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Gareth von Kallenbach (980 KP) rated Doctor Sleep (2019) in Movies
Nov 7, 2019
Some nightmares you wake up from, wipe the sweat from your brow, and go back to wonderful slumber as though it never occurred. Others follow you in both your sleep and waking hours. For Dan Torrance (Ewan McGregor) the nightmare that began at the Overlook Hotel in Stephen King’s best-selling novel (and movie directed by Stanley Kubrick) The Shining continue to follow him through his childhood years. With the help of a friendly spirit (Carl Lumbly) Dan learns how to contain the malevolent spirits that followed him from his nightmarish experience, but at almost the cost of his sanity. Falling back on his fathers’ previous crutch, Dan drinks and fights his demons away every night, consumed by a different type of spirit to manage the pain and fear that he has been running from.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Chris Sawin (602 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Before you read this review of Fast & Furious Presents: Hobbs & Shaw, I just want you to know that I can’t stand this franchise. I gave up keeping up with them after Furious 7 and felt like the Fast & Furious franchise peaked/was tolerable around Fast Five and never really went anywhere worthwhile before or since. I have not seen all the films and really only seemed to watch every other entry, but whether you’re in a heist or a drag race that lethal dose of masculinity being projectile vomited all over you by an entire cast (women included) for two hours straight is dull and tiresome. In fact, just call this franchise “Dull & Tiresome” from here on out and I doubt anyone would notice. It’s even got “tire” in there for car…stuff.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Emma @ The Movies (1786 KP) rated The New Mutants (2020) in Movies
Sep 2, 2020
Contains spoilers, click to show
It's been 84 years... Well, not quite but that long, but near enough.
Dani wakes in a facility, chained to a bed with no clue how she got there after a disaster that devastated her home. She soon meets four other patients, all teens with mutant powers that have been gathered to learn how to control their powers so they can safely join others like them in another facility. But with Dani's arrival, everyone is about to learn what real nightmares are made of.
I sat and stared at this blank space for a while, I have been looking forward to New Mutants for so long and I've been contemplating if that anticipation has affected my enjoyment of it now that I've finally seen it... sadly, I don't think it did.
The promise that this film had in the trailer was pretty big, it looked much darker, a lot scarier, and I was excited for such a big diversion from what we're used to. Yes, the final product was definitely different but, as always, the trailer oversells aspects that aren't really representative of the completed film.
Watching New Mutants was very familiar. There's a certain amount of X-Men/mutant recognition, but there's also touches of Glass (unfortunate considering NM was scheduled for release before it originally) and Runaways. Without a bigger hook in the story it started to feel like an ironing film... something you put on while you have other things to do. Even with all new material it lacked any punch to give it some thrill.
The film is very much an origin story for these characters rather than something in its own right. Similar to Birds Of Prey you've got a lot of new people to meet and learn about, but in BoP this is done with a traditional base story and the characters on top and here everything is new... powers, characters, environments... that excess of new information is not quite as cohesive. In the hospital environment they're all understandably at odds with the doctor and each other, but that seems to change at the drop of a hat for no logical reason.
Out of everyone I was only really impressed with Henry Zaga's portrayal of Roberto da Costa, that was probably because of the humour in his role that broke the seriousness of everything around him. There were solid dramatic moments from him too but the role of Berto did suffer a knock with one of my other issues, and that was the seemingly shoehorned sex. We get it, teens are horny in films, but why was it necessary at all? Berto's storyline could easily have been adapted into something different and Rahne's backstory seems to have been twisted slightly to include it when there was a perfectly good story there already.
I'm not massively familiar with these characters outside of the film, Berto/Sunspot was in Days Of Future Past but I didn't realise this connection until afterwards. I thought it was a shame that there wasn't really a crossover with the rest of the universe when there were opportunities all over the place. Rahne is connected to Moira MacTaggert, Sam has mutant siblings, Illyana is Colossus' sister and the Essex Corporation is likely the same company that ran the orphanage in Deadpool 2... yet the only mentions of the outside universe are thrown in and felt like they were added without much thought and only because we'd expect them to say something about it.
I'm sorry, at this point my rant is just flowing... stay with me a little longer.
What New Mutants felt like it was missing was a villain, which is odd when there are so many bad guys. You have Essex Corp, but there's not enough about them to be anything more than a thought for the future. We're then left with the inner demons from Dani's mutant power, but they're technically undefeatable because they're a creation... so this just makes the film a bonding exercise between the five of them. Something to contemplate though... if they're experiencing their own demons because of Dani's power then how is it that Illyana's smileys go for Berto and Sam when she isn't there? Surely they should vanish when she does? I'm going to have to do more reading about this team, if you know about them then please do give me a crash course.
