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Neon's Nerd Nexus (360 KP) rated The Rhythm Section (2019) in Movies
Feb 2, 2020
Beats Me
The Rhythm Section is mismatch of La Femme Nikita, Atomic Blonde and all the Bourne films however it constantly skips so many beats that it just cant keep up the pace let alone be put in the same league as any of them. I feel the Spy film genre had largely started to become lazy over the last few years it seems like directors go for either style over substance or just replicate whats already been done and The Rhythm Section seems to try its hand at both. Its a film that im not entirely sure we needed because its filled with genre cliches and relocations of scenes/ideas from other films that have done it much better. Our main character for instance is liffted straight from La Femme Nikita and not only is her transformation process almost exactly the same but the way she looks becomes near identical too. Music integration is ripped from Atomic Blonde it just takes place in a different decade and what litte action sequences there are have been seen in the Bourne films. So as you can imagine I spent most of the film sat thinking "what is the point?", "why do I need to see this again?" and as the film traveled along the same old tracks boredom and fatigue started to settle in. Now im not saying Blake Lively or Jude Law are bad far from it they are both just miscast and deserve much better than this (if anything their scenes and chemistry together are the only thing saving this movie from being a total wash out). Theres almost no point in talking about the story because its of the most generic forgettable kind and while there is some suspense and excitement to be had its in relatively brief burts for a film that has a run time of nearly two hours. During these two hours nothing really happenes either and thats its biggest problem nothing feels like its been achieved and its final pay off especially feels disappointingly weak and higly unfulfilling. I would say theres about 3 short action scenes total and while the fight choreography is splendid and the car chase is exhilarating they are over in a flash and you are again subject to tedium before you arrive at another. End of the day I feel this movie wasted my time and while its not by any means horrible its just extremely unnecessary. Even last years Anna was way more fun and exciting than this.
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Gareth von Kallenbach (971 KP) rated Free Fire (2017) in Movies
Jul 11, 2019
At a rundown warehouse in 1970’s Boston, Justine (Brie Larson) and Ord (Armie Hammer) are brokering a deal between a South African arms dealer (Sharlto Copley) and members of the IRA (Cillian Murphy & Michael Smiley). Tensions flare almost immediately between the two sides and an inevitable battle of wills and gunplay ensues when two members of their entourage take decisive action on a fresh grudge from the night before.
It may say Scorsese’s producing, but Free Fire definitely smacks more of a Tarantino-influenced affair and I can think of no better example, in recent years anyway, that proves the lasting legacy of his still awe-inspiring debut, Reservoir Dogs. After years of making deliberately obtuse films (High Rise, A Field in England), Ben Wheatley has finally made something accessible, but unfortunately, Free Fire can’t pack the same visceral punch and narrative competence as the films that it takes influence from. I’m having flashbacks to about this time last year when I reviewed another film from A24, Green Room. I walked out of Free Fire in much the same manner; on a high, feeling satisfied from what appeared to be something unique and notable. As the hours have passed and I’m preparing my summation, the sentiment has all but vanished and I’m wanting of something with a little more substance. Granted, an 90 minute runtime can only accommodate so much, but I have to ask: could all that time spent crawling around in the dust and the rubble, as realistic a light that it may or may not shine on the authenticity of an actual shootout, have been used instead to get inside our characters motivations, driving us to really care about their fates? There’s no doubt that from its style and attitude, there was the potential for this to be the Reservoir Dogs for a new generation, but ultimately it’s just not a very memorable experience.
What will save Free Fire from obscurity is a cast that, despite having little plot to work with, is firing on all cylinders. An exemplary job is done from Oscar winners on down to character actors whose faces you know, but names you don’t. There isn’t one weak link in the chain and their performances have an excellent balance of toughness and levity that grounds them just enough to allow for suspension of disbelief. I might chastise Ben Wheatley as a storyteller, but there’s no doubt that he has an ear for great dialogue and fine judgement on the performers to deliver it.
