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Matthew Krueger (10051 KP) rated Shaun the Sheep Movie: Farmageddon (2019) in Movies
Aug 31, 2020
Farmageddon
Shaun The Sheep Movie: Farmageddon is a excellent sequel to the oringal. I love the oringal and ao i had high expections for this one and it didnt disapoint. I just love Aardman Animations and think their make excellent movies. I love the stop motion and clay animation. Chicken Run, Wallace & Gromit: The Cruse of the Were-Rabbit, Shaun the Sheep Movie and now this one. Are all excellent films.
The Plot: When an alien possessing strange powers crash-lands near Mossy Bottom Farm, Shaun the Sheep quickly makes a new friend. Together they must run from a dangerous organisation who wants to capture the intergalactic visitor.
Its funny, cute, entertaining and overall a excellent movie.
The Plot: When an alien possessing strange powers crash-lands near Mossy Bottom Farm, Shaun the Sheep quickly makes a new friend. Together they must run from a dangerous organisation who wants to capture the intergalactic visitor.
Its funny, cute, entertaining and overall a excellent movie.
David McK (3180 KP) rated Shaun the Sheep Movie: Farmageddon (2019) in Movies
Jun 23, 2020
Animated kids movie, starring what might-as-well-be Aardman Animation's new mascot Shaun the Sheep (who has seemingly eclipsed Wallace and Gromit ever since first appearing in 'A Close Shave'), in which Shaun must escort a small Alien back to his spacecraft, that has crash-landed near Mossy Bottom Farm.
Taking it's cue from the silent movies of yore, there is no dialogue in this - with, of those who can talk, everyone talking in gibberish - while there are also plenty of sneaky sci-fi references peppered throughout its runtime,
Taking it's cue from the silent movies of yore, there is no dialogue in this - with, of those who can talk, everyone talking in gibberish - while there are also plenty of sneaky sci-fi references peppered throughout its runtime,
Gareth von Kallenbach (965 KP) rated Shaun the Sheep Movie (2015) in Movies
Aug 6, 2019
Shaun the Sheep is a spin-off from the popular British stop-motion animation show Wallace and Gromit. This one of a kind, smart, and loveable sheep burst on to the small screen nearly twenty years ago in the short “A Close Shave.” Winning the hearts of millions, it’s no surprise a movie was in the works.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
Awix (3310 KP) rated Early Man (2018) in Movies
Feb 8, 2018 (Updated Feb 8, 2018)
One Million Years F.C.
Another movie from the people who made Wallace and Gromit and Shaun the Sheep, and if you're familiar with either of those you will know that expectations will be high: Aardman are the British answer to Pixar or Studio Ghibli. Keeping such sky-high standards must be difficult, so we must try to be understanding when they fall a little short - as they do here.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
Emma @ The Movies (1786 KP) rated Shaun the Sheep Movie: Farmageddon (2019) in Movies
Dec 8, 2019
What's not to love about an Aardman movie?
I won't go into an extended synopsis for this as it's not all that complex that it needs more background. Shaun the Sheep gets up to more antics, this time with an alien... there, we're all caught up.
The beginning surprised me as it was a little dark but filled with suspense and it had some of my favourite stop-motion bits of the whole film... those chips... it conjured up the first of many smiles throughout the film.
There are so many bits in Farmageddon that will make you happy, I loved the addition of Forever Autumn and spotting the original Wallace and Gromit, and the toaster that every one of us can identify with... these little touches really do add to the whole film. The attention to detail is epic. The other thing I love is that you can see the fine changes of the character's skin in the animation.
Who am I kidding with this "these bits are good"... I love the whole thing, it's amazing.
There's really isn't much I can say without gushing about just how wonderfully wholesome this film is. It's funny for kids and so well crafted with little touches here and there that adults will love it too... and that ending! I'm going to tell you I wasn't crying, and you're going to believe me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/farmageddon.html
I won't go into an extended synopsis for this as it's not all that complex that it needs more background. Shaun the Sheep gets up to more antics, this time with an alien... there, we're all caught up.
The beginning surprised me as it was a little dark but filled with suspense and it had some of my favourite stop-motion bits of the whole film... those chips... it conjured up the first of many smiles throughout the film.
There are so many bits in Farmageddon that will make you happy, I loved the addition of Forever Autumn and spotting the original Wallace and Gromit, and the toaster that every one of us can identify with... these little touches really do add to the whole film. The attention to detail is epic. The other thing I love is that you can see the fine changes of the character's skin in the animation.
