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LeftSideCut (3778 KP) rated Deadpool (2016) in Movies
Aug 15, 2019
An X-Men spin off, of a poorly received character from an earlier X-Men spin off... FOX must have had some major trust in Ryan Reynolds to give Deadpool the green light after the mess of X-Men Origins: Wolverine.
I've been a huge fan of Deadpool comics since as long as I can remember. When I was younger, the 4th wall breaking, the hyper violence, comedy, and self awareness that he is a comic book character, was always something that appealed to me.
So I, like many other Marvel fans, really hated what they did with the character in Origins, and it seems Ryan Reynolds did as well, pitching a rough sequence to FOX which convinced them to give this beloved characters another shot. God bless Ryan Reynolds.
And it paid off in spades. And it's easy to see why - Deadpool is a great movie.
The character himself is near perfect. He looks the part, he sounds the part, and it's great that the studio didn't shy away from an R rating.
The violence in Deadpool is frequent and messy, as is the cursing and crudeness, and the result is hilarious.
The story is told mostly in flashbacks before the big last showdown, and is nicely mapped out, and we're given a hugely likable cast.
Ryan Reynolds is of course , as is T.J. Miller and Morena Baccarin.
I even liked Ed Skrein's villain, Ajax.
Deadpool even manages to sneak in a couple of X-Men with a completely CGI Colossus joining the party, as well as Negasonic Teenage Warhead - the best superhero name ever, and coincidentally the films shining star after Ryan Reynolds - Brianna Hildebrand is a welcome addition to the film, and I genuinely hope that she makes in over to the MCU in the recent Disney Fox merge.
Deadpool is important for a number of reasons - it finally does the character justice. It's also shows that spin off films away from the main X-Men cast can be really decent, and it also shows that R rated superhero films can do the business at the box office.
It's certainly in the top tier of the FOX X-Men series.
I've been a huge fan of Deadpool comics since as long as I can remember. When I was younger, the 4th wall breaking, the hyper violence, comedy, and self awareness that he is a comic book character, was always something that appealed to me.
So I, like many other Marvel fans, really hated what they did with the character in Origins, and it seems Ryan Reynolds did as well, pitching a rough sequence to FOX which convinced them to give this beloved characters another shot. God bless Ryan Reynolds.
And it paid off in spades. And it's easy to see why - Deadpool is a great movie.
The character himself is near perfect. He looks the part, he sounds the part, and it's great that the studio didn't shy away from an R rating.
The violence in Deadpool is frequent and messy, as is the cursing and crudeness, and the result is hilarious.
The story is told mostly in flashbacks before the big last showdown, and is nicely mapped out, and we're given a hugely likable cast.
Ryan Reynolds is of course , as is T.J. Miller and Morena Baccarin.
I even liked Ed Skrein's villain, Ajax.
Deadpool even manages to sneak in a couple of X-Men with a completely CGI Colossus joining the party, as well as Negasonic Teenage Warhead - the best superhero name ever, and coincidentally the films shining star after Ryan Reynolds - Brianna Hildebrand is a welcome addition to the film, and I genuinely hope that she makes in over to the MCU in the recent Disney Fox merge.
Deadpool is important for a number of reasons - it finally does the character justice. It's also shows that spin off films away from the main X-Men cast can be really decent, and it also shows that R rated superhero films can do the business at the box office.
It's certainly in the top tier of the FOX X-Men series.
Lee KM Pallatina (951 KP) rated Deadpool (2016) in Movies
Jun 14, 2019
The Merc with the Mouth!
after 10 years and an abomination of a creation as only fox can do fans rejoiced as they FINALLY got the Deadpool movie they wanted.
