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Enjoyable return to some old friends
Louisa Clark is attempting to follow advice to live boldly and try new things, which leads her to New York City. There, she becomes enmeshed in the life of the wealthy Gopnik family, serving as Agnes Gopnik's personal assistant. As such, Lou has plenty of time to tend to Agnes' every whim, but it takes some time to realize she might not be spending quite so much time on finding herself. Lou is far away from her boyfriend, Sam, who is still serving as a paramedic in England, and they are finding that long-distance romance isn't so easy. Meanwhile, Lou meets a new friend in New York, Joshua Ryan, who causes her to question many of her feelings. Lou loves New York, its pace and fashion, and many of the people she meets. But she still feels torn between worlds and her quest to discover who she really is, for once and for all.
I had no idea that Moyes was writing a third book in this series until recently and also had no clue where the story would go, but I have come to really care for the character of Louisa and knew I'd read it. I have to say, this one really surprised me, and I ended up enjoying it far more than I thought I would. While pieces of it may be a bit predictable, other parts were a little surprising, and the cast of characters is just so enjoyable that you get sucked in immediately. I found myself looking forward to immersing myself in the novel after a long day. It was refreshing to see Lou start to look inward a bit more, maybe grow up a tad, and start looking after herself more. After all these novels, you feel responsible for her and also get frustrated with her decisions, as if she's a sister or friend of your own.
The novel does a strong job of showing how Lou is tugged between two places--America and England--and struggling to discover where she belongs. It also illustrates some surprising similarities between herself and her wealthy patron. Watching Lou deal with Agnes' secrets--and, as the younger wife of an older, wealthy man, she has many--you get to see her mettle and true character. There are also some lovely and funny appearances by Lou's family, whom I've come to quite adore. You'll fall for the Gopnik's eclectic neighbor, Margot, as well.
This novel is surprisingly touching at times and really I just enjoyed it. It's a typically well-written novel from Moyes, featuring well-loved characters and a cast of new, engaging ones that you can't help but fall for and love (or dislike, as required) as well. If you've enjoyed Lou before, I think you'll find this a nice addition. If you haven't read about her journey, I encourage you to go back and pick up the first book--she's a rewarding character to discover.
More at https://justacatandabookatherside.blogspot.com/.
I had no idea that Moyes was writing a third book in this series until recently and also had no clue where the story would go, but I have come to really care for the character of Louisa and knew I'd read it. I have to say, this one really surprised me, and I ended up enjoying it far more than I thought I would. While pieces of it may be a bit predictable, other parts were a little surprising, and the cast of characters is just so enjoyable that you get sucked in immediately. I found myself looking forward to immersing myself in the novel after a long day. It was refreshing to see Lou start to look inward a bit more, maybe grow up a tad, and start looking after herself more. After all these novels, you feel responsible for her and also get frustrated with her decisions, as if she's a sister or friend of your own.
The novel does a strong job of showing how Lou is tugged between two places--America and England--and struggling to discover where she belongs. It also illustrates some surprising similarities between herself and her wealthy patron. Watching Lou deal with Agnes' secrets--and, as the younger wife of an older, wealthy man, she has many--you get to see her mettle and true character. There are also some lovely and funny appearances by Lou's family, whom I've come to quite adore. You'll fall for the Gopnik's eclectic neighbor, Margot, as well.
This novel is surprisingly touching at times and really I just enjoyed it. It's a typically well-written novel from Moyes, featuring well-loved characters and a cast of new, engaging ones that you can't help but fall for and love (or dislike, as required) as well. If you've enjoyed Lou before, I think you'll find this a nice addition. If you haven't read about her journey, I encourage you to go back and pick up the first book--she's a rewarding character to discover.
More at https://justacatandabookatherside.blogspot.com/.
Gareth von Kallenbach (980 KP) rated Deadpool 2 (2018) in Movies
Jun 19, 2019
The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.
One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.
What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.
This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.
I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
http://sknr.net/2018/05/14/deadpool-2-2/
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.
One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.
What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.
This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.
I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
http://sknr.net/2018/05/14/deadpool-2-2/
Phillip McSween (751 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jul 27, 2019
Don't Try and Make Sense of it and You'll be Just Fine
With the aid of Detective Pikachu (Ryan Reynolds), Tim Goodman (Justice Smith) is on a mission to find out what happened to his missing father.
