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Emma @ The Movies (1786 KP) rated DC League of Super Pets (2022) in Movies
Aug 2, 2022
I had hoped for something lighthearted and amusing, I definitely didn't expect what I got.
When the safety of Superman, and the world, is threatened by a bald supervillain, Krypto must step in to save the day. Ordinarily, that would be easy, but not today, today he's going to need some help.
You've got to love the classic tail tale of man's best friend. Add in some superpowers and you're really on to something, the whole family well covered. Friendship, loss, insecurity, lots of lessons for the kids, and a surprising amount of bleeped dialogue and jokes for the adults.
Each Super-Pet goes through their own little journey, and though most of the interactions are between the pets, or between the humans, when the two crossover it's handled really well. The simple transition from Kate McKinnon waxing lyrical about villainy, to guinea pig squeaks is surprisingly hilarious.
You can't really find fault with the voice cast. Dwayne Johnson and Kevin Hart are always wonderful together, and I can honestly visualise them doing some of the recording together with the physical acting. McKinnon's villainy is second to none, and her reactions to scenes... *chef's kiss*.
But can we talk about Keanu? Who has started the petition for him to play IRL Batman? We need it.
The animation is simple, that's not meant in a negative way. It feels very much in line with graphic novels, there's great attention to detail, but it doesn't distract from what's in the foreground. The expressions, the human/pet interactions, every reaction is captured perfectly. Just watch for the ear bouncing and tail twitching if you don't believe me!
I went in hoping for something amusing, I came out having seen one of the best superhero movies I've ever seen. If it had songs I may have bumped it up above Teen Titans GO! To The Movies... but also, they play no crystals. So it's a very close second place.
Oh, and, just saying... if they wanted to scrap everything live action in the DCEU, animate it, and add Super-Pets... I wouldn't be mad.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/dc-league-of-super-pets-movie-review.html
When the safety of Superman, and the world, is threatened by a bald supervillain, Krypto must step in to save the day. Ordinarily, that would be easy, but not today, today he's going to need some help.
You've got to love the classic tail tale of man's best friend. Add in some superpowers and you're really on to something, the whole family well covered. Friendship, loss, insecurity, lots of lessons for the kids, and a surprising amount of bleeped dialogue and jokes for the adults.
Each Super-Pet goes through their own little journey, and though most of the interactions are between the pets, or between the humans, when the two crossover it's handled really well. The simple transition from Kate McKinnon waxing lyrical about villainy, to guinea pig squeaks is surprisingly hilarious.
You can't really find fault with the voice cast. Dwayne Johnson and Kevin Hart are always wonderful together, and I can honestly visualise them doing some of the recording together with the physical acting. McKinnon's villainy is second to none, and her reactions to scenes... *chef's kiss*.
But can we talk about Keanu? Who has started the petition for him to play IRL Batman? We need it.
The animation is simple, that's not meant in a negative way. It feels very much in line with graphic novels, there's great attention to detail, but it doesn't distract from what's in the foreground. The expressions, the human/pet interactions, every reaction is captured perfectly. Just watch for the ear bouncing and tail twitching if you don't believe me!
I went in hoping for something amusing, I came out having seen one of the best superhero movies I've ever seen. If it had songs I may have bumped it up above Teen Titans GO! To The Movies... but also, they play no crystals. So it's a very close second place.
Oh, and, just saying... if they wanted to scrap everything live action in the DCEU, animate it, and add Super-Pets... I wouldn't be mad.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/dc-league-of-super-pets-movie-review.html
Mike Wilder (20 KP) rated The Avengers (2012) in Movies
May 30, 2018
Wow!
Contains spoilers, click to show
First of all I will not be referring to this film by the crap UK name of Avengers Assembled. The film is The Avengers and that all it needs to be called.
