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Hazel (1853 KP) rated Rotham Race in Books
Jul 4, 2018
This ARC was provided by the author in exchange for an honest review
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after “The Happening”, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the “Rotham Race” into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the story’s conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after “The Happening”, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the “Rotham Race” into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the story’s conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
Phil Leader (619 KP) rated IA: B.O.S.S (IA #2) in Books
Nov 15, 2019
The first book in this series, IA: Initiate, introduced us to Naz, a teenage boy living in a ghetto with his little sister after both their parents have died. Naz, who has no memories from before he came to live in the Exclave, find he has unusual abilities. He is able to play chess to an impressive level and perform physical feats with ease. He is also very intelligent but chooses to live the easy life, doing just as well as he needs to at school to avoid attention. He just wants to be left alone.
In this second book he finds he can no longer hide; his chess playing prowess has been spotted and he finds himself trying out for the school basketball team. Although this exposes him more than he would like he also goes from something of a loner to a member of a close-knit team.
The first book showed a glimpse of the depth of Naz's abilities and history, with hints that something larger is going on. This novel continues that, answering a lot of the questions arising from the first book, but again it is clear that there is a lot more going on than Naz is aware of. Where the first book was focussed tightly on Naz and his sister, this book moves back a bit to include more of his school mates and teachers.
As before the characterisation is really effective and the interactions feel real and genuine. Coach Fears, introduced as a bit-part in the first book is now a main character as are the members of the basketball team.
The plot takes several left turns which took me by surprise and there is a palpable undercurrent of menace as the climax builds. Winston put his hero through the emotional wringer and doesn't spare the readers from the full impact of this. Everything progresses to a stunning conclusion which just opens up the possibilities for the next in the series.
This is pure science fiction but with such a powerful human dimension and intelligence that I simply cannot fault it. Although this is aimed at a Young Adult audience it will appeal to anyone who appreciates a carefully plotted and finely written book. Recommended to anyone
In this second book he finds he can no longer hide; his chess playing prowess has been spotted and he finds himself trying out for the school basketball team. Although this exposes him more than he would like he also goes from something of a loner to a member of a close-knit team.
The first book showed a glimpse of the depth of Naz's abilities and history, with hints that something larger is going on. This novel continues that, answering a lot of the questions arising from the first book, but again it is clear that there is a lot more going on than Naz is aware of. Where the first book was focussed tightly on Naz and his sister, this book moves back a bit to include more of his school mates and teachers.
As before the characterisation is really effective and the interactions feel real and genuine. Coach Fears, introduced as a bit-part in the first book is now a main character as are the members of the basketball team.
The plot takes several left turns which took me by surprise and there is a palpable undercurrent of menace as the climax builds. Winston put his hero through the emotional wringer and doesn't spare the readers from the full impact of this. Everything progresses to a stunning conclusion which just opens up the possibilities for the next in the series.
This is pure science fiction but with such a powerful human dimension and intelligence that I simply cannot fault it. Although this is aimed at a Young Adult audience it will appeal to anyone who appreciates a carefully plotted and finely written book. Recommended to anyone
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
EmersonRose (320 KP) rated The Unity Game in Books
Nov 20, 2019
“The three moons were rising. The grey being lifted itself from the resting platform and rose to standing position. It turned its head to survey the subterranean chamber and ran a check over its physical condition. It had achieved maximum expenditure potential.”
The Unity Game is the second book by author Leonora Meriel. This beautifully written story follows three characters on their own journeys. First is David, a man who puts everything he has into his work at a bank, determined to find financial success. His plans do not go as plans, and he finds himself in deeper trouble than he could have anticipated. The second is a being of energy which has set out on a journey to extend its life. Then there is Alisdair, a barrister who has just died. His journey takes him on understanding the ins and outs of what life after death truly is. The three stories share themes of redemption, hope, the universe, death, and the question: what if the earth you knew was just the beginning?
The Unity game is an incredibly complex and intricate story. The three characters move around each other for a significant portion of the book until their lives finally interact with each other. It takes focus to maintain the different characters, perspectives, struggles, and ideas that each character is facing but the story being told makes that concentration completely worth it. I found myself immediately compelled into this story from the very beginning. It is strange for the structured business life to intrigue you so profoundly but from the very first page you can see that there are things about these characters that you want to understand. The introduction to each character brings you so vividly into their heads and their desires while leaving so much open to learn through the rest of the book.