Who am I kidding with this "these bits are good"... I love the whole thing, it's amazing.
There's really isn't much I can say without gushing about just how wonderfully wholesome this film is. It's funny for kids and so well crafted with little touches here and there that adults will love it too... and that ending! I'm going to tell you I wasn't crying, and you're going to believe me.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/farmageddon.html
Lee (2222 KP) rated Early Man (2018) in Movies
Oct 23, 2018
Early Man is from Aardman Animation, the team behind Wallace and Gromit, Shaun the Sheep and Chicken Run. Following the devastation caused by a large meteor hitting the Earth many generations ago, a stone age tribe now lives in the lush forest within the crater it left behind. Fairly primitive, and fairly stupid, they hunt rabbits for food and don't really venture outside of the crater into the volcanic wastelands that surround them. But when a more advanced civilisation of bronze age people come along and take over the crater in order to start mining more bronze, the stone age gang find themselves forced out of their home and into the wastelands. One of the stone age men, Dug, follows the bronze age men back to their city and into their football stadium, where thousands gather to watch football. He decides to challenge the bronze age team to a football match, with the winner getting to keep the valley that they call home. Turns out that the stone age tribe invented football many generations ago, and now need to reawaken their passion for the game, and somehow get themselves match ready in time for the match.
As always with Aardman and Nick Park, the stop-motion animation and the attention to detail are top notch. There are some funny moments, but it's nowhere near the standard of some of the previous Aardman productions. It boasts a great line up for the character voices too - Eddie Redmayne, Tom Hiddleston, Maisie Williams and more - only it's not enough to lift this beyond being a fairly below average family movie, which is a real shame.
As always with Aardman and Nick Park, the stop-motion animation and the attention to detail are top notch. There are some funny moments, but it's nowhere near the standard of some of the previous Aardman productions. It boasts a great line up for the character voices too - Eddie Redmayne, Tom Hiddleston, Maisie Williams and more - only it's not enough to lift this beyond being a fairly below average family movie, which is a real shame.
Gareth von Kallenbach (965 KP) rated Scott Pilgrim vs. the World (2010) in Movies
Aug 8, 2019
Scott Pilgrim, played by Michael Cera, is a young man whose life is going nowhere fast. At 23, he describes himself as in between jobs and spends his free time playing bass in a struggling band. But Scott does have a girlfriend named Knives Chau (Ellen Wong), never mind that she is still in high school and things are about as chaste as they can get. Undaunted, Scott keeps plugging away despite the supportive taunts of his gay roomie Wallace (Kieran Culkin), and the members of his band.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Things change for Scott when he meets a girl named Ramona (Mary Elizabeth Winstead), at a party. Ramona shows no interest in Scott but he’s inexplicably drawn to her and eventually gets the roller blading delivery girl to go out with him, despite the strong protests of his sister Stacey (Anna Kendrick), and his drummer/ex-girlfriend Kim (Allison Pine). The upswing Scott’s life takes at meeting the girl of his dreams and his band’s shot at a recording deal is tempered by the complications of choosing between Knives, who is becoming more clingy, and Ramona, who brings with her a lot of angry baggage.
This baggage actually comes in the form of seven evil exes whom Scott must battle and defeat if he wishes to continue dating her. Scott accepts the challenge and finds himself in a life and death battle with some true psychos, all of whom have strange powers and appear out of nowhere to pummel Scott. I will not spoil the surprises but suffice it to say that the exes are played by some great names, and each one brings plenty of humor to go with the action.
Action and music blend well with comedy and romance and the video game-inspired fight sequences complete with numerous inside jokes for gamers are truly a delight. The frantic sequences mix music, and over the top action with cartoonish gags and humor in a winning formula. Seeing Scott take flying leaps across a room to battle for Ramona and rebounding from one pummeling after another is great fun. Scott give as good as he gets, learning at times that brains will win out over brawn.
The film has a frantic pacing that Director Edgar Wright never lets get out of control. Like his great work in Shaun of the Dead, Wright keeps the characters and their relationships at the center of the film, making them not only relatable but easy to root for despite the bizarre scenario the characters find themselves in.