This is biggest and most anticipated film from the last few years. It is a sequel to the Marvel films Iron Man (2008), Iron Man 2 (2010), Thor (2011), Captain America (2011) and The Incredible Hulk (2008). But is it possible to make one film starring them all? Would it work with all of them in lead roles? The film brings together Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans) & The Hulk (Mark Ruffalo) along with S.H.I.E.L.D. agents Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Nick Fury (Samuel L. Jackson). They join forces against Thor's Brother Loki (Tom Hiddleston) who has unleashed an alien race upon the Earth so he can conquer it.
As many of you will know by now, I am a huge action movie and comic adaption fan, so this film exactly what I was looking for. I kept away from many reviews and possible spoilers. However I had to see the trailers. After seeing them and being blown away I got a little worried for the film. Many trailers use so much of the action and plot that they show most of the good parts of the film. I really hoped that this wouldn't happen with this one. I wanted this film to be good.
After the first 5 minutes I was worried. The film started out well but there was a really really bad camera cut/edit. For a film fan it stood out and slapped me in the face. I started to worry that it was a sign of things to come. However my fears were soon dispelled as the film sucked me in with outstanding direction, visuals and 3D effects like I have never seen before. The way the film was prepared starting out with Iron Man in 2008 and then tying in all the following films together are a big lead up to this one. A huge gamble but it really paid off. The outstanding cast work so well together. With all these larger than life characters already having their own individual stories told, all what was left was to bring them together. But first they start out against each other. Their individual egos explode as they battle each other with explosive devastation. Soon they all share a common goal and start to band together. Then the film really lets to. Up until this point it was amazing. When they finally start working together that's when an amazing movie exceeds all expectations and takes the superhero genre to a level never before seen. This is also the point then the 3D effects take on a whole new level. Prior to this they were used for depth and clarity of the film very well, but now it bring you in to the film and doesn't let go. The greatest effect is an alien ship appearing from over your head. It actually startled me as it appeared above my head before it was on the screen. Never before outside of a theme park has a 3D film managed this.
Fortunately it didn't just meet my expectations, it exceeded them more than I ever thought possible. I really can't find the right words to convey how good this film really is. It has moments where you laugh so hard you cry, amazingly the best of these involve The Hulk! There are moments where you find yourself holding your breath at the sheer scope of what you are seeing. The action raises the bar for the genre to maybe unattainable heights. This film is so very good.
I usually rate films on a scale of 1-10 but 10 feels inadequate for this. So for this one I am using 1-100. This film scores a 99. Only losing out on 100 due to the single bad edit at the start of the film. Joss Whedon has managed the impossible with this film and pulled of a film no one expected to be so good. For this reason and for the first time my stand out performance is the director Joss Whedon, for creating a perfect superhero movie.
You have to see this on the biggest screen you can find and in 3D
This is biggest and most anticipated film from the last few years. It is a sequel to the Marvel films Iron Man (2008), Iron Man 2 (2010), Thor (2011), Captain America (2011) and The Incredible Hulk (2008). But is it possible to make one film starring them all? Would it work with all of them in lead roles? The film brings together Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans) & The Hulk (Mark Ruffalo) along with S.H.I.E.L.D. agents Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Nick Fury (Samuel L. Jackson). They join forces against Thor's Brother Loki (Tom Hiddleston) who has unleashed an alien race upon the Earth so he can conquer it.
As many of you will know by now, I am a huge action movie and comic adaption fan, so this film exactly what I was looking for. I kept away from many reviews and possible spoilers. However I had to see the trailers. After seeing them and being blown away I got a little worried for the film. Many trailers use so much of the action and plot that they show most of the good parts of the film. I really hoped that this wouldn't happen with this one. I wanted this film to be good.