Starring Ryan Reynolds as the foul mouthed, gun toting, wise cracking, fourth wall breaking merc with a mouth known as deadpool, follow him through this love story full of murder, torture, abandonment and more love as he chases down Ajax, a mutant with advance strength and reflexes who caused wades (deadpools) mutation and skin damaging in the process, so he can return home to the woman he loves (and his collection of WHAM! records)
Starring Ryan Reynolds as the foul mouthed, gun toting, wise cracking, fourth wall breaking merc with a mouth known as deadpool, follow him through this love story full of murder, torture, abandonment and more love as he chases down Ajax, a mutant with advance strength and reflexes who caused wades (deadpools) mutation and skin damaging in the process, so he can return home to the woman he loves (and his collection of WHAM! records)
David Betteridge (327 KP) rated Deadpool (2016) in Movies
Mar 4, 2020
Ryan reynolds (3 more)
Gags
Characters
The real deadpool
Too short (1 more)
Not enough crossover
Can the real Wade Wilson please stand up!
After X-Men origins I was worried when this announced as Deadpool had already been muted by Fox. Although after seeing the test footage and reading an early draft of the script I couldn't have been more excited.
This film does a really good job of introducing the character without a straight up origin story. The film is very short but the fast pace keeps you engaged and the jokes keep coming from the first second to the last.
It's one of the best superhero movies outside the MCU and better than some that are in it.
This film does a really good job of introducing the character without a straight up origin story. The film is very short but the fast pace keeps you engaged and the jokes keep coming from the first second to the last.
It's one of the best superhero movies outside the MCU and better than some that are in it.
LeftSideCut (3778 KP) rated Night Teeth (2021) in Movies
Nov 3, 2021
I honestly wasn't expecting a whole lot from Night Teeth, so I was suitably surprised by just how tight and entertaining it turned out to be.
Jorge Lendeborg Jr. is a charming and likable protagonist and a hero that's easy to root for, as is Debby Ryan. The two of them have great chemistry and carry the bulk of the film well. Lucy Fry and Alfie Allen are convincing in the more villanous roles, and smaller appearances by the likes of Sydney Sweeney, Megan Fox, and Alexander Ludwig ensure that the overall cast is a strong one.
The pacing is snappy and never gets boring, and the narrative is one that handles its multiple threads nicely, and avoids bogging down the plot with too much lore building.
Another plus is how visually pleasing the whole thing is. Night Teeth is draped with striking colour, sticking out against its night time LA backdrop.
It's certainly not without it's flaws - some of the dialogue doesn't land well, and the CGI, although minimal, is glaringly shit in places, but it's not enough to tarnish an entertaining vampire flick, that's often funny, and easy on the eyes.
Jorge Lendeborg Jr. is a charming and likable protagonist and a hero that's easy to root for, as is Debby Ryan. The two of them have great chemistry and carry the bulk of the film well. Lucy Fry and Alfie Allen are convincing in the more villanous roles, and smaller appearances by the likes of Sydney Sweeney, Megan Fox, and Alexander Ludwig ensure that the overall cast is a strong one.
The pacing is snappy and never gets boring, and the narrative is one that handles its multiple threads nicely, and avoids bogging down the plot with too much lore building.
Another plus is how visually pleasing the whole thing is. Night Teeth is draped with striking colour, sticking out against its night time LA backdrop.
It's certainly not without it's flaws - some of the dialogue doesn't land well, and the CGI, although minimal, is glaringly shit in places, but it's not enough to tarnish an entertaining vampire flick, that's often funny, and easy on the eyes.
Movie Metropolis (309 KP) rated Deadpool (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Valentine's weekend wonder
It’s hard to believe that one of Marvel’s hottest properties – Deadpool, has taken this long to get to the silver screen. Of course, we can always cast our minds back to 2009’s disastrous X-Men Origins: Wolverine. But for goodness sake, let’s not.
Here, after much petitioning from fans and Reynolds himself, Deadpool finally gets his own origins story, directed by Tim Miller in his debut feature film. But was it worth the wait?
Ryan Reynolds returns as a much more faithful representation of Wade Wilson, a small-time mercenary going through the motions until a shock cancer diagnosis makes him rethink his life – and career prospects, at the cost of losing touch with his love interest, Vanessa, played by the incredibly beautiful Morena Baccarin.
Naturally, a villain in the shape of Ed Skrein’s Ajax, provides the film with its main opposition, though a few other one-dimensional characters appear alongside him every so often. Unfortunately, they make little impact throughout the course of Deadpool and even Skrein suffers next to Reynolds potty-mouthed Wilson.
