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Kirk Bage (1775 KP) rated Sherlock, Jr. (1924) in Movies
Jan 28, 2021
I have seen and very much enjoyed the work of Buster Keaton in the past, most notably The General, which knocked me sideways by how inventive and genuinely funny it was. My main movie love for the silent era is Charlie Chaplin, and much like it is possible to like The Beatles and The Rolling Stones but only truly love one, Keaton will always be second best for me. But what a second best. Genius is an overused word, of course, but pioneer says it better anyway. The sheer volume of invention per minute is magnificent – from the technical editing techniques that were created just for this film, to the forms of visual comedy that broke the mould and raised the bar in every scene.
Most memorable is the cinema scene where Keaton’s love sick amateur sleuth tries to hide by actually entering the screen – a trick paid homage to in many movies since, including Woody Allen’s The Purple Rose of Cairo. It is astonishing to think he not only thought of doing this in 1924, but also pulled it off with jaw-dropping special effects for the time. It’s also really funny. You don’t have to force a laugh because you feel you should, it is still clever and amusing almost 100 years later. In fact, the entire 46 minute print still looks so good it is hard to believe it is that old in any way. Surely one of a handful of half length films from the period that will always be watched for what they are and not just museum pieces.
Most memorable is the cinema scene where Keaton’s love sick amateur sleuth tries to hide by actually entering the screen – a trick paid homage to in many movies since, including Woody Allen’s The Purple Rose of Cairo. It is astonishing to think he not only thought of doing this in 1924, but also pulled it off with jaw-dropping special effects for the time. It’s also really funny. You don’t have to force a laugh because you feel you should, it is still clever and amusing almost 100 years later. In fact, the entire 46 minute print still looks so good it is hard to believe it is that old in any way. Surely one of a handful of half length films from the period that will always be watched for what they are and not just museum pieces.
Darren (1599 KP) rated Wings (1927) in Movies
Dec 8, 2019
Verdict: Beautiful Portray of Love & War
Story: Wings starts as two young men Jack Powell (Rogers) and David Armstrong (Arlen) both sign up to become fighter pilots in the First World War, they are from different backgrounds, with Jack working with his hands, which has seen him get the attention of Mary Preston (Bow) and David being rich, with the pair both seeking the attention of Sylvia Lewis (Ralston).
What starts out in rivalry soon becomes friendship between the two men as through their training, they learn they need to be on the same side and want the same thing from their time in the service. They are followed by Mary who has taken up a job where she delivers medical supplies to troops, all while her love for Jack continues to grow.
Thoughts on Wings
Characters – Mary Preston has worked with Jack Powell for years, they work on cars and her love for Jack is clear, she doesn’t get the attention she desires of him though, with the men at war, she uses her driving skills to deliver medical supplies, hoping to find Jack too, which sees her needing to find a way to act more lady like for the era. Jack Powell is from the working class bracket of people, he has always been great with cars and mechanics, which sees him sign up for the air force during world war 1, he will do what he can get impress the rich Sylvia to whom he loves and after years of rivalry with David, they will become friends. David Armstrong has come from a rich family, he is set to be marrying Sylvia one day if the families have their say, he sees Jack as a rival, until they fight side by side in the skies. Sylvia is the woman that both men are fighting for the attention of, they both see her as the perfect woman and will go to lengths to impress her.
Performances – This being a silent movie, all the work from the actors in the film comes from face expressions and movements, which they are all fantastic with, Clara Bow shows the pain of being in love with somebody who doesn’t want you, while Charles Rogers and Richard Arlen show the rivalry men can have when it comes to women.
Story – The story here follows two men from different backgrounds, one rich one working class, that are both fighting for the same woman, who join the air force to impress, where they become friends and learn the horrors of war. This is a story that is one that shows that love can be something people will always do crazy things for, it shows how the war bought enemies together and for a movie made in 1927, showed us a strong female character willing to go into war, unlike many films for years to come. Being a silent movie, we do get the expression and action doing a lot of the storytelling around the dialogue which is interesting because it keeps away a lot of unnecessary dialogue certain war films turn too.