The film is based on a graphic novel by Bryan Lee O’Malley and delivers a fun adventure that should delight fans of the novel as well as video gamers everywhere. The film knows who its audience is and plays the zany plot with a wink and smile and does not get caught up with intricate plotlines and overly complex characters. Instead the movie keeps the attention on the action and the great cast of characters. Cera does his best work yet in the title role and Culkin nearly steals every scene he is in as does Wong. Jason Schwartzman shines as the uber villain Gideon and rounds out the effective cast in this pleasant surprise of the summer.
Bob Mann (459 KP) rated Slaughterhouse Rulez (2018) in Movies
Sep 28, 2021
Form-Prefect of the Dead.
The Plot
Meredith Houseman (Simon Pegg) is housemaster of Sparta house in Slaughterhouse school: an ancient public school establishment steering England’s future greats to greatness (which probably explains a lot about the current Brexit mess!). Houseman is not in a happy place, given that his girlfriend is now in deepest darkest African doing “good works” with handsome French doctors, and particularly that she is played by Margot Robbie: I would be also be sad… #punching!
New school starter Don Wallace (Finn Cole) is equally unhappy as he is a northern teen dragooned into attending the school by his well-meaning Mum (Jo Hartley). His strange room-mate Willoughby (Asa Butterfield) seems to be a chronic depressive; he is being picked on by the prefect-bully Clegg (Tom Rhys Harries); and his bed was previously occupied by a Viscount, since deceased under unpleasant circumstances that no-one wants to talk about. At least he has the distraction of the upper-sixth school goddess Clemsie Lawrence (Hermione Corfield) to take his mind off his woes.
All this washes over “The Bat” – the school’s headmaster (Michael Sheen) – since he is engrossed in some shady deal with an evil corporation doing fracking in the school grounds. The fracking though seems to be doing more than just causing a few minor earth tremors, as ancient forces are unleashed.
The Review
The movie is positioned as a “comedy/horror”, along the lines of “Shaun of the Dead”. The film also has Frost and Pegg as executive producers and they also have starring roles in the film. But there the similarities really end: this is a “Cornetto film” without a cone of solid chocolate lurking at the bottom to enjoy.
The script (by director Crispian Mills and first-time screenwriter Henry Fitzherbert) is nowhere near as sharp as the Frost/Pegg scripts for their famous collaborations. The story overall makes precious little sense: it’s a hodge-podge of elements from many Harry Potter films (especially “The Chamber of Secrets”), Lindsay Anderson’s “If…”; and Roy Boulting’s “The Guinea Pig”; with also a sprinkling of the anarchic essence of Michael Palin’s classic “Tomkinson’s Schooldays”. The whole thing never manages to gel into a cohesive whole.
After the second reel, the film completely loses sight of the plot: there’s a whole lot of running, screaming and dying going on but there’s little logic behind any of it that I could fathom. What didn’t help my comprehension of what was going on were some ‘Cornetto-esque’ sequences of manic editing. Images were thrown onto the screen so subliminally that any clever nuance was lost. I’m sure at one point there was a droll (if gross) segue at a “Roman orgy” of a girl receiving oral sex before being ‘eaten out’ in an entirely different way. But you would need a Blu-ray and a frame-by-frame pause function to get the joke.
That’s not to say that I didn’t laugh a few times along the way. There are some sight gags – for example, Wooten (Kit Connor) as the lad at the bottom of the bullying pecking order, chained to a U-bend – that made me laugh, and some running jokes – for example, Frost as the head of the anti-fracking camp offering the kids drugs at every encounter – that mildly amuse. But once again here’s a British comedy that, like the atrocious “The Brits are Coming“, thinks that “funny” largely revolves around swearing a lot – how useful that “frack” sounds so similar to another word – with added bodily dismemberment.
The turns
Pegg and Frost ham it up with their usual comedy schtick well enough, and it was quite fun to see Sheen try a comedy role for a change as the conniving and supercilious headmaster. Elsewhere all the young cast put their hearts into it, but it’s again Asa Butterfield that your eyes gravitate to, due to his striking features. I last saw Asa in the excellent if harrowing WW1 drama “Journey’s End“, and he here proves again that he is a One Mann’s Movies ‘name to watch for the future’.
Final thoughts
There’s a lot to irritate in this film. From the “z” in the title to… well… about 80% of the film. There is no nuance or subtlety to either the writing or the direction. I think that’s a great shame. The film has a good premise hidden in there. An adult comedy set around the ridiculous rules and rites of public schools (away from the light nonsense of “St Trinians”) is overdue. And the whole subject of fracking, and the conflicts surrounding the controversial techniques, hasn’t yet – to my knowledge – been explored in a fictional movie. The film does have a few very funny moments. But as a whole I left the cinema with that “wasted two hours” feeling. Not recommended.