MV5BMjE3MzI3NzAwOV5BMl5BanBnXkFtZTgwNDc2Nzc5NzE@._V1__SX1303_SY615_
Brianna Hildebrand, Ryan Reynolds and Stefan Kapicic. Photo by 20th Century Fox.
And ta da! The red-suited antihero is born, much like any other Marvel origins story in fact. However, this is most definitely not your typical superhero flick. From gratuitous sex, violence, swearing and drug references, not to mention the character’s trademark breaking of the fourth wall, it’s all here – and you know what, it’s a breath of fresh air.
Reynolds is absolutely born to play this character and is the best we have seen him in years. Gone is the romantic comedy slop or stereotypical action hero he has portrayed over the last few years and in their place is a witty, incredibly self-aware persona that is one of Marvel’s greatest assets.
Elsewhere, the direction is so confident, and the design choices so slick, it’s difficult to fully comprehend that this is Tim Miller’s first feature film. From a brilliant set of opening credits that poke fun at the narcissism of Hollywood, to some excellent commentary on the superhero genre itself, it’s very cocky indeed and very very funny.
Naturally, not every gag lands on target, but that’s no surprise given that even the best comedies suffer from this. There’s also a lack of development beyond the titular character that hurts the film’s more romantic side, and with Deadpool’s lengthy running time, this could’ve been avoided somewhat.
Other than that, it’s pretty much spot on. Ryan Reynolds looks like he’s having a blast in front of the camera, and Tim Miller looks like he’s having a great time behind it. What about the old Fox and Marvel rivalry chestnut? Well, there’s not even a whiff of it – apart from a sarcastic remark that is.
Overall, Deadpool was a gamble and with Fox’s less than stellar reputation for fashioning decent films out of Marvel property, a huge one at that. But, against all the odds it has paid off spectacularly.
Keep this to yourselves, but it could quite possibly be the best comic-book adaptation to date.
https://moviemetropolis.net/2016/02/13/a-valentines-weekend-wonder-deadpool-review/
Here, after much petitioning from fans and Reynolds himself, Deadpool finally gets his own origins story, directed by Tim Miller in his debut feature film. But was it worth the wait?
Ryan Reynolds returns as a much more faithful representation of Wade Wilson, a small-time mercenary going through the motions until a shock cancer diagnosis makes him rethink his life – and career prospects, at the cost of losing touch with his love interest, Vanessa, played by the incredibly beautiful Morena Baccarin.
Naturally, a villain in the shape of Ed Skrein’s Ajax, provides the film with its main opposition, though a few other one-dimensional characters appear alongside him every so often. Unfortunately, they make little impact throughout the course of Deadpool and even Skrein suffers next to Reynolds potty-mouthed Wilson.
MV5BMjE3MzI3NzAwOV5BMl5BanBnXkFtZTgwNDc2Nzc5NzE@._V1__SX1303_SY615_
Brianna Hildebrand, Ryan Reynolds and Stefan Kapicic. Photo by 20th Century Fox.
And ta da! The red-suited antihero is born, much like any other Marvel origins story in fact. However, this is most definitely not your typical superhero flick. From gratuitous sex, violence, swearing and drug references, not to mention the character’s trademark breaking of the fourth wall, it’s all here – and you know what, it’s a breath of fresh air.
Reynolds is absolutely born to play this character and is the best we have seen him in years. Gone is the romantic comedy slop or stereotypical action hero he has portrayed over the last few years and in their place is a witty, incredibly self-aware persona that is one of Marvel’s greatest assets.
Elsewhere, the direction is so confident, and the design choices so slick, it’s difficult to fully comprehend that this is Tim Miller’s first feature film. From a brilliant set of opening credits that poke fun at the narcissism of Hollywood, to some excellent commentary on the superhero genre itself, it’s very cocky indeed and very very funny.
Naturally, not every gag lands on target, but that’s no surprise given that even the best comedies suffer from this. There’s also a lack of development beyond the titular character that hurts the film’s more romantic side, and with Deadpool’s lengthy running time, this could’ve been avoided somewhat.