Romance/War – The romance in this film shows how people will do strange things for love, you might not always see it right under your nose either, with the war being the main location that our characters all go to impress, the dog fight scenes are brilliant to watch, with the use of music making a big impact on the quality too.
Settings – The film uses the settings you would expect to see the war fought at, while we see the ground shots, it is when we are in the sky watching the dog fights that we get to feel the peril the characters are going through.
Scene of the Movie – Any of the dog fights.
That Moment That Annoyed Me – It does play into stereotypes of other nationalities.
Final Thoughts – This is a genius war movie that rightly deserved to win the first Oscar, it brings us a story that shows how much people would have risked for war and just how far they would go for love.
Overall: Brilliant.
Story: Wings starts as two young men Jack Powell (Rogers) and David Armstrong (Arlen) both sign up to become fighter pilots in the First World War, they are from different backgrounds, with Jack working with his hands, which has seen him get the attention of Mary Preston (Bow) and David being rich, with the pair both seeking the attention of Sylvia Lewis (Ralston).
What starts out in rivalry soon becomes friendship between the two men as through their training, they learn they need to be on the same side and want the same thing from their time in the service. They are followed by Mary who has taken up a job where she delivers medical supplies to troops, all while her love for Jack continues to grow.
Thoughts on Wings
Characters – Mary Preston has worked with Jack Powell for years, they work on cars and her love for Jack is clear, she doesn’t get the attention she desires of him though, with the men at war, she uses her driving skills to deliver medical supplies, hoping to find Jack too, which sees her needing to find a way to act more lady like for the era. Jack Powell is from the working class bracket of people, he has always been great with cars and mechanics, which sees him sign up for the air force during world war 1, he will do what he can get impress the rich Sylvia to whom he loves and after years of rivalry with David, they will become friends. David Armstrong has come from a rich family, he is set to be marrying Sylvia one day if the families have their say, he sees Jack as a rival, until they fight side by side in the skies. Sylvia is the woman that both men are fighting for the attention of, they both see her as the perfect woman and will go to lengths to impress her.
Performances – This being a silent movie, all the work from the actors in the film comes from face expressions and movements, which they are all fantastic with, Clara Bow shows the pain of being in love with somebody who doesn’t want you, while Charles Rogers and Richard Arlen show the rivalry men can have when it comes to women.
Story – The story here follows two men from different backgrounds, one rich one working class, that are both fighting for the same woman, who join the air force to impress, where they become friends and learn the horrors of war. This is a story that is one that shows that love can be something people will always do crazy things for, it shows how the war bought enemies together and for a movie made in 1927, showed us a strong female character willing to go into war, unlike many films for years to come. Being a silent movie, we do get the expression and action doing a lot of the storytelling around the dialogue which is interesting because it keeps away a lot of unnecessary dialogue certain war films turn too.
Romance/War – The romance in this film shows how people will do strange things for love, you might not always see it right under your nose either, with the war being the main location that our characters all go to impress, the dog fight scenes are brilliant to watch, with the use of music making a big impact on the quality too.
Settings – The film uses the settings you would expect to see the war fought at, while we see the ground shots, it is when we are in the sky watching the dog fights that we get to feel the peril the characters are going through.
Scene of the Movie – Any of the dog fights.
That Moment That Annoyed Me – It does play into stereotypes of other nationalities.
Final Thoughts – This is a genius war movie that rightly deserved to win the first Oscar, it brings us a story that shows how much people would have risked for war and just how far they would go for love.
Overall: Brilliant.
Neon's Nerd Nexus (360 KP) rated The Lion King (2019) in Movies
Jul 19, 2019 (Updated Jul 19, 2019)
If this is where the monarchy is headed Count me out!