After the first 5 minutes I was worried. The film started out well but there was a really really bad camera cut/edit. For a film fan it stood out and slapped me in the face. I started to worry that it was a sign of things to come. However my fears were soon dispelled as the film sucked me in with outstanding direction, visuals and 3D effects like I have never seen before. The way the film was prepared starting out with Iron Man in 2008 and then tying in all the following films together are a big lead up to this one. A huge gamble but it really paid off. The outstanding cast work so well together. With all these larger than life characters already having their own individual stories told, all what was left was to bring them together. But first they start out against each other. Their individual egos explode as they battle each other with explosive devastation. Soon they all share a common goal and start to band together. Then the film really lets to. Up until this point it was amazing. When they finally start working together that's when an amazing movie exceeds all expectations and takes the superhero genre to a level never before seen. This is also the point then the 3D effects take on a whole new level. Prior to this they were used for depth and clarity of the film very well, but now it bring you in to the film and doesn't let go. The greatest effect is an alien ship appearing from over your head. It actually startled me as it appeared above my head before it was on the screen. Never before outside of a theme park has a 3D film managed this.
Fortunately it didn't just meet my expectations, it exceeded them more than I ever thought possible. I really can't find the right words to convey how good this film really is. It has moments where you laugh so hard you cry, amazingly the best of these involve The Hulk! There are moments where you find yourself holding your breath at the sheer scope of what you are seeing. The action raises the bar for the genre to maybe unattainable heights. This film is so very good.
I usually rate films on a scale of 1-10 but 10 feels inadequate for this. So for this one I am using 1-100. This film scores a 99. Only losing out on 100 due to the single bad edit at the start of the film. Joss Whedon has managed the impossible with this film and pulled of a film no one expected to be so good. For this reason and for the first time my stand out performance is the director Joss Whedon, for creating a perfect superhero movie.
You have to see this on the biggest screen you can find and in 3D
Gareth von Kallenbach (965 KP) rated Watchmen (2009) in Movies
Aug 14, 2019
In an alternate 1985, where Nixon is president, The U.S. won the Vietnam War, and costumed heroes have been banned by an act of the Senate, a superhero is killed. The death of the mercurial entity known as The Comedian (Jeffrey Dean Morgan) sets a string of events into motion that will soon see the world poised on the edge of nuclear annihilation, and the few remaining heroes locked in a life or death race against time to save the world. In the gritty and compelling new movie “Watchmen” by Director Zack Snyder, a clever blend of film noir and gumshoe style films of old combined with action and adventure as well as a deep examination of human frailties to create a film like no other.
No sooner has the death of the Comedian hit the streets (literally), when the edgy vigilante Rorschach (Jackie Earle Haley), begins to suspect that there is a larger and far more sinister plot in effect, one that has targeted the few remaining costumed avengers of New York City. Rorschach’s theory is disbelieved by his former associate Dan (Patrick Wilson), who prowled the streets as Night Owl and is now content to keep to himself, with his days of costumed glory behind him. He keeps his social circle limited to the first Night Owl and visiting with Laurie Jupiter ( Malin Akerman), and her husband, Dr. Manhattan (Billy Crudup).
With his concerns being dismissed, Rorschach is left to do the legwork on the mystery which soon shifts into high gear when he is framed for a murder he actually did not commit and an attempt is made on the life of the other former Watchmen, Ozymandias (Matthew Goode). With Rorschach in prison and surrounded by enemies, Dr. Manhattan, the all powerful and blue skinned being, is forced to take refuge on Mars after Laurie leaves him and a series of accusations are levied against him at a press conference .
It soon becomes clear to all that the death of The Comedian was not a random act of violence or a simple act of revenge, but rather the first salvo in a war against costumed heroes. With the former team in chaos, Laurie to take up residence with Dan, who has long held a torch for her, to defy the government order and suit up again. After saving a group of people from a fire, Laurie and Dan find the passion and purpose that has been missing from their post-hero lives and passionately unite and set out to free Rorschach and get to the bottom of the conspiracy before it is to late.
The film is an amazing mix of comic book action and mystery that includes a suprising amount of mature material that examines everything from humanity’s ultimate destiny to the inner psyche of tortured and flawed individuals. The characters all have their flaws and traumas and compensate by donning masks and taking on new personas. The deeply troubled Rorschach is filled in by some horrific and disturbing flashbacks that show how he became the disturbed and deeply dangerous crusader for justice that he is, so extreme in his measures that he is wanted by the police for his actions. Dan and Laurie try to move on from their past, but find that they are more comfortable in their costumed personas than they are in their day-to-day lives. Dr. Manhattan is perhaps the most dysfunctional of all as he has shut himself off from his wife, humanity, and joy. He has evolved beyond caring for anything but his experiments.
