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Awix (3310 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Mar 1, 2018 (Updated Mar 2, 2018)
Valerian and the Unnecessarily Long Title, more like
Another lavishly imaginative and somewhat incoherently scripted sci-fi movie from Luc Besson, somewhat in the same vein as The Fifth Element. Plot mainly consists of running about in spectacular costumes in front of CGI backgrounds; exactly what is going on is frequently unclear.
The script is certainly baffling and doesn't feel like the work of a man credited as writer or co-writer of fifty other movies; the whole section with Rihanna and Ethan Hawke is just filler, in terms of the actual plot. Or is the plot itself only of secondary concern with this movie? It seems that way. DeHaan is arguably badly miscast as Valerian; however, Delevingne is something of a revelation in this movie (very good hair, too). And it definitely has its moments and always looks interesting. If only Besson could keep the script under control for his sci-fi films...
The script is certainly baffling and doesn't feel like the work of a man credited as writer or co-writer of fifty other movies; the whole section with Rihanna and Ethan Hawke is just filler, in terms of the actual plot. Or is the plot itself only of secondary concern with this movie? It seems that way. DeHaan is arguably badly miscast as Valerian; however, Delevingne is something of a revelation in this movie (very good hair, too). And it definitely has its moments and always looks interesting. If only Besson could keep the script under control for his sci-fi films...
Sarah (7798 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Apr 2, 2018
All style, no substance
It's a shame that Luc Besson has resorted to this. Considering his previous films, this should have been so much better.
The opening title scene starts off fairly well, it's just a shame that it then goes badly downhill with the introduction of Valerian and Laureline. The script is terrible and very cringeworthy, and it isn't helped by the lack of real chemistry between Dane DeHaan and Cara Delavigne. The plot is very weak and really drags out its 2+ hour run time, and it's very predictable. I have no idea as to why they felt the need to include Ethan Hawke and Rihanna, as their part of the plot was filler at best and could've easily been removed with little effect to the overall outcome. The visual effects are fantastic, it's just a shame they've concentrated on this instead of sorting out the horrendous script and weak plot.
The opening title scene starts off fairly well, it's just a shame that it then goes badly downhill with the introduction of Valerian and Laureline. The script is terrible and very cringeworthy, and it isn't helped by the lack of real chemistry between Dane DeHaan and Cara Delavigne. The plot is very weak and really drags out its 2+ hour run time, and it's very predictable. I have no idea as to why they felt the need to include Ethan Hawke and Rihanna, as their part of the plot was filler at best and could've easily been removed with little effect to the overall outcome. The visual effects are fantastic, it's just a shame they've concentrated on this instead of sorting out the horrendous script and weak plot.
Kirk Bage (1775 KP) rated Ocean’s 8 (2018) in Movies
Jan 22, 2021
I am sure the pitch for this sounded pretty good. It is the Ocean’s franchise but with all women. What on earth could possibly go wrong? Well, the script for starters. And the sleepy direction. The normally fairly dependable Gary Ross guilty on both fronts. Although there are some nice scenes and moments in isolation (usually involving Helena Bonham- Carter, who comes out of it all best, because at least she’s funny), it is all far too pedestrian and lacks momentum. A very easy film to fall asleep during, which for a heist movie is a problem! The talent on display is largely wasted, even though in a way they all come out of it with dignity and reputation intact. One other light I took from it was thinking Rihanna as the kooky “Nine Ball” showed some potential for being a decent screen actress, which pleasantly surprised me. Again, it is just about worth watching once, but has to go down as a botched job on the whole.
Awix (3310 KP) rated Battleship (2012) in Movies
Mar 7, 2018 (Updated Mar 7, 2018)
Zombie reflexes in the Hollywood blockbuster machine sputtered into a grisly half-life and pondered the question 'if movies about the Transformers toys make so much money, what other toy/game based rubbish can we railroad audiences into going to see?' And the answer that came back was 'let's do a movie based on Battleship, featuring the pop-star Rihanna'.
Utterly dimwitted action blockbuster and Michael Bay pastiche; the weird thing is that Michael Bay pastiches are marginally better than actual Michael Bay films, mainly because if your starting point is a Michael Bay film the only way is up. This is still insultingly stupid. The actors deserve some kind of credit for getting through the film with straight faces, given it includes a laboriously contrived sequence where the characters are basically playing real-life Battleships against the aliens. Somehow made even worse by the way it fawns over members of the military (subtext being that it's unpatriotic not to like this movie). The special effects are not too bad but considering this is a movie with a $210 million budget that's like saying they remembered to put film in the camera.