Lion king 2019 is by far the worst of the Disney live action remakes & while newcomers/children will certainly love it many of the people that hold the original close to their hearts will leave wishing they had just stayed home with the far superior predecessor instead. Aladdin & The Lion King are two of the greatest animated feature films of all time & as I experienced them both in cinema on release they are very special to me. Now i loved the Aladdin remake & im not one for comparing these to the animated features but while I was watching this all i could think about was how much better the original is. While it looks absolutely gorgeous (until anything starts to move) the animation at times is so unnatural especially when animals are walking slowly that its constantly distracting & kills the illusion of these creatures being real. Voice work is bland/mediocre & delivered with almost no enthusiasm at all like the cast were more concerned with sounding different to the original than giving the characters charm & personality. Voices also dont feel connected to the characters like your watching a nature documentary thats been dubbed over. While Aladdin did its own thing & changed up the movie Lion King is practically & infuriatingly a scene for scene remake which would be ok if it had the charm, colour, grand scale, imagination, excitement, thrill, humour & emotional impact of the original but it doesnt. Songs are butchered/dull with seemingly no energy or spectacle to them at all feeling significantly toned down/grounded rather than fun & toe tapping (they have also ruined 'Be Prepared'). So whats new? theres new humour & yup you guessed it its really bad with awkward timing & dragged out jokes that just fall flat. I wanted so bad to love this movie but not even a scense of nostalgia kicked in either because the film is just soulless, unenthusiastic, boring, bland, lacking in excitement & magic. Kids will no doubt love it but for me its this years biggest let down. If it were a silent film with an epic score over the top it might of at least been unique/watchable & helped be bearable but as it is I just cant recomend seeing it. A big fat cash grab.
Andy K (10821 KP) rated Clerks (1994) in Movies
May 6, 2019
Dante and Randal - together forever
I had the pleasure of meeting Kevin Smith when he appeared at the Hollywood Video manager's meeting in Las Vegas in the summer of 1999. Clerks was revered at that time by all of us since we were living the life of Randal to a certain extent being video store managers. We could all relate to the examples of stupid customers and things we wanted to say to them, but couldn't since "the customer is always right".
Smith's appearance at our meeting must've shocked the Mormon founder, Mark Wattles, when Smith began using excessive profanity and talking about giving blow jobs in the bathroom for cash.
My own experiences as a video store manager were reflected in a lot of what Randal says especially when it came to movie recommendations. I'll never forget being asked "Which is better, Booty Call or Schindler's List" or arguing with customers during the "full screen" vs. "widescreen" debate explaining widescreen was better because you could see the entire picture instead of the side of the film being cut off.
Every time I rewatch Clerks it always reminds me of those times and how I reflect fondly on them now so many years later.
Smith was a funny guy and he certainly tells good stories if you have ever seen one of his stand-up specials where he talks about meeting Prince, Bruce Willis or his experiences writing a Superman draft.
Jay and Silent Bob are iconic too even getting their own reboot movie now.
Clerks is a comedy cinema cult classic having lived far beyond its original $27,000 budget where Smith had to sell his comic book collection and its characters will live on forever due to some classic screenwriting.
Smith's appearance at our meeting must've shocked the Mormon founder, Mark Wattles, when Smith began using excessive profanity and talking about giving blow jobs in the bathroom for cash.
My own experiences as a video store manager were reflected in a lot of what Randal says especially when it came to movie recommendations. I'll never forget being asked "Which is better, Booty Call or Schindler's List" or arguing with customers during the "full screen" vs. "widescreen" debate explaining widescreen was better because you could see the entire picture instead of the side of the film being cut off.
Every time I rewatch Clerks it always reminds me of those times and how I reflect fondly on them now so many years later.
Smith was a funny guy and he certainly tells good stories if you have ever seen one of his stand-up specials where he talks about meeting Prince, Bruce Willis or his experiences writing a Superman draft.
Jay and Silent Bob are iconic too even getting their own reboot movie now.
Clerks is a comedy cinema cult classic having lived far beyond its original $27,000 budget where Smith had to sell his comic book collection and its characters will live on forever due to some classic screenwriting.
