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Darren Fisher (2447 KP) rated 13 Dolls In Darkness (2017) in Movies
Jul 24, 2022
I have been an obsessive fan of horror films since I was a kid in the 70's. Brought up on Hammer and Universal monster films it wasn't long before I delved into pre-cert exploitation films and that is where my preference has been ever since.
Over the last 20 years I have felt that the horror genre hasn't really offered it's fans anything new (bar a few exceptions). Having been left despondent, disappointed and bored senseless by the over-saturation of remakes, reboots and just plain dull horror fare, it comes with great surprise that a black and white silent film from Australia would be the breath of fresh air that the horror genre desperately needs.
The plot of 13 Dolls is pretty straightforward. Marjorie receives a letter from her ailing mother to return home after a 13 year absence. On her return home Marjorie realises that things are not what they seem...
Written and directed by the talented Zeda Müller, this is a film that demands your attention from the start. With its eerie score and moody camerawork it sets a very atmospheric and claustrophobic feel to proceedings. It's a great take on the 'old dark house' horrors of a bygone era, Robert Wiene and Tod Brownings early work springs to mind... yet draws on influences from the likes of Dario Argento, Mario Bava's gothic horrors, giallo and slasher films (there are some nicely placed references for the sharp-eyed viewer). The fact that this is a silent film (I'll get to the score in a bit) actually works in its favour. Gone are the usual mundane dialogue pieces that fill out most horror films these days and the viewer is reintroduced to dialogue cards when required to move the story along. This also means that the actors are given room to act through expression and emotion and they all do a sterling job.
The masterstroke of 13 Dolls though is the excellent use of camerawork and soundtrack. The soundtrack is interspliced with sound effects (church bells, howling wind, dripping taps etc) and moody piano/tension building synths, all used to full sensory effect. The footage and score intertwine brilliantly together and I found some scenes genuinely eerie and creepy (a rare feeling for me whilst watching a new film these days).
Overall 13 Dolls is a mesmerising experience, interspersed with some cleverly executed gore scenes, and at a scant 75 minutes long, it motors along at a cracking pace.
So, you have probably guessed that I liked this film a lot. I highly recommend checking it out, especially if you are looking for something different. It's a great film and I for one am looking forward to Zeda Müller & Co's next venture...!
Over the last 20 years I have felt that the horror genre hasn't really offered it's fans anything new (bar a few exceptions). Having been left despondent, disappointed and bored senseless by the over-saturation of remakes, reboots and just plain dull horror fare, it comes with great surprise that a black and white silent film from Australia would be the breath of fresh air that the horror genre desperately needs.
The plot of 13 Dolls is pretty straightforward. Marjorie receives a letter from her ailing mother to return home after a 13 year absence. On her return home Marjorie realises that things are not what they seem...
Written and directed by the talented Zeda Müller, this is a film that demands your attention from the start. With its eerie score and moody camerawork it sets a very atmospheric and claustrophobic feel to proceedings. It's a great take on the 'old dark house' horrors of a bygone era, Robert Wiene and Tod Brownings early work springs to mind... yet draws on influences from the likes of Dario Argento, Mario Bava's gothic horrors, giallo and slasher films (there are some nicely placed references for the sharp-eyed viewer). The fact that this is a silent film (I'll get to the score in a bit) actually works in its favour. Gone are the usual mundane dialogue pieces that fill out most horror films these days and the viewer is reintroduced to dialogue cards when required to move the story along. This also means that the actors are given room to act through expression and emotion and they all do a sterling job.
The masterstroke of 13 Dolls though is the excellent use of camerawork and soundtrack. The soundtrack is interspliced with sound effects (church bells, howling wind, dripping taps etc) and moody piano/tension building synths, all used to full sensory effect. The footage and score intertwine brilliantly together and I found some scenes genuinely eerie and creepy (a rare feeling for me whilst watching a new film these days).
Overall 13 Dolls is a mesmerising experience, interspersed with some cleverly executed gore scenes, and at a scant 75 minutes long, it motors along at a cracking pace.
So, you have probably guessed that I liked this film a lot. I highly recommend checking it out, especially if you are looking for something different. It's a great film and I for one am looking forward to Zeda Müller & Co's next venture...!
Jason Patrick (12 KP) rated It (2017) in Movies
Oct 24, 2017
Directing (2 more)
Acting
Score and Soundtrack
Much more than a Horror film...
While this film is a little lackluster in the scare department, it makes up for it with almost other aspect in the film! While the scares are good and tense, its nowhere near as scarey as the marketing makes it out to be. The tone of the film ranges from a horror, to a coming of age story, and some slight comic relief. The best thing about this film is the kids and their chemestry together on screen. Their performances are solid and you actually believe their friendship with each other. The director does such a great job making you care for the kids that when one of them is in danger, you actually worry for them. Skarsgard is also perfect as Pennywise with just the right balance of creepyness. The films score is also worth noting. Just like the film itself, the score isnt just your typical horror score. It ranges anywhere from scary, to sweet and at times somber. Overall, if you're expecting to be terrified as the marketing implies, then you might be disapointed. But if you watch the film expecting some decent scares with some emotional weight as well, then I believe you'll find yourself enjoying the film quite a bit.