Utterly dimwitted action blockbuster and Michael Bay pastiche; the weird thing is that Michael Bay pastiches are marginally better than actual Michael Bay films, mainly because if your starting point is a Michael Bay film the only way is up. This is still insultingly stupid. The actors deserve some kind of credit for getting through the film with straight faces, given it includes a laboriously contrived sequence where the characters are basically playing real-life Battleships against the aliens. Somehow made even worse by the way it fawns over members of the military (subtext being that it's unpatriotic not to like this movie). The special effects are not too bad but considering this is a movie with a $210 million budget that's like saying they remembered to put film in the camera.
SummerLGrant (185 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Aug 5, 2017
Visual effects (1 more)
Rihanna - surprisingly
Predictable (2 more)
The script and story had weak moments
Dated and lacking diversity
A mish mash that fails to hit the mark
Contains spoilers, click to show
It had the potential to be the sci-fi blockbuster of the summer, but where there was plenty of ambition the execution was lacking. One of the first things to crop up was right at the beginning of the film, well, two things really. First was the opening scene explaining the situation that led to the main story, each delegation of new astronauts popped in and greeting the humans on the space station - but unless they were obviously meant to be from a different country you only ever saw white men climbing aboard with the odd token woman thrown in for good measure. The other thing was when it said it was based on the Valerian and Laureline comics - so typical that when the film industry gets hold of it they cut off the woman's name.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
tonidavis (353 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Aug 9, 2017
The reviews of this film on most critic sites seem to slate it. however I dont think this film deserves the hate it seems to get.
First of all like most Luc Besson Film the actual set designs and visual world is simply stunning.
Dante and Cara Delevainge seem a weird casting choice at first glance for me. I know the comics and of one thing Valerian and Laurline always seemed older. That being said they both did a better job than I thought they would do. Whilst both actors are incredibly beutiful that most people can only wish to be there faces are so angular pulling of a softer look and side is harder to see and connect with than any other actor I've known. However whislt it was hard to get that softer emotional connection there was moments it was there and was nice to see. I wish I had seen some of it more in paper towns from cara but in this film I did see it.
I was slighty disappointed with the great Rihanna part given the amount of press she had I was expecting something more than ten mins (if that) of screen time. in fact there was a very small cast list a majority of film was just Dante and Cara which takes a lot more script writing and acting to keep you involde in story and film
First of all like most Luc Besson Film the actual set designs and visual world is simply stunning.
Dante and Cara Delevainge seem a weird casting choice at first glance for me. I know the comics and of one thing Valerian and Laurline always seemed older. That being said they both did a better job than I thought they would do. Whilst both actors are incredibly beutiful that most people can only wish to be there faces are so angular pulling of a softer look and side is harder to see and connect with than any other actor I've known. However whislt it was hard to get that softer emotional connection there was moments it was there and was nice to see. I wish I had seen some of it more in paper towns from cara but in this film I did see it.
I was slighty disappointed with the great Rihanna part given the amount of press she had I was expecting something more than ten mins (if that) of screen time. in fact there was a very small cast list a majority of film was just Dante and Cara which takes a lot more script writing and acting to keep you involde in story and film
Bong Mines Entertainment (15 KP) rated Progression by Ray J in Music
Jun 21, 2019
Ray J is a is a singer-songwriter, rapper, and actor based in Los Angeles, California. Not too long ago, he released a music video for his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.
“Baby, cancel all your plans tonight. I got the chauffeur waiting right outside. Don’t worry babe you’ll be here soon. So go on take a shot get in the mood. I grab on your waist. You’re making it shake. I swear that you never get tired. Your body is hot, we’re keeping it lit, we’re setting the roof on fire. She moves her hips like Shakira, she got that swag like Rihanna, she holding it down like Beyoncé. She tryna be my baby mama so back it up for me one time. Make it clap for me two times. Roll it back baby three times. Don’t stop baby rewind.” – lyrics
‘Rewind’ features label mates, and UK pioneering artist Ironik, British producer act Designer Doubt, and Ray J’s artist and best friend Truth. The likable tune follows Ray J’s “Right On Time” single featuring Flo Rida, Brandy, and Designer Doubt.