Snyder keeps the nearly three hour film moving at a brisk pace and deftly captures the look and tone of the graphic novel on which the film is based. The opening segment that shows alternate versions of great moments in history is amazing, as is the well choreographed action sequences. Despite being a superhero film, “Watchmen” is a superb mystery and drama that is loaded with interesting characters and clever social commentary. The cast is very strong, and Haley is remarkable as Rorschach. He is utterly captivating whenever he is on the screen and has crafted a true modern anti-hero for the masses.
Some may find the graphic violence and sex in the film a bit extreme, but in order to fully capture the duality of the characters and the dark world that they dwell in, it was in many ways restrained from what is actually implied by the source material. “Watchmen”, is a true marvel and is one of the most entertaining, diverse, and original action films in memory.
No sooner has the death of the Comedian hit the streets (literally), when the edgy vigilante Rorschach (Jackie Earle Haley), begins to suspect that there is a larger and far more sinister plot in effect, one that has targeted the few remaining costumed avengers of New York City. Rorschach’s theory is disbelieved by his former associate Dan (Patrick Wilson), who prowled the streets as Night Owl and is now content to keep to himself, with his days of costumed glory behind him. He keeps his social circle limited to the first Night Owl and visiting with Laurie Jupiter ( Malin Akerman), and her husband, Dr. Manhattan (Billy Crudup).
With his concerns being dismissed, Rorschach is left to do the legwork on the mystery which soon shifts into high gear when he is framed for a murder he actually did not commit and an attempt is made on the life of the other former Watchmen, Ozymandias (Matthew Goode). With Rorschach in prison and surrounded by enemies, Dr. Manhattan, the all powerful and blue skinned being, is forced to take refuge on Mars after Laurie leaves him and a series of accusations are levied against him at a press conference .
It soon becomes clear to all that the death of The Comedian was not a random act of violence or a simple act of revenge, but rather the first salvo in a war against costumed heroes. With the former team in chaos, Laurie to take up residence with Dan, who has long held a torch for her, to defy the government order and suit up again. After saving a group of people from a fire, Laurie and Dan find the passion and purpose that has been missing from their post-hero lives and passionately unite and set out to free Rorschach and get to the bottom of the conspiracy before it is to late.
The film is an amazing mix of comic book action and mystery that includes a suprising amount of mature material that examines everything from humanity’s ultimate destiny to the inner psyche of tortured and flawed individuals. The characters all have their flaws and traumas and compensate by donning masks and taking on new personas. The deeply troubled Rorschach is filled in by some horrific and disturbing flashbacks that show how he became the disturbed and deeply dangerous crusader for justice that he is, so extreme in his measures that he is wanted by the police for his actions. Dan and Laurie try to move on from their past, but find that they are more comfortable in their costumed personas than they are in their day-to-day lives. Dr. Manhattan is perhaps the most dysfunctional of all as he has shut himself off from his wife, humanity, and joy. He has evolved beyond caring for anything but his experiments.
Snyder keeps the nearly three hour film moving at a brisk pace and deftly captures the look and tone of the graphic novel on which the film is based. The opening segment that shows alternate versions of great moments in history is amazing, as is the well choreographed action sequences. Despite being a superhero film, “Watchmen” is a superb mystery and drama that is loaded with interesting characters and clever social commentary. The cast is very strong, and Haley is remarkable as Rorschach. He is utterly captivating whenever he is on the screen and has crafted a true modern anti-hero for the masses.
Some may find the graphic violence and sex in the film a bit extreme, but in order to fully capture the duality of the characters and the dark world that they dwell in, it was in many ways restrained from what is actually implied by the source material. “Watchmen”, is a true marvel and is one of the most entertaining, diverse, and original action films in memory.
