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Charlie Cobra Reviews (1840 KP) rated the PlayStation 4 version of Mortal Kombat 11 in Video Games
Jul 7, 2020
Killing the Kompetition
Mortal Kombat 11 is a fighting video game developed by NetherRealm Studios and published by Warner Bros. Interactive Entertainment. It's a sequel to Mortal Kombat X and is the eleventh game in the franchise. The game is directed by Ed Boon and produced by Graeme Bayless and written by Dominic Cianciolo and Shawn Kittelsen. Designed by John Edwards and programmed by Gavin Freyberg with art by Steve Beran and music composed by Wilbert Roget.
Raiden, now corrupted, plans to destroy all of Earthrealm's enemies to ensure it's protection. A team lead by Sonya Blade, Cassie Cage and Jacqui Briggs assaults Netherrealm, with Raiden providing a diversion. The team is successful and Kronika forms an alliance with Liu Kang and Kitana. However Kronika is forced to rewrite history and stop Raiden, causing temporal anomolies.
This game is super badass. The combat and gameplay are as fluid as ever. The graphics and the look are outstanding. I loved playing the story mode, it felt like being in a Mortal Kombat movie. The tutorial modes it has is full of different ways to help you really get to know the moves of the characters of your choice. The tower modes remind me of the classic arcade structure that you would play back when these games took quarters and is awesome to see the different endings for each character. I really didn't enjoy the Krypt mode, I thought it would be more interesting kind of like an adventure mode or more RPGs like but basically you're just opening loot boxes or chests. And the customization mode is cool but I hear you have to grind for a really long time or spend some major bucks to get what you want. And I'm not doing that, lol. The online play is where it's at but man it's competitive, I'm just an average gamer a d took me about an hour before I got my first win. That being said though, it's really fun and pretty addicting. I really like how the fatalities are pretty easy and learning moves for characters aren't too hard either. Not a lot to complain about with this game. I give it a 8/10. Below is a link to a video I put on YouTube to show gameplay.
Raiden, now corrupted, plans to destroy all of Earthrealm's enemies to ensure it's protection. A team lead by Sonya Blade, Cassie Cage and Jacqui Briggs assaults Netherrealm, with Raiden providing a diversion. The team is successful and Kronika forms an alliance with Liu Kang and Kitana. However Kronika is forced to rewrite history and stop Raiden, causing temporal anomolies.
This game is super badass. The combat and gameplay are as fluid as ever. The graphics and the look are outstanding. I loved playing the story mode, it felt like being in a Mortal Kombat movie. The tutorial modes it has is full of different ways to help you really get to know the moves of the characters of your choice. The tower modes remind me of the classic arcade structure that you would play back when these games took quarters and is awesome to see the different endings for each character. I really didn't enjoy the Krypt mode, I thought it would be more interesting kind of like an adventure mode or more RPGs like but basically you're just opening loot boxes or chests. And the customization mode is cool but I hear you have to grind for a really long time or spend some major bucks to get what you want. And I'm not doing that, lol. The online play is where it's at but man it's competitive, I'm just an average gamer a d took me about an hour before I got my first win. That being said though, it's really fun and pretty addicting. I really like how the fatalities are pretty easy and learning moves for characters aren't too hard either. Not a lot to complain about with this game. I give it a 8/10. Below is a link to a video I put on YouTube to show gameplay.
Charlie Cobra Reviews (1840 KP) rated Avengers: Endgame (2019) in Movies
Jul 7, 2020
End of a Generation
Marvel's Avengers: Endgame is a 2019 superhero movie produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by the Russo brothers (Anthony and Joe), written by Christopher Markus and Stephen Mcfeely and starred an All-star cast of actors. It is a sequel to Avengers: Infinity War and is the 22nd film in the MCU.
Three weeks after the events of Avengers: Infinity War, what's left of the Avengers are coping with their loss in their own ways. With so many gone, the world itself has changed and become a different place. Many struggle to move on or move forward, others try to keep busy continuing to fight crime/criminals. Thanos is gone and his location can't be found by any deep space satellite or advanced technology that Earth has. However in their darkest moment a glimmer of hope emerges when information outside of Earth comes into play with Thanos possible location. They form a plan and maybe just maybe, have a chance to get their hands on the Infinity stones and bring their friends back. But this time there will be even less of them to fight the all powerful Thanos.
