marvellous actor and he proves it yet again here. Whilst he doesn’t look exactly like Elton John i can’t imagine anyone else playing this role and there were some moments later on in the film that I had to do a double take as he looked so like him! There are other great performances too, namely Richard Madden as the smarmy John Reid and Jamie Bell as Bernie Taupin. There are some scenes with Bernie and Elton that almost have me in tears. I know fairly little about Elton’s earlier life so for me this was rather an informative and fascinating film too, and I was beyond glad at the end to hear that Bernie is still going. I couldn’t have coped if he wasn’t!
This film isn’t faultless and I felt like it was rather drawn out, but it’s still a rather good musical biopic and definitely one I’d like to see again and sing along too. Indeed, wouldn’t this be marvellous as a musical stage show?
This is more like an Elton John musical complete with rather strange fantasy elements, and I have to admit that the fantasy is mostly the bit I didn’t like. Singing with younger versions of himself were fine, but the rest I just found a little too odd and ill fitting. However despite this, it’s still a rather good musical. All of the songs that you’d expect are in here and it was a struggle not to sing along. I do think that the general sound on the music in this didn’t seem quite as good as Bohemian Rhapsody, it didn’t feel quite as immersive and concert like and it was in the same screen!
Taron Egerton does a wonderful job, I’ve said before that he’s a marvellous actor and he proves it yet again here. Whilst he doesn’t look exactly like Elton John i can’t imagine anyone else playing this role and there were some moments later on in the film that I had to do a double take as he looked so like him! There are other great performances too, namely Richard Madden as the smarmy John Reid and Jamie Bell as Bernie Taupin. There are some scenes with Bernie and Elton that almost have me in tears. I know fairly little about Elton’s earlier life so for me this was rather an informative and fascinating film too, and I was beyond glad at the end to hear that Bernie is still going. I couldn’t have coped if he wasn’t!
This film isn’t faultless and I felt like it was rather drawn out, but it’s still a rather good musical biopic and definitely one I’d like to see again and sing along too. Indeed, wouldn’t this be marvellous as a musical stage show?
Laura Doe (1350 KP) rated The Man Who Died Twice in Books
Jul 31, 2022
Another fantastic book by Richard Osman, sometimes sequels fall a bit flat and have lost the magic of the first book, but not this one.
We start not long after the last book finished, the following Thursday in fact. Elizabeth has been invited round to a flat in the retirement village, but the letter inviting her has been signed off by a dead man. All becomes clear as soon as Elizabeth goes to meet him, and it her ex-husband, Douglas. He tells her he is in trouble and needs her help. Elizabeth being Elizabeth agrees to help, but only if she can enlist the help of The Thursday Murder Club.
Elsewhere, Ibrahim is happily going about his business when he is violently mugged. This leads to the book touching on agoraphobia and how people deal with things after a violent attack, whilst pretending to everyone around them that they are perfectly fine.
Donna and Chris are back, with Chris dating Donna’s mum and making Donna a little uncomfortable. She also begins to question her own loneliness and it is interesting to watch how she tries to combat it, without succeeding.
As the book goes on, the situations get more and more ridiculous (but this never had me questioning if it could really happen, as I just enjoyed the ride) and once one mystery is solved, two or three more crop up! I definitely didn’t guess the ending, and 70 pages from the end I was sure that I knew how it ended, but I was extremely wrong.
I also didn’t guess where the money would end up either, but I’m extremely pleased with the ending and I feel that it changed the ending from something a little obvious to something no one would guess.
I have been enjoying this series so much, that the next release cannot come soon enough for me! I very rarely understand the hype around books, especially ones written by celebrity authors, but this one has lived up to the hype and more in my eyes.
We start not long after the last book finished, the following Thursday in fact. Elizabeth has been invited round to a flat in the retirement village, but the letter inviting her has been signed off by a dead man. All becomes clear as soon as Elizabeth goes to meet him, and it her ex-husband, Douglas. He tells her he is in trouble and needs her help. Elizabeth being Elizabeth agrees to help, but only if she can enlist the help of The Thursday Murder Club.
Elsewhere, Ibrahim is happily going about his business when he is violently mugged. This leads to the book touching on agoraphobia and how people deal with things after a violent attack, whilst pretending to everyone around them that they are perfectly fine.
Donna and Chris are back, with Chris dating Donna’s mum and making Donna a little uncomfortable. She also begins to question her own loneliness and it is interesting to watch how she tries to combat it, without succeeding.
As the book goes on, the situations get more and more ridiculous (but this never had me questioning if it could really happen, as I just enjoyed the ride) and once one mystery is solved, two or three more crop up! I definitely didn’t guess the ending, and 70 pages from the end I was sure that I knew how it ended, but I was extremely wrong.
I also didn’t guess where the money would end up either, but I’m extremely pleased with the ending and I feel that it changed the ending from something a little obvious to something no one would guess.
I have been enjoying this series so much, that the next release cannot come soon enough for me! I very rarely understand the hype around books, especially ones written by celebrity authors, but this one has lived up to the hype and more in my eyes.
Sarah (7798 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
Phillip McSween (751 KP) rated Weekend at Bernie's (1989) in Movies
May 1, 2018
Could Have Been Better
Two friends show up at their boss Bernie's beachhouse for a weekend retreat only to find Bernie dead. To maintain innocence, they decide to go through with the weekend while hiding Bernie in plain sight for all to see.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
Phillip McSween (751 KP) rated The 39 Steps (1935) in Movies
Jan 11, 2018
Classic
Admission #1: I loved this film.