Awix (3310 KP) rated The World's End (2013) in Movies
May 22, 2018
Predictably smart and funny comedy-SF movie from the makers of Shaun of the Dead and Hot Fuzz; five old friends come back together on an ill-conceived pub crawl and find that revisiting past mistakes is less important than dealing with the alien forces apparently at work in their old home town.
The director claims this is SF in the British tradition of John Wyndham; to me it looks much more like an update (not quite a spoof) of Invasion of the Body Snatchers, set somewhere in the Home Counties. Terrific cast, some very good jokes; also some rather impressive action sequences. Not quite in the same vein as Shaun of the Dead, as this movie has some quite dark emotional threads running through it, with themes of regret and guilt and coming to terms with getting older.
I have to say that while I loved this film, I am of the same generation as the main characters and can fully sympathise with their various situations; younger people of my acquaintance couldn't quite see the point of the film. Almost certainly an age thing - whether your response to the track listing of the soundtrack is 'Wow, non-stop classics!' or 'Eww, dad rock' (or even 'Never heard of any of this') will probably be a good indicator as to whether you'll like the actual movie or not.
The director claims this is SF in the British tradition of John Wyndham; to me it looks much more like an update (not quite a spoof) of Invasion of the Body Snatchers, set somewhere in the Home Counties. Terrific cast, some very good jokes; also some rather impressive action sequences. Not quite in the same vein as Shaun of the Dead, as this movie has some quite dark emotional threads running through it, with themes of regret and guilt and coming to terms with getting older.
I have to say that while I loved this film, I am of the same generation as the main characters and can fully sympathise with their various situations; younger people of my acquaintance couldn't quite see the point of the film. Almost certainly an age thing - whether your response to the track listing of the soundtrack is 'Wow, non-stop classics!' or 'Eww, dad rock' (or even 'Never heard of any of this') will probably be a good indicator as to whether you'll like the actual movie or not.
RəX Regent (349 KP) rated 127 Hours (2010) in Movies
Feb 25, 2019
Probably the best that it could have been...
Contains spoilers, click to show
Danny Boyle is a director with an eye for the modern. visceral styles, sharp editing and the belief that the combination of both will draw the audience into the action, emotion and mood of the situation at hand. There's no doubt that the stunning true story of adventurer Aron Ralston's accident resulting in his right arm becoming trapped under a rock in the middle of nowhere, required a special director and a style as described above.
Did he pull it off? It's a though sell, 90 minutes of a man and rock but I think it was done about as well as it could have been. The story is interesting and told with a sense of humour and a philosophical attitude appropriate for the subject matter, but it all boils down to the moment when he performs his DIY surgery, a plot point that may well sell the film to most people, as it sold news papers back in 2003.
Overall, well told, very well acted by James Franco as Ralston and along with Boyle's signature direction and jukebox soundtrack, whilst not blowing my skirt up, it made my wife cry, myself cringe and was as well conveyed as this story of a man trapped quite literally between as rock and hard place, ever could have been.
Did he pull it off? It's a though sell, 90 minutes of a man and rock but I think it was done about as well as it could have been. The story is interesting and told with a sense of humour and a philosophical attitude appropriate for the subject matter, but it all boils down to the moment when he performs his DIY surgery, a plot point that may well sell the film to most people, as it sold news papers back in 2003.
Overall, well told, very well acted by James Franco as Ralston and along with Boyle's signature direction and jukebox soundtrack, whilst not blowing my skirt up, it made my wife cry, myself cringe and was as well conveyed as this story of a man trapped quite literally between as rock and hard place, ever could have been.
Sarah (7798 KP) rated Captain Marvel (2019) in Movies
Mar 13, 2019
Good but nothing special
I feel a little let down by Captain Marvel. It isn't a bad film but neither was it up to the standard of other Marvel films. And I'm not entirely sure why.
Something about this felt a bit meh and lacklustre, especially the first half hour or so. And even when Nick Fury comes in, it still feels like there's something missing at times. Brie Larson is good and I do quite like her, Samuel L Jackson is great as a less serious rookie Fury and the rest of the supporting cast too are good. Although there could have been a little more Jude Law. The star of the show is definitely Goose by far, and this film would've been a lot worse off without him in it. I think the major issue with me is it seemed to be lacking in humour. And when there was jokes and one liners, the majority of these fell flat. It seemed to be lacking a bit if the usual Marvel pizzazz. The soundtrack is pretty good though.
My only other criticism is the weak excuse that has been put forward to explain her absence in the rest of the Marvel universe so far. I've never read any back story or comics etc so I dont know if it's it ties in with them, but it was a little disappointing.
Something about this felt a bit meh and lacklustre, especially the first half hour or so. And even when Nick Fury comes in, it still feels like there's something missing at times. Brie Larson is good and I do quite like her, Samuel L Jackson is great as a less serious rookie Fury and the rest of the supporting cast too are good. Although there could have been a little more Jude Law. The star of the show is definitely Goose by far, and this film would've been a lot worse off without him in it. I think the major issue with me is it seemed to be lacking in humour. And when there was jokes and one liners, the majority of these fell flat. It seemed to be lacking a bit if the usual Marvel pizzazz. The soundtrack is pretty good though.
