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Sarah (7800 KP) created a post in Bookworms

Apr 3, 2018  
A couple of years ago Goodreads posted a list of their 100 Books to Read in a Lifetime, as voted by users. We may have moved on a little, but personally I think this list still stands.

What do you think? How many have you read?


1. To Kill a Mockingbird - Harper Lee
2. Pride and Prejudice - Jane Austen
3. The Diary of Anne Frank - Anne Frank
4. 1984 - George Orwell
5. Harry Potter and the Philosopher's Stone - JK Rowling
6. The Lord of the Rings - JRR Tolkien
7. The Great Gatsby- F Scott Fitzgerald
8. Charlotte's Web - EB White
9. The Hobbit- JRR Tolkien
10. Little Women - Louisa May Alcott
11. Fahrenheit 451 - Ray Bradbury
12. Jane Eyre- Jane Austen
13. Animal Farm - George Orwell
14. Gone with the Wind - Margaret Mitchell
15. The Catcher in the Rye - JD Salinger
16. The Book Thief - Markus Zusak
17. The Adventures of Huckleberry Finn - Mark Twain
18. The Hunger Games - Suzanne Collins
19. The Help - Kathryn Stockett
20. The Lion, the Witch and the Wardrobe - CS Lewis
21. The Grapes of Wrath - John Steinbeck
22. The Lord of the Flies - William Golding
23. The Kite Runner - Khaled Hosseini
24. Night - Elie Wiesel
25. Hamlet - William Shakespeare
26. A Wrinkle in Time - Madeleine L'Engle
27. Of Mice and Men - John Steinbeck
28. A Tale of Two Cities - Charles Dickens
29. Romeo and Juliet - William Shakespeare
30. The Hitchhiker's Guide to the Galaxy - Douglas Adams
31. The Secret Garden - Frances Hodgson Burnett
32. A Christmas Carol - Charles Dickens
33. The Little Prince - Antoine de Saint-Exupery
34. Brave New World - Aldous Huxley
35. Harry Potter and the Deathly Hallows - JK Rowling
36. The Giver - Lois Lowry
37. The Handmaid's Tale - Margaret Atwood
38. Where the Sidewalk Ends - Shel Silverstein
39. Wuthering Heights - Emily Bronte
40. The Fault in Our Stars - John Green
41. Anne of Green Gables - LM Montgomery
42. The Adventures of Tom Sawyer - Mark Twain
43. Macbeth - William Shakespeare
44. The Girl with a Dragon Tattoo - Stieg Larsson
45. Frankenstein - Mary Shelley
46. The Holy Bible: King James version
47. The Color Purple - Alice Walker
48. The Count of Monte Cristo - Alexandre Dumas
49. A Tree Grows in Brooklyn - Betty Smith
50. East of Eden - John Steinbeck
51. Alice in Wonderland - Lewis Carroll
52. In Cold Blood - Truman Capote
53. Catch-22 - Joseph Heller
54. The Stand - Stephen King
55. Outlander - Diana Gabaldon
56. Harry Potter and the Prisoner of Azkaban - JK Rowling
57. Enders Game - Orson Scott Card
58. Anna Karenina - Leo Tolstoy
59. Watership Down - Richard Adams
60. Memoirs of a Geisha - Arthur Golden
61. Rebecca - Daphne du Maurier
62. A Game of Thrones - George RR Martin
63. Great Expectations - Charles Dickens
64. The Old Man and the Sea - Ernest Hemingway
65. The Adventures of Sherlock Holmes - Arthur Conan Doyle
66. Les Miserables - Victor Hugo
67. Harry Potter and the Half Blood Prince - JK Rowling
68. Life of Pi - Yann Martel
69. The Scarlet Letter - Nathaniel Hawthorne
70. Celebrating Silence: Excerpts from Five Years of Weekly Knowledge - Sri Sri Ravi Shankar
71. The Chronicles of Narnia - CS Lewis
72. The Pillars of the Earth - Ken Follett
73. Catching Fire - Suzanne Collins
74. Charlie and the Chocolate Factory - Roald Dahl
75. Dracula - Bram Stoker
76. The Princess Bride - William Goldman
77. Water for Elephants - Sara Gruen
78. The Raven - Edgar Allan Poe
79. The Secret Life of Bees - Sue Monk Kidd
80. The Poisonwood Bible - Barbara Kingsolver
81. One Hundred Years of Solitude - Gabriel Garcia Marquez
82. The Time Travelers Wife - Audrey Niffenegger
83. The Odyssey - Homer
84. The Good Earth - Pearl S Buck
85. Mockingjay - Suzanne Collins
86. And Then There Were None - Agatha Christie
87. The Thorn Birds - Colleen McCullough
88. A Prayer for Owen Meany - John Irving
89. The Glass Castle - Jeanette Walls
90. The Immortal Life of Henrietta Lacks - Rebecca Skloot
91. Crime and Punishment - Fyodor Dostoyevsky
92. The Road - Cormac McCarthy
93. The Things They Carried - Tim O'Brien
94. Siddhartha - Hermann Hesse
95. Slaughterhouse-Five - Kurt Vonnegut
96. Beloved - Toni Morrison
97. Cutting for Stone - Abraham Verghese
98. The Phantom Tollbooth - Norton Juster
99. The Brothers Karamazov - Fyodor Dostoyevsky
100. The Story of My Life - Helen Keller
  