Meredith Houseman (Simon Pegg) is housemaster of Sparta house in Slaughterhouse school: an ancient public school establishment steering England’s future greats to greatness (which probably explains a lot about the current Brexit mess!). Houseman is not in a happy place, given that his girlfriend is now in deepest darkest African doing “good works” with handsome French doctors, and particularly that she is played by Margot Robbie: I would be also be sad… #punching!
New school starter Don Wallace (Finn Cole) is equally unhappy as he is a northern teen dragooned into attending the school by his well-meaning Mum (Jo Hartley). His strange room-mate Willoughby (Asa Butterfield) seems to be a chronic depressive; he is being picked on by the prefect-bully Clegg (Tom Rhys Harries); and his bed was previously occupied by a Viscount, since deceased under unpleasant circumstances that no-one wants to talk about. At least he has the distraction of the upper-sixth school goddess Clemsie Lawrence (Hermione Corfield) to take his mind off his woes.
All this washes over “The Bat” – the school’s headmaster (Michael Sheen) – since he is engrossed in some shady deal with an evil corporation doing fracking in the school grounds. The fracking though seems to be doing more than just causing a few minor earth tremors, as ancient forces are unleashed.
The Review
The movie is positioned as a “comedy/horror”, along the lines of “Shaun of the Dead”. The film also has Frost and Pegg as executive producers and they also have starring roles in the film. But there the similarities really end: this is a “Cornetto film” without a cone of solid chocolate lurking at the bottom to enjoy.
The script (by director Crispian Mills and first-time screenwriter Henry Fitzherbert) is nowhere near as sharp as the Frost/Pegg scripts for their famous collaborations. The story overall makes precious little sense: it’s a hodge-podge of elements from many Harry Potter films (especially “The Chamber of Secrets”), Lindsay Anderson’s “If…”; and Roy Boulting’s “The Guinea Pig”; with also a sprinkling of the anarchic essence of Michael Palin’s classic “Tomkinson’s Schooldays”. The whole thing never manages to gel into a cohesive whole.
After the second reel, the film completely loses sight of the plot: there’s a whole lot of running, screaming and dying going on but there’s little logic behind any of it that I could fathom. What didn’t help my comprehension of what was going on were some ‘Cornetto-esque’ sequences of manic editing. Images were thrown onto the screen so subliminally that any clever nuance was lost. I’m sure at one point there was a droll (if gross) segue at a “Roman orgy” of a girl receiving oral sex before being ‘eaten out’ in an entirely different way. But you would need a Blu-ray and a frame-by-frame pause function to get the joke.
That’s not to say that I didn’t laugh a few times along the way. There are some sight gags – for example, Wooten (Kit Connor) as the lad at the bottom of the bullying pecking order, chained to a U-bend – that made me laugh, and some running jokes – for example, Frost as the head of the anti-fracking camp offering the kids drugs at every encounter – that mildly amuse. But once again here’s a British comedy that, like the atrocious “The Brits are Coming“, thinks that “funny” largely revolves around swearing a lot – how useful that “frack” sounds so similar to another word – with added bodily dismemberment.
The turns
Pegg and Frost ham it up with their usual comedy schtick well enough, and it was quite fun to see Sheen try a comedy role for a change as the conniving and supercilious headmaster. Elsewhere all the young cast put their hearts into it, but it’s again Asa Butterfield that your eyes gravitate to, due to his striking features. I last saw Asa in the excellent if harrowing WW1 drama “Journey’s End“, and he here proves again that he is a One Mann’s Movies ‘name to watch for the future’.
Final thoughts
There’s a lot to irritate in this film. From the “z” in the title to… well… about 80% of the film. There is no nuance or subtlety to either the writing or the direction. I think that’s a great shame. The film has a good premise hidden in there. An adult comedy set around the ridiculous rules and rites of public schools (away from the light nonsense of “St Trinians”) is overdue. And the whole subject of fracking, and the conflicts surrounding the controversial techniques, hasn’t yet – to my knowledge – been explored in a fictional movie. The film does have a few very funny moments. But as a whole I left the cinema with that “wasted two hours” feeling. Not recommended.