LeftSideCut (3778 KP) rated The Shining (1980) in Movies
Nov 4, 2019 (Updated Jan 8, 2021)
A slow burning horror masterclass
Stanley Kubrick's adaption of The Shining is certainly a rare gem - A tense thriller that might have aged, but still feels different and fresh in today's world.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Gareth von Kallenbach (965 KP) rated Shaun the Sheep Movie (2015) in Movies
Aug 6, 2019
Shaun the Sheep is a spin-off from the popular British stop-motion animation show Wallace and Gromit. This one of a kind, smart, and loveable sheep burst on to the small screen nearly twenty years ago in the short “A Close Shave.” Winning the hearts of millions, it’s no surprise a movie was in the works.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
Emma @ The Movies (1786 KP) rated The King (2019) in Movies
Oct 29, 2019
There has been a lot of talk about The King, it's not one that I would necessarily have picked but I do enjoy historical films and who doesn't like a good battle scene? With Timothée Chalamet in the lead and Robert Pattinson in a supporting role I had my doubts, I'm not a fan of either one particularly but in the end it changed my opinion... partly. What surprised me was that this was a Netflix film, from all the hype I had been expecting a general release and I think it would have done incredibly well at the cinema, but we shall see how it fairs online.
My historical knowledge is terrible, luckily the evening I saw this I was meeting a friend for dinner who would be my phone a friend for all things historical so I picked his brain. We compared notes and it seems like they haven't messed with the actual history of it too much, though he did admit to not being an expert on this period. Do let me know in the comments how it stands up against documented history if you're up to speed on the topic.
The film does a good job of keeping the timeline clear, it doesn't jump around unnecessarily and despite the obvious long time frame of real life the scenes capture and condense everything quite nicely.
I'm going to start covering the acting by talking about Robert Pattinson. I have never heard such a unanimous reaction to a performance in my life. From the sheer volume in the Odean Luxe I believe that as soon as he spoke everyone broke out laughing. It wasn't just the one time either, it was every time. I don't know anything about The Dauphin of France but perhaps he did have the stereotypical accent... I don't know if I want to give RPat the benefit of the doubt. Almost every scene he was in had a rather tragic comedy element, mostly that was the accent but later there's a scene that would have sat well in a silent black and white comedy skit, I did laugh, but it really didn't fit the tone of any part of the film that he wasn't in.
Timothée Chalamet hasn't made much of an impression on me so far in his acting career. Beautiful Boy wasn't my cup of tea and his parts in Lady Bird and Hostiles clearly didn't either as I only remembered them when skimming IMDb. In The King though I found him to be excellent, I didn't make a single negative note about his performance. Every scene, every emotion, every moment in battle landed perfectly. This really did turn my opinion of him around and I'll be looking forward to his next role a lot more.
Joel Edgerton as Sir John Falstaff is the comic relief this film needed, his moments were light and broke the tension in the perfect way. He's a very consistent actor whose a pleasure to watch on screen and he's a multi-talented fella to boot... writer, producer and actor in this, well played sir, well played.
Sean Harris will also be a familiar face to most of us, and I suspect the main go to for people would be the MI franchise though he's got over 50 acting credits including the UK actors' traditional stint on The Bill. Yet another great actor in the mix and he managed to bring the characteristics of William out with great effect in his performance.
Overall the cast was excellent, though a couple of performances may have been a little on the irritating side for me, that did feel more intentional than anything else when you took the scenes into consideration.
It's difficult to know whether I'm spoiling something or not, but this is based on historical fact so I'm going to say not... The build up to the battle seemed fitting and yet somehow understated for what was to follow. The sound and the visuals are stunning, I'm getting goosebumps just remembering it. The rumble of the horses, the arrows... the sound in the cinema was so powerful and it makes me a little sad that this is going straight to Netflix where that part won't meet its full potential for most of its streams.
The other worry is that the battle won't get the same impact on a smaller screen. The camera work in The King is amazing, you got the sense of claustrophobia and the crush of the fight as we were brought into the mob of actors. I was in awe watching it. I genuinely don't know how they successfully managed to film that whole sequence in what was essentially a pool of mud. It makes my mind boggle.
While I can't really get on board with Robert Pattinson in this film everyone else was a joy to watch. It's a shame it's a Netflix film, I commend them for making something this impressive but it really deserves a cinema experience, I'm thankful to LFF for giving me that honour.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-king-movie-review.html
My historical knowledge is terrible, luckily the evening I saw this I was meeting a friend for dinner who would be my phone a friend for all things historical so I picked his brain. We compared notes and it seems like they haven't messed with the actual history of it too much, though he did admit to not being an expert on this period. Do let me know in the comments how it stands up against documented history if you're up to speed on the topic.
