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Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
Bob Mann (459 KP) rated The Hitman's Bodyguard (2017) in Movies
Sep 29, 2021
A plethora of clichés.
2017’s summer blockbusters fizzle to a halt with this formulaic action comedy. Ryan Reynolds (“Deadpool“) plays Michael Bryce: a cocksure “Triple A rated” bodyguard, always planning three steps ahead so that he can protect his clients without killing anyone in the process. With such arrogance, a fall is inevitable. On the other side of the legal scales is Darius Kincaid (Samuel L Jackson, “The Hateful Eight“), a contract killer who always gets his man. But the incarcerated Kincaid is offered a deal to release his equally incarcerated wife Sonia (Selma Hayek) in return for testifying against the fearsome Belarus president Vladislav Dukhovich (Gary Oldman, “Dawn of the Planet of the Apes”), on trial for war crimes at The Hague. An Interpol team led by Bryce’s’s ex-squeeze Amelia Roussel (the striking Elodie Yung) now have to get Kincaid to Belgium unscathed with Dukhovich’s well-trained and well-armed thugs stopping at nothing to ensure he won’t be there to testify. Fate transpires that Bryce and Kincaid become an unlikely team in trying to bring Dukhovich to justice.
After losing your no claims bonus, hysterical laughter is the only way forwards. Ryan Reynolds and Samuel L Jackson.
This is a movie whose script seems to have been glued together from a patchwork of other movie scenes:
– the bad guy / bad guy partner relationship of “The Nice Guys“. Check.
– the street ambush of “Clear and Present Danger”. Check.
– the Amsterdam boat chase of “Puppet on a Chain”. Check.
– the comedic bar-room brawl from “Airplane”. Check.
Many of the action scenes are done with panache and some great stunt work. But it’s all stuff we’ve seen countless times before, so what is needed for differentiation is the relationships between Bryce and Kincaid: this needs to be the cornerstone of the film. But it just doesn’t quite work. Jackson’s contribution is never in doubt, even though we’ve seen this motherf-ing shtick countless times before: he’s still magnetic, charismatic and a joy to watch. But unfortunately Reynolds just doesn’t deliver the acting goods to make the banter believable: there is a reason “Deadpool” is his best film – he wears a mask for most of it! His ‘puppy-dog look’ gets rolled out multiple times, but it’s unconvincing in the extreme. Together they are no match for Gosling/Crowe in “The Nice Guys“.
Nun but the brave. Jackson (if not Reynolds) get happy clappy.
On firmer ground is the quirky relationship between Mr and Mrs Kincaid. Although sharing limited screen time together, Hayek and Jackson spark off each other wonderfully. Seeing Selma Hayek in uncharacteristically sweary and belligerent mode was highly entertaining (although it’s worth commenting that my wife took great offence to the ‘comic’ bullying of an overweight cellmate).
“I had to ask the guy next to me to pinch me to make sure I wasn’t dreaming” – the future Mr and Mrs Kincaid meet in a rough place… the seediest dive on the wharf.
Elsewhere in the acting roll call, Elodie Yung delivers just the right measure of cuteness, toughness and passion as Roussel, but Oldman delivers a full-on retread of his Ivan “Get off my plane” Korshunov from “Air Force One”. There is also a change to Oldman’s character’s face at the end of the film in the form of a rampant skin complaint which is ‘explained’ by a clumsily inserted news item about an “attempted poisoning”: it’s such a clunky and bizarre addition to the script that it made me wonder whether the actor has some unexpected ailment (like shingles) during filming…. but I can see nothing related to this online.
The striking Elodie Yung as the Interpol agent Roussel.
The screenplay by relative newcomer Tom O’Connor bumps along from implausible action scene to implausible action scene, with more that its fair share of ‘WTF’ moments. For example, after a random chase through multiple Amsterdam alleys and shops, Jackson pulls up outside the very DIY shop Reynolds ends up in to pick him up! The script is also tonally uneven throughout: given this is supposed to be an “action comedy” the action is often brutal and unpleasant and the comedy – in the main – just not funny enough. (About the funniest thing in the film are the most ineffective sub machine guns known to man, most notably in the mildly ludicrous, if well staged, boat chase scene!)