Bob Mann (459 KP) rated Black Panther (2018) in Movies
Sep 29, 2021
Black Ops.
There was a joke on the internet the other day that made me laugh and laugh. Virtually the only white people in “Black Panther” are the Hobbit/LOTR stars Martin Freeman and Andy Serkis…. they are the Tolkein white guys! It’s actually getting to feel quite isolating as an ‘average white guy’ at the movies! After a plethora of #SheDo films about empowered women, now comes the first black-centred Marvel film… stuffed full of powerful women too!
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
TacoDave (3508 KP) rated Captain Marvel (2019) in Movies
Apr 10, 2019 (Updated Apr 10, 2019)
Special Effects (1 more)
90's Setting
Acting (2 more)
Story
Overt Politicalization
Captain "Meh"vel.
Contains spoilers, click to show
I finally saw Captain Marvel, just a few weeks after the rest of the world. It has already made over $1 billion, so I know I'm late to the game.
What can I say that hasn't already been said? It's a serviceable Marvel movie. It ranks up there with Iron Man 2 and Thor: The Dark World as well-made, enjoyable, yet forgettable superhero fare. At the end I realized it doesn't really explain anything and doesn't really amount to much except a mouthpiece for feminists raging against toxic masculinity and a cry to help refugees, and that's disappointing.
What are Captain Marvel's powers? It never really explains. She shoots energy beams. She learns to fly, somehow. And apparently she can breathe in space (?). But how or why or what the limits of her powers are is never discussed.
Neither are weaknesses. Superman has kryptonite. Batman and Iron Man are humans using technology to help them, but can be killed. Even Vision died without his infinity stone. But apparently Captain Marvel is just such a kick-ass woman that she can't be hurt. The film seems to suggest that her only weakness is her lack of self-empowerment.
And while I don't mind a movie having a political bent, everything in this movie that is trying to promote a social message is too on-the-nose, too in-your-face to work. "I'm Just a Girl" plays while she beats people up. A man says she should smile. A pilot says "You know why it's called the COCKpit, right?" Ninety percent of the music features a female singer (the only one I noticed that didn't was Nirvana's "Come As You Are"). It's just ... too much. Or too blatant. It kept pulling me out of the movie, as if the director(s) were seated next to me, poking me in the arm, saying "See what we did there? Subtext!"
One of the aliens even refers to earth as a sh!t-hole, a clear, obvious reference to Donald Trump.
So that's Captain Marvel. 10% muddled action, 30% jokes (mostly funny), 5% story, and 55% political message. Oh, and 127% GURL POWER.
I enjoyed it as a prelude to Avengers: Endgame, but I don't think I'll ever watch it again.
What can I say that hasn't already been said? It's a serviceable Marvel movie. It ranks up there with Iron Man 2 and Thor: The Dark World as well-made, enjoyable, yet forgettable superhero fare. At the end I realized it doesn't really explain anything and doesn't really amount to much except a mouthpiece for feminists raging against toxic masculinity and a cry to help refugees, and that's disappointing.
What are Captain Marvel's powers? It never really explains. She shoots energy beams. She learns to fly, somehow. And apparently she can breathe in space (?). But how or why or what the limits of her powers are is never discussed.
Neither are weaknesses. Superman has kryptonite. Batman and Iron Man are humans using technology to help them, but can be killed. Even Vision died without his infinity stone. But apparently Captain Marvel is just such a kick-ass woman that she can't be hurt. The film seems to suggest that her only weakness is her lack of self-empowerment.
And while I don't mind a movie having a political bent, everything in this movie that is trying to promote a social message is too on-the-nose, too in-your-face to work. "I'm Just a Girl" plays while she beats people up. A man says she should smile. A pilot says "You know why it's called the COCKpit, right?" Ninety percent of the music features a female singer (the only one I noticed that didn't was Nirvana's "Come As You Are"). It's just ... too much. Or too blatant. It kept pulling me out of the movie, as if the director(s) were seated next to me, poking me in the arm, saying "See what we did there? Subtext!"