It will be featured on Ray J’s upcoming album, entitled, “Raydemption”. The project already features the likes of Chris Brown, The Game, and Snoop Dogg with more records in the works.
Also, it’s coming in visual album format, not dissimilar to Beyoncé’s “Lemonade”. Basically, a 45-minute mini-movie that’s already exciting Grammy’s buzz.
However, preceding its release is Jay J’s London exclusive EP, entitled, “Progression”, which includes his “Rewind” single.
Bong Mines Entertainment (15 KP) rated Holiday - Single by Dana Williams in Music
Jul 10, 2019
Dana Williams is a singer-songwriter based in Los Angeles, California. Not too long ago, she released a lovely music video for her “Holiday” single.
“My, how time, how it flies away. ‘Cause I used to dream of you, but now I wish you’d go away. It’s only a holiday when you’re away. It’s only a holiday when you’re not here. ‘Cause that’s when I have my space when you’re away. It’s only a holiday when you’re gone. And now the only difference is that I’ve come too far to care. But now the only difference is that you’re not there.” – lyrics
‘Holiday’ tells a bittersweet tale of a young woman who needs a break from her significant other and their problematic relationship.
Oftentimes, she thinks about leaving when he’s away but is too afraid to do so because she fears the loneliness of being single.
Even though they fuss and fight, she admits that she finds comfort in his companionship and that’s why she keeps him around.
‘Holiday’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses hard-hitting instrumentation embedded with thudding drums and dreamy strings.
“‘Holiday’ is an expression of self-love and realizing that it is better to be alone than in the company of a turbulent relationship.” – Dana Williams
Dana Williams was raised on legendary singers such as Ella Fitzgerald and Billie Holiday.
Not too long ago, her “Honey” single landed on Spotify’s Fresh Finds playlist. So far, the likable tune has amassed over 3M streams online.
Also, Alex Da Kid, a multi-Grammy Award-winner producer (Skylar Grey, Rihanna), will be producing Williams’ upcoming project featuring her “Holiday” single.
“My, how time, how it flies away. ‘Cause I used to dream of you, but now I wish you’d go away. It’s only a holiday when you’re away. It’s only a holiday when you’re not here. ‘Cause that’s when I have my space when you’re away. It’s only a holiday when you’re gone. And now the only difference is that I’ve come too far to care. But now the only difference is that you’re not there.” – lyrics
‘Holiday’ tells a bittersweet tale of a young woman who needs a break from her significant other and their problematic relationship.
Oftentimes, she thinks about leaving when he’s away but is too afraid to do so because she fears the loneliness of being single.
Even though they fuss and fight, she admits that she finds comfort in his companionship and that’s why she keeps him around.
‘Holiday’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses hard-hitting instrumentation embedded with thudding drums and dreamy strings.
“‘Holiday’ is an expression of self-love and realizing that it is better to be alone than in the company of a turbulent relationship.” – Dana Williams
Dana Williams was raised on legendary singers such as Ella Fitzgerald and Billie Holiday.
Not too long ago, her “Honey” single landed on Spotify’s Fresh Finds playlist. So far, the likable tune has amassed over 3M streams online.
Also, Alex Da Kid, a multi-Grammy Award-winner producer (Skylar Grey, Rihanna), will be producing Williams’ upcoming project featuring her “Holiday” single.