Meriel has done an excellent job of creating a mix of science fiction and mystery in this book. The imagination to create this story is astounding, the pieces and themes fitting together so well while being so abstract and unique. Meriel has done an exquisite job of forming this book with the perfect amount of character development and intriguing story while giving the reader so many profound questions to ponder as they read. This book is a fantastic read, and I highly recommend it.
The Unity Game is the second book by author Leonora Meriel. This beautifully written story follows three characters on their own journeys. First is David, a man who puts everything he has into his work at a bank, determined to find financial success. His plans do not go as plans, and he finds himself in deeper trouble than he could have anticipated. The second is a being of energy which has set out on a journey to extend its life. Then there is Alisdair, a barrister who has just died. His journey takes him on understanding the ins and outs of what life after death truly is. The three stories share themes of redemption, hope, the universe, death, and the question: what if the earth you knew was just the beginning?
The Unity game is an incredibly complex and intricate story. The three characters move around each other for a significant portion of the book until their lives finally interact with each other. It takes focus to maintain the different characters, perspectives, struggles, and ideas that each character is facing but the story being told makes that concentration completely worth it. I found myself immediately compelled into this story from the very beginning. It is strange for the structured business life to intrigue you so profoundly but from the very first page you can see that there are things about these characters that you want to understand. The introduction to each character brings you so vividly into their heads and their desires while leaving so much open to learn through the rest of the book.
Meriel has done an excellent job of creating a mix of science fiction and mystery in this book. The imagination to create this story is astounding, the pieces and themes fitting together so well while being so abstract and unique. Meriel has done an exquisite job of forming this book with the perfect amount of character development and intriguing story while giving the reader so many profound questions to ponder as they read. This book is a fantastic read, and I highly recommend it.
izneo BD Comics Manga
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Izneo BD Comics Manga is the best app for French-Belgian comics, with thousands of digital comic...
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This is a concise, step-by-step guide to conducting qualitative nursing research using various forms...
Matthew Krueger (10051 KP) rated The Fly (1986) in Movies
Sep 10, 2020
Buzz Buzz
The Fly is a excellent remake of the 1958 version. Cronenberg does it again. All of his 80's films are excellent. I mean the gore, the violence, the horror, the suspense, the thrills, the sci-fi, the visuals, the terror and the acting.
The Plot: When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend (Geena Davis) is horrified as the person she once loved deteriorates into a monster.
The Fly was critically acclaimed, with most praise going to Goldblum's performance and the special effects. Despite being a gory remake of a classic made by a controversial, non-mainstream director, the film was a commercial success, the biggest of Cronenberg's career, and was the top-grossing film in the United States for two weeks, earning a total domestic gross of $40,456,565.
Film critic Gene Siskel named The Fly as the tenth best film of 1986. In 1989, Premiere and American Film magazines both conducted independent polls of American film critics, directors and other such groups to determine the best films of the 1980s, and The Fly appeared on both lists.
In 2008, the American Film Institute distributed ballots to 1,500 directors, critics and other people associated with the film industry in order to determine the top ten American films in ten different genre categories. Cronenberg's version of The Fly was nominated under the science fiction category, although it did not make the top ten. It was also nominated for AFI's 100 Years... 100 Thrills and AFI's 100 Years...100 Passions and Veronica's warning to Tawny in the film—"Be afraid. Be very afraid."—was nominated for AFI's 100 Years... 100 Movie Quotes.
The quote "Be afraid. Be very afraid." was also used as the film's marketing tagline, and became so ingrained in popular culture (as it—and variants—have appeared in countless films and TV series) that a large number of people who are familiar with the phrase are unaware that it originated in The Fly.
Its a excellent movie.
The Plot: When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend (Geena Davis) is horrified as the person she once loved deteriorates into a monster.
The Fly was critically acclaimed, with most praise going to Goldblum's performance and the special effects. Despite being a gory remake of a classic made by a controversial, non-mainstream director, the film was a commercial success, the biggest of Cronenberg's career, and was the top-grossing film in the United States for two weeks, earning a total domestic gross of $40,456,565.
Film critic Gene Siskel named The Fly as the tenth best film of 1986. In 1989, Premiere and American Film magazines both conducted independent polls of American film critics, directors and other such groups to determine the best films of the 1980s, and The Fly appeared on both lists.
In 2008, the American Film Institute distributed ballots to 1,500 directors, critics and other people associated with the film industry in order to determine the top ten American films in ten different genre categories. Cronenberg's version of The Fly was nominated under the science fiction category, although it did not make the top ten. It was also nominated for AFI's 100 Years... 100 Thrills and AFI's 100 Years...100 Passions and Veronica's warning to Tawny in the film—"Be afraid. Be very afraid."—was nominated for AFI's 100 Years... 100 Movie Quotes.