An entertaining cameo from Richard E Grant as a businessman in danger.
The film also manages to offend, in more ways than the 15-rated violence and language used: I’m not sure WHEN this movie was actually filmed, but the use of an articulated lorry as a terrorist weapon towards the end of the film is certainly in very poor taste after the events of Nice, London and Barcelona. Not appreciated.
Directed by Patrick Hughes (“The Expendables 3″…. say no more) this hodge-podge of a flick is sporadically entertaining, but is one I will struggle to remember in a couple of months time.
After losing your no claims bonus, hysterical laughter is the only way forwards. Ryan Reynolds and Samuel L Jackson.
This is a movie whose script seems to have been glued together from a patchwork of other movie scenes:
– the bad guy / bad guy partner relationship of “The Nice Guys“. Check.
– the street ambush of “Clear and Present Danger”. Check.
– the Amsterdam boat chase of “Puppet on a Chain”. Check.
– the comedic bar-room brawl from “Airplane”. Check.
Many of the action scenes are done with panache and some great stunt work. But it’s all stuff we’ve seen countless times before, so what is needed for differentiation is the relationships between Bryce and Kincaid: this needs to be the cornerstone of the film. But it just doesn’t quite work. Jackson’s contribution is never in doubt, even though we’ve seen this motherf-ing shtick countless times before: he’s still magnetic, charismatic and a joy to watch. But unfortunately Reynolds just doesn’t deliver the acting goods to make the banter believable: there is a reason “Deadpool” is his best film – he wears a mask for most of it! His ‘puppy-dog look’ gets rolled out multiple times, but it’s unconvincing in the extreme. Together they are no match for Gosling/Crowe in “The Nice Guys“.
Nun but the brave. Jackson (if not Reynolds) get happy clappy.
On firmer ground is the quirky relationship between Mr and Mrs Kincaid. Although sharing limited screen time together, Hayek and Jackson spark off each other wonderfully. Seeing Selma Hayek in uncharacteristically sweary and belligerent mode was highly entertaining (although it’s worth commenting that my wife took great offence to the ‘comic’ bullying of an overweight cellmate).
“I had to ask the guy next to me to pinch me to make sure I wasn’t dreaming” – the future Mr and Mrs Kincaid meet in a rough place… the seediest dive on the wharf.
Elsewhere in the acting roll call, Elodie Yung delivers just the right measure of cuteness, toughness and passion as Roussel, but Oldman delivers a full-on retread of his Ivan “Get off my plane” Korshunov from “Air Force One”. There is also a change to Oldman’s character’s face at the end of the film in the form of a rampant skin complaint which is ‘explained’ by a clumsily inserted news item about an “attempted poisoning”: it’s such a clunky and bizarre addition to the script that it made me wonder whether the actor has some unexpected ailment (like shingles) during filming…. but I can see nothing related to this online.
The striking Elodie Yung as the Interpol agent Roussel.
The screenplay by relative newcomer Tom O’Connor bumps along from implausible action scene to implausible action scene, with more that its fair share of ‘WTF’ moments. For example, after a random chase through multiple Amsterdam alleys and shops, Jackson pulls up outside the very DIY shop Reynolds ends up in to pick him up! The script is also tonally uneven throughout: given this is supposed to be an “action comedy” the action is often brutal and unpleasant and the comedy – in the main – just not funny enough. (About the funniest thing in the film are the most ineffective sub machine guns known to man, most notably in the mildly ludicrous, if well staged, boat chase scene!)
An entertaining cameo from Richard E Grant as a businessman in danger.
The film also manages to offend, in more ways than the 15-rated violence and language used: I’m not sure WHEN this movie was actually filmed, but the use of an articulated lorry as a terrorist weapon towards the end of the film is certainly in very poor taste after the events of Nice, London and Barcelona. Not appreciated.
Directed by Patrick Hughes (“The Expendables 3″…. say no more) this hodge-podge of a flick is sporadically entertaining, but is one I will struggle to remember in a couple of months time.
Isabel Smith (34 KP) rated Obscura in Books
Jun 28, 2018
A fine example of genre-blending!