This movie was epic. This film definitely lived up to all the hype. Already a phenomenal success financially, it made 1.2 billion opening weekend. This film was also a success in story telling being the finality of a story being told in over 20 films. It was very emotional with lots of action and pretty satisfying. Very somber in the beginning, especially with how the last installment in the franchise went. I really thought that i knew how the beginning of the film would play out but they really gave the audience some twists early on and throughout. And they also made sure it had plenty of "fan service", giving the fans a lot of what they wanted. Not a lot more that i can say without spoilers but I was really thrown for a loop with a couple of characters mainly Thor and Hulk. This movie gets my "Must See Seal of Approval" and I give it an 8.
I almost gave it a 9, but I felt Infinity War was better and certain Avengers acted out of character. Also a pretty confusing plot device that plays a very important role in how the movie unfolds.
Three weeks after the events of Avengers: Infinity War, what's left of the Avengers are coping with their loss in their own ways. With so many gone, the world itself has changed and become a different place. Many struggle to move on or move forward, others try to keep busy continuing to fight crime/criminals. Thanos is gone and his location can't be found by any deep space satellite or advanced technology that Earth has. However in their darkest moment a glimmer of hope emerges when information outside of Earth comes into play with Thanos possible location. They form a plan and maybe just maybe, have a chance to get their hands on the Infinity stones and bring their friends back. But this time there will be even less of them to fight the all powerful Thanos.
This movie was epic. This film definitely lived up to all the hype. Already a phenomenal success financially, it made 1.2 billion opening weekend. This film was also a success in story telling being the finality of a story being told in over 20 films. It was very emotional with lots of action and pretty satisfying. Very somber in the beginning, especially with how the last installment in the franchise went. I really thought that i knew how the beginning of the film would play out but they really gave the audience some twists early on and throughout. And they also made sure it had plenty of "fan service", giving the fans a lot of what they wanted. Not a lot more that i can say without spoilers but I was really thrown for a loop with a couple of characters mainly Thor and Hulk. This movie gets my "Must See Seal of Approval" and I give it an 8.
I almost gave it a 9, but I felt Infinity War was better and certain Avengers acted out of character. Also a pretty confusing plot device that plays a very important role in how the movie unfolds.
Mediocre sequel
I received a free copy from Netgalley in exchange for an honest review.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Laura Doe (1350 KP) rated D.O.G.S (S.T.A.G.S, #2) in Books
Mar 25, 2021
This did not disappoint as a sequel and I was just as engrossed with it as I was with STAGS. I didn’t want to put it down at all once I started reading it.
It goes back to where we left off with the first book, as the narrator says “...because it annoys the shit out of me when stories are supposed to be sequels and it’s like: THREE YEARS LATER. I mean what the hell is that?” Which I wholeheartedly agree with! I love that it picked up right where we left off with our three characters Greer, Shafeen and Nel. We get to find out what happened with Greer and Shafeen, how that impacted their relationship with Nel and what the three of them becoming Medievals meant for the school.
We then have more de Warlencourts appear at the school, which obviously puts Greer on edge as to why they’re there and if they’re going to be anything like their cousin.
The main bulk of the book is taken up by Greer being gifted a play called The Isle of Dogs which has had no known surviving copies for 400 years. She is gifted the first act in the dead of night whilst trying to decide on a play to use as part of her drama exam to help get her into Oxford. She reads the play and decides that this is the one that she wants to use and speaks to her headmaster/drama teacher about it, who agrees, as no one has put on the play since it’s opening night 400 years previously. Thinking it’s the only surviving part of the play, Greer throws herself into casting a directing the act as well as having sets designed and music composed by other students taking their exams.
What follows is more mystery around the play as Greer is gifted the entire play in parts, and it leads her to going back to the place she vowed to never return to - Longcross.
This book had the same twists and turns as STAGS, and didn’t disappoint with the mystery and wanting to find out what was happening at each stage. It had the same movie references throughout that made me love the first book, and the writing style was so easy to follow that it really did make this book one that I couldn’t put down.
It goes back to where we left off with the first book, as the narrator says “...because it annoys the shit out of me when stories are supposed to be sequels and it’s like: THREE YEARS LATER. I mean what the hell is that?” Which I wholeheartedly agree with! I love that it picked up right where we left off with our three characters Greer, Shafeen and Nel. We get to find out what happened with Greer and Shafeen, how that impacted their relationship with Nel and what the three of them becoming Medievals meant for the school.
We then have more de Warlencourts appear at the school, which obviously puts Greer on edge as to why they’re there and if they’re going to be anything like their cousin.
The main bulk of the book is taken up by Greer being gifted a play called The Isle of Dogs which has had no known surviving copies for 400 years. She is gifted the first act in the dead of night whilst trying to decide on a play to use as part of her drama exam to help get her into Oxford. She reads the play and decides that this is the one that she wants to use and speaks to her headmaster/drama teacher about it, who agrees, as no one has put on the play since it’s opening night 400 years previously. Thinking it’s the only surviving part of the play, Greer throws herself into casting a directing the act as well as having sets designed and music composed by other students taking their exams.
