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MelanieTheresa (997 KP) rated Smashbomb in Apps
Apr 3, 2019
I’ve been on Smashbomb for nearly a year now, and let me tell you that when they say “rate anything,” they’re not kidding. Got an opinion on a new app you downloaded? Review it. Can’t believe how good the last book you read was? Review it. Listened to a mind-blowing podcast? Review it. Hated the new Motley Crue movie? Review it. Tell the world what you think! Obviously I’m partial to the Book Reviews. ?
But it’s not all reviews & ratings. Smashbomb also features giveaways, polls, orbs (groups), lists (yay!) and more. I’ve joined a number of orbs, and even participated in a Christmas Book Exchange.
Those “thumbs up” icons you see are “kudos,” which are awarded for many things: reviewing, adding items, etc. Each user is given a set number of “kudos points” each day, which the user can then award to other Smashbomb users. Think of it like those ubiquitous Facebook likes, except with a daily limit. The more things you do, the more your limit increases. Other users can award you kudos as well.
One of my favorite features is the ability to add an item that doesn’t yet exist on the site. For instance: Once I finish a book, I search for it on Smashbomb in order to review it. If the book does not exist, I can add it to the site, including details and a cover photo. Once you’ve added an item, others can also rate it and add it to their own lists. I’ve so far added nine books, and I'm sure I'll add many more!
You can also earn badges for completing various actions, and choose which badges to display on your profile. I’m currently an “Oracle” (hmm…possible new nickname), and I’m about halfway to “Guru.” ?
And, of course, there’s a Smashbomb app as well, so you’re not married to the desktop site.
Smashbomb is fun because it’s different. It’s a social networking site, but more, and less. You won’t find lengthy political rants, duckface selfies, or neverending #hashtags here. And honestly? Sometimes it’s nice to take a break from all of that.
But it’s not all reviews & ratings. Smashbomb also features giveaways, polls, orbs (groups), lists (yay!) and more. I’ve joined a number of orbs, and even participated in a Christmas Book Exchange.
Those “thumbs up” icons you see are “kudos,” which are awarded for many things: reviewing, adding items, etc. Each user is given a set number of “kudos points” each day, which the user can then award to other Smashbomb users. Think of it like those ubiquitous Facebook likes, except with a daily limit. The more things you do, the more your limit increases. Other users can award you kudos as well.
One of my favorite features is the ability to add an item that doesn’t yet exist on the site. For instance: Once I finish a book, I search for it on Smashbomb in order to review it. If the book does not exist, I can add it to the site, including details and a cover photo. Once you’ve added an item, others can also rate it and add it to their own lists. I’ve so far added nine books, and I'm sure I'll add many more!
You can also earn badges for completing various actions, and choose which badges to display on your profile. I’m currently an “Oracle” (hmm…possible new nickname), and I’m about halfway to “Guru.” ?
And, of course, there’s a Smashbomb app as well, so you’re not married to the desktop site.
Smashbomb is fun because it’s different. It’s a social networking site, but more, and less. You won’t find lengthy political rants, duckface selfies, or neverending #hashtags here. And honestly? Sometimes it’s nice to take a break from all of that.
156Reviews (7 KP) rated Emma (2020) in Movies
May 1, 2020
Have you ever been at a dinner party that has gone on little too long? You were greeted warmly, settled quickly and comfortably, it's been fun, the company has been in fine form, spinning anecdotes that have entertained. But towards the end, you've all run out of things to say, no one quite knows if it's time to leave or not and it's all got a bit awkward.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
Andy K (10821 KP) Apr 3, 2019
MelanieTheresa (997 KP) Apr 3, 2019