It may say Scorsese’s producing, but Free Fire definitely smacks more of a Tarantino-influenced affair and I can think of no better example, in recent years anyway, that proves the lasting legacy of his still awe-inspiring debut, Reservoir Dogs. After years of making deliberately obtuse films (High Rise, A Field in England), Ben Wheatley has finally made something accessible, but unfortunately, Free Fire can’t pack the same visceral punch and narrative competence as the films that it takes influence from. I’m having flashbacks to about this time last year when I reviewed another film from A24, Green Room. I walked out of Free Fire in much the same manner; on a high, feeling satisfied from what appeared to be something unique and notable. As the hours have passed and I’m preparing my summation, the sentiment has all but vanished and I’m wanting of something with a little more substance. Granted, an 90 minute runtime can only accommodate so much, but I have to ask: could all that time spent crawling around in the dust and the rubble, as realistic a light that it may or may not shine on the authenticity of an actual shootout, have been used instead to get inside our characters motivations, driving us to really care about their fates? There’s no doubt that from its style and attitude, there was the potential for this to be the Reservoir Dogs for a new generation, but ultimately it’s just not a very memorable experience.
What will save Free Fire from obscurity is a cast that, despite having little plot to work with, is firing on all cylinders. An exemplary job is done from Oscar winners on down to character actors whose faces you know, but names you don’t. There isn’t one weak link in the chain and their performances have an excellent balance of toughness and levity that grounds them just enough to allow for suspension of disbelief. I might chastise Ben Wheatley as a storyteller, but there’s no doubt that he has an ear for great dialogue and fine judgement on the performers to deliver it.
theVman (16 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 1, 2018 (Updated Jun 1, 2018)
Supporting Actors (1 more)
Director manged to pull together a watchable film
The two leads actors (1 more)
Clunky Script
A Good Lead Casting is Far Far Away
Its not The Last Jedi bad, but it nowhere close to being The Force Awakens good. Its main problem being that its leading actors struggle to bring a shred of charisma to the screen. Luckily the supporting cast did their job brilliantly and its the support that the film so desperately needed. Much like Rouge One did, Solo director Ron Howard delivers a very different looking Star Wars story and that is made very clear from the first shot. Visually, Solo invokes it inner Ridley Scott, and uses a very mixed bag in the use of it colour and lighting palettes that in any other movie might feel as if its been jigsawed together by three different directors. Somehow Solo has made this work to its advantage and by offering us answers to the key questions we might have about Hans Solo past “How did he meet Chewy?” and “How did he get the Millennium Falcon?” we can get through a very clunky and disjointed script with the end result being something watchable – just.
I cant shake the fact that i thought Alden Ehrenreich, facially, looks alot more like a young Jack Back than Harrison Ford. In fairness every now and again Alden captures a small something that made Star Wars fans fall in love with Hans Solo in the first place, but he mainly offers an uneven performance that made me forget that i was supposed to be watching a younger version of the charming rouge. Emilia Clarkes portrayal as the love interest, was as emotional barren as the plot offered through out the entire first act of the film, and combined, almost destroys the audiences ability to invest in the rest of the film at all.
However, the second act brings the arrival of Donald Glover pretty much nailing his role as a younger Lando Carlrissian, unfortunately the script makes this Lando feel like a bit of a character of obligation as oppose to a character of substance and necessity. The action scenes pick up, the usual special effects and musical score make things a little more “Star Wars-y” and the film becomes way more enjoyable. Knowing that these are its strengths, the film over indulges in them way to much, leading to lengthy action scenes over staying their welcome and forgetting to develop the subplots.
After an action heavy middle, the script tries do too much in the final act to reclaim its grasp on a story leading to a very laborious and tedious climax.
I cant shake the fact that i thought Alden Ehrenreich, facially, looks alot more like a young Jack Back than Harrison Ford. In fairness every now and again Alden captures a small something that made Star Wars fans fall in love with Hans Solo in the first place, but he mainly offers an uneven performance that made me forget that i was supposed to be watching a younger version of the charming rouge. Emilia Clarkes portrayal as the love interest, was as emotional barren as the plot offered through out the entire first act of the film, and combined, almost destroys the audiences ability to invest in the rest of the film at all.
However, the second act brings the arrival of Donald Glover pretty much nailing his role as a younger Lando Carlrissian, unfortunately the script makes this Lando feel like a bit of a character of obligation as oppose to a character of substance and necessity. The action scenes pick up, the usual special effects and musical score make things a little more “Star Wars-y” and the film becomes way more enjoyable. Knowing that these are its strengths, the film over indulges in them way to much, leading to lengthy action scenes over staying their welcome and forgetting to develop the subplots.
After an action heavy middle, the script tries do too much in the final act to reclaim its grasp on a story leading to a very laborious and tedious climax.