Other than that, it’s pretty much spot on. Ryan Reynolds looks like he’s having a blast in front of the camera, and Tim Miller looks like he’s having a great time behind it. What about the old Fox and Marvel rivalry chestnut? Well, there’s not even a whiff of it – apart from a sarcastic remark that is.
Overall, Deadpool was a gamble and with Fox’s less than stellar reputation for fashioning decent films out of Marvel property, a huge one at that. But, against all the odds it has paid off spectacularly.
Keep this to yourselves, but it could quite possibly be the best comic-book adaptation to date.
https://moviemetropolis.net/2016/02/13/a-valentines-weekend-wonder-deadpool-review/
Daniel Boyd (1066 KP) rated Deadpool (2016) in Movies
Jul 21, 2017
Ryan Reynolds (2 more)
Hilarious Throughout
Energetic Score
Even Better Than A Chimichanga
Many thought that this movie would never get made, but I am very glad that it did. The movie serves as a long awaited origin story to Deadpool, that is fairly faithful to the comic book, at least more so than the previous iteration that we got of the character. Ryan Reynolds is fantastic in the Deadpool role, he truly was born to play the merc with a mouth in my opinion. Deadpool here is crass, funny, violent and energetic as well as being pretty faithful to comic book Deadpool, with the only thing missing from this version being the multiple voices in his head, but I am pretty sure that we will see that character trait develop in future Deadpool movies. The plot is pretty simple, we are introduced to Deadpool and shown how he got his powers after being diagnosed with incurable cancer via flashback. From there we basically follow him while he attempts to track down Ajax, or Francis, (the guy that turned him into Deadpool and made him deformed,) so that he can cure his skin and give him back his good looks. The one thing that was always going to either make or break this movie, was the humour. However they capture the meta humour perfectly here, which is an essential component of what makes up this character and is one of the main reasons why so many people love him. The movie is chock full of clever fourth wall breaks and pop culture references. The film was granted an R rating by the studio and the filmmakers take full advantage of that fact, with constant blood splatter and f-bombs being dropped left and right. The hip hop based score adds to the energetic tone of the movie and the action scenes are exciting throughout.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
Gareth von Kallenbach (971 KP) rated The Croods (2013) in Movies
Aug 7, 2019
When seeing the trailers for this film it seemed like so many other stories that have come before (Ice Age: Continental Drift for example). I figured that this was just the next shameless animated money grab by studios attempting to cash in on those parents who take their young children to each new animated film no matter what it is. That being said, the trailer for this film does not do it justice. Seriously, 20th Century Fox is doing Dreamworks Animation a disservice by not providing better trailers and promotion for The Croods. While the complete package of this film is not the best animated film, it is more than just a mere money grab.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
BankofMarquis (1832 KP) rated Free Guy (2021) in Movies
Sep 5, 2021
Wonderful - and Family Friendly!
Like most of us, when I first saw the trailer for the Ryan Reynolds comedy, FREE GUY (well over a year ago), I thought this looked like a bad “money grab” that will quickly come and go.
But after it premiered earlier this summer, buzz started to grow - and a few people that I trust recommended it to me, so I decided to check it out.
And…I’m glad I did for FREE GUY is a fun, family-friendly romp with a charismatic Ryan Reynolds anchoring a strong cast in a surprisingly heart-felt film.
Directed by Shawn Levy (NIGHT AT THE MUSEUM), Free Guy tells the story of an NPC (Non-Playable Character in a video game) that becomes sentient.
In the capable hands of Director Levy and actor Reynolds, Guy (his character) is charming, earnest and likeable - a trio of qualities that is hard to pull off, but Levy and Reynolds walk this fine line very well, making Guy a character to root for. They wisely steer away from this character becoming cloying and annoying and just keep him charming and sincere.
This is do-able because Levy and screenwriters Matt Lieberman and Zak Penn wisely choose to not make Guy the emotional center of this film, but rather, Guy is the catalyst who moves the plot (and the other characters) towards their final destinations - all the while keeping Guy (basically) the same. A very smart move that has been used in other, successful films (most notably Michael J. Fox in the BACK TO THE FUTURE FILMS).