My only other criticism is the weak excuse that has been put forward to explain her absence in the rest of the Marvel universe so far. I've never read any back story or comics etc so I dont know if it's it ties in with them, but it was a little disappointing.
Awix (3310 KP) rated Rocketman (2019) in Movies
May 29, 2019
One day it may be possible to review Rocketman without comparing it to Bohemian Rhapsody (same director, very similar subject matter, same grab-bag of familiar music), but clearly not today. Musical prodigy Reggie Dwight learns to tinkle the ivories, meets lyricist Bernie Taupin, reinvents himself as glam-rock superstar Elton John, but must contend with both success (350 million records sold) and heartbreak (Watford lose the 1984 FA cup final 2-0).
A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.
A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.
Sarah (7798 KP) rated Ready Player One (2018) in Movies
Mar 30, 2018
Good, but doesn't live up to the book
I've read (and loved) the book, but I really tried to go into this with an open mind and I think for the most part, I succeeded.
Visually, this film is spectacular. But considering its Spielberg, that isn't a surprise. The pop culture references are a lot of fun, and the soundtrack is fantastic. The cast are great, Tye Sheridan plays Wade very well and he's a likeable character. Mark Rylance as usual is very good, but I feel like we could've seen a bit more of him. The only one who didn't come across well was Ben Mendelsohn - his Nolan just doesn't come across as evil enough. He just isn't that threatening.
The main problem is that this is very different from the book. Some things have been changed for the better (the 2nd challenge in the film was a huge surprise and very enjoyable), but for the main I feel like too much of the detail from the book has been left out, leaving just a hollow shell of the story. It's a shame really as i think this could have been fantastic, if it had just stuck a little closer to the book. Instead of coming out of this feeling in awe, I came out feeling a little underwhelmed with the sense that something was missing.
Visually, this film is spectacular. But considering its Spielberg, that isn't a surprise. The pop culture references are a lot of fun, and the soundtrack is fantastic. The cast are great, Tye Sheridan plays Wade very well and he's a likeable character. Mark Rylance as usual is very good, but I feel like we could've seen a bit more of him. The only one who didn't come across well was Ben Mendelsohn - his Nolan just doesn't come across as evil enough. He just isn't that threatening.
The main problem is that this is very different from the book. Some things have been changed for the better (the 2nd challenge in the film was a huge surprise and very enjoyable), but for the main I feel like too much of the detail from the book has been left out, leaving just a hollow shell of the story. It's a shame really as i think this could have been fantastic, if it had just stuck a little closer to the book. Instead of coming out of this feeling in awe, I came out feeling a little underwhelmed with the sense that something was missing.
Awix (3310 KP) rated At the Earth's Core (1976) in Movies
Nov 10, 2018 (Updated Nov 10, 2018)
Second in Amicus's series of Burroughs-inspired pulp adventures with Doug McClure. Adventurers seeking to drill through the mountains from England to Wales take a wrong turn and end up in a terrifying wasteland dominated by sub-human beasts; it takes them a while to figure out their mistake. It turns out the Earth's core is ruled by evil giant pterodactyls with hypnotic powers - having taken a fancy to the local princess (Munro), the beefier of the visitors (McClure) resolves to sort the situation out.
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
Vegas (725 KP) rated Bad Times at the El Royale (2018) in Movies
Jan 8, 2019 (Updated Jan 8, 2019)
All of the cast (2 more)
The Direction
Beautifully Filmed
An instant classic...
There are very few films that grab my interest as much as this one did. I knew nothing about it at all when I sat down to watch it, I was just intrigued by the title...
A fantastic opening scene is one of the best I’ve seen for a long time and sets up the movie a treat.
The cast of characters are played perfectly, are very well cast and compliment each other as if they have all worked together before.
A special mention should go to Cynthia Erivo for her vocal performance that was stunning and captivating.
The film takes place at the El Royale a hotel/motel straddling the border over two states, that has seen its busy days fade away to the point of only having one member of staff working, and tends to attract the more seedy members of society.
The flash backs, and back tracks in the narrative which explain the story, work in a non complicated way and are interspaced at just the right times.
On top of this, the soundtrack should be one on anybody’s playlist...
I actually can't say too many good thing about this film, it is one of the best new films I have seen for many years...
A fantastic opening scene is one of the best I’ve seen for a long time and sets up the movie a treat.
The cast of characters are played perfectly, are very well cast and compliment each other as if they have all worked together before.
A special mention should go to Cynthia Erivo for her vocal performance that was stunning and captivating.
The film takes place at the El Royale a hotel/motel straddling the border over two states, that has seen its busy days fade away to the point of only having one member of staff working, and tends to attract the more seedy members of society.
The flash backs, and back tracks in the narrative which explain the story, work in a non complicated way and are interspaced at just the right times.
On top of this, the soundtrack should be one on anybody’s playlist...
I actually can't say too many good thing about this film, it is one of the best new films I have seen for many years...