One of the aliens even refers to earth as a sh!t-hole, a clear, obvious reference to Donald Trump.
So that's Captain Marvel. 10% muddled action, 30% jokes (mostly funny), 5% story, and 55% political message. Oh, and 127% GURL POWER.
I enjoyed it as a prelude to Avengers: Endgame, but I don't think I'll ever watch it again.
TheBookMother (105 KP) rated Because You'll Never Meet Me in Books
May 13, 2019
Electric charged teen angst meets Stranger Things sci fi
We've all heard that it is easier to tell a stranger something than it is your own family before but Because We'll Never Meet takes this onto a unique new level.
Ollie and Moritz are introduced as penpals and we find out they both have very special gifts that connects them together.
Throughout the story we begin to find out more about their interesting lives such as Ollie being allergic to electric and living in the woods, and Moritz being somewhat of a Daredevil character who has no eyes but can read and see despite this.
We begin to learn about their lives and the complex emotions that they are battling alongside the normal teenage angst.
Both are very isolated and alone with only each other for comfort. They each give one another a purpose in writing letters.
They find solace in one another and it really is endearing how they encourage and empower one another and confess their deepest darkest feelings that they feel they cannot speak to anyone else about.
The plot comes to a head when Moritz reveals how the boys are connected and there fall out on both sides changes both of the boys' lives forever.
You cannot help but love the characters and the humour element is one that is quite surprising but makes for a great read.
The hints towards how the boys' are connected is present throughout which makes you want to find out more and more.
I really did enjoy the book and it did remind me slightly of Stranger Things with a sci fi experiment feel to it and I very much appreciated the Marvel / superhero references.
This book highlights and brings home the troubles of finding yourself and where you fit in as a teenager but also that you shouldn't be ashamed of who you are no matter how different you may be.
It is fairly different from what I've read recently and I thoroughly enjoyed how the author set the tone and pace of the book.
It is certainly worth a read and makes you think twice about things we all likely take for granted everyday such as friendship, sight and electricity!
Ollie and Moritz are introduced as penpals and we find out they both have very special gifts that connects them together.
Throughout the story we begin to find out more about their interesting lives such as Ollie being allergic to electric and living in the woods, and Moritz being somewhat of a Daredevil character who has no eyes but can read and see despite this.
We begin to learn about their lives and the complex emotions that they are battling alongside the normal teenage angst.
Both are very isolated and alone with only each other for comfort. They each give one another a purpose in writing letters.
They find solace in one another and it really is endearing how they encourage and empower one another and confess their deepest darkest feelings that they feel they cannot speak to anyone else about.
The plot comes to a head when Moritz reveals how the boys are connected and there fall out on both sides changes both of the boys' lives forever.
You cannot help but love the characters and the humour element is one that is quite surprising but makes for a great read.
The hints towards how the boys' are connected is present throughout which makes you want to find out more and more.
I really did enjoy the book and it did remind me slightly of Stranger Things with a sci fi experiment feel to it and I very much appreciated the Marvel / superhero references.
This book highlights and brings home the troubles of finding yourself and where you fit in as a teenager but also that you shouldn't be ashamed of who you are no matter how different you may be.
It is fairly different from what I've read recently and I thoroughly enjoyed how the author set the tone and pace of the book.
It is certainly worth a read and makes you think twice about things we all likely take for granted everyday such as friendship, sight and electricity!
Louise (64 KP) rated Ms. Marvel, Vol. 1: No Normal in Books
Jul 2, 2018
WARNING!!! There is going to be a lot of fangirling in this review.
To say I loved this graphic novel is an understatement. This is my favourite graphic novel that I have read so far ( I am fairly new to them) If I could rate this more than 5 stars I would.I read this for a few different reasons,first being that it has some pretty great reviews, second it's short but entertaining and I love myself some superheroes and third for a boost so I can hit my Goodreads challenge.