The film does a good job of keeping the timeline clear, it doesn't jump around unnecessarily and despite the obvious long time frame of real life the scenes capture and condense everything quite nicely.
I'm going to start covering the acting by talking about Robert Pattinson. I have never heard such a unanimous reaction to a performance in my life. From the sheer volume in the Odean Luxe I believe that as soon as he spoke everyone broke out laughing. It wasn't just the one time either, it was every time. I don't know anything about The Dauphin of France but perhaps he did have the stereotypical accent... I don't know if I want to give RPat the benefit of the doubt. Almost every scene he was in had a rather tragic comedy element, mostly that was the accent but later there's a scene that would have sat well in a silent black and white comedy skit, I did laugh, but it really didn't fit the tone of any part of the film that he wasn't in.
Timothée Chalamet hasn't made much of an impression on me so far in his acting career. Beautiful Boy wasn't my cup of tea and his parts in Lady Bird and Hostiles clearly didn't either as I only remembered them when skimming IMDb. In The King though I found him to be excellent, I didn't make a single negative note about his performance. Every scene, every emotion, every moment in battle landed perfectly. This really did turn my opinion of him around and I'll be looking forward to his next role a lot more.
Joel Edgerton as Sir John Falstaff is the comic relief this film needed, his moments were light and broke the tension in the perfect way. He's a very consistent actor whose a pleasure to watch on screen and he's a multi-talented fella to boot... writer, producer and actor in this, well played sir, well played.
Sean Harris will also be a familiar face to most of us, and I suspect the main go to for people would be the MI franchise though he's got over 50 acting credits including the UK actors' traditional stint on The Bill. Yet another great actor in the mix and he managed to bring the characteristics of William out with great effect in his performance.
Overall the cast was excellent, though a couple of performances may have been a little on the irritating side for me, that did feel more intentional than anything else when you took the scenes into consideration.
It's difficult to know whether I'm spoiling something or not, but this is based on historical fact so I'm going to say not... The build up to the battle seemed fitting and yet somehow understated for what was to follow. The sound and the visuals are stunning, I'm getting goosebumps just remembering it. The rumble of the horses, the arrows... the sound in the cinema was so powerful and it makes me a little sad that this is going straight to Netflix where that part won't meet its full potential for most of its streams.
The other worry is that the battle won't get the same impact on a smaller screen. The camera work in The King is amazing, you got the sense of claustrophobia and the crush of the fight as we were brought into the mob of actors. I was in awe watching it. I genuinely don't know how they successfully managed to film that whole sequence in what was essentially a pool of mud. It makes my mind boggle.
While I can't really get on board with Robert Pattinson in this film everyone else was a joy to watch. It's a shame it's a Netflix film, I commend them for making something this impressive but it really deserves a cinema experience, I'm thankful to LFF for giving me that honour.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-king-movie-review.html
JT (287 KP) rated The Raid 2 (2014) in Movies
Mar 10, 2020
Stop….pause….take a breath, you’ll need to catch it after witnessing one of the finest action films made for some time.
The follow up to The Raid packs an even harder punch, with our hero Rama (Iko Uwais) sent undercover to bring down a crime family and uncover yet more police corruption.
The first film was simplistic enough, a SWAT team enter a building and (without the use of an elevator) must navigate their way up to the top floor to bring down a powerful but mediocre drug lord. Praised for its gritty no holds barred fight sequences, and perfectly timed action it was nothing short of a hit.
Part 2 follows practically from where the last ended, Rama is hurried away to a secluded location and given the rundown explaining that all his efforts were for nothing, but that he still has a big part to play. Although he doesn’t have much of a choice in the matter.
The-Raid-2-Gareth-Evans
To keep his family safe he has to get close to the arrogant son of a mob boss, Ucok (Arifin Putra), and to do this must infiltrate a prison by committing a high profile crime that will get him noticed by the mafia top brass. What is only supposed to be a few months turns into a couple of years, giving Rama more than enough time to get right under the skin of Ucok.
The storyline isn’t anything unique with shades of Infernal Affairs about it, police corruption, undercover cops and feuding mafia families probably seem all too familiar but director Gareth Evans lays it out in such a way that the similarities end right there.