The quote "Be afraid. Be very afraid." was also used as the film's marketing tagline, and became so ingrained in popular culture (as it—and variants—have appeared in countless films and TV series) that a large number of people who are familiar with the phrase are unaware that it originated in The Fly.
Its a excellent movie.
Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
Boris Karloff (1 more)
Bela Lugosi
Invasion
The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
Phillip McSween (751 KP) rated Barbarella (1968) in Movies
Aug 10, 2020
Vaguely Memorable
An outer space agent travels to another galaxy in search of a missing inventor.
Acting: 2
Good cast, none of whom are swinging for the fences in Barbarella. Honestly, I can compare the acting chops in this movie to the likes of a softcore porn. Science fiction or not, there is absolutely nothing believable about this movie in the slightest. The acting made the rest of the movie hard to watch.
Beginning: 10
Characters: 10
Despite the terrible acting, I didn’t hate the characters, namely the woman of the hour Barbarella (Jane Fonda). She’s quirky and I loved all of her inuendo references to sex. The movie is very sex-oriented and it succeeds, albeit minutely, in Barbarella’s experience and everyone else’s lack thereof. If they had given the movie more of a solid story, the characters would have had a fighting chance at being a part of a solid movie.
Cinematography/Visuals: 10
Not terrible in the way of sci-fi. They tried a number of cool things that really are fairly impressive for a 1968 movie. From the weapons to the numerous space settings, I wasn’t disappointed by what was showing up on screen.
Conflict: 6
I think Barbarella cared more about being trippy than having a true conflict to drive the story. There are points where I cared about the outcome, but it seems more often than not that the movie is satisfied with being light-hearted and slowly paced. There was not enough going on for me to overly care.
Entertainment Value: 9
Memorability: 6
There are a handful of moments that stand out, but there isn’t a lot of replay value here. Even as I rewatch it as we speak, there are some spots that I forgot even happened. Definitely not a movie I need to see twice.
Pace: 5
Plot: 1
Never a good sign when I have to look the story up on Rotten Tomatoes. It was honestly that forgettable. I think the 800 screenwriters on this movie cared more about being funny than they did writing a good movie. Not impressed.
Resolution: 2
Overall: 61
I wanted to like Barbarella, but they gave me nothing to work with unfortunately. I wouldn’t even advise the Amazon Prime users (where the movie is available) to give it a shot. Steer clear.
Acting: 2
Good cast, none of whom are swinging for the fences in Barbarella. Honestly, I can compare the acting chops in this movie to the likes of a softcore porn. Science fiction or not, there is absolutely nothing believable about this movie in the slightest. The acting made the rest of the movie hard to watch.
Beginning: 10
Characters: 10
Despite the terrible acting, I didn’t hate the characters, namely the woman of the hour Barbarella (Jane Fonda). She’s quirky and I loved all of her inuendo references to sex. The movie is very sex-oriented and it succeeds, albeit minutely, in Barbarella’s experience and everyone else’s lack thereof. If they had given the movie more of a solid story, the characters would have had a fighting chance at being a part of a solid movie.
Cinematography/Visuals: 10
Not terrible in the way of sci-fi. They tried a number of cool things that really are fairly impressive for a 1968 movie. From the weapons to the numerous space settings, I wasn’t disappointed by what was showing up on screen.
Conflict: 6
I think Barbarella cared more about being trippy than having a true conflict to drive the story. There are points where I cared about the outcome, but it seems more often than not that the movie is satisfied with being light-hearted and slowly paced. There was not enough going on for me to overly care.
Entertainment Value: 9
Memorability: 6
There are a handful of moments that stand out, but there isn’t a lot of replay value here. Even as I rewatch it as we speak, there are some spots that I forgot even happened. Definitely not a movie I need to see twice.
Pace: 5
Plot: 1
Never a good sign when I have to look the story up on Rotten Tomatoes. It was honestly that forgettable. I think the 800 screenwriters on this movie cared more about being funny than they did writing a good movie. Not impressed.
Resolution: 2
Overall: 61
I wanted to like Barbarella, but they gave me nothing to work with unfortunately. I wouldn’t even advise the Amazon Prime users (where the movie is available) to give it a shot. Steer clear.
Sohng: Prisoner of Fate (Tales of Arca #1)
6.0
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n a world of hidden secrets, all will be revealed in this Dark, Science Fiction, Fantasy Adventure....