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Awix (3310 KP) rated Star Cops in TV

Jul 12, 2020 (Updated Jul 12, 2020)  
Star Cops
Star Cops
1987 | Crime, Sci-Fi
Underrated attempt at a proper science fiction series from the BBC. In the far-off year of 2027, British copper Nathan Spring takes command of the International Space Police Force, responsible for law and order on the Moon and aboard the various space stations. Psychological and political issues prove to be as tricky as the actual crimes, though...

Clearly made on a punishingly low budget, and the vision of the future is occasionally a bit wonky from a modern perspective, but the five episodes written by series creator Chris Boucher are some of the best, most intelligent, wittiest and most cynical SF ever broadcast by the BBC. The other episodes not so much: everything gets a bit campy and there are a lot of national stereotypes on display. (Plus, the theme tune has been called the worst in TV history, and most of the incidental music is rubbish too.) Even when it's not particularly good, it's always trying to do something a bit different, and David Calder is consistently excellent as Spring. Not the first nor the last SF or fantasy show to be cut loose by the BBC before it had a chance to realise its potential.
  
Sunshine (2007)
Sunshine (2007)
2007 | Drama, Sci-Fi
Frantic, superhuman space escapism (spacapism? spacecapism? spacescapism?) which revels in chucking its cast of unfortunate characters head-first into ludicrous amounts of mental anguish, bodily torment, and spiritual deformation with nary a single solitary moment of repose. What do you do when you can't even trust your own mind (especially if it's scarier when you can) and don't even have the time to be sure before you act? Part sumptuous feast for the senses, part wildly fun men-on-a-mission space adventure, part bonkers slasher flick, part volatile mindfuck. Still one of the best looking movies you're likely to find, I'm never any less than blown away with how orgasmic this looks and sounds - the CGI is just immaculate. And the tech-fetish is so striking but never intrusive. Bonus points for being a pre-apocalyptic, time sensitive future sci-fi thriller that doesn't turn into a surface-level lecture on misplaced technophobia or "maybe *we're* the real virus" nonsense. Boyle and Garland are a dream team duo, knocked it right out of the park with this one - five hundred times the movie 𝘚𝘭𝘶𝘮𝘥𝘰𝘨 𝘔𝘪𝘭𝘭𝘪𝘰𝘯𝘢𝘪𝘳𝘦 is.