What follows is more mystery around the play as Greer is gifted the entire play in parts, and it leads her to going back to the place she vowed to never return to - Longcross.
This book had the same twists and turns as STAGS, and didn’t disappoint with the mystery and wanting to find out what was happening at each stage. It had the same movie references throughout that made me love the first book, and the writing style was so easy to follow that it really did make this book one that I couldn’t put down.
Kim Pook (101 KP) rated The Prodigy (2019) in Movies
Sep 25, 2020
Contains spoilers, click to show
A woman is seen running away from something or someone and ends up being almost hit by an elderly driver, we discover the woman has had her hand cut off, how did this happen? Why did it happen?
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
LeftSideCut (3778 KP) rated The Thing (2011) in Movies
Jan 10, 2021
This one is pretty straightforward - The Thing (2011) is an ok film that is completely dwarfed by The Thing (1982) - honestly, fuck knows why it doesn't have a different title.
This prequel to the iconic John Carpenter movie does have some decent aspects to it - it has a mostly agreeable cast and a good screenplay that's engaging, although a vast majority of the characters are hugely forgettable, and not a patch on the crew of protagonists from the 82 film. Mary Elizabeth Winstead is a perfectly likable leading lady, but everyone else is just kind of there. Even Joel Edgerton blends in with the furniture.
I also think it has good pacing for the most part - the opening third builds things up nicely, and when things finally kick off, it feels earned.
The attention to detail is admirable as well, with various objects and hints of past chaos found by Kurt Russell and co in the 82 film being placed perfectly.
Unfortunately, the end project suffers from a couple of things. Most infamously, the CGI is ropey, and is an ill advised addition considering the 82 film boasts some of the best practical effects in cinema history. This is made even worse by the fact that practical effects and animatronics were initially used before being smothered in digital effects to the point where it actively makes the whole movie less enjoyable. The narrative also apes the Carpenter classic a little too often for my taste, and serves more of a reminder of that film, rather than feeling like a homage.
The final act is just silly as well. After a strong build up, the climax snowballs into uninteresting bad-Predator-sequel-esque nonsense, and even saves the most laughable digital effects for last, just for good measure.
I did like the very last scene though, which genuinely ties nicely into the start of the 82 film.
Messing with such an iconic horror heavyweight comes with huge risks, and ultimately, The Thing (still really hate that they didn't use a different title) isn't the car crash that it easily could have been, but it does fall flat on really important aspects, resulting in a film that is average to the casual movie goer, and is thoroughly underwhelming for fans of its far superior predecessor.
This prequel to the iconic John Carpenter movie does have some decent aspects to it - it has a mostly agreeable cast and a good screenplay that's engaging, although a vast majority of the characters are hugely forgettable, and not a patch on the crew of protagonists from the 82 film. Mary Elizabeth Winstead is a perfectly likable leading lady, but everyone else is just kind of there. Even Joel Edgerton blends in with the furniture.
I also think it has good pacing for the most part - the opening third builds things up nicely, and when things finally kick off, it feels earned.
The attention to detail is admirable as well, with various objects and hints of past chaos found by Kurt Russell and co in the 82 film being placed perfectly.
Unfortunately, the end project suffers from a couple of things. Most infamously, the CGI is ropey, and is an ill advised addition considering the 82 film boasts some of the best practical effects in cinema history. This is made even worse by the fact that practical effects and animatronics were initially used before being smothered in digital effects to the point where it actively makes the whole movie less enjoyable. The narrative also apes the Carpenter classic a little too often for my taste, and serves more of a reminder of that film, rather than feeling like a homage.
The final act is just silly as well. After a strong build up, the climax snowballs into uninteresting bad-Predator-sequel-esque nonsense, and even saves the most laughable digital effects for last, just for good measure.
I did like the very last scene though, which genuinely ties nicely into the start of the 82 film.
Messing with such an iconic horror heavyweight comes with huge risks, and ultimately, The Thing (still really hate that they didn't use a different title) isn't the car crash that it easily could have been, but it does fall flat on really important aspects, resulting in a film that is average to the casual movie goer, and is thoroughly underwhelming for fans of its far superior predecessor.