Neon's Nerd Nexus (360 KP) rated Ocean’s 8 (2018) in Movies
May 14, 2019
Who run the world
#Oceans8 is a safe #heist #movie that takes very little risks but offers plently of enjoyment all the same. I won't lie I enjoyed this #film way more than I expected I would, is it the perfect heist film? no, is it a well made film? also no but its enjoyable for what it is that's for sure. Here's what I liked - the performances are great & the characters are all very likable (each one has a distinct personality & the chemistry they have with each other is genuine & entertaining). All the #ladies look absolutely #stunning & the garments they all wear constantly amaze & add more to their character. Infact I'd goe as far as to say its mostly these things alone that carry the entire film & make it such a #fun watch. My attention was also held the entire time & I never felt bored either & there were even points where the film managed to be quite tense too. Things I really didnt like - its not filmed very well or very intrestingly at all & infact it borders on being quite basic/lazy at times with quick cuts abruptly rushing/killing some scenes, boring camera work & generic screen wipes are also thrown in a lot randomly too. There's also a distinct lack of #style, class, omph & glamour with most locations especially feeling forgettable & dull. #jamescorden its also incredibly miss cast & his performance doesnt seem to fit well with the rest of the films tone. Story wise its not that interesting either & after the heist the film does fall a bit flat. Luckily however these few good points do in this case make the film really worth a watch eg - getting to know the characters & watching them prepare & pull off the heist was entertaining/fun & at times tense. Costumes, probs & a couple of sets were a joy to look at. #Music was ok & worked well with what was happening on screen. Acting is brilliant & its really nice to see #sandrabullock back in a lead roll again & looking so #beautiful while she does it too. Overall a good time heist movie that offers nothing new but keeps you interested with its lead performances. #odeon #odeonlimitless #oceans11 #hellenbonhamcarter #rihanna #annehathaway #cateblanchett #mindykaling #cinifile #filmbuff #review
Movie Metropolis (309 KP) rated Ocean’s 8 (2018) in Movies
Jun 10, 2019
Light and breezy but utterly forgettable
It’s a peculiar state of affairs, the film industry that is. While reboots, remakes, prequels and sequels seem to be garnering much disdain from the movie-going audience of late, studios still push ahead with them regardless.
I mean, look at poor Disney and the performance of Solo: A Star Wars Story if you need any indication of a tiring audience. Female-led reboots are all the rage now too with Paul Feig’s Ghostbusters being met with a dreadful run at the box office despite decent critical responses. Next up, we’ve got Ocean’s 8, a sequel no-one was really asking for but got anyway. Is it worth a watch?
Five years, eight months, 12 days and counting – that’s how long Debbie Ocean (Sandra Bullock) has been devising the biggest heist of her life. She knows what it’s going to take – a team of the best people in the field, starting with her partner-in-crime Lou Miller (Cate Blanchett). Together, they recruit a crew of specialists, including jeweller Amita, street con Constance, suburban mom Tammy (Sarah Paulson), hacker Nine Ball (Rihanna), and fashion designer Rose (Helena Bonham Carter). Their target: a necklace that’s worth more than $150 million.
Gary Ross, director of the first Hunger Games movie, takes over from Steven Soderbergh to helm a film that is perfectly passable popcorn fodder, but sadly nothing more. But, for the sake of this review, let’s start with the positives.
The cast is by far, the biggest selling point for this film. Filled to the brim with talent like Bullock, Blanchett and Paulson, it was always going to be a win-win situation pulling an ensemble like this together. Bullock is absolutely fabulous from the minute the film begins and Anne Hathaway is clearly having a ball playing an over-the-top version of herself. Helena Bonham Carter is surprisingly good as a failing Irish fashion designer and it’s always a joy seeing Sarah Paulson’s understated performances grace the big screen.
What’s not so good is the way the film treats its stars from different ethnicities however. Rihanna, Mindy Kaling (Amita) and Awkwafina (Constance) are sorely underused throughout. In fact, outside of Paulson, Awkwafina and Kaling provide the film with its most intriguing characters – but we learn very little about them apart from a few scenes studying their personal/professional lives.
It’s also best not to talk about James Corden and his hideously over-acted performance as fraud investigator John. Filled with cringeworthy dialogue, it’s a miracle his part is relatively short. Like a bad smell however, he lingers for much too long.
The biggest sin that Ocean’s 8 commits is its complete lack of plausibility
Then there’s the plot, or rather the script. In making these women the absolute best-of-the-best, there are no high stakes, no tension to be had or anything remotely resembling a narrow-escape.
There’s the obligatory ‘oh no’ moment as something looks like it’s going to go wrong, but it’s rectified so suddenly that any joy in watching the heist unfold is completely lost. Where the previous Ocean’s movies were riddled with tension, Ocean’s 8 is devoid of it.
Thankfully, the plan is fun if a little uninspiring to behold, filled with bland cinematography very similar to what was seen in the first Hunger Games film way back in 2012. It’s all just very staid, like the studio was simply ticking boxes on a checklist to make sure they got a film that would make them money, but was lacking anything in the way of originality.
