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Angel Olsen recommended Sunset Boulevard (1950) in Movies (curated)
Matthew Krueger (10051 KP) rated Nosferatu the Vampyre (1979) in Movies
Oct 28, 2020 (Updated Oct 28, 2020)
The Vampire Among Them
Nosferatu The Vampyre- is a very slow movie. Very slow, for 90% of the time nothing happens and when some does happens its only for three minutes max. I always wanted to watch the oringal, never got a chance to, hopefully soon i will. As for this remake its so-so.
The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.
There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.
The film also marks the second of five collaborations between director Herzog and actor Kinski.
While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.
By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.
In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.
Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."
Like i said its a decent movie.
The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.
There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.
The film also marks the second of five collaborations between director Herzog and actor Kinski.
While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.
By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.
In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.
Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."
Like i said its a decent movie.
Sam (228 KP) rated A Quiet Place (2018) in Movies
Mar 2, 2019
Suspenseful (2 more)
Thrilling
Captivating
An Edge of Your Seat Thriller
Nothing creates more suspense than taking away all the sound on the room. You ever walk through the house completely silent in the dead of night clinging to a hairbrush after hearing a sound downstairs? That is how I felt sitting at the edge of my seat as I glued myself to the theater's screen. There most have been no more than five works spoken throughout this film and the effect was stunning. The silence pulled you into the story and kept you focused on the screen as you pieced everything together, the visual effects are carefully planned and there's such careful details placed into the overall world this movie has created that you can't help but be in awe by the end of the film. The ending fills you with hope and a sense of accomplishment that you can't help but share with the characters. It was truly complete ending to the film and an overall masterpiece.
Darkwriter1408 (8 KP) rated 21 Jump Street (2012) in Movies
Jun 12, 2019
Hilarious (1 more)
Good performances
Hilarious remake of the original
So where to start with 21 jump street. At first glance, you have two lead actors in there primes. Two comedic actors in there primes. Add that together with a fair script and you will have a good combination for a comedic film.
The performances of both Tatum and hill are on point and the supporting actors match them as well. With The only downfall I could really pick out would be there a fair bit of silent scenes where it's the obvious slapstick comedy.. For me, it doesn't pay off.
That being said, I would still watch this film again and still laugh, the plot is good, the performances are on point and the comedy albeit slapstick is still funny.
The performances of both Tatum and hill are on point and the supporting actors match them as well. With The only downfall I could really pick out would be there a fair bit of silent scenes where it's the obvious slapstick comedy.. For me, it doesn't pay off.
That being said, I would still watch this film again and still laugh, the plot is good, the performances are on point and the comedy albeit slapstick is still funny.
Megan (14 KP) rated A Quiet Place (2018) in Movies
Sep 10, 2018
Sitting on the edge of my seat
Contains spoilers, click to show
This film was filled with tension and it was extraordinary how it didn’t have to rely on the sounds that usual Horror and Thrillers depend on because it still had me on the edge of my seat.
Also, it was a terrifying scenario to be seen portrayed and thinking if this could actually happen, and having to be silent constantly in order to stay alive.
It was so upsetting when their daughter had been killed towards the start of the film and when their newborn baby was crying, and that horrifying creature was in the same room - it made me agitated, anxious and apprehensive for what was about to happen.
One of the best horror movies I’ve ever seen, definitely recommend.
Also, it was a terrifying scenario to be seen portrayed and thinking if this could actually happen, and having to be silent constantly in order to stay alive.
It was so upsetting when their daughter had been killed towards the start of the film and when their newborn baby was crying, and that horrifying creature was in the same room - it made me agitated, anxious and apprehensive for what was about to happen.
One of the best horror movies I’ve ever seen, definitely recommend.
Sarah (7798 KP) rated Scream 3 (2000) in Movies
Nov 2, 2018
A very inferior sequel
It's such a shame that Scream 3 loses the magic that Scream 2 had in abundance.