Jodie Comer (Killing Eve) and Joe Keery (Stranger Things) are a the heart of this film as 2 video game designers that are trying to find proof that their code was stolen by a heartless Video Game mogul (broadly, comically played by Taika Waititi). Both Comer and Keery are pleasant in their roles and they play off of Waititi (and his chief henchman, played with specific focus - this is a compliment - by Utkarsh Ambudkar). Comer and Keery make it easy for the audience to root for them and Waititi and Ambdukar make it easy for the audience to root against them.
Credit for all of this goes to Director Levy. This film has the same feel as NIGHT AT THE MUSEUM. It doesn’t try to do too much, makes the motivations of the good guys and the bad guys very simple to understand and then drops in the variable (Guy) to mix things up - all done with wit, simplicity and charm - a pretty easy combination, that often gets lost in the machinations, but Levy avoids this trap very, very well.
Finally, I have to point out the performance of Lil Rel Howery as Guy’s buddy…named…Buddy. He is the perfect “Best Friend”. Again, Directed to a simple and direct performance by Levy, not trying to be more than he is, but ends up being a character you care about and root for.
A winning combination of Director, Actors and material, FREE GUY isn’t going to win any Oscars, but it is going to do something that very few films these days do - provide entertainment for the entire family.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
But after it premiered earlier this summer, buzz started to grow - and a few people that I trust recommended it to me, so I decided to check it out.
And…I’m glad I did for FREE GUY is a fun, family-friendly romp with a charismatic Ryan Reynolds anchoring a strong cast in a surprisingly heart-felt film.
Directed by Shawn Levy (NIGHT AT THE MUSEUM), Free Guy tells the story of an NPC (Non-Playable Character in a video game) that becomes sentient.
In the capable hands of Director Levy and actor Reynolds, Guy (his character) is charming, earnest and likeable - a trio of qualities that is hard to pull off, but Levy and Reynolds walk this fine line very well, making Guy a character to root for. They wisely steer away from this character becoming cloying and annoying and just keep him charming and sincere.
This is do-able because Levy and screenwriters Matt Lieberman and Zak Penn wisely choose to not make Guy the emotional center of this film, but rather, Guy is the catalyst who moves the plot (and the other characters) towards their final destinations - all the while keeping Guy (basically) the same. A very smart move that has been used in other, successful films (most notably Michael J. Fox in the BACK TO THE FUTURE FILMS).
Jodie Comer (Killing Eve) and Joe Keery (Stranger Things) are a the heart of this film as 2 video game designers that are trying to find proof that their code was stolen by a heartless Video Game mogul (broadly, comically played by Taika Waititi). Both Comer and Keery are pleasant in their roles and they play off of Waititi (and his chief henchman, played with specific focus - this is a compliment - by Utkarsh Ambudkar). Comer and Keery make it easy for the audience to root for them and Waititi and Ambdukar make it easy for the audience to root against them.
Credit for all of this goes to Director Levy. This film has the same feel as NIGHT AT THE MUSEUM. It doesn’t try to do too much, makes the motivations of the good guys and the bad guys very simple to understand and then drops in the variable (Guy) to mix things up - all done with wit, simplicity and charm - a pretty easy combination, that often gets lost in the machinations, but Levy avoids this trap very, very well.
Finally, I have to point out the performance of Lil Rel Howery as Guy’s buddy…named…Buddy. He is the perfect “Best Friend”. Again, Directed to a simple and direct performance by Levy, not trying to be more than he is, but ends up being a character you care about and root for.
A winning combination of Director, Actors and material, FREE GUY isn’t going to win any Oscars, but it is going to do something that very few films these days do - provide entertainment for the entire family.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated Once Upon A Deadpool (Deadpool 2 PG-13 Version) (2018) in Movies
Jun 19, 2019
Taking what was old making it new again as long been criticism that is been levied against Hollywood. With abundance equals flooding the theaters as well as reboots; people often cynically ask if Hollywood has run out of new ideas. The latest film to fall under these criteria would be “Once Upon A Deadpool” where audiences are presented with a sanitized version of “Deadpool 2” accompanied by approximately 11 min. worth of new footage at the beginning and spread throughout.