Show all 14 comments.
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Angelicalynnn (21 KP) Jul 6, 2018

I’ve read 30 not to bad but still plenty I would love to read!

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iamsara (130 KP) Jul 19, 2018

14 ?

Shifter Protection Specialists, Inc Box Set
Shifter Protection Specialists, Inc Box Set
S.A. Welsh | 2019 | LGBTQ+, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
different and different is GOOD!
Independent reviewer for Archaeolibrarian, I was gifted my copy of these books

 Kale’s brother drags him to the Shifter Protection Specialists when a deranged fan starts sending threatening male. Kale doesn’t want close protection, but when the mountain of a man walks into the room, Kale knows he would suffer anything to be with this man. Aleski’s sabre tooth tiger takes a shine to Kale, and he quickly realised they could be mates. But the fan is getting closer, and more deadly, and not even Aleski knows if he can keep Kale safe.

I have a soft spot of shifters of a different sort, and you don’t see many (not EVER!) some of the animal halves of these shifters who work together and a sabre tooth tiger is somewhat different and I really rather enjoyed this!

There isn’t that MINE moment, at least not right away, and I loved watching Aleski and Kale fall for each other. Kale calms Aleski’s tiger, stands up to the man where others would run a mile. Oh Aleski would LOVE that Kale ran away, if only for his tiger to play chase with the much smaller model! But Kale isn’t others, and he knows that Aleski is the man and the TIGER for him.

I did not see who the fan might be coming at me, not at all, so well played there!

It’s sexy and sweet, steamy and emotional and I really did enjoy it!

4 solid stars

**same worded review will appear elsewhere**

Protecting his asset

tags: debbie, 4 stars, male/male, romance, shifters, military dudes

I had read this book previously, but when I went back to read my review, I couldn’t pull it up, cos my review really did not give anything away, so I read it again. This is my original review, though.


George knew his father was bad to the bane, he just didn't think he'd go as low as he did. George needs help. The sort of help Scott and his brothers provide. But George has secrets he didn't know he had, and those secrets could kill Scott.

I liked this, a lot! I've not read book one in this series, and I think it would have helped me to. Its just for me, it doesn't affect my star rating or my reading experience. I'll probably go back at some point and read it.

This is told from both Scott and George's POV, so we get to hear from both of them/

It has drama and danger. Some twists I did not see coming. Some interesting shifter types too. Snakes, lizards, phoenix and dragons as well as the usual bears and big cats.

It was an easy read, with just enough information filtered through, all in the right places, to keep you on your toes and interested.