There's no wit, no humour and the film within a film concept is tired and very poor. All of the new characters are under developed meaning you care so little when they get bumped off one by one. Patrick Dempsey's character is so creepy and slimy in parts that it's laughable and builds no tension or intrigue whatsoever. And even the returning characters have lost their edge, repeating the same old squabbles and experiences as in the first two films. Ghostface too loses his edge here, there's no shocking deaths and the voice changer that can mimic other voices is ridiculous and farfetched. The ending too isn't particularly clever or interesting. The only things I really liked about this film was the brief return of Randy and the cameos from Silent Jay & Bob and Carrie Fisher.
I remember really looking forward to seeing this when it first came out, but it is such a disappointment. It isn't helped by the fact that I spend the entire film wondering what the hell is going on with Courtney Fox's fringe...
There's no wit, no humour and the film within a film concept is tired and very poor. All of the new characters are under developed meaning you care so little when they get bumped off one by one. Patrick Dempsey's character is so creepy and slimy in parts that it's laughable and builds no tension or intrigue whatsoever. And even the returning characters have lost their edge, repeating the same old squabbles and experiences as in the first two films. Ghostface too loses his edge here, there's no shocking deaths and the voice changer that can mimic other voices is ridiculous and farfetched. The ending too isn't particularly clever or interesting. The only things I really liked about this film was the brief return of Randy and the cameos from Silent Jay & Bob and Carrie Fisher.
I remember really looking forward to seeing this when it first came out, but it is such a disappointment. It isn't helped by the fact that I spend the entire film wondering what the hell is going on with Courtney Fox's fringe...
Matthew Krueger (10051 KP) rated The Bat (1959) in Movies
Mar 31, 2020
The Bite
The Bat- is the fourth film adaptation of the story, which began as a 1908 novel The Circular Staircase by Mary Roberts Rinehart, which she later adapted (with Avery Hopwood) into the 1920 play The Bat. The first film version of the play was the 1926 American silent film The Bat. The film version was adapted by playwright Crane Wilbur, who also directed.
This one has Vincent Price in it, which is a huge plus in my books. He is such a excellent, fantasic and phenomenal actor. He is one of my favorites. He is also one of my favorite horror actors.
The plot: A killer called "the Bat" has claimed many lives in the small town inhabited by novelist Cornelia van Gorder (Agnes Moorehead) and her maid, Lizzie (Lenita Lane). As Cornelia implores Dr. Malcolm Wells (Vincent Price) to help her ailing maid, $1 million in the town's bank goes missing. With greed and fear reaching new heights, police Lt. Andy Anderson (Gavin Gordon) goes to Cornelia's house to investigate additional murders committed by the Bat.
Its a creepy, scary and classic movie.
This one has Vincent Price in it, which is a huge plus in my books. He is such a excellent, fantasic and phenomenal actor. He is one of my favorites. He is also one of my favorite horror actors.
The plot: A killer called "the Bat" has claimed many lives in the small town inhabited by novelist Cornelia van Gorder (Agnes Moorehead) and her maid, Lizzie (Lenita Lane). As Cornelia implores Dr. Malcolm Wells (Vincent Price) to help her ailing maid, $1 million in the town's bank goes missing. With greed and fear reaching new heights, police Lt. Andy Anderson (Gavin Gordon) goes to Cornelia's house to investigate additional murders committed by the Bat.
Its a creepy, scary and classic movie.
RəX Regent (349 KP) rated Dracula (English) (1931) in Movies
Mar 7, 2019
Where it all began...
Contains spoilers, click to show
The year was 1931: Two years after the success of The Jazz Singer and the final introduction of sound movies into the mainstream, sound was still revolutionising the industry. But in 1931, a bit like 3D now, there was still much confusion over to how make films, with directors, producers and actors alike, were still moving over from the suddenly dated silent era, with varying success.
Tod Browning was a man who would unfortunately find little success in the sound era, but not necessarily because he couldn't move with the times, but because his career was derailed a couple of years later by his disturbing horror pic, Freaks.