But perhaps the biggest sin that Ocean’s 8 commits is its complete lack of plausibility. Article upon article has already been created in which writers dissect the film’s heist plan and come up with the same conclusion: it can’t be done. You don’t need those articles though, because the plot holes are big enough for anyone to see and that’s a real shame. This becomes increasingly evident in the film’s final 10 minutes which makes a mockery of everything that came before.
Overall, Ocean’s 8 is your typical summer blockbuster. It’s light, breezy and like a big tub of cottage cheese, devoid of any personality whatsoever. It’s saving grace is the cast. Managing to pull together an ensemble this good takes a lot of effort, and for that, it deserves some praise – faint praise, but praise nonetheless.
https://moviemetropolis.net/2018/06/21/oceans-8-review-light-and-breezy-but-utterly-forgettable/
I mean, look at poor Disney and the performance of Solo: A Star Wars Story if you need any indication of a tiring audience. Female-led reboots are all the rage now too with Paul Feig’s Ghostbusters being met with a dreadful run at the box office despite decent critical responses. Next up, we’ve got Ocean’s 8, a sequel no-one was really asking for but got anyway. Is it worth a watch?
Five years, eight months, 12 days and counting – that’s how long Debbie Ocean (Sandra Bullock) has been devising the biggest heist of her life. She knows what it’s going to take – a team of the best people in the field, starting with her partner-in-crime Lou Miller (Cate Blanchett). Together, they recruit a crew of specialists, including jeweller Amita, street con Constance, suburban mom Tammy (Sarah Paulson), hacker Nine Ball (Rihanna), and fashion designer Rose (Helena Bonham Carter). Their target: a necklace that’s worth more than $150 million.
Gary Ross, director of the first Hunger Games movie, takes over from Steven Soderbergh to helm a film that is perfectly passable popcorn fodder, but sadly nothing more. But, for the sake of this review, let’s start with the positives.
The cast is by far, the biggest selling point for this film. Filled to the brim with talent like Bullock, Blanchett and Paulson, it was always going to be a win-win situation pulling an ensemble like this together. Bullock is absolutely fabulous from the minute the film begins and Anne Hathaway is clearly having a ball playing an over-the-top version of herself. Helena Bonham Carter is surprisingly good as a failing Irish fashion designer and it’s always a joy seeing Sarah Paulson’s understated performances grace the big screen.
What’s not so good is the way the film treats its stars from different ethnicities however. Rihanna, Mindy Kaling (Amita) and Awkwafina (Constance) are sorely underused throughout. In fact, outside of Paulson, Awkwafina and Kaling provide the film with its most intriguing characters – but we learn very little about them apart from a few scenes studying their personal/professional lives.
It’s also best not to talk about James Corden and his hideously over-acted performance as fraud investigator John. Filled with cringeworthy dialogue, it’s a miracle his part is relatively short. Like a bad smell however, he lingers for much too long.
The biggest sin that Ocean’s 8 commits is its complete lack of plausibility
Then there’s the plot, or rather the script. In making these women the absolute best-of-the-best, there are no high stakes, no tension to be had or anything remotely resembling a narrow-escape.
There’s the obligatory ‘oh no’ moment as something looks like it’s going to go wrong, but it’s rectified so suddenly that any joy in watching the heist unfold is completely lost. Where the previous Ocean’s movies were riddled with tension, Ocean’s 8 is devoid of it.
Thankfully, the plan is fun if a little uninspiring to behold, filled with bland cinematography very similar to what was seen in the first Hunger Games film way back in 2012. It’s all just very staid, like the studio was simply ticking boxes on a checklist to make sure they got a film that would make them money, but was lacking anything in the way of originality.
But perhaps the biggest sin that Ocean’s 8 commits is its complete lack of plausibility. Article upon article has already been created in which writers dissect the film’s heist plan and come up with the same conclusion: it can’t be done. You don’t need those articles though, because the plot holes are big enough for anyone to see and that’s a real shame. This becomes increasingly evident in the film’s final 10 minutes which makes a mockery of everything that came before.
Overall, Ocean’s 8 is your typical summer blockbuster. It’s light, breezy and like a big tub of cottage cheese, devoid of any personality whatsoever. It’s saving grace is the cast. Managing to pull together an ensemble this good takes a lot of effort, and for that, it deserves some praise – faint praise, but praise nonetheless.
https://moviemetropolis.net/2018/06/21/oceans-8-review-light-and-breezy-but-utterly-forgettable/