"I went to see Blade Runner when it came out in the cinema; for me it was the perfect melding of sound and vision and a kind of dystopian future that seemed quite compelling. Almost a place you'd like to live in, because of the idea of replicants and who is human, and WHAT is human? Also, the beauty of Harrison Ford. Him and - whatsername - Sean Young, she was styled to perfection. Ridley Scott, although he reckoned it was a torturous film to make - the budget got cut and all kinds of jiggery pokery went on backstage - the one enduring thing, for me, is the soundtrack. Bizarrely, the soundtrack album didn't come out until years and years and years afterwards [1994], but you could get the film on VHS and everything. In 1990, I got summoned to work with Vangelis in Paris, and we wrote the title track on my album. One of the first things I asked was, ""Can I have a copy of the soundtrack?"" We recorded 'Europa' in Studio Omega on the edge of the Bois de Boulogne, which was originally earmarked for Hitler's occupation should things go pear-shaped during the Second World War. The Bois de Boulogne is where all the transvestites and transsexuals would come out at night. It was quite an atmospheric place to work. At the end of the weekend they gave me a tape of the track we'd recorded, and a metal cassette of the Blade Runner soundtrack that I've still got today. It's a real treasured item. I remember reading And Suddenly There Came A Bang!, where it talks about Blade Runner, Harrison Ford and also Mel Gibson in Mad Max 2, and I remember seeing it soon after and thinking, ""Oooh. Yes."" That was mindblowing. It was kind of a blueprint for the early look of Frankie for me. That whole cyberpunk and S&M... The baddies were more attractive than the goodies, obviously, and Max himself was somewhere in between the both, neither good nor bad - just out for himself. Another soundtrack I think needs mentioning is Midnight Express by Giorgio Moroder. which is also on a par, I think. Although it's more disco - especially 'Chase' - Vangelis and Moroder to me were icons of electronic music in the '70s and '80s. Although I think Vangelis had the edge with atmosphere."

"I’ve chosen this because it was such an amazing thing to happen. It sounds really good and it was such a brand new kind of sound. It really was! Not just because me and George [Harrison] produced it but it was the actual thing of it existing even. It came about as a whim when I was working with George on Cloud Nine, and he said to me one night after we finished work and we were having a couple of bevies, he said, ""you know what? Me and you should have a group."" And I said, ""well, that’s a good idea. Who would we have in it?"" And he said, ""oh, Bob Dylan."" And I said, ""oh, Bob Dylan, yeah. How about Roy Orbison?"" And I thought we were joking and he says, ""yeah, OK. Roy’d be great."" And then we both said ""Tom Petty"". We both loved Tom and we’d met him a couple of times. Anyway, everybody wanted to join so that was how the Wilburys came about. And so we went to LA, recorded ‘Handle With Care’, at first as a bonus track for George’s single off Cloud Nine, but when [label boss] Mo Ostin heard it he said, ""you can’t do that! This is the first track off your new group!"" and we all went, ""oh yeah! That’s a good idea."" ‘Cause we had recorded it in Bob Dylan’s garage, which is pretty amazing. We had a barbeque in his back garden and after that we wrote the words to ‘Handle With Care’, finished the words and George had got the chorus but he hasn’t got the verses so I wrote them at dinner time, sang them in the evening and it was finished. We had to mix it at George’s house later. That’s why it’s interesting to me, how it came about. The rest of the songs we did in Dave Stewart’s studio and they were all instant songs. Each song only took a day. We gave ourselves one day to write a song so we did ten days and ten songs. I did have to pinch myself! I got used to it in the end and of course we did another album after Roy had passed but it was a marvellous time and that’s why I chose it."