Sensitivemuse (246 KP) rated Kill the Angel in Books
Jun 24, 2018
Action packed and cliffhanger ending
***Contains spoilers. You’ve been warned***
Oh lordy. Lordy lordy lordy. I don’t know what to say except, yes one more time. Lordy. I finished this book and screamed. And it’s a good reaction.
This book doesn’t disappoint. It sets the bar higher than the last one, Kill the Father. It would be best if you do read them in order as you do need the background information surrounding Dante. Plus, it does add more substance to the characters.
This one was definitely more action packed than previous. As it involves a great deal more victims and there’s definitely more layers to peel once the mystery starts to unravel and we get closer to Giltine. And it’s not yet over! There’s giant revelations at the end and you’re left with a heart stopping ending.
There are many twists and turns to go through in the book; old and new characters are mentioned, and of course Colomba is in a bind and goes through very hefty events and you marvel at her mental and emotional strength. Dante is likable in his own quirky way and both him and Colomba work so great as a team, even though they have their differences. There’s a more deeper level of understand between the two of them and there is a hint of a romance. I don’t see it myself as I’ve always seen Dante and Colomba more as a sibling like relationship. (I would have liked to see Dante and Brigitte together, they seemed like they could go along well!)
There’s some major blindsiding happening in the book, you realize Giltine is both victim and perpetrator. There’s still more to uncover in the mystery and by the time we do come to the conclusion it would be a massive atom bomb waiting to drop. However on a side note, I do enjoy how Dazieri brings in these references to various historical events (Chernobyl for one) and various conditions and illnesses to make you think and realize there’s actual conditions out there that exist and people do suffer from them. It makes the plot different and substantially prominent to make this book memorable.
The plot is very engaging and you’re pretty much on the edge in the last third of the book. The last few chapters really pack it in and they were one of the most exciting chapters I have ever read in a book so far. I’m still overwhelmed and blown away by the last page. Gah! I can’t wait for the next book!
Definitely recommended. The series is going to be one of the best I have read so far in my lifetime.
Oh lordy. Lordy lordy lordy. I don’t know what to say except, yes one more time. Lordy. I finished this book and screamed. And it’s a good reaction.
This book doesn’t disappoint. It sets the bar higher than the last one, Kill the Father. It would be best if you do read them in order as you do need the background information surrounding Dante. Plus, it does add more substance to the characters.
This one was definitely more action packed than previous. As it involves a great deal more victims and there’s definitely more layers to peel once the mystery starts to unravel and we get closer to Giltine. And it’s not yet over! There’s giant revelations at the end and you’re left with a heart stopping ending.
There are many twists and turns to go through in the book; old and new characters are mentioned, and of course Colomba is in a bind and goes through very hefty events and you marvel at her mental and emotional strength. Dante is likable in his own quirky way and both him and Colomba work so great as a team, even though they have their differences. There’s a more deeper level of understand between the two of them and there is a hint of a romance. I don’t see it myself as I’ve always seen Dante and Colomba more as a sibling like relationship. (I would have liked to see Dante and Brigitte together, they seemed like they could go along well!)
There’s some major blindsiding happening in the book, you realize Giltine is both victim and perpetrator. There’s still more to uncover in the mystery and by the time we do come to the conclusion it would be a massive atom bomb waiting to drop. However on a side note, I do enjoy how Dazieri brings in these references to various historical events (Chernobyl for one) and various conditions and illnesses to make you think and realize there’s actual conditions out there that exist and people do suffer from them. It makes the plot different and substantially prominent to make this book memorable.
The plot is very engaging and you’re pretty much on the edge in the last third of the book. The last few chapters really pack it in and they were one of the most exciting chapters I have ever read in a book so far. I’m still overwhelmed and blown away by the last page. Gah! I can’t wait for the next book!
Definitely recommended. The series is going to be one of the best I have read so far in my lifetime.
Sensitivemuse (246 KP) rated The Hunting Party in Books
Jul 3, 2019
Not what it's hyped up to be
I somewhat liked the mystery aspect of the novel. That’s what got me into reading this one in the first place. However it wasn’t what I thought it would and I finished the novel only because I wanted to know who it was that did the murder and the story behind it.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
Gareth von Kallenbach (971 KP) rated Happy Feet Two (2011) in Movies
Aug 7, 2019
Mumble is back and dancing his way back into our hearts. Happy Feet Two is a follow up to the 2006 Academy Award winning movie, Happy Feet directed by George Miller. Mumble (Elijah Wood) is now married to Gloria (Alecia “PiNK” Moore, who replaced the late Brittany Murphy) and they have a son, Erik (Ava Acres).