Joe Hart’s Obscura is a must-read for fans of science fiction and space travel. Dr. Gillian Ryan, a neural radiologist, is down on her luck. Ever since losing her husband to the mysterious new form of dementia called Losian’s, she has been working hard to find a cure for the disease that is now afflicting her only daughter. She’s so close to locating the exact neurons in the hippocampus that are affected by the disease when she gets word that her funding has been cut. With all the stress she is undergoing, it’s no wonder her opioid addiction makes a reappearance.
When an old colleague that now works for NASA offers her the opportunity to continue her Losian’s research with unlimited funding, she’s hesitant to take him up on the proposition because he wants something from her in return: to accompany a group into space and study the inhabitants of a United Nations space station who are experiencing neurological side effects due to working on a top-secret NASA project. Even though she hates the idea of leaving her daughter behind for six months, she knows she can’t pass up an opportunity like this and so she agrees to the terms.
Almost from the moment she steps off the space shuttle and onto the space station (or is it?) things begin to feel off. Her research assistant, Birk Lindqvist, starts experiencing major hallucinations and she is sedated once she discovers a startling truth that was initially kept hidden from her. Everything is called into question and nothing is at it seems. What’s really going on? Where is the station they’re supposed to be rendezvousing with? And why does it feel like there is a hidden presence on board with her after everyone goes into stasis?
Obscura is a heart-pounding, adrenaline-filled thriller set in the vastness of space. Is that great or what? The prospect of reading a psychological thriller combined with a space mission story is what initially attracted me to the novel. Joe Hart does not disappoint with his ability to blend the two genres seamlessly. He even tossed in the element of the ‘unreliable narrator’ with Gillian for a little while there during her opioid abuse and withdrawal periods where readers couldn’t judge which of her experiences were real and which ones weren’t. Genius! I loved every bit of it: the deception, the uncertainty, the space travel, the action scenes, the startling discoveries…everything!
When an old colleague that now works for NASA offers her the opportunity to continue her Losian’s research with unlimited funding, she’s hesitant to take him up on the proposition because he wants something from her in return: to accompany a group into space and study the inhabitants of a United Nations space station who are experiencing neurological side effects due to working on a top-secret NASA project. Even though she hates the idea of leaving her daughter behind for six months, she knows she can’t pass up an opportunity like this and so she agrees to the terms.
Almost from the moment she steps off the space shuttle and onto the space station (or is it?) things begin to feel off. Her research assistant, Birk Lindqvist, starts experiencing major hallucinations and she is sedated once she discovers a startling truth that was initially kept hidden from her. Everything is called into question and nothing is at it seems. What’s really going on? Where is the station they’re supposed to be rendezvousing with? And why does it feel like there is a hidden presence on board with her after everyone goes into stasis?
Obscura is a heart-pounding, adrenaline-filled thriller set in the vastness of space. Is that great or what? The prospect of reading a psychological thriller combined with a space mission story is what initially attracted me to the novel. Joe Hart does not disappoint with his ability to blend the two genres seamlessly. He even tossed in the element of the ‘unreliable narrator’ with Gillian for a little while there during her opioid abuse and withdrawal periods where readers couldn’t judge which of her experiences were real and which ones weren’t. Genius! I loved every bit of it: the deception, the uncertainty, the space travel, the action scenes, the startling discoveries…everything!
Ivana A. | Diary of Difference (1171 KP) rated The Stone of Destiny: A Sherlock Holmes Adventure in Books
Jul 30, 2018
Fans of Sherlock Holmes, fans of mystery, fans of adventure and suspense - this might be your next favorite book! Now, I have never read a Sherlock Holmes book before, so I can’t compare this book to the original books from Arthur Conan Doyle. But, what I will do for you is tell you all I thought about this book!
The story begins when during the funeral of Queen Victoria, a group of Irish separatists steal the Coronation Stone, on which every royal has been crowned. To retrieve this important object, the royals will hire Sherlock Holmes to solve the mystery. Holmes and his friend Watson travel to Ireland and try to infiltrate the Irish Republican Brotherhood, a group they think is responsible for all that happened.
Even though this is a Sherlock Holmes book, we actually unravel the story through a Watson-first-person point of view. He, to me, is a very interesting character, even though he follows Holmes like a puppy and doesn’t seem to have a personal opinion.