Acting: 10
Beginning: 6
Characters: 10
You can’t have a movie centered around Pokemon and not have a bevy of characters to behold. Detective Pikachu does not disappoint pushing the envelope of creativity with the number of characters involved. Every Pokemon you can think of shows up in some form or fashion. I was just happy seeing Jiggly Puff get a small bit of shine. Outside of Pikachu himself, I thought the mime Pokemon was a riot. Seeing him and Pikachu together was probably one of my favorite scenes.
Cinematography/Visuals: 9
I was actually pretty impressed with the visuals here. The film takes place over a number of cool settings, including an MMA-style ring with a raging dragon. The colors are vibrant and help bring each Pokemon to life. I appreciate the attention to detail with this movie trying to incorporate as many characters from the game as possible. No corners were cut here as the characters seem to look true to form.
Conflict: 9
Entertainment Value: 8
I dare you to watch this movie and not at least be entertained by some of the parts. Maybe the action could have been spaced out better to prevent lagging, but there was enough there to keep my attention. Between that and Pikachu cracking me up every few minutes, I was surprised by how little of an effort it was to watch this movie.
Memorability: 7
There are a few scenes that are done extremely well while others could have been left out. Probably what stands out the most to me in terms of memorability is here is a movie that was most likely supposed to fail. Yet, director Rob Letterman managed to prove over and over again that the project had legs. It’s not a movie that over saturates you with great moments, but there is enough of a framework to keep you happy.
Pace: 8
Plot: 1
If they had gotten this part right, I’m looking at the movie in a whole different light. The story was all over the place. It was way too jumbled, a hot mess. There is an objective, then there’s a side objective with all these cheats along the way. I finally just said, “Screw it, I’ll enjoy it for what it is. Not going to try and make sense of it.”
Resolution: 10
The ending almost made up for the shoddy plot. It’s cute and touching, very fitting considering the craziness Pikachu and Tim went through for the duration of the story. Happy with how things shook out.
Overall: 78
Sometimes it only takes one thing to keep a movie from greatness. In this case Pokemon: Detective Pikachu couldn’t stop tripping over itself with its awkward storyline. I still recommend it for one good watch.
Acting: 10
Beginning: 6
Characters: 10
You can’t have a movie centered around Pokemon and not have a bevy of characters to behold. Detective Pikachu does not disappoint pushing the envelope of creativity with the number of characters involved. Every Pokemon you can think of shows up in some form or fashion. I was just happy seeing Jiggly Puff get a small bit of shine. Outside of Pikachu himself, I thought the mime Pokemon was a riot. Seeing him and Pikachu together was probably one of my favorite scenes.
Cinematography/Visuals: 9
I was actually pretty impressed with the visuals here. The film takes place over a number of cool settings, including an MMA-style ring with a raging dragon. The colors are vibrant and help bring each Pokemon to life. I appreciate the attention to detail with this movie trying to incorporate as many characters from the game as possible. No corners were cut here as the characters seem to look true to form.
Conflict: 9
Entertainment Value: 8
I dare you to watch this movie and not at least be entertained by some of the parts. Maybe the action could have been spaced out better to prevent lagging, but there was enough there to keep my attention. Between that and Pikachu cracking me up every few minutes, I was surprised by how little of an effort it was to watch this movie.
Memorability: 7
There are a few scenes that are done extremely well while others could have been left out. Probably what stands out the most to me in terms of memorability is here is a movie that was most likely supposed to fail. Yet, director Rob Letterman managed to prove over and over again that the project had legs. It’s not a movie that over saturates you with great moments, but there is enough of a framework to keep you happy.
Pace: 8
Plot: 1
If they had gotten this part right, I’m looking at the movie in a whole different light. The story was all over the place. It was way too jumbled, a hot mess. There is an objective, then there’s a side objective with all these cheats along the way. I finally just said, “Screw it, I’ll enjoy it for what it is. Not going to try and make sense of it.”
Resolution: 10
The ending almost made up for the shoddy plot. It’s cute and touching, very fitting considering the craziness Pikachu and Tim went through for the duration of the story. Happy with how things shook out.
Overall: 78
Sometimes it only takes one thing to keep a movie from greatness. In this case Pokemon: Detective Pikachu couldn’t stop tripping over itself with its awkward storyline. I still recommend it for one good watch.
