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The Dutch Muse (A Fabiola Bennett Mystery #4)
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A ruthless thief leaves a private Dutch gallery with a coveted seventeenth-century painting. The...
Historical Mystery Art Dual Timeline Dutch
Her Healing (Healing Duet #2)
8.0
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The Shetlands suddenly don’t seem so dull after all… Keiron has been conditioned his whole...
Bob Mann (459 KP) rated Tomb Raider (2018) in Movies
Sep 29, 2021
A tremendously energetic and fun video game spin-off.
In this #TimesUp year, reviewing a film like “Tomb Raider” is just asking for trouble! So where shall I start digging my shallow grave?
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Molly J (Cover To Cover Cafe) (106 KP) rated The Masterpiece in Books
Feb 27, 2019
I've only read Redeeming Love and the Marta's Legacy books by Ms. Rivers. Her work is amazing with those books. They have all the feels within them and just make you want to come back for more. So, when I saw she was releasing The Masterpiece, I didn't pass on it. I was anxious to be taken to a writing style that only Ms. Rivers knows how to do. I was absolutely pleased with all that I felt with this book!
This book has amazing characters. Roman and Grace are created with such depth and complexity. They were true-to-life and really nestled into my soul. The way they interacted, the way their story unfolds on the pages, really shined for me. As someone who was in Honors Art 4 for four years of highschool, I always fall for books that center around the world of art. I could feel Roman's artistic ways flow freely off the pages. And Grace, being a single mom, really nudged at me. I love when I connect with the characters on a deeper level.
This book is beyond 5 stars. I wasn't able to put it down once I picked it up. The pages kept turning, the feelings kept being felt. I smiled, I cried, I smiled again. The inspiration that Ms. Rivers weaves into this romance novel is incredible. It really brings to light the ultimate Masterpiece from above. If you are looking for a book that will be easy reading, this isn't for you. If you are looking for a book that will make you laugh throughout, this isn't for you. If you are looking for a book that will sweep you off your feet, spin you in a million directions, twist your soul, and throw you down with a bam, this is absolutely the book for you. You'll think about this book long after you've closed the cover. Well done, Ms. Rivers! Fantabulous job!
*I received a complimentary copy of this book from Publisher/Tyndale Blog Network and was under no obligation to post a review, positive or negative.*
This book has amazing characters. Roman and Grace are created with such depth and complexity. They were true-to-life and really nestled into my soul. The way they interacted, the way their story unfolds on the pages, really shined for me. As someone who was in Honors Art 4 for four years of highschool, I always fall for books that center around the world of art. I could feel Roman's artistic ways flow freely off the pages. And Grace, being a single mom, really nudged at me. I love when I connect with the characters on a deeper level.
This book is beyond 5 stars. I wasn't able to put it down once I picked it up. The pages kept turning, the feelings kept being felt. I smiled, I cried, I smiled again. The inspiration that Ms. Rivers weaves into this romance novel is incredible. It really brings to light the ultimate Masterpiece from above. If you are looking for a book that will be easy reading, this isn't for you. If you are looking for a book that will make you laugh throughout, this isn't for you. If you are looking for a book that will sweep you off your feet, spin you in a million directions, twist your soul, and throw you down with a bam, this is absolutely the book for you. You'll think about this book long after you've closed the cover. Well done, Ms. Rivers! Fantabulous job!
*I received a complimentary copy of this book from Publisher/Tyndale Blog Network and was under no obligation to post a review, positive or negative.*
LeftSideCut (3776 KP) rated Stranger Things - Season 2 in TV
Jul 6, 2019 (Updated Jul 7, 2019)
Back into the Upside Down
The second season of Stranger Things wisely doesn't steer too far away from what made the first season so great.
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
Sophia (Bookwyrming Thoughts) (530 KP) rated The Iron Warrior (The Iron Fey: Call of the Forgotten, #3) in Books
Jan 23, 2020
<a href="http://www.inwonderlandbookblog.com/2016/02/the-iron-warrior-review.html"; target="_blank">This review was originally posted on In Wonderland</a>
At this point in time, I'm starting to think "My name is..." is starting to become really basic.
But hey, I won't complain. It's been nearly two years since <i><a title="The Iron Traitor review" href="http://www.bookwyrmingthoughts.com/2013/11/review-the-iron-traitor-by-julie-kagawa.html"; target="_blank" rel="tag">The Iron Traitor</a></i> came out and I've been waiting to get my hands on this one since... forever.
Anyways...
The very last book in the <i>Iron Fey</i> series starts off about a month after the lovely cliffhanger Kagawa left us in the second book – Ethan finds himself back in the NeverNever and discovers that not only is the world in chaos after the split second break in the Veil, but Keirran has declared war on all of the faery courts. Family drama at its best, right?
<i>The Iron Warrior</i> is perhaps one of the darkest, if not the darkest novel in the entire series (including the main arc with Meghan). Kagawa takes us on an adventure into the NeverNever as she did with the past books, but it is one really disturbing journey. We go into parts of the faery world that have not been covered and more obstacles in the Between where creepy carnivals and malevolent witches are involved in the process as Ethan and Kenzie try to stop Kierran from raging war on the courts.
All of the characters – at least, the ones that remain alive from the spin off and the main series all make some sort of appearance in this last book, and Kagawa introduces a few new ones that will never make a future appearance. There are so many feels and internal threats to kidnap Razor – he is absolutely ADORABLE and his tiny size makes him so much more adorable – that happen throughout the book.
It's a sad thought to close the final chapter to the NeverNever, but <i>The Iron Warrior</i> is totally worth reading if only to see all of the major characters from both series once more.
At this point in time, I'm starting to think "My name is..." is starting to become really basic.