So....on to the actual review. Khamala Khan is our protagonist, she's a muslim-american who manages to mysteriously get super powers and becomes the new Ms Marvel. This should be Khamala's dream come true as she is obsessed with superheroes, however it's not as easy as anticipated when she is put in situations where she has to start saving people lives and learning how to control these powers that have been bestowed upon her.
Khamala is a fantastic protagonist, her character has so much depth! What with her religious beliefs, strict parents and trying to find her true identity. It was great to read about a Teenage Muslim girl whose life was run around her family's beliefs, the struggles that she come across, such as friends and parties and not having the freedom that she craves.
I enjoyed all the side characters to the story, the Jock, the cool girl and Khamala's family were all written in really well and each had their own.
It was also funny as Khamala realises that being a superhero is not all it's cracked up to be, especially when she feels very exposed in her skintight outfit and high heel boots. (Obviously not practical for defeating bad guys)
The artwork in this novel was stunning and very much suited the storyline. This would make an excellent start for anyone that has never read a graphic novel before. The characters are fleshed out, the story line is very straight forward and no jumping back and forth and it also touches upon relative topics.
I cannot wait to get my hands on the second volume of this series and is definitely on my wish list for Xmas.
I rated this 5 out of 5 stars
To say I loved this graphic novel is an understatement. This is my favourite graphic novel that I have read so far ( I am fairly new to them) If I could rate this more than 5 stars I would.I read this for a few different reasons,first being that it has some pretty great reviews, second it's short but entertaining and I love myself some superheroes and third for a boost so I can hit my Goodreads challenge.
So....on to the actual review. Khamala Khan is our protagonist, she's a muslim-american who manages to mysteriously get super powers and becomes the new Ms Marvel. This should be Khamala's dream come true as she is obsessed with superheroes, however it's not as easy as anticipated when she is put in situations where she has to start saving people lives and learning how to control these powers that have been bestowed upon her.
Khamala is a fantastic protagonist, her character has so much depth! What with her religious beliefs, strict parents and trying to find her true identity. It was great to read about a Teenage Muslim girl whose life was run around her family's beliefs, the struggles that she come across, such as friends and parties and not having the freedom that she craves.
I enjoyed all the side characters to the story, the Jock, the cool girl and Khamala's family were all written in really well and each had their own.
It was also funny as Khamala realises that being a superhero is not all it's cracked up to be, especially when she feels very exposed in her skintight outfit and high heel boots. (Obviously not practical for defeating bad guys)
The artwork in this novel was stunning and very much suited the storyline. This would make an excellent start for anyone that has never read a graphic novel before. The characters are fleshed out, the story line is very straight forward and no jumping back and forth and it also touches upon relative topics.
I cannot wait to get my hands on the second volume of this series and is definitely on my wish list for Xmas.
I rated this 5 out of 5 stars
Sarah (126 KP) rated Justice League (2017) in Movies
Aug 25, 2018
Very Weak
Upfront, let me say that I'm neither a Marvel nor a DC girl - to be honest, I would struggle (in the past) to differentiate one universe from the other, so there's no bias - in that sense - to my review.
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
Awix (3310 KP) rated Robin Hood (2018) in Movies
Nov 26, 2018 (Updated Nov 28, 2018)
Bog-standard looks-like-a-computer-game action movie populated by a mixture of blandly good-looking non-actors and people who should probably know better; would have been forgettable tosh but for the fact that the Robin Hood name has inexplicably been plastered onto something bearing virtually zero resemblance to the legend.
Corrupt establishment has embarked upon a series of foreign wars for its own shady purposes, ordinary people are being screwed to pay for it all, plus their young men are being sent off to die. Good-hearted young chap gets his draft letter in the post and is sent off to Afghanistan, or so it seems, he gets sent home on the grounds of excess heroism only to find that someone has moved Nottingham sixty miles and it is now on the coast and has its own harbour. Needless to say he resolves to become a superhero with a secret identity and sort everything out.