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Gareth von Kallenbach (980 KP) rated The Nice Guys (2016) in Movies
Aug 6, 2019
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
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Charlie Cobra Reviews (1840 KP) rated Captain Marvel (2019) in Movies
Jul 3, 2020
Hate It or Love It: Captain Marvel Has Arrived - 8/10
Captain Marvel is a 2019 superhero action/sci-fi movie based on the Marvel Comics character Carol Danvers/Captain Marvel. It was produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The movie was written and directed by Anna Boden and Ryan Fleck, with the screenplay also being contributed on by Geneva Robertson-Dworet. Starring Brie Larson, Samuel L. Jackson, and Jude Law.
On planet Hala, the capital of the Kree Empire, a female warrior named Vers/Captain Marvel (Brie Larson) suffers from nightmares involving a woman she doesn't recognize. She doesn't remember much from before her time on Hala. With assistance from her commander and mentor, Yon-Rogg (Jude Law), she's learning to control her powers and emotions during battle as is the Kree way. Her unit, Starforce, are given a mission to rescue an undercover Kree operative who might be compromised by enemies called the Skrull, a race of shape-shifting aliens. They must act quickly or the information the operative has will fall into the wrong hands. During the mission things don't go well and Vers/Captain Marvel is captured by the Skrulls who use a device to scour her memories which include the lady from her nightmares. She learns the woman's name is Dr. Wendy Lawson (Annette Bening), and that her memories from her past suggest that she has spent some time on Earth. She is escapes to Earth 1995, where she must find the woman and the secrets to her past.
This movie was pretty awesome. I really liked it and enjoyed it very much. I thought it went by smoothly and the writers had a clear plot, but might not be the most engaging for some people. I know this movie got a lot of hate before it even came out but honestly I didn't see a lot to complain about. Yes it is empowering for females but I didn't feel like it was forced; save for maybe a couple of scenes. It was rated PG-13 so some of the themes might be beyond what children can fully understand but definitely a good fit for the Marvel Cinematic Universe. I really like the chemistry between Captain Marvel and Nick Fury (Samuel L. Jackson). To me there was an exclusively entertaining character in the Skrull Talos (Ben Mendelsohn). He was a pleasant surprise and pretty funny. I thought the casting was very well too, even for the supporting characters like other Kree, Skrulls, and even Captain Marvel/Carol Danvers b.f.f. Movie was generally fun and pretty action-packed. I give it an 8/10.
On planet Hala, the capital of the Kree Empire, a female warrior named Vers/Captain Marvel (Brie Larson) suffers from nightmares involving a woman she doesn't recognize. She doesn't remember much from before her time on Hala. With assistance from her commander and mentor, Yon-Rogg (Jude Law), she's learning to control her powers and emotions during battle as is the Kree way. Her unit, Starforce, are given a mission to rescue an undercover Kree operative who might be compromised by enemies called the Skrull, a race of shape-shifting aliens. They must act quickly or the information the operative has will fall into the wrong hands. During the mission things don't go well and Vers/Captain Marvel is captured by the Skrulls who use a device to scour her memories which include the lady from her nightmares. She learns the woman's name is Dr. Wendy Lawson (Annette Bening), and that her memories from her past suggest that she has spent some time on Earth. She is escapes to Earth 1995, where she must find the woman and the secrets to her past.
This movie was pretty awesome. I really liked it and enjoyed it very much. I thought it went by smoothly and the writers had a clear plot, but might not be the most engaging for some people. I know this movie got a lot of hate before it even came out but honestly I didn't see a lot to complain about. Yes it is empowering for females but I didn't feel like it was forced; save for maybe a couple of scenes. It was rated PG-13 so some of the themes might be beyond what children can fully understand but definitely a good fit for the Marvel Cinematic Universe. I really like the chemistry between Captain Marvel and Nick Fury (Samuel L. Jackson). To me there was an exclusively entertaining character in the Skrull Talos (Ben Mendelsohn). He was a pleasant surprise and pretty funny. I thought the casting was very well too, even for the supporting characters like other Kree, Skrulls, and even Captain Marvel/Carol Danvers b.f.f. Movie was generally fun and pretty action-packed. I give it an 8/10.