The story delves deeper into several subplots all of which trail off on their own, but they don’t hamper the overall narrative or confuse things in a way which will make the film harder to follow and at an ass numbing 150 minutes that might be easier said than done.
Then there is the inclusion of three of the badest characters you’re ever likely to see. Hammer Girl, whose special moves entail ripping people in two with claw hammers, Baseball Bat Man, you can probably guess his unique ability and then The Assassin, who armed with a pair of kerambits’ is a silent but very much a deadly force.
There’s returning actor Yayan Ruhian who played Mad Dog in the first film but who has reappeared here as an ass-kicking hobo aiding one of the families, but ends up in the crosshairs of an instigated war were blood hasn’t been spilt in over ten years.
Evans cuts from the action with dramatic undertones, of which the performances are very good, its the gratuitous violence that Raid fans will have shelled out their money for. It’s wince-inducing on another level, whether it’s getting an arm snapped in half, a pelvis dislocated or a hammer ripped through someone’s cheek you’ll probably find yourself twisting and turning in your seat.
the-raid-2-berandal-26
The choreography is mesmerising as Evans interlocks a Godfather-like tale with action that doesn’t give you enough time to look away from the screen. From a mass prison yard scrap, an epic car chase where back seat driving takes on a whole different meaning and a jaw-dropping kitchen fight finale, it’s a film that will live long in the action memory.
Leaving the confines of a tower block behind the action and story run riot through lush green marshes, back streets and bars to city streets. The editing is short and sharp like a punch to the head, moving gracefully enough that it doesn’t judder the explosive action or disjoint the scenes of real drama.
It’s thoroughly entertaining which has justified all the hype beforehand, wonderfully shot and exhilarating throughout Evans will have his work cut out to make sure that The Raid 3 caps an action trilogy masterclass.
The follow up to The Raid packs an even harder punch, with our hero Rama (Iko Uwais) sent undercover to bring down a crime family and uncover yet more police corruption.
The first film was simplistic enough, a SWAT team enter a building and (without the use of an elevator) must navigate their way up to the top floor to bring down a powerful but mediocre drug lord. Praised for its gritty no holds barred fight sequences, and perfectly timed action it was nothing short of a hit.
Part 2 follows practically from where the last ended, Rama is hurried away to a secluded location and given the rundown explaining that all his efforts were for nothing, but that he still has a big part to play. Although he doesn’t have much of a choice in the matter.
The-Raid-2-Gareth-Evans
To keep his family safe he has to get close to the arrogant son of a mob boss, Ucok (Arifin Putra), and to do this must infiltrate a prison by committing a high profile crime that will get him noticed by the mafia top brass. What is only supposed to be a few months turns into a couple of years, giving Rama more than enough time to get right under the skin of Ucok.
The storyline isn’t anything unique with shades of Infernal Affairs about it, police corruption, undercover cops and feuding mafia families probably seem all too familiar but director Gareth Evans lays it out in such a way that the similarities end right there.
The story delves deeper into several subplots all of which trail off on their own, but they don’t hamper the overall narrative or confuse things in a way which will make the film harder to follow and at an ass numbing 150 minutes that might be easier said than done.
Then there is the inclusion of three of the badest characters you’re ever likely to see. Hammer Girl, whose special moves entail ripping people in two with claw hammers, Baseball Bat Man, you can probably guess his unique ability and then The Assassin, who armed with a pair of kerambits’ is a silent but very much a deadly force.
There’s returning actor Yayan Ruhian who played Mad Dog in the first film but who has reappeared here as an ass-kicking hobo aiding one of the families, but ends up in the crosshairs of an instigated war were blood hasn’t been spilt in over ten years.
Evans cuts from the action with dramatic undertones, of which the performances are very good, its the gratuitous violence that Raid fans will have shelled out their money for. It’s wince-inducing on another level, whether it’s getting an arm snapped in half, a pelvis dislocated or a hammer ripped through someone’s cheek you’ll probably find yourself twisting and turning in your seat.