There are still some good effects and the idea of a darker tone to the universe has a lot of potential, but let's face it, we're never likely to see it again... though the end of the film would like you to believe otherwise with its walk off into the sunset-esque moment. They went full Artemis Fowl with us and lined up a sequel... we're not getting a sequel out of that no matter how much potential they have in the wings... surely?
I still vaguely enjoyed watching New Mutants, if I had my Unlimited Card I would be seeing it again, I wouldn't even have minded getting this as a VOD title because I would have got a few viewings in for my money... but let's face it, this felt more like a double length feature at the start of a new TV series than a film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/09/the-new-mutants-movie-review-spoilers.html
Dani wakes in a facility, chained to a bed with no clue how she got there after a disaster that devastated her home. She soon meets four other patients, all teens with mutant powers that have been gathered to learn how to control their powers so they can safely join others like them in another facility. But with Dani's arrival, everyone is about to learn what real nightmares are made of.
I sat and stared at this blank space for a while, I have been looking forward to New Mutants for so long and I've been contemplating if that anticipation has affected my enjoyment of it now that I've finally seen it... sadly, I don't think it did.
The promise that this film had in the trailer was pretty big, it looked much darker, a lot scarier, and I was excited for such a big diversion from what we're used to. Yes, the final product was definitely different but, as always, the trailer oversells aspects that aren't really representative of the completed film.
Watching New Mutants was very familiar. There's a certain amount of X-Men/mutant recognition, but there's also touches of Glass (unfortunate considering NM was scheduled for release before it originally) and Runaways. Without a bigger hook in the story it started to feel like an ironing film... something you put on while you have other things to do. Even with all new material it lacked any punch to give it some thrill.
The film is very much an origin story for these characters rather than something in its own right. Similar to Birds Of Prey you've got a lot of new people to meet and learn about, but in BoP this is done with a traditional base story and the characters on top and here everything is new... powers, characters, environments... that excess of new information is not quite as cohesive. In the hospital environment they're all understandably at odds with the doctor and each other, but that seems to change at the drop of a hat for no logical reason.
Out of everyone I was only really impressed with Henry Zaga's portrayal of Roberto da Costa, that was probably because of the humour in his role that broke the seriousness of everything around him. There were solid dramatic moments from him too but the role of Berto did suffer a knock with one of my other issues, and that was the seemingly shoehorned sex. We get it, teens are horny in films, but why was it necessary at all? Berto's storyline could easily have been adapted into something different and Rahne's backstory seems to have been twisted slightly to include it when there was a perfectly good story there already.
I'm not massively familiar with these characters outside of the film, Berto/Sunspot was in Days Of Future Past but I didn't realise this connection until afterwards. I thought it was a shame that there wasn't really a crossover with the rest of the universe when there were opportunities all over the place. Rahne is connected to Moira MacTaggert, Sam has mutant siblings, Illyana is Colossus' sister and the Essex Corporation is likely the same company that ran the orphanage in Deadpool 2... yet the only mentions of the outside universe are thrown in and felt like they were added without much thought and only because we'd expect them to say something about it.
I'm sorry, at this point my rant is just flowing... stay with me a little longer.
What New Mutants felt like it was missing was a villain, which is odd when there are so many bad guys. You have Essex Corp, but there's not enough about them to be anything more than a thought for the future. We're then left with the inner demons from Dani's mutant power, but they're technically undefeatable because they're a creation... so this just makes the film a bonding exercise between the five of them. Something to contemplate though... if they're experiencing their own demons because of Dani's power then how is it that Illyana's smileys go for Berto and Sam when she isn't there? Surely they should vanish when she does? I'm going to have to do more reading about this team, if you know about them then please do give me a crash course.
There are still some good effects and the idea of a darker tone to the universe has a lot of potential, but let's face it, we're never likely to see it again... though the end of the film would like you to believe otherwise with its walk off into the sunset-esque moment. They went full Artemis Fowl with us and lined up a sequel... we're not getting a sequel out of that no matter how much potential they have in the wings... surely?
I still vaguely enjoyed watching New Mutants, if I had my Unlimited Card I would be seeing it again, I wouldn't even have minded getting this as a VOD title because I would have got a few viewings in for my money... but let's face it, this felt more like a double length feature at the start of a new TV series than a film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/09/the-new-mutants-movie-review-spoilers.html
mostlyinpyjamas (13 KP) rated Getting Over Jesse Franklin in Books
Nov 29, 2017
Couldn't put it down.
I am always a bit wary about reading anything written by someone I follow, and chat to, on twitter. What if I don’t enjoy it?
Totes awkward. Especially if I’ve told them I’m reading it. I worry that I’d have to leave twitter in case they ask me if I liked their book.
So, I’d been putting off reading Getting Over Jesse Franklin. But it’s on offer, free on Amazon right now, and when I saw that, I suddenly had a bad case of FOMO.
I had to read it because what if I was missing out on a good thing?
And I’m so glad that I did!