The PG-13 take on what was definitely a very “R” rated film is been met with skeptics who see this as a sign of the pending Disney acquisition of Fox to test the waters to see if audiences will accept a more subdued take on the hero us paving the way for future adventures to be the more box office friendly “PG-13″.
The film cleverly opens with Deadpool (Ryan Reynolds), having kidnapped or as he likes to refer to it” involuntary relocation assistance”; Fred Savage as he attempts to re-create the opening of “The Princess Bride” and reads to him a family-friendlier version of “Deadpool 2”.
The film plays out as it did earlier this summer safe for much of the language being removed and use of pixels and cutaways to remove objectionable or an adult content to preserve the “PG-13” rating. What makes it enjoyable are the new seems where Reynolds and Savage exchange banter and debate topics ranging from Nickelback to the pending Disney acquisition of Fox.
I found myself looking forward to the next cutaway to hear what comments would be coming next including a very clever discussion of possible outcomes of Deadpool’s regenerative properties; and how they were not explored in the film due to “lazy writing”.
For me it was mostly a mixed bag as I enjoyed seeing the new footage as any new Deadpool content is always a treat and Reynolds seem to be having a great time returning to the character in an abbreviated fashion.
While the film basically played out as before; I found a sanitized version to not be as appealing simply because one of the joys of the character and the series is not knowing what will come next. How far will a joke be taken, how much Gore is going to be used for comedic effect, what invented a new profanity is going to spew from Deadpool? Much of this is been taken away to what I believe is a detriment to the franchise. One of the joys about the films is that the wise comments come at the audience and a rapid-fire approach. This makes you want to see the film again in order to catch what you witnessed previously. It felt like I was being deprived of this opportunity because while in many ways it was the same film, much of the adage that made the film stand out has been subdued.
While it is great that younger audiences will have an opportunity to experience the character; those of us who’ve seen him and his full uncensored glory will undoubtedly feel that this is a direction that should not be pursued for the future and that audiences want and deserve a fully uncensored Deadpool.
However for a little bit of family fun and a cute new laughs; “Once Upon A Deadpool”, is a pleasant enough distraction.
http://sknr.net/2018/12/12/once-upon-a-deadpool/
The PG-13 take on what was definitely a very “R” rated film is been met with skeptics who see this as a sign of the pending Disney acquisition of Fox to test the waters to see if audiences will accept a more subdued take on the hero us paving the way for future adventures to be the more box office friendly “PG-13″.
The film cleverly opens with Deadpool (Ryan Reynolds), having kidnapped or as he likes to refer to it” involuntary relocation assistance”; Fred Savage as he attempts to re-create the opening of “The Princess Bride” and reads to him a family-friendlier version of “Deadpool 2”.
The film plays out as it did earlier this summer safe for much of the language being removed and use of pixels and cutaways to remove objectionable or an adult content to preserve the “PG-13” rating. What makes it enjoyable are the new seems where Reynolds and Savage exchange banter and debate topics ranging from Nickelback to the pending Disney acquisition of Fox.
I found myself looking forward to the next cutaway to hear what comments would be coming next including a very clever discussion of possible outcomes of Deadpool’s regenerative properties; and how they were not explored in the film due to “lazy writing”.
For me it was mostly a mixed bag as I enjoyed seeing the new footage as any new Deadpool content is always a treat and Reynolds seem to be having a great time returning to the character in an abbreviated fashion.
While the film basically played out as before; I found a sanitized version to not be as appealing simply because one of the joys of the character and the series is not knowing what will come next. How far will a joke be taken, how much Gore is going to be used for comedic effect, what invented a new profanity is going to spew from Deadpool? Much of this is been taken away to what I believe is a detriment to the franchise. One of the joys about the films is that the wise comments come at the audience and a rapid-fire approach. This makes you want to see the film again in order to catch what you witnessed previously. It felt like I was being deprived of this opportunity because while in many ways it was the same film, much of the adage that made the film stand out has been subdued.