As for Sherlock Holmes, even though I really like the mysterious aura about him, and how smart he can be - I also see him as one of the rude aristocrats that refuse to speak to other people that seem to be lower in the hierarchy to them. This is of course, not presented in the book in any way - but I simply had that impression.
I loved the beginning, and I loved the mystery and suspense throughout the whole book. I was never ahead of the book, and my assumptions were never correct. I loved how the author kept us in the dark right until the end.
The small things I didn’t like though, were the slow pace - I have to admit, the pace was really slow for me, and I couldn’t wait until a chapter is finished to see if there would be more action. Then, even the action scenes weren’t as thrilling as I would expect them to be. And finally, there were no big plot twists, which I think we might have used in the book.
But - we did have a lovely mystery solving story, and we had a lot of history information floating around. We also had another book with Sherlock Holmes, that for you - lovers of the Sherlock Holmes books will of course be something you enjoy.
I greatly recommend it to you if you love the good old Sherlock Holmes adventures!
Many thanks to the author, Richard T. Ryan, for sending me an e-copy of this book in exchange for an honest review.
The story begins when during the funeral of Queen Victoria, a group of Irish separatists steal the Coronation Stone, on which every royal has been crowned. To retrieve this important object, the royals will hire Sherlock Holmes to solve the mystery. Holmes and his friend Watson travel to Ireland and try to infiltrate the Irish Republican Brotherhood, a group they think is responsible for all that happened.
Even though this is a Sherlock Holmes book, we actually unravel the story through a Watson-first-person point of view. He, to me, is a very interesting character, even though he follows Holmes like a puppy and doesn’t seem to have a personal opinion.
As for Sherlock Holmes, even though I really like the mysterious aura about him, and how smart he can be - I also see him as one of the rude aristocrats that refuse to speak to other people that seem to be lower in the hierarchy to them. This is of course, not presented in the book in any way - but I simply had that impression.
I loved the beginning, and I loved the mystery and suspense throughout the whole book. I was never ahead of the book, and my assumptions were never correct. I loved how the author kept us in the dark right until the end.
The small things I didn’t like though, were the slow pace - I have to admit, the pace was really slow for me, and I couldn’t wait until a chapter is finished to see if there would be more action. Then, even the action scenes weren’t as thrilling as I would expect them to be. And finally, there were no big plot twists, which I think we might have used in the book.
But - we did have a lovely mystery solving story, and we had a lot of history information floating around. We also had another book with Sherlock Holmes, that for you - lovers of the Sherlock Holmes books will of course be something you enjoy.
I greatly recommend it to you if you love the good old Sherlock Holmes adventures!
Many thanks to the author, Richard T. Ryan, for sending me an e-copy of this book in exchange for an honest review.
BankofMarquis (1832 KP) rated The Favourite (2018) in Movies
Jan 24, 2019
Quirky and original with strong performances and direction
Greek Director Yorgos Lanthimos is the director of such quirky, bizarre comedy/dramas as DOGTOOTH, THE LOBSTER and KILLING OF A SACRED DEER and his latest, THE FAVOURITE is no different, so when it was nominated for 10 Oscars, I thought I'd better go see what all the fuss was all about.
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
Neon's Nerd Nexus (360 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 5, 2019 (Updated Aug 6, 2019)
Genocide, Shmenocide.