LeftSideCut (3778 KP) rated Dredd (2012) in Movies
Jan 25, 2021
I grew up reading 2000AD and like many others, was disappointed in the Stallone effort to bring Judge Dredd to the big screen. Fast forward to 2012, and Dredd shows us that the way forward is a simple one. There's no need to go all out with a Mega City One wide story. The narrative is Dredd assessing Anderson on her first proper day of duty, locked down in a singular Megabuilding. Taking the template of Die Hard and applying it to Judge Dredd characters is wonderfully straightforward, and this movie is more spectacular for it.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
We're told all the background we need to know within the first ten minutes before shit hits the fan and allows the rest of the films 80 or so minutes to give us one big set piece, as Dredd and Anderson make their way up the building to get to antagonist and drug peddling criminal, Ma-Ma.
Karl Urban is picture perfect in the titular role. His helmet wisely stays on for the duration, and he manages to keep up Dredd's signature grimace from start to finish, without it looking silly.
Olivia Thirlby is great as Anderson, and provides most of the movies more emotion charged moments that Dredd himself can't. The scene where she makes a vile gangster literally piss himself with her mind-exploring powers is a highlight of badass-ery.
Lena Headey plays the villanous Ma-Ma, and although she doesn't get a huge amount of screentime, she carves a lasting impression on proceedings as a truly nasty piece of work.
The films macguffin like Slow-Mo drug gives director Pete Travis an excuse to pack in some typical slow motion shots, but thankfully doesn't overdo it, and when it's used, provides us with some stylish and colourful action that breaks up the otherwise bleak aesthetic that comes hand in hand with the Mega City setting. This is of course is all complimented with some well done hard R violence which is simply a requirement when dealing with 2000AD material!
I personally feel that Dredd is the Judge Dredd film that we deserve. It ticks all the right boxes and doesn't feel over serious, even though it has next to no humour. Its a damn shame that it didn't earn the desired box office numbers because a sequel would have been just lovely.
Cristy Amanda (87 KP) rated Children of Blood and Bone: Book 1 in Books
Sep 28, 2019
A hidden wonder!
Contains spoilers, click to show
This was a "desperation" book buy. I happened to be in my local WHSmiths buying my toddler some books and wanted something new to read myself. I picked this up off the shelf, took a cursory glance at the blurb and decided why not - at the very least it will give me something to read for a few days.
This book was totally captivating and eclipsing! Within the first 5 pages I was hooked and could not put it down. Not consciously hooked straight away as I sometimes am, but in the sense of I literally couldn't make myself stop reading yet didn't know why. Within a day and a half I had finished and was thoroughly torn up to discover I couldn't even get the sequel yet. (So I now have to make do with re-reading it almost continuously which is no hardship!)
The clever descriptive writing soon sucks you into the world of the storyline and convinces you it is not only plausible but very real. The charactors felt as though they were my very own family and I was totally invested in their futures.
Whilst the reason for the book being written is heartwrenching in itself, the story line is so cleverly written to portray the social issues and paradigms of the modern world in an intelligent yet disconnected way. I have never felt such an emotional rollercoaster as I did reading this book. Each time it looked as though they would succeed in restoring magic, my own heart soared with hope. And each time the plans didn't pan out, I personally felt like a candle in the night had been extinguished. The social caste differences and brutal violence were traumatic in their own right, yet to illustrate the point with the demise of some charactors who were pivotal to the aim of the protagonists, really drove home the risks, suffering and sacrifices of the charactors in the story, as well as further illustrate the point of the novel. The ending was totally unexpected and soul-destroying and I am somehow both excited and apprehensive to read the next book upon its release. I don't think any amount of time can prepare me for the adreneline building heartwrenching rollercoaster still to come. I 100% recommend this novel to everyone and commend such an inspirational, thought provoking and clever interpretation and translation of modern day societal issues into fantasy fiction.
This book was totally captivating and eclipsing! Within the first 5 pages I was hooked and could not put it down. Not consciously hooked straight away as I sometimes am, but in the sense of I literally couldn't make myself stop reading yet didn't know why. Within a day and a half I had finished and was thoroughly torn up to discover I couldn't even get the sequel yet. (So I now have to make do with re-reading it almost continuously which is no hardship!)
The clever descriptive writing soon sucks you into the world of the storyline and convinces you it is not only plausible but very real. The charactors felt as though they were my very own family and I was totally invested in their futures.