While it is great that younger audiences will have an opportunity to experience the character; those of us who’ve seen him and his full uncensored glory will undoubtedly feel that this is a direction that should not be pursued for the future and that audiences want and deserve a fully uncensored Deadpool.
However for a little bit of family fun and a cute new laughs; “Once Upon A Deadpool”, is a pleasant enough distraction.
http://sknr.net/2018/12/12/once-upon-a-deadpool/
Movie Metropolis (309 KP) rated Deadpool 2 (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
More of the same
Who would have thought we would get to this? I certainly didn’t. After the right royal mess 20th Century Fox made of everyone’s favourite anti-hero, Deadpool, in X-Men Origins: Wolverine all those years ago, it felt like a solo outing would never be possible, never mind a sequel.
Deadpool senior went on to gross nearly $800million worldwide, impressive for an R-rated (15 certification) flick, and was an undisputed king of comic-book hero movies. Like Guardians of the Galaxy was for Marvel Studios, Deadpool was a huge gamble that paid off massively thanks to Ryan Reynold’s brilliant comic-timing and an origins story that wasn’t done to death. Naturally, a sequel was always on the cards. But are we looking at a sequel of Empire quality or Speed 2: Cruise Control?
Wisecracking mercenary Deadpool (Reynolds) is back, and this time he decides to joins force with three mutants – Bedlam (Terry Crews), Shatterstar (Lewis Tan) and Domino (Zazie Beets) – to protect a boy from the all-powerful Cable (Josh Brolin).
One-half of John Wick’s directing team, David Leitch, is thrust into the directing chair for Deadpool 2 after Tim Miller was unceremoniously dumped from the project due to creative differences with Ryan Reynolds (read into that what you will). Thankfully, he brings that trademark style that we again saw in Atomic Blonde to this sequel and with that comes plenty of stylised action and a neon/grey colour palate plus a Celine Dion number that’s just begging for parody status.
Surprisingly, that all works rather well for this film. Propped by another cracking performance from Ryan Reynolds who has really found his calling after years of mediocrity. I’ve said it before and I’ll say it again, he was absolutely born to play this role and his dry wit is given much more room to breathe this time around.
The rest of the cast are fine, if a little underdeveloped. Zazie Beets probably makes the most impact as mutant, Domino, but even she is a little underpowered when compared to the brilliant work the MCU has done on its heroes over the years. Josh Brolin (who must be getting paid rather handsomely this year) is great as Cable, though it is difficult to hear his voice and not immediately think of Thanos. T.J. Miller returns in a heavily reduced role as does Reynolds’ on-screen girlfriend Morena Baccarin who is criminally underused.
Story wise, it’s pretty much more of the same and that’s no bad thing. The fourth-wall breaking is as fresh as it felt two years ago and is cleverly used to hide the necessary exposition to bring the audience up-to-speed with what’s been happening in Deadpool-ville over the last couple of years.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members
The comedy hits more than it misses, though the constant quipps can be exhausting, and the action is filmed as confidently as you’d expect from the man who brought Keanu Reeves screaming into the 21st Century, but there is some incredibly poor CGI that is at odds with a movie costing over $100million. By incredibly poor, I don’t mean just a bit naff, I’m talking laughably bad.
The finale is vibrant, action-packed and as Deadpool himself says, CGI-filled, but it’s a little unoriginal and very much like its predecessor, though the inclusion of one particular character that I won’t spoil here is great fun to see.
There are also plenty of X-Men Easter eggs for fans to enjoy too. From characters showing up where you’d least expect them to a blink-and-you’ll-miss-it Stan Lee cameo, the film is full to the brim of in-references that only the most hardened of comic-book fans will notice on the first watch.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members. Reynolds, T.J. Miller, Leslie Uggams (Wade Wilson’s blind roommate Al) and Karan Soni (taxi driver Dopinder) are welcome returnees and ensure the film has a little heart, though not too much. After all, that wouldn’t be the Deadpool way.