Its the first I've read of this author. I will, as I said, go back and read book one in this series. I should also like to read any future books too. Some hints were made to possible future story lines and I would like to see them through.

4 stars.

**same worded review will appear elsewhere**


Guarding his Mark,

4 stars, male/male, shifters, military dudes, romance, crime/thriller

Khan was subjected to experiments as a child, and as an adult tries to steer clear of hospitals. But when he comes across a sexy man who is testing the use of snake venom on children with cancer, Khan can’t stay away. He needs to make sure that Casey is actually doing what he says he is. He also needs to keep the man safe, cos someone is clearly out to get Casey.

This one is my favourite of the three!

Khan is a King Cobra, and his venom is helping Casey find a cure for his niece. But someone else wants Casey’s research, and not for what Casey intended it for.

Casey and Khan have instant and powerful attraction right from the start, and it burns hot and bright right through the book. It’s super hawt!

I am really enjoying reading about these guys, there are a few of them who have tales to tell, I hope. I can’t find any more than these three though, and I do hope the author hasn’t left them other things!

I almost read all three books in one sitting, but the darn day job got in the way. I would have, though, had it not. I loved these.

Definitely different, and different is ALWAYS good in my book!

4 solid stars across all three books.
  
King's Obsession (Obsessions #5)
King's Obsession (Obsessions #5)
JP Sayle, Lisa Oliver | 2025 | LGBTQ+, Paranormal, Romance
10
10.0 (1 Ratings)
Book Rating
There have been subtle and some not so (think more, sledgehammer upside the head!) hints to the story of these two!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

This is the final book in the Obsessions series, and while I'm sad, I do think this might just have been the best one! You absolutely SHOULD read the other four books before this one. Cos I said so, right!?!?!?

Asmodeus is king of the demons by default, his father died. Meeting Dougal, a troll in the human realm, becomes his one place to be himself. But Dougal has awoken feelings in him, and he needs answers as to what that means. Dougal didn't think it would take this long, this many lifetimes, for Asmodeus to get the answers he needs, and he's done waiting. Asmodeus has a choice, but which one will he make?

What I loved most about this, well the two things I loved most about this, were the following.

We have been kept waiting for Asmodeus and Dougal's story. There have been subtle and some not so (think more, sledgehammer upside the head!) hints to the story of these two. You know it's going on, but Lord if you can't figure them out, especially after the others find their Blissful Ones.

And because these two have been going at each other, quite literally, forever, I found there wasn't that intense rush of mated smex, you know? The sort that comes with fated mates meeting and falling into each other. This was more a gentle build up to the main event, ESPECIALLY after Dougal puts his foot down. It takes TIME and I loved that Asmodeus steps up, and steps up so beautifully! There's steam and passion, but the level of smexiness is, I thought anyway, on the low side.

I loved the interactions between the whole group: Dakata and Silas; Peni and Meriham; Christa and Wanda and Scott and George. More so once Asmodeus steps up. And then, when in the demon realm, how Dougal takes charge. That made me laugh!

Oh and BABIES!!! And that's all I'm saying on that :-)

So, yeah, I'm sad. Ending any series I've been with since the beginning is hard, but I've especially enjoyed this series, which sees Sayle step out of her comfort zone in book 3!

What's next for this pair?? Dunno but sign me up!

5 full and shiny stars

*same worded review will appear elsewhere
  
Killers of the Flower moon (2023)
Killers of the Flower moon (2023)
2023 | Crime, Drama, History
8
9.0 (2 Ratings)
Movie Rating
Best Thing Scorses (and DeNiro) have done in many, many years
The BankofMarquis would highly recommend you see the latest epic (and we do mean EPIC) film from famed Director Martin Scorsese in a movie theater. Not because of the beautiful Cinematography by Rodrigo Prieto, not because of the Epic-ness of the tale told and not because movie theaters could use your business (all of which are reasons to see it in the movie theaters). You need to see KILLERS OF THE FLOWER MOON in a movie theater so that you cannot be distracted by things around you (most, notably your PHONE). One needs to immerse themselves in the experience of this 3 1/2 movie to totally understand and appreciate it.