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Phillip McSween (751 KP) rated Run Lola Run (1999) in Movies
Nov 2, 2020
Heart-racing!
If someone asked me to describe Run Lola Run in a phrase or a few words, I would say, “Think Groundhog Day if it were a heist movie.” Though not quite on the same level as Groundhog Day, Run Lola Run definitely provides its share of intriguing moments. The plot: Lola has twenty minutes to come up with the money her boyfriend lost or he will be killed by gangsters.
Acting: 10
Very believable performances all around. Franka Potente is great as Lola, really helping to add to the overall desperation of the story. As leads go, I was very impressed with how she kept me engaged in the story with her great command of the role. What she had to do was not easy in the slightest. I won’t go into detail as to why for fear of ruining the movie, but let’s just say she was asked to do a lot in a short amount of time.
Beginning: 5
Characters: 6
With everything happening at such a fast clip, they definitely didn’t waste time on character development. While this alone wouldn’t have been enough to propel this movie to high-quality status, it certainly would have helped. Without stronger characters, I felt like the movie lacked in true substance. Sure it was fun, but the end result didn’t leave room for me to care because I didn’t have strong characters to care about.
Cinematography/Visuals: 10
Conflict: 10
Time is the conflict here and that concept is used extremely well. Every moment feels dire and extreme. You honestly don’t know what’s going to happen next. The movie does an excellent job of keeping you guessing. Expect a lot of strong moments that will keep your heart racing!
Entertainment Value: 7
Memorability: 3
Personally, the movie didn’t do enough to stick out in my memory bank. Not that it wasn’t decent, but that was the problem for me: It was just decent. There were no over-the-top scenes that blew me away. I would be happy watching this once…and never again.
Pace: 10
Full use was made of the 81-minute runtime. Run Lola Run keeps you engaged from beginning to end. For what it’s worth, I don’t recall many dull parts, if any.
Plot: 2
Resolution: 10
Satisfying ending to tie the story up nicely. It was good, almost frustratingly so. If the story had been that level of quality, I would be in love with this movie.
Overall: 73
Don’t get me wrong, I can totally see why so many people are enamored with Run Lola Run. Unfortunately for me it was just ok. I would certainly recommend a one-time watch, but it doesn’t hold up as a classic for me.
Acting: 10
Very believable performances all around. Franka Potente is great as Lola, really helping to add to the overall desperation of the story. As leads go, I was very impressed with how she kept me engaged in the story with her great command of the role. What she had to do was not easy in the slightest. I won’t go into detail as to why for fear of ruining the movie, but let’s just say she was asked to do a lot in a short amount of time.
Beginning: 5
Characters: 6
With everything happening at such a fast clip, they definitely didn’t waste time on character development. While this alone wouldn’t have been enough to propel this movie to high-quality status, it certainly would have helped. Without stronger characters, I felt like the movie lacked in true substance. Sure it was fun, but the end result didn’t leave room for me to care because I didn’t have strong characters to care about.
Cinematography/Visuals: 10
Conflict: 10
Time is the conflict here and that concept is used extremely well. Every moment feels dire and extreme. You honestly don’t know what’s going to happen next. The movie does an excellent job of keeping you guessing. Expect a lot of strong moments that will keep your heart racing!
Entertainment Value: 7
Memorability: 3
Personally, the movie didn’t do enough to stick out in my memory bank. Not that it wasn’t decent, but that was the problem for me: It was just decent. There were no over-the-top scenes that blew me away. I would be happy watching this once…and never again.
Pace: 10
Full use was made of the 81-minute runtime. Run Lola Run keeps you engaged from beginning to end. For what it’s worth, I don’t recall many dull parts, if any.
Plot: 2
Resolution: 10
Satisfying ending to tie the story up nicely. It was good, almost frustratingly so. If the story had been that level of quality, I would be in love with this movie.
Overall: 73
Don’t get me wrong, I can totally see why so many people are enamored with Run Lola Run. Unfortunately for me it was just ok. I would certainly recommend a one-time watch, but it doesn’t hold up as a classic for me.
Melanie Caldicott (6 KP) rated 10 Minutes 38 Seconds in This Strange World in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.