Admission #2: It was a little confusing in spots which made it hard at times for me to be fully immersed.
Admission #3: The second admission probably had a lot to do with the fact that I was extremely tired after having run a full day on two hours of sleep.
The 39 Steps succeeded in keeping me interested because of its intriguing premise. It wasn't twenty minutes of watching before I knew there was no way I was going to miss this ending. The film is shrouded in mystery as the main characters run for their lives from location to location holding on to a secret they're not even sure of. The twist is clever and not over-the-top. You can feel it building throughout the entirety of the film. The payoff is definitely worth it.
A man in London tries to help a counterespionage agent. When the agent is killed and he stands accused, he must go on the run to both save himself and also stop a spy ring trying to steal top secret information. Robert Donat is a joy to watch playing the role of main character Richard Hannay. His charm and humor make him instantly likable.
I love when films like The 39 Steps give me yet another reason to appreciate the classics. I give it a very solid 95.
Admission #2: It was a little confusing in spots which made it hard at times for me to be fully immersed.
Admission #3: The second admission probably had a lot to do with the fact that I was extremely tired after having run a full day on two hours of sleep.
The 39 Steps succeeded in keeping me interested because of its intriguing premise. It wasn't twenty minutes of watching before I knew there was no way I was going to miss this ending. The film is shrouded in mystery as the main characters run for their lives from location to location holding on to a secret they're not even sure of. The twist is clever and not over-the-top. You can feel it building throughout the entirety of the film. The payoff is definitely worth it.
A man in London tries to help a counterespionage agent. When the agent is killed and he stands accused, he must go on the run to both save himself and also stop a spy ring trying to steal top secret information. Robert Donat is a joy to watch playing the role of main character Richard Hannay. His charm and humor make him instantly likable.
I love when films like The 39 Steps give me yet another reason to appreciate the classics. I give it a very solid 95.
Sarah (7798 KP) rated Fortitude - Season 1 in TV
Dec 9, 2018
A genre-spanning atmospheric thriller
I watched Fortitude when it first aired a few years ago, and have decided to give it another watch now to refresh my memory now the final series has aired.
Fortitude is set in a beautiful location in the arctic, and the show really makes the most of showing off this location as often as possible. The plot itself is intriguing and bonkers, but yet doesn't quite go too far. It spans a verify of genres, from murder mystery and crime to drama and gory horror, and it does this really well. Some of the gory horror parts are actually quite disturbing (in an good). This is also a very character driven story, and most of the characters in this are well rounded and developed. It has a fantastic cast including some very well known faces like Stanley Tucci and Michael Gambon. However for me it's Richard Dormer that truly shines in this. He gives Dan a lot of depth and despite his errant and sometime psychotic ways, you do still feel sorry for him. I find it difficult to accept that this is the same person who plays Beric Dondarrion in GoT, he's that good an actor.
If you're looking for something that's well acted, doesn't stick to a specific genre and is honestly a little bizarre and unusual, then this is definitely worth a watch.
Fortitude is set in a beautiful location in the arctic, and the show really makes the most of showing off this location as often as possible. The plot itself is intriguing and bonkers, but yet doesn't quite go too far. It spans a verify of genres, from murder mystery and crime to drama and gory horror, and it does this really well. Some of the gory horror parts are actually quite disturbing (in an good). This is also a very character driven story, and most of the characters in this are well rounded and developed. It has a fantastic cast including some very well known faces like Stanley Tucci and Michael Gambon. However for me it's Richard Dormer that truly shines in this. He gives Dan a lot of depth and despite his errant and sometime psychotic ways, you do still feel sorry for him. I find it difficult to accept that this is the same person who plays Beric Dondarrion in GoT, he's that good an actor.
If you're looking for something that's well acted, doesn't stick to a specific genre and is honestly a little bizarre and unusual, then this is definitely worth a watch.
Best British drama in a long time
I don't really do British tv dramas, mainly because most of them are all very similar or just not my cup of tea, however after the hype surrounding this, I decided to give it a chance.
This is by far the best British drama I've seen in a long time (albeit I may not have seen many recently). Richard Madden is superb as David Budd and I really hope he goes far with his career. There's Bond rumours flying about (although to be fair those same rumours are fixed to every British actor within a certain age range) and i honestly think he would make a great Bond as long as he doesn't go with his native Scottish. The story itself is interesting and there are some fantastic twists and turns. Some of it may be a tad predictable, over the top and cliched - I almost stopped watching after episode 2 when the bodyguard slept with his ward - and you have to suspend your disbelief in parts. If only real police work in the UK was this dramatic! However I was particularly impressed with the final episode. Never before have I felt so tense and terrified watching a British drama, the tension and suspense in this episode alone was marvellous. The final scene itself was a tad disappointing as I'd expected a little more action, but the rest of the episode and series more than made up for it.
This is by far the best British drama I've seen in a long time (albeit I may not have seen many recently). Richard Madden is superb as David Budd and I really hope he goes far with his career. There's Bond rumours flying about (although to be fair those same rumours are fixed to every British actor within a certain age range) and i honestly think he would make a great Bond as long as he doesn't go with his native Scottish. The story itself is interesting and there are some fantastic twists and turns. Some of it may be a tad predictable, over the top and cliched - I almost stopped watching after episode 2 when the bodyguard slept with his ward - and you have to suspend your disbelief in parts. If only real police work in the UK was this dramatic! However I was particularly impressed with the final episode. Never before have I felt so tense and terrified watching a British drama, the tension and suspense in this episode alone was marvellous. The final scene itself was a tad disappointing as I'd expected a little more action, but the rest of the episode and series more than made up for it.