Overall, Deadpool 2 is a confident sequel to one of the best comic-book movies there is. What it does right, it does very well indeed. The comedy, performances and action are all spot on. Unfortunately, there are some very poor special effects over the course of the film and in an effort to make everything bigger and badder, it occasionally feels like a mass of scenes put together to make a film. A worthy sequel, but not an Empire or Spider-Man 2 in this instance.
https://moviemetropolis.net/2018/05/16/deadpool-2-review-more-of-the-same/#more-6342
Deadpool senior went on to gross nearly $800million worldwide, impressive for an R-rated (15 certification) flick, and was an undisputed king of comic-book hero movies. Like Guardians of the Galaxy was for Marvel Studios, Deadpool was a huge gamble that paid off massively thanks to Ryan Reynold’s brilliant comic-timing and an origins story that wasn’t done to death. Naturally, a sequel was always on the cards. But are we looking at a sequel of Empire quality or Speed 2: Cruise Control?
Wisecracking mercenary Deadpool (Reynolds) is back, and this time he decides to joins force with three mutants – Bedlam (Terry Crews), Shatterstar (Lewis Tan) and Domino (Zazie Beets) – to protect a boy from the all-powerful Cable (Josh Brolin).
One-half of John Wick’s directing team, David Leitch, is thrust into the directing chair for Deadpool 2 after Tim Miller was unceremoniously dumped from the project due to creative differences with Ryan Reynolds (read into that what you will). Thankfully, he brings that trademark style that we again saw in Atomic Blonde to this sequel and with that comes plenty of stylised action and a neon/grey colour palate plus a Celine Dion number that’s just begging for parody status.
Surprisingly, that all works rather well for this film. Propped by another cracking performance from Ryan Reynolds who has really found his calling after years of mediocrity. I’ve said it before and I’ll say it again, he was absolutely born to play this role and his dry wit is given much more room to breathe this time around.
The rest of the cast are fine, if a little underdeveloped. Zazie Beets probably makes the most impact as mutant, Domino, but even she is a little underpowered when compared to the brilliant work the MCU has done on its heroes over the years. Josh Brolin (who must be getting paid rather handsomely this year) is great as Cable, though it is difficult to hear his voice and not immediately think of Thanos. T.J. Miller returns in a heavily reduced role as does Reynolds’ on-screen girlfriend Morena Baccarin who is criminally underused.
Story wise, it’s pretty much more of the same and that’s no bad thing. The fourth-wall breaking is as fresh as it felt two years ago and is cleverly used to hide the necessary exposition to bring the audience up-to-speed with what’s been happening in Deadpool-ville over the last couple of years.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members
The comedy hits more than it misses, though the constant quipps can be exhausting, and the action is filmed as confidently as you’d expect from the man who brought Keanu Reeves screaming into the 21st Century, but there is some incredibly poor CGI that is at odds with a movie costing over $100million. By incredibly poor, I don’t mean just a bit naff, I’m talking laughably bad.
The finale is vibrant, action-packed and as Deadpool himself says, CGI-filled, but it’s a little unoriginal and very much like its predecessor, though the inclusion of one particular character that I won’t spoil here is great fun to see.
There are also plenty of X-Men Easter eggs for fans to enjoy too. From characters showing up where you’d least expect them to a blink-and-you’ll-miss-it Stan Lee cameo, the film is full to the brim of in-references that only the most hardened of comic-book fans will notice on the first watch.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members. Reynolds, T.J. Miller, Leslie Uggams (Wade Wilson’s blind roommate Al) and Karan Soni (taxi driver Dopinder) are welcome returnees and ensure the film has a little heart, though not too much. After all, that wouldn’t be the Deadpool way.
Overall, Deadpool 2 is a confident sequel to one of the best comic-book movies there is. What it does right, it does very well indeed. The comedy, performances and action are all spot on. Unfortunately, there are some very poor special effects over the course of the film and in an effort to make everything bigger and badder, it occasionally feels like a mass of scenes put together to make a film. A worthy sequel, but not an Empire or Spider-Man 2 in this instance.
https://moviemetropolis.net/2018/05/16/deadpool-2-review-more-of-the-same/#more-6342