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The choreography is mesmerising as Evans interlocks a Godfather-like tale with action that doesn’t give you enough time to look away from the screen. From a mass prison yard scrap, an epic car chase where back seat driving takes on a whole different meaning and a jaw-dropping kitchen fight finale, it’s a film that will live long in the action memory.
Leaving the confines of a tower block behind the action and story run riot through lush green marshes, back streets and bars to city streets. The editing is short and sharp like a punch to the head, moving gracefully enough that it doesn’t judder the explosive action or disjoint the scenes of real drama.
It’s thoroughly entertaining which has justified all the hype beforehand, wonderfully shot and exhilarating throughout Evans will have his work cut out to make sure that The Raid 3 caps an action trilogy masterclass.
Darren (1599 KP) rated Crouching Tiger, Hidden Dragon: Sword of Destiny (2016) in Movies
Aug 6, 2019
Story: Crouching Tiger, Hidden Dragon: Sword of Destiny starts 18-years after Yu (Yeoh) saw her love die returns to safeguard the sword of destiny, after a warlord Hades Dai (Lee) goes in search for the sword believing it will give him the power to conquer the land.
Needing to protect the sword, Yu puts out a call for warriors to come and help defend it, which sees Silent Wolf (Yen) put together a five-person army, while Yu takes on a new student Snow Vase (Bordizzo) with skills advanced of her age.
Thoughts on Crouching Tiger, Hidden Dragon: Sword of Destiny
Characters – Yu has returned from her isolation and mourning after 18-years away only to stumble into the next attempt to steal the Sword of Destiny, here she must learn who to trust, reunite with an old ally and put herself in the teaching position. Silent Wolf has lived a life in isolation, where his loved ones believed him to be dead, he returns to help defend the sword for the greatest honour in his life. Wei Fang is a young warrior that is being forced into stealing the sword to protect his master, he learns about his past and along with Snow Vase who also has a decision of her own to make, provide the unsure future for Yu on who to trust. Snow Vase is the talented young fighter knowing skills beyond her age, she askes to be taught even if she isn’t as disciplined as she should be.
Performances – Michelle Yeoh returns to this role, she brings the fight skills that made the first one fantastic and must play the role with an emotionless feeling of being broken, which she does with ease. Donnie Yen takes up the mysterious fighter role which is a role that he could take any day and never look out of place. it is the new comers that impress in the fighting side of things, where they struggle in places with the emotional factors at play in their characters.
Story – The story here returns Yu back to the land she once fought for, where she must defend it from a new warlord that wants the sword which could bring power to control the land. This is a sequel that does well to return one of the favourites which also dives into her past to bring a new character, while also offer people that could become the new leads if the series was going to continue. When we break down the story it does play into tradition of being loyal and honour. It would have been nice to see more from the villain which only has a few moments which are just generic villain style, without seeing him do anything truly villainous.
Action/Fantasy – The action in the film is the martial arts material we have enjoyed for years, we have the weightless effects which were famous from the first which add the style required to be unique. This does play into the fantasy of the action which goes against the physics of fighting.
Settings – The film brings back the settings we knew and still look fantastic, with the final showdown being in a new location which is used to add to the fight.
Special Effects – The effects are used to make the fights feel like they could be real, the weightless style is the best part of the fights.
Scene of the Movie – Final fight.
That Moment That Annoyed Me – Certain moments of the Wei Fang and Snow Vase does drag at times.
Final Thoughts – This is a fun sequel to a much more superior original, it will entertain without being anywhere near the level original.
Overall: Entertaining for the fans.
Needing to protect the sword, Yu puts out a call for warriors to come and help defend it, which sees Silent Wolf (Yen) put together a five-person army, while Yu takes on a new student Snow Vase (Bordizzo) with skills advanced of her age.
Thoughts on Crouching Tiger, Hidden Dragon: Sword of Destiny
Characters – Yu has returned from her isolation and mourning after 18-years away only to stumble into the next attempt to steal the Sword of Destiny, here she must learn who to trust, reunite with an old ally and put herself in the teaching position. Silent Wolf has lived a life in isolation, where his loved ones believed him to be dead, he returns to help defend the sword for the greatest honour in his life. Wei Fang is a young warrior that is being forced into stealing the sword to protect his master, he learns about his past and along with Snow Vase who also has a decision of her own to make, provide the unsure future for Yu on who to trust. Snow Vase is the talented young fighter knowing skills beyond her age, she askes to be taught even if she isn’t as disciplined as she should be.