And that is because KILLERS OF THE FLOWER MOON is as much atmosphere, mood and setting as it is story. Early on, one of the characters warns another one that the Osage people (the central group in this story) “don’t say much, listen more and let long pauses hang between words” and Scorsese does much of the same. Letting the story hang - and be told in - the silence between the words. And it works…if you are paying attention.

Starring Scorsese regulars Leonardo DiCaprio and Robert DeNiro and featuring a wonderful, soon-to-be-Oscar-Nominated performance by newcomer Lily Gladstone, KILLERS OF THE FLOWER MOON is based on the novel of the same name by David Gann and tells the tale of the Osage Nation who discover oil on their land in the 1920’s and the white men who come to try to connive and steal it away from them.

Taken on the surface, this story could be a pretty straight-forward white-man steals from the Indians story (substitute Buffalo for Oil and we have a story told so many times before - most notably in the Oscar winning movie DANCING WITH WOLVES), but in the hands of master craftsman Scorsese, this movie is much, much more than that.

Easily his best work in at least 10 years, Scorsese lets this story breathe and focuses in on the mood and atmosphere of the period - and the disparate people that inhabit…and battle for…this land and oil. It is the work of a maestro nearing the end of his tenure, skillfully conducting the Orchestra, one last, loving, magnificent time.

Like Scorsese, this is Oscar winner Robert DeNiro’s best performance in years and will not be surprised if he garners his first Oscar nomination in many, many years. Gone are the histrionics and over-the-top gestures and facial ticks that mar his comedic work (and in some cases his non-comedic work). DeNiro returns to the compact, internal “method” acting that was the hallmark of his early (best) work. You can see that this player still has “game” and he gives the role of William “King” Hale some dimension. This is good for this character could have, in lesser hands, turned into a “mustache-twirling” villain tying the heroine to the railroad tracks but in DeNiro’s capable hands (with Scorsese skillfully leading him) it is so much more.

Speaking of the Heroine, newcomer Lily Gladstone is just a strong and compact in her portrayal of Mollie Burkhart - the Osage woman in the center of the story. She gives Lily some sharp edges along with the rounded corners she is given in the script and the story and more than holds her own with the likes of DeNiro and DiCaprio in the many, many scenes she has with them. Most of the time, she needs to express quite a bit with a look or silence (while looking away) and she is able to convey that very, very well.

Fairing less well in this film is Leonardo DiCaprio as Ernest Burkhart, the sad-sack that is the pawn of “King” Hale and the love interest of Lily…or is he? DiCaprio is very good as Burkhart (when has he ever given a bad performance) but this character is thinly written and you can almost see the puppet strings on him. This, probably, is on purpose by Scorsese…but against two solid characters like DeNiro’s “King” Hale and Gladstone’s Molly, there just needed to be a bit more to DiCaprio’s character to make him more interesting.

Since this is a Scorsese film, it is fleshed out by some wonderful character actors led by the always watchable Jesse Plemons as the FBI agent sent to unpack what is going on. Joining him in what are (essentially) extended cameos are John Lithgow, newly minted Oscar winner Brendan Fraser, the always good Tantoo Cardinal, Scott Shepherd (as Leo’s brother) and a myriad of “that guy” and “interesting looking roughnecks” to flesh the feel of the film out - both on the white man as well as the Osage sides of the story.

The aforementioned Cinematography by Rodrigo Prieto along with the Costuming (Jacqueline West), Production Design (Jack Fisk) and Score (Robbie Peterson) all add to the mood of the piece and makes it very successful, indeed.

Just be forewarned, it is as every bit of 3 1/2 hours as it’s runtime dictates. There will be long, slow, silent parts that will make you tempted to pick up your phone - but resist that and enjoy the epic mood piece that is KILLERS OF THE FLOWER MOON. You won’t regret it.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis).
  