Matthew Krueger (10051 KP) rated Rocky (1976) in Movies
Nov 24, 2020
Underdog Tale
Rocky is a classic. A tale of a underdog rising to the top. At the same time its a story of rocky. A underdog, a fighter, a lover, a southpaw, a man who wont give up.
The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).
The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.
Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.
The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days.
United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.
During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.
Its a excellent movie.
The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).
The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.
Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.
The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days.
United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.
During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.
Its a excellent movie.
Joe Goodhart (27 KP) rated The Man Of Steel in Books
Nov 30, 2020
If you know me, you know that I have a strong dislike for the writing by Brian Michael Bendis. His last few years before his journey to DC Comics, the work he did on the X-titles, as well as GUARDIANS OF THE GALAXY, it was just rubbish! It was the end result of someone who clearly needed a change of scenery and a more focused editor! After reading this, I feel confident that what I just wrote, as well as feeling, is pretty close to the truth, as this, his first work for DC, was frikkin' A-MAZ-ING!
While I have a great love of Marvel (preferrably older stuff, as the new stuff is starting to stink like yesterday's diapers!), I also have a great love of DC (the comics, not the nation's capital, which stinks as well, but of ignorance, racism, and misogyny), especially Superman, a hero who has never been more needed than he is needed now! It is very apparent that BMB has a great love/admiration of the Big 'S'!
His Clark Kent is written different from Superman, making the <i>illusion</i> that much easier to swallow once the glasses and suit goes on over his costume. The character does not appear as "mild mannered" as he was originally conceived, but he also is not mean or off-putting. He is still an alien, but he embraced our customs, and the end result is quite pleasing, especially with the toxicity that exists with the US at this point in time!
Equally well written is BMB's handling of Lois Lane and Jon, her and Kal-El's son. Lois is both a successful, highly competent writer, but she is also a mother. Not an overbear, bitchy mom, but someone who cares for her son, as much as she cares for her husband. The boy, Jon, is written like a normal boy his age, but without that precociousness that seems to be given to young'uns his age on TV!
As I am so prone to do in my other reviews, I want to give credit to the art side of this tale. The artists (yes, artists, Plural.) on board is quite a top shelf gathering. Jim Lee handles the first issue, while Ivan Reis (BLACKEST NIGHT), Steve Rude (NEXUS), Jay Fabok (New 52 JUSTICE LEAGUE), and even Ryan Sook! What a heckuva good way to start your beginnings with DC!
While some are apt to disagree, Superman needs the red shorts! And, that, my friends, was Bendis' first order of business on taking on the Man of Steel! I look forward to seeing where he goes with Superman, as the character is one that many love, and many will expect something good! If this is the beginning, I can't wait to see where the rest of this ride takes us!
While I have a great love of Marvel (preferrably older stuff, as the new stuff is starting to stink like yesterday's diapers!), I also have a great love of DC (the comics, not the nation's capital, which stinks as well, but of ignorance, racism, and misogyny), especially Superman, a hero who has never been more needed than he is needed now! It is very apparent that BMB has a great love/admiration of the Big 'S'!
His Clark Kent is written different from Superman, making the <i>illusion</i> that much easier to swallow once the glasses and suit goes on over his costume. The character does not appear as "mild mannered" as he was originally conceived, but he also is not mean or off-putting. He is still an alien, but he embraced our customs, and the end result is quite pleasing, especially with the toxicity that exists with the US at this point in time!
Equally well written is BMB's handling of Lois Lane and Jon, her and Kal-El's son. Lois is both a successful, highly competent writer, but she is also a mother. Not an overbear, bitchy mom, but someone who cares for her son, as much as she cares for her husband. The boy, Jon, is written like a normal boy his age, but without that precociousness that seems to be given to young'uns his age on TV!
As I am so prone to do in my other reviews, I want to give credit to the art side of this tale. The artists (yes, artists, Plural.) on board is quite a top shelf gathering. Jim Lee handles the first issue, while Ivan Reis (BLACKEST NIGHT), Steve Rude (NEXUS), Jay Fabok (New 52 JUSTICE LEAGUE), and even Ryan Sook! What a heckuva good way to start your beginnings with DC!
While some are apt to disagree, Superman needs the red shorts! And, that, my friends, was Bendis' first order of business on taking on the Man of Steel! I look forward to seeing where he goes with Superman, as the character is one that many love, and many will expect something good! If this is the beginning, I can't wait to see where the rest of this ride takes us!