Hobbs and Shaw had an easy job, we have these two great characters that have already been set up for us in other movies so all they needed to do was let them loose in an over the top action spectacle that knows exactly what it is. So why does what we actually got feel like an overlong, overstuffed film with characters (the reason why we are here) that aren't likeable anymore?. Is it the banter thats either worn thin or feels like its trying to hard, the scenes full of characters constantly explaining the plot or whats going to happen, the paint by numbers villain with generic motives or the many random nods to pop culture and other popular things that people like that didnt do anything but make me feel like a carrot is being dangled in front of us the entire time or im watching a peter kay stand up. Answer is im not sure but i know one thing, for every part of this movie i found cool or fun two more things popped up and dragged my enjoyment down. Action set pieces are really cool and well very well filmed with great scale/destruction and the movie overall has a 90s/commando action movie style i really enjoyed which might of worked at an hour and a half but just when you think its over another useless 40 minutes are then tagged on the end and the film becomes basically a big Dwayne Johnson advertisement. Yes i get it he has roots and the tribe thing going on, he has big muscles, he was a wrestler and he has a big tribal tattoo but why does that have to be an integral part of every films plot that he's in nowadays?. I'm just bored of seeing it now and id rather they cut the movie shorter and had a tighter film overall or explored the villain a bit more to be honest. I really did say find some enjoyment in Hobbs and Shaw (especially the action) but it was let down to often elsewhere. Statham steals the show here and clearly tries to have fun with his character but Idris Elba feels wasted as a villain and theres no tension or threat at all when your two leads seem invincible. Ryan Reynolds and Kevin Heart were also totaly unnecessary as was that Italian Job connection. Id say see it for the action scene at about 1h 40m in but other than that is sadly very veru forgettable and a little boring.
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Darren (1599 KP) rated Art of Deception (2019) in Movies
Oct 2, 2019
Characters – Joseph Markham has been working for the CIA on a top-secret mind control project, it has reached the final stages with the final test being a success. He along with his wife soon become targets for the CIA who don’t want loose ends, which means Joseph will show his skills and training that his boss never knew he had, he will uses his training to stay alive and plan to expose the truth to the world. Valentina is the wife of Joseph, she is just as deadly, despite being held captive, she knows how the stay alive. Roland Smith is the project leader that wants to tie up any loose ends involved in the project, he doesn’t want anybody being able to spill the plans and puts all his effort into killing the Markham’s.
Performances – Richard Ryan in the leading role and on directing duties handles everything very well, with he combat scenes, showing his character’s deadly ability along with using the brains to stay ahead of the game. Jackie Nova brings us the feisty character that is the highlight of her screen time. Leon van Waas makes for the fun over the top villain through the film.
Story – The story here follows a couple that become targets of the CIA after their work for them, where they show their skills to survive and expose the truth about the project. This does follow everything we know from a late night action story, we have a skilled killer that must come out of his retired decision to protect himself, his wife and the world, when the moment comes for him to shine. We do have a villain that does following everything we are expecting to see with his evil plan that does need to be stopped. We can easily sit back and relax through this film, with the feisty dialogue being used through the film too.
Action – The action in the film is easy to watch, we deal with different fight scenes, with different fighting techniques being used to show skills behind the characters.
Settings – The film does keep the settings simple, we do have the CIA offices which sees the tight corridors when it comes to dealing with the fights and the secret locations where kidnapped people will be held.
Scene of the Movie – The plan to save the day.
That Moment That Annoyed Me – We could have had more combat sequences from Valentina.
Final Thoughts – This is a fun late night action film that could be enjoyed by all the action junkies, it keeps most things simple, without being down as plain.
Overall: Fun Action Film.
Performances – Richard Ryan in the leading role and on directing duties handles everything very well, with he combat scenes, showing his character’s deadly ability along with using the brains to stay ahead of the game. Jackie Nova brings us the feisty character that is the highlight of her screen time. Leon van Waas makes for the fun over the top villain through the film.
Story – The story here follows a couple that become targets of the CIA after their work for them, where they show their skills to survive and expose the truth about the project. This does follow everything we know from a late night action story, we have a skilled killer that must come out of his retired decision to protect himself, his wife and the world, when the moment comes for him to shine. We do have a villain that does following everything we are expecting to see with his evil plan that does need to be stopped. We can easily sit back and relax through this film, with the feisty dialogue being used through the film too.
Action – The action in the film is easy to watch, we deal with different fight scenes, with different fighting techniques being used to show skills behind the characters.
Settings – The film does keep the settings simple, we do have the CIA offices which sees the tight corridors when it comes to dealing with the fights and the secret locations where kidnapped people will be held.
Scene of the Movie – The plan to save the day.
That Moment That Annoyed Me – We could have had more combat sequences from Valentina.
Final Thoughts – This is a fun late night action film that could be enjoyed by all the action junkies, it keeps most things simple, without being down as plain.
Overall: Fun Action Film.