Performances – Michelle Yeoh returns to this role, she brings the fight skills that made the first one fantastic and must play the role with an emotionless feeling of being broken, which she does with ease. Donnie Yen takes up the mysterious fighter role which is a role that he could take any day and never look out of place. it is the new comers that impress in the fighting side of things, where they struggle in places with the emotional factors at play in their characters.
Story – The story here returns Yu back to the land she once fought for, where she must defend it from a new warlord that wants the sword which could bring power to control the land. This is a sequel that does well to return one of the favourites which also dives into her past to bring a new character, while also offer people that could become the new leads if the series was going to continue. When we break down the story it does play into tradition of being loyal and honour. It would have been nice to see more from the villain which only has a few moments which are just generic villain style, without seeing him do anything truly villainous.
Action/Fantasy – The action in the film is the martial arts material we have enjoyed for years, we have the weightless effects which were famous from the first which add the style required to be unique. This does play into the fantasy of the action which goes against the physics of fighting.
Settings – The film brings back the settings we knew and still look fantastic, with the final showdown being in a new location which is used to add to the fight.
Special Effects – The effects are used to make the fights feel like they could be real, the weightless style is the best part of the fights.
Scene of the Movie – Final fight.
That Moment That Annoyed Me – Certain moments of the Wei Fang and Snow Vase does drag at times.
Final Thoughts – This is a fun sequel to a much more superior original, it will entertain without being anywhere near the level original.
Overall: Entertaining for the fans.
Lee (2222 KP) rated They Shall Not Grow Old (2018) in Movies
Nov 12, 2018
Absolutely outstanding and timely reminder of our past
I managed to miss the cinema screenings of this recently, so was very happy to discover that it was going to be shown on the BBC as part of their centenary remembrance schedule and I'd be able to enjoy it at home.
A collection of old archive footage from World War I shows young boys enlisting in the army and going through their training. It's narrated by actual WWI veterans, describing how they lied about their age in order to sign up and recounting their fears and excitement while preparing for battle. Even at this point in the movie, it's an effective and interesting use of the tired looking silent black and white clips we're all used to seeing.
And then we suddenly see where all the time and effort has been spent on this movie, as one of those tired looking clips suddenly transforms into vivid colour. And it's not just the colour that's been applied either. Where these original film clips would vary in frame rate, resulting in that familiar jittery sped up effect, that's all been corrected here, with computers used to apply missing frames and provide a smoother realistic experience. Sound has been added too, not just the explosions and sounds of war, but voices of the soldiers. The team were able to lip read the restored footage and then record actors voices onto it. Apparently, the cinema release even has a touch of 3D applied to it!
The result though is simply incredible. We're taken into the trenches and into the war itself. Not only does it make the horrors of war all the more real and horrific, but it also makes the fun and the laughter that the soldiers still managed to share all the more poignant too. It's absolutely outstanding, and something that everyone should see.
A collection of old archive footage from World War I shows young boys enlisting in the army and going through their training. It's narrated by actual WWI veterans, describing how they lied about their age in order to sign up and recounting their fears and excitement while preparing for battle. Even at this point in the movie, it's an effective and interesting use of the tired looking silent black and white clips we're all used to seeing.
And then we suddenly see where all the time and effort has been spent on this movie, as one of those tired looking clips suddenly transforms into vivid colour. And it's not just the colour that's been applied either. Where these original film clips would vary in frame rate, resulting in that familiar jittery sped up effect, that's all been corrected here, with computers used to apply missing frames and provide a smoother realistic experience. Sound has been added too, not just the explosions and sounds of war, but voices of the soldiers. The team were able to lip read the restored footage and then record actors voices onto it. Apparently, the cinema release even has a touch of 3D applied to it!
The result though is simply incredible. We're taken into the trenches and into the war itself. Not only does it make the horrors of war all the more real and horrific, but it also makes the fun and the laughter that the soldiers still managed to share all the more poignant too. It's absolutely outstanding, and something that everyone should see.