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Eurovision Song Contest: The Story of Fire Saga (2020)
Eurovision Song Contest: The Story of Fire Saga (2020)
2020 | Comedy, Music, Romance
Decent comedy, though some real liberties taken with Edinburgh's geography
This is a decent comedy following the events leading up to mediocre Icelandic pop duo Fire Saga heading to represent their country at the Eurovision semi-finals. The portrayal of Icelandic people as being quite stupid and backwards and still believing in fairies was maybe a little offensive but added some of the best comedy, and with a silly film like this anyone taking that seriously would have real problems.
The setting of the contest in Edinburgh was a nice touch, as with Infinity War it is always good to see the end product from the annoying road closures. However it didn't make sense, given the hosts were not British and Britain didn't win the contest, but again lets not take this too seriously. The car chase was a mess though, with the car one minute heading one way along a street and shortly appearing at a roundabout at the end behind them. Also, the Glasgow SSE Hydro arena being at the end of George IV Bridge was just all sorts of wrong.
The geographical inconsistencies aside, this is a nice silly little comedy that drags on a little too long with a fairly cliche'd plot.
  
Star Wars: The Rise of Skywalker
Star Wars: The Rise of Skywalker
Rae Carson | 2020 | Science Fiction/Fantasy
6
8.0 (2 Ratings)
Book Rating
Novelisation of the final entry in 'The Skywalker Saga', that seeks to add context and rationale behind some of the decisions made in that movie.

And, for the most part, it works.

It's just a pity that the film needed this added to it …

It's here we learn that Palpatine (in the movie) is a failing clone body inhabited by the spirit of the 'original' Palpatine, and that Lando's daughter was kidnapped and raised by The First Order (giving greater context to his decision at the end of the movie to go off with Jannah). We also get a bit more insight into Rey (and her 'Dark Rey' vision) although, bafflingly, there's still no explanation of how she can be so powerful in the Force.

The biggest problem, to me, with the sequel trilogy is that it is clear there was no guiding hand, making The Rise of Skywalker feel like a massive retcon after Rian Johnson through out all of the good work in The Force Awakens with his The Last Jedi - even a hint that Palpatine had been pulling the strings the entire time in either of those two earlier movies would have helped somewhat! It's here that Rae Carson attempts to tie the narrative into a coherent whole, with mixed results.