The thing that will kill this movie for anyone who actually cares about the Robin Hood legend is that it seems to have no appreciation of the fact that Things Were Different In The Past, and is fairly up front about it: 'we're not going to bore you with history,' the script announces in so many words right at the start. Well, if you really think history is boring, possibly you shouldn't have tried to make a film with a historical setting, then, but thank-you for making your low opinion of your audience's intelligence obvious from the start.
All the things the legend is actually about, and most of the things you would automatically associate with it (sword-fights, the band of Merry Men, Sherwood Forest, King Richard's ransom) are chucked out in favour of a glib and opportunistic one-size-fits-all form of anti-capitalist and anti-establishment agitprop. You may argue that we've seen the classic version of the story so many times before, and this is about doing something new, but if you get rid of the Robin Hood element of the Robin Hood story, you're left with something pointless and stupid, which is really what we have here. The Disney version with the talking fox is much more entertaining, not to mention historically accurate.
Corrupt establishment has embarked upon a series of foreign wars for its own shady purposes, ordinary people are being screwed to pay for it all, plus their young men are being sent off to die. Good-hearted young chap gets his draft letter in the post and is sent off to Afghanistan, or so it seems, he gets sent home on the grounds of excess heroism only to find that someone has moved Nottingham sixty miles and it is now on the coast and has its own harbour. Needless to say he resolves to become a superhero with a secret identity and sort everything out.
The thing that will kill this movie for anyone who actually cares about the Robin Hood legend is that it seems to have no appreciation of the fact that Things Were Different In The Past, and is fairly up front about it: 'we're not going to bore you with history,' the script announces in so many words right at the start. Well, if you really think history is boring, possibly you shouldn't have tried to make a film with a historical setting, then, but thank-you for making your low opinion of your audience's intelligence obvious from the start.
All the things the legend is actually about, and most of the things you would automatically associate with it (sword-fights, the band of Merry Men, Sherwood Forest, King Richard's ransom) are chucked out in favour of a glib and opportunistic one-size-fits-all form of anti-capitalist and anti-establishment agitprop. You may argue that we've seen the classic version of the story so many times before, and this is about doing something new, but if you get rid of the Robin Hood element of the Robin Hood story, you're left with something pointless and stupid, which is really what we have here. The Disney version with the talking fox is much more entertaining, not to mention historically accurate.
Neon's Nerd Nexus (360 KP) rated Men in Black International (2019) in Movies
Jun 18, 2019
Land Down Under
Men In Black International shoots for the stars but comes up short turning out to be nowhere near as fun or thrilling as all the other instalments but does enough to provide some entertainment at least. I was obsessed with Men In Black when i was a teenager the humour mixed with a quirky ugly scifi edge was refreshing to me as a kid & like nothing I'd ever seen before. So in a world where superhero movies rule i was kind of hoping international would bring back that sense of shock & wonder i felt when i was a kid seeing the original for the first time while at the same time invoking a feeling of nostalgia too. Sadly however Men in black 4 has something missing & i cant quite put my finger on what it is. Theres definitely a lack of thrill & excitement to the entire film (even the action scenes) which doesn't help & the humour feels weird like its jokes stop the film dead feeling flat/bland & badly written or delivered with bad timing. Then theres the acting & again im not sure whats wrong but somethings off with it or the dialog because characters dont seem to react to things well, talk to each other in a realistic manner or have anything interesting to say so from time to time i found myself just staring at the screen with my brain switched of to what was being said after a while. Maybe its the script or the actors not being given much freedom because Chris Hemsworth is a great actor & funny guy but in this he comes across like an average joe. Plot wise is very basic fluff just re jigged & reused from the others & the final act feels awkwardly rushed. World building is given a backseat this time too which is a shame & themes of individuality & finding your purpose arnt particularly great either. Its not all bad however there were set pieces i found really fun & creative, the cgi was great & extremely believable, its visually really nice to look at, sound design is punchy & i really liked the villains that were stalking them too even though they felt under used/developed & their presence on screen ended far to abrupt. Mib4 is definitely watchable even if it is a tad forgettable/lacking but I'd happily watch another instalment in a few years thats for sure.