But hey, I won't complain. It's been nearly two years since <i><a title="The Iron Traitor review" href="http://www.bookwyrmingthoughts.com/2013/11/review-the-iron-traitor-by-julie-kagawa.html"; target="_blank" rel="tag">The Iron Traitor</a></i> came out and I've been waiting to get my hands on this one since... forever.
Anyways...
The very last book in the <i>Iron Fey</i> series starts off about a month after the lovely cliffhanger Kagawa left us in the second book – Ethan finds himself back in the NeverNever and discovers that not only is the world in chaos after the split second break in the Veil, but Keirran has declared war on all of the faery courts. Family drama at its best, right?
<i>The Iron Warrior</i> is perhaps one of the darkest, if not the darkest novel in the entire series (including the main arc with Meghan). Kagawa takes us on an adventure into the NeverNever as she did with the past books, but it is one really disturbing journey. We go into parts of the faery world that have not been covered and more obstacles in the Between where creepy carnivals and malevolent witches are involved in the process as Ethan and Kenzie try to stop Kierran from raging war on the courts.
All of the characters – at least, the ones that remain alive from the spin off and the main series all make some sort of appearance in this last book, and Kagawa introduces a few new ones that will never make a future appearance. There are so many feels and internal threats to kidnap Razor – he is absolutely ADORABLE and his tiny size makes him so much more adorable – that happen throughout the book.
It's a sad thought to close the final chapter to the NeverNever, but <i>The Iron Warrior</i> is totally worth reading if only to see all of the major characters from both series once more.
LeftSideCut (3776 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jun 25, 2021
We all know the drill with this series by now - it's loud and stupid and dumb, entertaining as fuck, but manages to keep a heart and sense of family, even if that motif is sometimes a little forced. Hobbs & Shaw carries over the vast majority of all of that into the franchise's first foray into spin-off territory - the action is suitably ridiculous, and it has a lot of fun with The Rock and Jason Statham, building on the humorous relationship we saw briefly in The Fate of the Furious.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
LeftSideCut (3776 KP) rated Titans - Season 1 in TV
Sep 26, 2019 (Updated Jan 7, 2020)
A silly good surprise
Contains spoilers, click to show
In a world awash with CW shows based on DC comics (don't get me wrong, I have a small space in my heart for the 'Arrowverse'), who would have thought that a live action series based on Teen Titans would absolutely smash it out of the park!?
When the trailers dropped for Titans, I was intrigued, slightly worried that it would be linked to the sub par DCEU - it's not by the way, and it's also seperate from CW universe, allowing Titans to do its own thing, and do it well.
Titans is both gritty and colourful, both humourous and emotional, and hugely enjoyable.
The main cast are introduced slowly, but it doesn't take long for the group to matter to you.
Brenton Thwaites (Robin), Teegan Croft (Raven), Anna Diop (Starfire), and Ryan Potter (Beast Boy) form the core team and are all extremely likable.
Alan Ritchson and Minka Kelly (Hawk and Dove respectively) drop in from time to time to flesh out the team, and provide some of the series more emotional moments. In fact, one episode is dedicated entirely to their origins and how they met, and it's one of the seasons strong points.
Another great episode early on introduced us to the Doom Patrol (who includes bloody Brendan Fraser!) providing the jump off episode for the Doom Patrol spin off show. This episode is probably the funniest episode in the series.
Elsewhere we are introduced to other DC characters such as Jason Todd, Wonder Girl, Trigon, Superboy, and the Nuclear Family, and it shows that Titans has been able to establish a far reaching universe in the space of 11 episodes.
The season finale is a real treat, which is sort of based in Gotham. We are treated to Batman references galore, given glimpses of his rogues gallery, and absolutely crazy climatic action scene involving the Bat himself.
Titans is drenched in bad language, and moments of nasty violence, flexing itself as an adult show from the get go, and it's a huge strength.
I can't wait to see where it goes in the future!
When the trailers dropped for Titans, I was intrigued, slightly worried that it would be linked to the sub par DCEU - it's not by the way, and it's also seperate from CW universe, allowing Titans to do its own thing, and do it well.
Titans is both gritty and colourful, both humourous and emotional, and hugely enjoyable.
The main cast are introduced slowly, but it doesn't take long for the group to matter to you.
Brenton Thwaites (Robin), Teegan Croft (Raven), Anna Diop (Starfire), and Ryan Potter (Beast Boy) form the core team and are all extremely likable.
Alan Ritchson and Minka Kelly (Hawk and Dove respectively) drop in from time to time to flesh out the team, and provide some of the series more emotional moments. In fact, one episode is dedicated entirely to their origins and how they met, and it's one of the seasons strong points.
Another great episode early on introduced us to the Doom Patrol (who includes bloody Brendan Fraser!) providing the jump off episode for the Doom Patrol spin off show. This episode is probably the funniest episode in the series.
Elsewhere we are introduced to other DC characters such as Jason Todd, Wonder Girl, Trigon, Superboy, and the Nuclear Family, and it shows that Titans has been able to establish a far reaching universe in the space of 11 episodes.
The season finale is a real treat, which is sort of based in Gotham. We are treated to Batman references galore, given glimpses of his rogues gallery, and absolutely crazy climatic action scene involving the Bat himself.
Titans is drenched in bad language, and moments of nasty violence, flexing itself as an adult show from the get go, and it's a huge strength.
I can't wait to see where it goes in the future!
My Grumpy Sweetheart (Sweetheart Escapes #5)
8.0
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Book
Bailey Rewarding your own accomplishments is important – and if rewarding myself will also get me...
Contemporary MM Romance
Holby City - Series 19
6.1
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TV Show
The series was created by Tony McHale and Mal Young as a spin-off from the established BBC medical...
Drama