Just one chapter in I tweeted that I was hooked.
I walked around Asda, still reading, this evening, and I’m admitting nothing here but I might have served pot noodles for dinner because I could not put the book down.
If you’ve ever had a crush on a member of a band you’ll enjoy the trip down memory lane, if you’re a sucker for a romance you’ll love this one.
It’s not insta love, which so many stories are lately, it’s a romance that blossoms, at first, on the internet.
We’ve all been there haven’t we? Waiting, hoping, for a message to ping, almost afraid to look in case it doesn’t, feeling your heart stop for a moment when it does.
Let me tell you, I now have a major crush on Jesse Franklin!
Stephie writes so well, the story keeps moving, I loved the cast of characters, Cassie’s friends, family, colleagues, and of course Jessie’s family.
The story is told by Cassie and reads in such a way that it’s like a friend telling you a story over a bottle of wine and a slice – or two – of cake.
The descriptive writing is spot on, I could picture every scene perfectly.
At one point I wanted to grab Cassie by the shoulders, give her a firm shake and tell her not to do it, to slow down, but she did do it, and she broke my heart. There I was reminiscing about the posters I had on my wall as a teen, smiling because sometimes an online relationship can lead to love, my optimistic heart all a flutter, then boom! I found myself heartbroken in aisle 7 of my local Asda.
I absolutely loved this book! So much that I’m now going to buy the sequel, Jetplanes to Jupiter. I just hope I can put it down for long enough to cook a proper dinner tomorrow.
I wholeheartedly recommend Getting Over Jesse Franklin but read it at the weekend because you’ll get nothing done.
Totes awkward. Especially if I’ve told them I’m reading it. I worry that I’d have to leave twitter in case they ask me if I liked their book.
So, I’d been putting off reading Getting Over Jesse Franklin. But it’s on offer, free on Amazon right now, and when I saw that, I suddenly had a bad case of FOMO.
I had to read it because what if I was missing out on a good thing?
And I’m so glad that I did!
Just one chapter in I tweeted that I was hooked.
I walked around Asda, still reading, this evening, and I’m admitting nothing here but I might have served pot noodles for dinner because I could not put the book down.
If you’ve ever had a crush on a member of a band you’ll enjoy the trip down memory lane, if you’re a sucker for a romance you’ll love this one.
It’s not insta love, which so many stories are lately, it’s a romance that blossoms, at first, on the internet.
We’ve all been there haven’t we? Waiting, hoping, for a message to ping, almost afraid to look in case it doesn’t, feeling your heart stop for a moment when it does.
Let me tell you, I now have a major crush on Jesse Franklin!
Stephie writes so well, the story keeps moving, I loved the cast of characters, Cassie’s friends, family, colleagues, and of course Jessie’s family.
The story is told by Cassie and reads in such a way that it’s like a friend telling you a story over a bottle of wine and a slice – or two – of cake.
The descriptive writing is spot on, I could picture every scene perfectly.
At one point I wanted to grab Cassie by the shoulders, give her a firm shake and tell her not to do it, to slow down, but she did do it, and she broke my heart. There I was reminiscing about the posters I had on my wall as a teen, smiling because sometimes an online relationship can lead to love, my optimistic heart all a flutter, then boom! I found myself heartbroken in aisle 7 of my local Asda.
I absolutely loved this book! So much that I’m now going to buy the sequel, Jetplanes to Jupiter. I just hope I can put it down for long enough to cook a proper dinner tomorrow.
I wholeheartedly recommend Getting Over Jesse Franklin but read it at the weekend because you’ll get nothing done.
Author's new direction
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly P.S. I Love You. However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, Flawed. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect Flawed to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, Flawed, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. Flawed will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, Perfect, next year.
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly P.S. I Love You. However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, Flawed. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect Flawed to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, Flawed, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. Flawed will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, Perfect, next year.