Dracula was shot THREE times. One, this one, was the conventional sound version that we all know. An other was shot at night and in Spanish for the benefit of that audience, which the studio supposedly preferred. This was quite common at this time, but little known nowadays. And the third was a straight forward silent version for the many theatres still un-equipped to handle sound.
But the styles of the silent era are all over this film. From the long silent reactions shots and the over acting, especially by Bela Lagosi in the titular role. This was also the adaptation of the stage adaptation of Bram Stoker's chiller, and was faithfully adapted from that source, hence the lack of more complex special effects, with bats on strings and fog machines, over more cinematic effects.
The transformation scenes for example, where the Count morphs from a bat to the undead human occur off-screen, rather than some form of cross fade etc. Is this a choice driven by lack of money? Lack of cinematic ambition of a choice to stick to the stage material? To be honest, I have too little knowledge or experience of Tod Browning's work to suggest a reason, but when all's said and done, it did work.
Let's be honest, this is 80 years old and is not the least bit scary and it is hard not to laugh, but in context, I'm sure it worked well at the time and the story is well conveyed. Lagosi's undead performance is hammy by today's standards but he was somewhat likable. He was very deliberate, slow and the silent era has certainly left its scars, as the subtly of sound performing was yet to take hold.
But this is the sort of film were silent melodramatic acting still worked. This is of course a piece Gothic Horror, the home of melodrama if ever there was one. This is surly a product of its time, both as the industry went through one of it's most dramatic changes, which ended so many careers as well a created so many new ones, but it's also, let's not forget, the first direct adaptation of Bram Stoker's book, besides the 1922 German version, Nosferatu, which changes a fair few details to try to get around the copyright, failing to do so mind, resulting in failed bid to have every copy of the film destroyed.
This is the film that ingrained the image of the Dracula that we know today into popular culture. This was were the Universal horror franchise began. For whatever faults it has by today's standards, it did something right.
Tod Browning was a man who would unfortunately find little success in the sound era, but not necessarily because he couldn't move with the times, but because his career was derailed a couple of years later by his disturbing horror pic, Freaks.
Dracula was shot THREE times. One, this one, was the conventional sound version that we all know. An other was shot at night and in Spanish for the benefit of that audience, which the studio supposedly preferred. This was quite common at this time, but little known nowadays. And the third was a straight forward silent version for the many theatres still un-equipped to handle sound.
But the styles of the silent era are all over this film. From the long silent reactions shots and the over acting, especially by Bela Lagosi in the titular role. This was also the adaptation of the stage adaptation of Bram Stoker's chiller, and was faithfully adapted from that source, hence the lack of more complex special effects, with bats on strings and fog machines, over more cinematic effects.
The transformation scenes for example, where the Count morphs from a bat to the undead human occur off-screen, rather than some form of cross fade etc. Is this a choice driven by lack of money? Lack of cinematic ambition of a choice to stick to the stage material? To be honest, I have too little knowledge or experience of Tod Browning's work to suggest a reason, but when all's said and done, it did work.
Let's be honest, this is 80 years old and is not the least bit scary and it is hard not to laugh, but in context, I'm sure it worked well at the time and the story is well conveyed. Lagosi's undead performance is hammy by today's standards but he was somewhat likable. He was very deliberate, slow and the silent era has certainly left its scars, as the subtly of sound performing was yet to take hold.
But this is the sort of film were silent melodramatic acting still worked. This is of course a piece Gothic Horror, the home of melodrama if ever there was one. This is surly a product of its time, both as the industry went through one of it's most dramatic changes, which ended so many careers as well a created so many new ones, but it's also, let's not forget, the first direct adaptation of Bram Stoker's book, besides the 1922 German version, Nosferatu, which changes a fair few details to try to get around the copyright, failing to do so mind, resulting in failed bid to have every copy of the film destroyed.
This is the film that ingrained the image of the Dracula that we know today into popular culture. This was were the Universal horror franchise began. For whatever faults it has by today's standards, it did something right.