The Black Phone (2022)
The Black Phone (2022)
2022 | Horror, Thriller
8
7.8 (9 Ratings)
Movie Rating
Tense and Suspenseful
Part STRANGER THINGS and Part IT, the new Blumhouse film, THE BLACK PHONE, is a surprisingly effective horror/thriller that is reminiscent of the better Stephen King stories - and that just might be because the short story for which this film is based on is written by Joe Hill - Stephen King’s son.

Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.

Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.

Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.

These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.

And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.

One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.

But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
The Suicide Squad (2021)
The Suicide Squad (2021)
2021 | Action, Comedy, Crime
Its adult humor is also incredibly poignant (2 more)
Blood and gore is Troma levels of insanity
King Shark and Polka Dot Man
Not as fun on repeat viewings (1 more)
Is a little too similar to Guardians of the Galaxy
I'm a Motherf@#$ing Superhero!
You could probably get away with calling James Gunn’s The Suicide Squad an R-rated version of Guardians of the Galaxy, but it isn’t entirely fair or correct. It’s a complicated comparison much like Gunn’s status with Marvel Studios that allowed him to make the film in the first place and whether or not The Suicide Squad is a sequel or a reboot to David Ayer’s 2016 film.

Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.

While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.

Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.

Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.

There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.

Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.

The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.
  
Aladdin (2019)
Aladdin (2019)
2019 | Adventure, Family, Fantasy, Musical
Pleasantly Surprising
As I've mentioned before, I grew up during the 90s, and therefore, the Disney movies I have the fondest memories of run between Beauty & the Beast and Mulan. The original Aladdin's release in 1992 places it firmly it that era, and as such, is one that I lived as a kid. Couple this with the fact that I haven't particularly liked any of the live action Disney remakes so far, and this was one I was prepared to loathe.

But, dammit, Guy Ritchie wasn't going to let that happen! Aladdin is an adaption that is full with to the brim with positives.

The cast for one thing. Mena Massoud and Naomi Scott (as Aladdin and Jasmine) are likeable leads and carry the main bulk of the story with minimal effort. They share good chemistry and are instantly charming.
Will Smith was obviously the big talking point before the films release. I though he did a great job at bringing Genie to life. He doesn't try to imitate what Robin Williams did back in 1992, and manages to stop short of turning into a full blown Will Smith vehicle, and this results in a respectful and fun portrayal of one of Disney's most beloved characters.
Jafar (Marwan Kenzari) was fine - he never really goes full Disney villain and felt quite subdued. Both a little underwhelming, but maybe a bit more grounded?
Even the CGI characters of Apu and The Magic Carpet have a respectable amount of personality!

The CGI is actually (and maybe predictably) where one of the few negatives stems from. The CG effects use in Will Smith when he's in full blown genie mode are pretty jarring at first. I feel myself getting used to it, and accepting that it actually looked fine seeing as he is a magical being and all, but then there another close up of his face and it's terrifying again. The infamous carpet ride hand a few dodgy moments as well, but other than that, it was all pretty good. The wider shots of Agrabar looked stunning and full of colour, and the film is gorgeous looking for the most part.

I've also mentioned before that I'm not a massive musical fan, but the nostalgia in me give films like Aladdin a bit of a pass. The songs here are all fine (if you ignore the autotune here and there) and the cast all seem like they can sing mostly unaided. I didn't care much for the new song they put in - it absolutely reeked of Frozen, right down to Jasmine's posturing - and added nothing to the narrative, even if the message is an empowering one.
The film also gets a bit carried away during the pre-credits, with it's reliance on the audiences tolerance for the songs.

Other than that handful of gripes, I would say that Aladdin is safely the best of the bunch so far when it comes to these live action Disney remakes. It actually feels like that cast and crew care about what they're doing, and it's doesn't come across as a money grab anywhere near as much as say The Lion King.
If you haven't yet given it a chance due to your fondness for the original, try not to worry about that and enjoy it for what it is. It could have been a lot worse!