Whilst the reason for the book being written is heartwrenching in itself, the story line is so cleverly written to portray the social issues and paradigms of the modern world in an intelligent yet disconnected way. I have never felt such an emotional rollercoaster as I did reading this book. Each time it looked as though they would succeed in restoring magic, my own heart soared with hope. And each time the plans didn't pan out, I personally felt like a candle in the night had been extinguished. The social caste differences and brutal violence were traumatic in their own right, yet to illustrate the point with the demise of some charactors who were pivotal to the aim of the protagonists, really drove home the risks, suffering and sacrifices of the charactors in the story, as well as further illustrate the point of the novel. The ending was totally unexpected and soul-destroying and I am somehow both excited and apprehensive to read the next book upon its release. I don't think any amount of time can prepare me for the adreneline building heartwrenching rollercoaster still to come. I 100% recommend this novel to everyone and commend such an inspirational, thought provoking and clever interpretation and translation of modern day societal issues into fantasy fiction.
Gareth von Kallenbach (977 KP) rated A Bad Moms Christmas (2017) in Movies
Jul 11, 2019
Christmas is the happiest time of the year. At least it’s supposed to be, Moms are expected to work tirelessly throughout the Christmas season to ensure that the holiday is absolute perfection for their families. The gifts are to be wrapped with precision, decorations hanging from every available bough, food that could be lifted from the pages of Bon Appétit magazine, all done without breaking a sweat. Tis the season for family and frolic, yet our Bad Moms are stressed beyond their imagination this holiday season. Why? Because their mothers have arrived.
This Christmas, Amy (Mila Kunis), Kiki (Kristen Bell) and Carla (Kathryn Hahn) are enter the holiday season feeling the pressure of Christmas present. With all that need to be done, they agree that this is the Christmas where they make the rules. Amy decides that they are going to have a low key holiday. However, that goes against the everything Ruth (Christine Baranski), Amy’s mom believes and expects as she arrives in a tornado of holiday perfection, trailed by her blissfully oblivious husband Hank (Peter Gallagher). Ruth is a perfectionist, a task master extraordinaire who expects no less from her child. Amy, tired of trying to get her mother’s approval, decides to change the traditions.
Kiki’s Mom Sandy (Cheryl Hines) is the clinging, overbearing type who’s behavior could be classified as stalker; if she were not Kiki’s mom. Sandy’s need to be close to her daughter crosses the comfort zone in so many ways. Kiki decides to see Dr. Karl (Wanda Sykes), the family therapist, who explains the maternal process of insanity in hilariously truthful detail.
Isis (Susan Sarandon) shows up at Carla’s house unexpectedly. She seems to only show up at Carla’s door when she has run out of money. She is on the other side of the maternal spectrum, the hands off type. Carla has had to fend for herself for years and expects her mother to take off without a moment’s notice.
I enjoyed the first Bad Moms, but I was hesitant to watch the sequel because there was a chance that it would not be as good as the first. I quite surprised by how much I enjoyed the movie. It made me snort laugh more than once. This is the perfect movie for a Girls Night Out. Grab your BFFs and head to the theater to take a break this holiday season!
This Christmas, Amy (Mila Kunis), Kiki (Kristen Bell) and Carla (Kathryn Hahn) are enter the holiday season feeling the pressure of Christmas present. With all that need to be done, they agree that this is the Christmas where they make the rules. Amy decides that they are going to have a low key holiday. However, that goes against the everything Ruth (Christine Baranski), Amy’s mom believes and expects as she arrives in a tornado of holiday perfection, trailed by her blissfully oblivious husband Hank (Peter Gallagher). Ruth is a perfectionist, a task master extraordinaire who expects no less from her child. Amy, tired of trying to get her mother’s approval, decides to change the traditions.
Kiki’s Mom Sandy (Cheryl Hines) is the clinging, overbearing type who’s behavior could be classified as stalker; if she were not Kiki’s mom. Sandy’s need to be close to her daughter crosses the comfort zone in so many ways. Kiki decides to see Dr. Karl (Wanda Sykes), the family therapist, who explains the maternal process of insanity in hilariously truthful detail.
Isis (Susan Sarandon) shows up at Carla’s house unexpectedly. She seems to only show up at Carla’s door when she has run out of money. She is on the other side of the maternal spectrum, the hands off type. Carla has had to fend for herself for years and expects her mother to take off without a moment’s notice.
I enjoyed the first Bad Moms, but I was hesitant to watch the sequel because there was a chance that it would not be as good as the first. I quite surprised by how much I enjoyed the movie. It made me snort laugh more than once. This is the perfect movie for a Girls Night Out. Grab your BFFs and head to the theater to take a break this holiday season!
Jesters_folly (230 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 21, 2019
Contains spoilers, click to show
Scary Stories to tell in the dark is a film based on a series of children’s books famed for its terrifying art work. The film tells of what happens when a group of children discover the story book of Sarah Bellows, the town’s urban legend who is supposed to have poisoned and killed the children who heard her stories.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.