Daniel Boyd (1066 KP) rated Deadpool (2016) in Movies
Jul 21, 2017
Ryan Reynolds (2 more)
Hilarious Throughout
Energetic Score
Even Better Than A Chimichanga
Many thought that this movie would never get made, but I am very glad that it did. The movie serves as a long awaited origin story to Deadpool, that is fairly faithful to the comic book, at least more so than the previous iteration that we got of the character. Ryan Reynolds is fantastic in the Deadpool role, he truly was born to play the merc with a mouth in my opinion. Deadpool here is crass, funny, violent and energetic as well as being pretty faithful to comic book Deadpool, with the only thing missing from this version being the multiple voices in his head, but I am pretty sure that we will see that character trait develop in future Deadpool movies. The plot is pretty simple, we are introduced to Deadpool and shown how he got his powers after being diagnosed with incurable cancer via flashback. From there we basically follow him while he attempts to track down Ajax, or Francis, (the guy that turned him into Deadpool and made him deformed,) so that he can cure his skin and give him back his good looks. The one thing that was always going to either make or break this movie, was the humour. However they capture the meta humour perfectly here, which is an essential component of what makes up this character and is one of the main reasons why so many people love him. The movie is chock full of clever fourth wall breaks and pop culture references. The film was granted an R rating by the studio and the filmmakers take full advantage of that fact, with constant blood splatter and f-bombs being dropped left and right. The hip hop based score adds to the energetic tone of the movie and the action scenes are exciting throughout.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
Haley Mathiot (9 KP) rated Wings (Wings, #1) in Books
Apr 27, 2018
This book had some good, some bad, some supremacy, some mediocrity. here's my warning now, that this has spoilers in it.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
*＊✿❀ Maki ❀✿＊* (7 KP) rated Crown of Midnight in Books
May 3, 2018
Crown of Midnight was a wonderful sequel - it improved on pretty much everything from the first book.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Bookapotamus (289 KP) rated Artemis in Books
May 25, 2018
Huge Martian fan here! And this one, while totally different, did not disappoint! There is plenty of space drama, including the fear of what could happen when crisis occurs, but also some charm, witty characters and some pretty crazy daredevil situations.
I didn't particularly like Jazz, the main character. Shes got man drama, friend drama, family drama, work drama.... BUT she is one pretty bad-ass chick who does whatever she wants and for the most part, takes no blame. She's extremely immature for her age (late 20s?) and incredibly irresponsible, and I couldn't believe she got away with some of the antics that went on in this book. Especially on the Moon!
Artemis is just that - a city - but on the moon! Very cool concept, totally different idea than The Martian. It's a pretty common practice to travel back and forth from Earth to the Moon occurs, but only if you are a zillionaire and can afford to do so. It is a hot vacation destination for rich and famous travelers, but like a lot of vacation hot spots - there are those who live and work there, like Jazz, and are natives, born there, work there, and are neither rich nor famous.
Jazz works in transportation, unloading the ships that bring stuff from Earth - which covers for her side job as a smuggler - bringing in contraband to those who request it- like cigars, etc. (um hellooo? we all know fire does not bode well in space!) One request for a pretty shady request, sends the entire city into complete chaos. Why on Moon (see what I did there?) would Jazz stoop so low and put the entire city in danger? Money - and lots of it. Jazz is saving up for something, and money is her answer to everything. And we slowly unfold the story that makes up Jazz and start to understand why she is the way she is. We also see how ridiculously smart and courageous she is and you may even start to like her a little!
There is a LOT of science in this book. I now know exactly how to weld on the moon. I mean, exactly. My husband is a welder and I read some parts to him and he said it all sounded pretty legit, so I can imagine the research that went into crafting some parts of the story.
Overall it was a lot of fun - Jazz is quite the character and I'd totally read a sequel if Jazz had another story to tell. Andy Weir knows his space, and I'm quite glad he loves it so much to write such entertaining and engaging stories for us.
I didn't particularly like Jazz, the main character. Shes got man drama, friend drama, family drama, work drama.... BUT she is one pretty bad-ass chick who does whatever she wants and for the most part, takes no blame. She's extremely immature for her age (late 20s?) and incredibly irresponsible, and I couldn't believe she got away with some of the antics that went on in this book. Especially on the Moon!
Artemis is just that - a city - but on the moon! Very cool concept, totally different idea than The Martian. It's a pretty common practice to travel back and forth from Earth to the Moon occurs, but only if you are a zillionaire and can afford to do so. It is a hot vacation destination for rich and famous travelers, but like a lot of vacation hot spots - there are those who live and work there, like Jazz, and are natives, born there, work there, and are neither rich nor famous.
Jazz works in transportation, unloading the ships that bring stuff from Earth - which covers for her side job as a smuggler - bringing in contraband to those who request it- like cigars, etc. (um hellooo? we all know fire does not bode well in space!) One request for a pretty shady request, sends the entire city into complete chaos. Why on Moon (see what I did there?) would Jazz stoop so low and put the entire city in danger? Money - and lots of it. Jazz is saving up for something, and money is her answer to everything. And we slowly unfold the story that makes up Jazz and start to understand why she is the way she is. We also see how ridiculously smart and courageous she is and you may even start to like her a little!
There is a LOT of science in this book. I now know exactly how to weld on the moon. I mean, exactly. My husband is a welder and I read some parts to him and he said it all sounded pretty legit, so I can imagine the research that went into crafting some parts of the story.
Overall it was a lot of fun - Jazz is quite the character and I'd totally read a sequel if Jazz had another story to tell. Andy Weir knows his space, and I'm quite glad he loves it so much to write such entertaining and engaging stories for us.
Annie Chanse (15 KP) rated Wintersong in Books
May 25, 2018
It was okay.
Contains spoilers, click to show
[Warning: May contain spoilers]
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.